Энергия (футбольный клуб, Новая Каховка)

«Эне́ргия» () — украинский футбольный клуб из города Новая Каховка Херсонской области. С сезона 2010/11 выступает во Второй лиге Украины.

 История
200px|right|thumb|Мемориальная стена на стадионе «Энергия»
Команда Новой Каховки была образована в 1952 году при коллективе гидроэлектростанции на Днепре — Каховской ГЭС. С 1957 года представляла в соревнованиях по футболу коллектив электромашзавода. С 1991 года существует как самостоятельный футбольный клуб.

Наибольших успехов команда достигла на любительском уровне. 17 раз «Энергия» оказывалась по итогам сезона на первой строчке чемпионата области, 15 раз завладевала кубком. Дважды команда становилась чемпионом УССР среди коллективов физкультуры. Ещё два раза владела кубком УССР и два раза останавливалась за шаг до трофея, проигрывая в финалах.

Обладатель Кубка облпрофсоюза 1954 года, одиннадцатикратный чемпион областного совета ДСО «Авангард», чемпион всеукраинского совета ДСО «Энергия» (1952, 1954), обладатель Кубка союзного ЦК ДСО «Энергия» 1952 года. В 1979 году команда представляла Херсонщину в футбольном турнире Спартакиады УССР (8-е место).

На профессиональном уровне «Энергия» выступала с 1967 по 1971 гг. в чемпионатах СССР. Наивысшим достижением команды стало 15-е место в первой зоне УССР класса «Б» в 1968 году и 18-е место в итоговом зачете команд УССР класса «Б» в 1970 году.

Возрождение команды в период независимости Украины связано с ООО «Пивденмлын» и Сергеем Нестеренко, который его возглавляет. Благодаря его поддержке «Энергия» вернула себе звание чемпиона области в 2009 году, прервав трехлетнюю гегемонию горностаевского «Мира». После этого успеха клуб первые с 1995 года заявился на чемпионат Украины среди любительских команд. В розыгрыше 2010 года «Энергия» попала в сложную группу с тем же горностаевским «Миром» и «Торпедо» из Николаева, которое на тот момент три года подряд доходило до финала всеукраинских любительских турниров (2 раза чемпионат и 1 раз кубок). Переиграв на своем поле трёх конкурентов, включая и «Мир», а также сыграв вничью с «Торпедо», «Энергия» провалила выездные матчи () и заняла в группе 3-е место из 5 команд. В финальный турнир прошли «Мир» и «Торпедо», где горностаевские футболисты в итоге и стали чемпионами Украины.

Пока любительские клубы разыгрывали чемпиона, «Энергия» подала заявку в профессионалы, и в сезоне 2010/11 клуб дебютировал в чемпионате Украины во Второй лиге. Новичок очень мощно стартовал и весь первый круг прочно удерживал первое место. После перерыва команда ещё долго держалась первой но соперники потихоньку догоняли, за 4 тура до конца началась чехарда со сменой лидера. За 2 тура до конца «Энергия» отставала от лидера всего на 1 очко, но по результатам чемпионата отстала уже на 4 и скатилась на 3-е место. Клуб остановился в двух шагах от чистого места в Первой лиге и в одном шаге от места в плей-офф.

В следующем сезоне «Энергия» сделала ещё один шаг назад, заняв в итоговой таблице турнира четвертую строчку. После завершения чемпионата стало известно что команда теряет поддержку своего основного спонсора ООО «Пивденмлын», о чём заявил лично Сергей НестеренкоПрезидент новокаховської «Енергії»: «Фінансувати футбол більше несила».

Потеряв основного спонсора, президента, тренерский штаб и 19 игроков, команда всё-таки смогла выстоять и заявиться на следующий сезон«Енергія» не вмерла — і її очолив Окул.

 Достижения
 Чемпион УССР среди коллективов физкультуры: 1964, 1972
 Обладатель кубка УССР среди команд коллективов физкультуры: 1979, 1982
 Чемпион Херсонской области (16 раз): 1960, 1961, 1962, 1964, 1966, 1971, 1973, 1974, 1976, 1977, 1980, 1981, 1986, 1987, 2005, 2009
 Обладатель кубка Херсонской области (15 раз): 1964, 1965, 1971, 1972, 1974, 1975, 1979, 1980, 1982, 1983, 1984, 1986, 1988, 1995, 2000
 Обладатель Кубка газеты «Новый День»: 2009
 Обладатель Кубка «Рабочей газеты»: 2009
 Победитель турнира памяти П. И. Безносенка: 2010, 2011
 Обладатель Кубка «Крымтеплицы»: 2011

 Состав
По состоянию на 19 ноября 2021 годаЗаявка команды на сезон на официальном сайте ПФЛ

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 Тренерский штаб
 Главный тренер: Эдуард Хавров
 Тренер вратарей: Дмитрий Зелинский https://www.footboom.com/player/30254-dmitriy-zelinskiy

 Примечания

 Ссылки
 Сайт ФК «Энергия»

Категория:Организации Новой Каховки

In the next season, "Energia" made another step back, taking the fourth line in the final table of the tournament.

Question: what was the fourth line in the final table of the tournament

Question: what line didnergia take in the final table of the tournament

Question: who took the fourth line in the final table of the tournament

Question: where does energia take the fourth line

итоговой таблице турнира

In the next season , " Energia " made another step back , taking the fourth line in the final table of the tournament .

After losing the main sponsor, the president, the coach's headquarters and 19 players, the team was still able to stand up and claim for the next season "Energy" did not die - and its head of the Oculus.

сезон«Енергія

Question: how many players are in �нергия

Question: what is the name of the company that is the main sponsor of фу

Question: what is the name of the oculus team

Question: who is the main sponsor of �нергия

Question: what did the team claim for the next season

Question: how many players are in the oculus oculus team

Question: who is the main sponsor of the oculus

After losing the main sponsor , the president , the coach 's headquarters and 19 players , the team was still able to stand up and claim for the next season " Energy " did not die - and its head of the Oculus .


Онли, Джерри

Джерри Онли (), настоящее имя Джеральд Кайафа (), родился 21 апреля 1959, Лоди, Нью-Джерси — басист американской хоррор-панк-группы The Misfits.

Создатель стиля прически Devilock.

 Карьера в Misfits
В юности на Джерри Онли оказали влияние такие исполнители как Дэвид Боуи (до 1974 года), Элис Купер, The Clash, The Ramones, Blondie, а также первые альбомы Kiss и QueenInterview with the Misfits' Jerry Only.

Джерри присоединился к The Misfits в качестве бас-гитариста в 1977 году, всего через несколько месяцев после того как на Рождество он получил в подарок свою первую бас-гитару. Семь дней в неделю Джерри работал на фабрике своего отца, чтобы раскрутить The Misfits, а по выходным играл на её выступлениях. Так продолжалось в течение нескольких лет, пока группа неожиданно не распалась (как вскоре стало известно, из-за разногласий между вокалистом Гленном Данцигом и остальными участниками).

С 1983 по 1995 год Джерри и его младший брат (гитарист, также бывший участник Misfits) Дойл образовали группу Kryst the Conqueror.

 Второе пришествие
Вскоре в 1995 году начался судебный процесс с основателем группы Гленном Данцигом по делу об авторских правах на The Misfits. Дело закончилось победой Джерри, и теперь он мог выступать и записывать композиции под именем «The Misfits», деля доход от мерчандайза с Данцигом.

Сравнительно быстро был сформирован новый состав: на вокал взяли молодого и подающего надежды Майкла Грэйвса, Dr. Chud (Cannibalistic Humanoid Underground Drummer) на ударных и Дойл (взявший псевдоним Дойл Вольфганг фон Франкенштейн) на гитаре. Джерри Онли остался играть на басу.

Весь мир скептически воспринял воссоздание группы — какой же Misfits без Гленна Данцига? Но когда вышел диск American Psycho, ухмылки сменились на аплодисменты — альбом превзошёл все ожидания и даже последние скептики согласились его поставить в дискографию Misfits далеко не на самое последнее место.

В 1999 году с целью расширения аудитории группа в полном составе приняла участие в нескольких реслинг-шоу WCW Nitro, участвуя в сюжетной линии с Вампиро, а Онли даже провёл матч в стальной клетке со Стивом «Доктор Смерть» Уильямсом. Осенью 1999 года выходит альбом Famous Monsters.

 Новый состав
В 2000-м году группа распалась. Dr. Chud и Грейвс сформировали новую группу — Graves; Дойл также ушёл из группы и вскоре собрал новую группу Gorgeous Frankenstein. Даже такой поворот не смог остановить Джерри: вскоре был сформирован новый, третий по счету состав, включивший в себя: гитариста Dez Cadena (бывш. Black Flag и DC3) и ударника Марки Рамона (из Ramones), а «бессменный» Джерри кроме бас-гитары взял на себя обязанности вокалиста.

thumb|220px|2006 год
В начале 2005 Марки Рамон покинул группу, и Джерри пригласил в группу их бывшего участника — ROBO (бывш. The Misfits, Black Flag) на пустующее место ударника.

Осенью 2011 года вышел новый альбом The Misfits — The Devil’s Rain.

 В настоящее время
В 2016 году (спустя 33 года) The Misfits воссоединились в составе «Данциг-Онли-Дойл». В 2017 году воссоединившийся состав дал еще два концерта на MGM Grand Garden Arena в Лас-Вегасе 28 декабря и The Forum в Инглвуде, штат Калифорния, 30 декабря. они также выступили в пруденциальном центре в Ньюарке, штат Нью-Джерси, 19 мая 2018 года.

 Дискография

 Примечания

 Ссылки

Категория:Панк-рок-музыканты
Категория:The Misfits
Категория:Хеви-метал-вокалисты США

In youth, Jerry Onley was influenced by such performers as David Bowie (up to 1974), Alice Cooper, The Clash, The Ramones, Blondie, as well as the first albums Kiss and QueenInterview with the Misfits' Jerry Only.

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Jerry Only - единственный и неповторимый
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Misfits... Наверное,они являются брендом в неменьшей степени, чем KISS. Знакомая черепушка подмигивает нам с сумок, маек и чашек даже сегoдняшних эмо, которые зачастую о Misfits не знают ничего, кроме названия группы. Этот брэнд на данный момент держится на мощных плечах одного Джерри - Jerry Only, теперешнего вокалиста и арт-директора группы, единственного из тех Misfits, которые в 1977 году появились на американских площадках с Hybrid Moments и Return of The Fly.
Мы встретились с Джерри, чтобы поговорить о том, что заставляет его быть титаном, удерживающим легенду под названием Misfits, о его творческих планах и о том, почему скелеты, черепа и "ужастики" вводят в гипнотический ступор массы молодых и не очень любителей пощекотать себе нервы.
Что из себя представляют The Misfits в 21 веке: памятник былым The Misfits времен 1980-х и 1990-х, совершенно новую группу или вообще нечто другое?
Мы сегодня - это результат естественной эволюции. Все куда-то движется и во что-то трансформируется. В начале нашей карьеры мы сделали определенный прорыв в музыке и с тех пор усовершенствовали наше звучание. Мы взяли то, с чем начали работать the Ramones и the Clash, и стали работать с тем же материалом, но на другом уровне. Я думаю, что наш последний альбом - это лучшее, что мы сделали до сегодняшнего дня. Наше будущее гораздо ярче нашего прошлого, которое, мы оставляем позади (смеется -авт.).
Кому бы ты смог отдать свое нынешнее место вокалиста Misfits?
Элвису! (смеется - авт.) Дело в том, что я никогда не собирался быть вокалистом Misfits - меня на это место выталкивали обстоятельства, а не мой собственный выбор. Это забавно. В детстве, когда ты мечтаешь о том, чего сможешь достичь в музыке, ты мечтаешь стать знаменитым певцом. Я всегда мечтал спеть гимн США огромному стадиону, полному людей. И так и случилось, хотя было жутковато. Все не так гламурненько, как ты себе воображал. Я в качестве вокалиста Misfits - это вынужденное действие. Сначала нам нужно было заменить Glenn'a (Danzig - авт.) , когда он ушел из группы в 1983. Когда мы вернулись на большую сцену в 1995, я знал, что впереди у нас долгие годы, и нам был нужен кто-то молодой,восприимчивый, кто-то, кто был лучшим голосом Misfits, чем я. Мне 51 год и я говорю о том, что я выучил на собственном опыте, но мне был нужен кто-то, для кого это все стало бы собственным, новым опытом, в отличии от чего-то набившего оскомину. Когда я выбрал вокалиста, оказалось, что он очень безответственный человек, абсолютно не уважающий свою работу. И то, что сейчас я являюсь вокалистом Misfits - результат того, что я решил взять дело в свои руки. Послушав наш новый альбом, я думаю, вы поймете, что за последние 10 лет я точно научился петь (смеется - авт.).
В общем, ты уступил бы Элвису? А у ныне живых вокалистов есть шансы?
Трудный вопрос, потому что я не могу даже придумать, кто бы хотел у нас петь. Во время нашего первого возвращения на сцену я хотел, чтобы у нас пел David Vanian ( вокалист The Damned - авт.), мне казалось, он бы нам очень хорошо подошел. Но он человек вроде меня: он занимается своим собственным делом. Знаешь, бывает не хочется вылезать из своих любимых ботинок, особенно если они очень удобны. Но, да, я по-прежнему думаю, что в ситуации если бы мы опять искали вокалиста, David Vanian был бы на первом месте.
Ты общаешься с бывшим вокалистом Misfits Michale Graves?
Я пытаюсь не делать унизительных высказываний о Michale. Я стараюсь не то, чтобы отдать ему должное.... Нет, я пытаюсь дать ему возможность созреть, да "созреть" - подходящее слово. И продуктивно развивать свой талант. Он сам по себе немножко плакса. Ему в 19 лет были предоставлены очень хорошие шансы, но он их "прокакал". Я не очень хочу общаться с ним, так как я знаю, что он вряд ли скажет обо мне что-то хорошее. Смешно, он всегда хотел быть кем-то вроде Curt Cobain. Он был весь такой гранжевый, осветлял волосы, вплетал в них бусины, как гавайские серфенгисты, и он всегда был против имиджа Misfits, против всего, связанного с образом Misfits. Поэтому он всегда был сам по себе. Он сразу хотел стать "тем самым Michale Graves из the Misfits". Есть в этом какой-то сарказм. Сейчас он работает с Marky (Ramone – авт.), и это просто смешно потому, что на нашем шоу в Нью-Йорке, посвященном 25 юбилею группы, Marky должен был стать одним из приглашенных ударников,а Michale отказался с ним играть. А теперь он работает с Mark'ом, делает грим а-ля Misfits. Попахивает двуличностью. Но я всем желаю только всего самого наилучшего. Я не стану себя лучше чувствовать от того, что другим будет плохо. Я занимаюсь своим делом, a что касается Michale, я думаю ему надо развивать свой талант и стать приятным человеком, с которым легко работать. Он, в конце концов, не Mick Jagger. Он не может себе позволить себе валять дурака, ожидая, что все перед ним будут бегать на задних лапках. Сейчас он работает с Marky, мне кажется, что это забавно, но я желаю им удачи. Я очень надеюсь, что у всех дела будут в порядке и каждый будет счастлив.
Ты слышал его кавер-версии песен Misfits, например "Dig Up Her Bones"? Что ты о них думаешь?
Нет, я не слышал. Я не думаю, что Michale может сыграть песню Misfits лучше, чем сами Misfits.
Множество групп делали кавер-версии песен Misfits. Какая из них тебе больше всего нравится?
Я слышал кавер-версию "Return of a Fly" на каком-то сборнике, и она мне очень понравилась. Песня звучала так, будто она была записана в 1930-х, в стиле биг-бэнда. Мне очень понравилось.
После выпуска сингла Land of the Dead прошлой осенью вы собирались в июле этого года отправиться в студию и записать новый альбом. Как пошло дело?
Я думаю, что это, наверное, самая великолепная наша работа; пожалуй, самый лучшие альбом, который я слышал за последние годы. Этот альбом - огромный прорыв, и мы наконец доказали, что способны двигаться вперед и избавились от печатей, наложенных на нас прошлым. Я, конечно, могу многим закрыть рот, сказав: "Мы сделали то и это". Но, Боже праведный, кому это интересно. Я занимаюсь всем этим не для того, чтобы гладить себя по головке - я хочу делать классную музыку для наших поклонников, и я считаю, что наш звездный час - сейчас. Я в этом настолько уверен, что мы даже не будем организовывать тур в поддержку альбома. Я возьму отпуск и побуду дома с моей маленькой доченькой. Вот и все.
Когда ты только делал первые шаги в музыке, твоим кумиром был David Bowie. А что насчет Alice Cooper? Ты согласен с тем, что не будь его - не было бы и хоррор-панка?
О, разумеется! Несомненно. Alice Cooper - икoна в музыке. Я считаю, что его раннее творчество лучше того, что он написал позже. Но так бывает со многими группами. Billion Dollar Baby - просто великий альбом, хоррор-рок на все времена. Я не единожды видел его тур Welcome to My Nightmare; в те времена я заканчивал школу. Мне было лет 16 и я сходил на концерты, наверное, раз 5. Я большой фанат Alice Cooper, и меня даже представили ему во время одного мероприятия на Мэдисон-Сквер, так что нам удалось пообщаться. Я считаю, что Alice Cooper - самостоятельный феномен. Он гораздо ближе к нам, чем David Bowie. А с David Bowie история была такая - до него на меня повлияли несколько команд того времени, как Aerosmith, например. Насколько я помню, KISS я тоже уже видел к тому моменту. Bowie я впервые увидел, когда я внекласcно работал фотографом и оформителем в моей школе. То, что до этого я слушал с друзьями, это был южный рок, и он моего внимания особо не привлекал. А David Bowie указал мне на связь между тем, что я мог бы дать людям как исполнитель и самой музыкой. Когда я почувствовал эту связь, у меня будто электрическая лампочка над головой зажглась: ”Вот, что мы должны делать!”. David также был примером для меня в том, что он постоянно меняется. Мне очень нравятся Ziggie Stardust и Diamond Dog. Потом он сделал Young Americans, за которым последовал Station to Station, ставший шагом в сторону немецкого техно. Потом он сделал Low - совершеннейший отстой. И David Bowie постоянно менял свой имидж, в соответствии с тем, что новое он для себя открывал, что в мире появлялось, что становилось модным. Он тусил в каждом большом городе на Земле. Он продюсировал альбом Iggy Pop потому , что в то время панк становился популярным. И мне именно это в нем и не нравилось: то, что Bowie постоянно менялся. Мне кажется, что если ты нашел, что-то удачное, этого и надо держаться. Когда у меня самого появилась группа, я решил, что у нас будет постоянный имидж, наши инструменты и костюмы не будут меняться. У группы должен быть стандарт. Когда ты приходишь на концерт, ты знаешь, что получишь, без сюрпризов.
Как ты думаешь, почему людей так привлекают ужастики в музыке, в кино, в литературе? Наверное, ни у одного другого жанра нет такого количества поклонников.
Я для себя ответил на этот вопрос только недавно. Я считаю, что это страх быть проглоченным другим существом: акулой, динозавром, пришельцем. Прежде всего, это страх - страх перед каким-то несчастьем, страх быть уязвимым и фантазия, рисующая многочисленные способы того, как и что тебя может поглотить (смеется - авт.). Так я объяснил это самому себе. Мне кажется, что все идет от того, что человек, в конце концов, появился в процессе эволюции, а началась она с улиток и организмов, живущих на дне Океана. Мы не хотим, чтобы нас сожрали, мы пытаемся этого избежать всеми возможными способами. Меня часто говорят: “ Ты создал этот имидж, эту группу. Почему вы не хотите говорить о политических проблемах и еще о чем-нибудь?". Но, подумайте, например, когда изобрели кино, что сняли сначала? Франкенштейна, а потом еще и Призрака Оперы. До сих пор эти фильмы смотрят, и они стали вечной классикой. Политические события теряют актуальность за час, социальные статусы рассыпаются, как песочные замки - вот вам и ответ. Жанр "хоррор" - это вечная тема. Я думаю именно поэтому наша группа не теряет популярности. Вот почему мы стали чем-то вроде иконы жанра в рок-музыке. Именно из-за этой формулы.
Имидж группы основан на образах, связанных со смертью. А ты сам боишься смерти?
Нет, совсем не боюсь. Я смирился с этой мыслью. Как я уже говорил - все повязано на страхе быть поглощенным. Мы почему-то чаще всего думаем, что никогда не умрем и будем жить вечно. Но, ведь когда-нибудь не станет всей Вселенной - не только нас, но и миллиардов звезд и планет. Мне кажется, что мы положительно освещаем тему смерти. Я не думаю, что мы рекламируем зло. Мы - очень продуктивная команда. Большинство наших поклонников - очень умные и начитанные люди: те 10 процентов, у кого уровень IQ выше среднего. Наши поклонники очень часто оказываются художниками, писателями. Что касается совсем юных - у них все в порядке с успеваемостью в школе. Они великолепно понимают структуру наших песен, текстов. Все, что делают наши поклонники, сделано с большим вкусом. Мы часто ищем вдохновения в их работах. Очень многое в визуальном оформлении наших альбомов было почерпнуто у наших поклонников. А однажды один парень, который работает в сфере создание фильмов ужасов в Голливуде, сказал мне: "Те ребята, которые делают спецэффекты в голливудских ужастиках, когда они работают,они слушают вашу музыку. Может вы и не самая популярная команда здесь, на Западном Побережье, но вся индустрия фильмов ужасов работает под вашу музыку". И это - огромнейший комплимент.
А ты сам в жизни сталкивался с паранормальными явлениями?
Да, конечно. Я думаю, что каждый из нас с ними сталкивался. Разумеется, я сталкивался с необъяснимыми явлениями в таких местах, как Новый Орлеан, Чикаго. В местах, в которых есть свой особый дух, где угнетались люди, и с тех пор там остался дух тревоги, как, например, в Новом Орлеане. И это легко почувствовать. Мне кажется, что подобные явления - это нечто вроде знаков для тебя лично, а не для того, чтобы их обсуждать. Эти знаки даются всем. Однажды я разговаривал на эту тему с Sean – басисткой из White Zombie, и она рассказывала, что в детстве сталкивалась с паранормальными явлениями. Я считаю, что - это очень личная тема, потому, что многие люди к таким вещам относятся очень скептически. Я верю в то, что дверь в подобные миры открывается, если существует концентрация негативных эмоций. Положительные эмоции тоже оставляют свою ауру. В можете попасть в место с позитивной аурой и сразу это почувствуете. Мне не кажется, что паранормальные явления - это нечто негативное; негативными их делает страх, тот самый страх, что тебя поглотит неизвестность, о котором я говорил.
Виктория Максимович
Фотографии: Яна Б. и архивы Darkside
28 дек 2010
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Timbuktu

Question: which artist influenced jerry onley in his youth

Дэвид Боуи ( до 1974 года ) , Элис Купер , The Clash

which artist influenced jerry onley in his youth

Question: david bowie, alice cooper, the clash, the ramones, blond

Question: when did david bowie begin to influence jerry onley

Question: what was the name of jerry onley's first album

what was the name of jerry onley's first album

Question: which bands influenced jerry onley in his youth

Alice Cooper, The Clash, The Ramones, Blondie

Боуи ( до 1974 года ) , Элис Купер , The Clash , The Ramones , Blondie

Alice Cooper , The Clash , The Ramones , Blondie

which bands influenced jerry onley in his youth

Question: when was jerry onley influenced by david bowie

when was jerry onley influenced by david bowie

Question: david bowie, alice cooper, the clash, the ramones and which other

In youth , Jerry Onley was influenced by such performers as David Bowie ( up to 1974 ) , Alice Cooper , The Clash , The Ramones , Blondie , as well as the first albums Kiss and QueenInterview with the Misfits ' Jerry Only .

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Interview
with the
Misfits' Jerry Only
The longtime Misfit fills us in on Project
1950 and potential work with the band's original crooner, Glenn
Danzig.
by Mark Prindle
Jerry Only is the founding bass player of
punk legends The Misfits. Although the band originally broke
up in 1983 or so, he and his brother Doyle (who had played guitar
in the Misfits) launched a new Danzig-free Misfits in the mid '90s.
That line-up released the studio albums American Psycho and
Famous Monsters before falling apart and paving the way for
a Misfits Supergroup (!) featuring Jerry, Marky Ramone and Black
Flag's Dez Cadena.
This line-up recently released a CD of '50s cover
tunes entitled Project 1950. Having been a fan of the band
for a good 14 years, I jumped down, turned around, picked a bale
of cotton when Citizine's Thom White told me he could get
me on the phone with Mr. Only to discuss the past, present and future
of his fine outfit. This was me: "Howdy-do!" The interview
is below.
I'm bold, black and beautiful, and Jerry
is plain text, but with a devilock.
-----
Hello?
Hello, I'm calling for Mark.
Hey, this is Mark!
This is Jerry.
Hey! How ya doin'?
Doin' well! How you doin'?
Ah, excellent. Thank you for calling!
Ah yeah, no problem.
So tell me about the new album.
The new album is a childhood dream come true. Got
to sing with Ronnie Spector, got to cover a bunch of songs that
I thought were definitely influential in drawing a line between
the punk form of songwriting and obviously the original rock and
roll. So it went well, we had an all-star line-up -- it was great!
How did you get that line-up together? That is
an amazing line-up you have.
Yeah! Well, what happened was that we were doing
the Misfits 25th Anniversary run, and Joey Ramone was supposed to
be singing with us. And Marky was coming along, and we brought Dez
in as a special guest because he had come out from the west coast
to see the shows, and when he was here, I was just like, "Hey
Dez! Since you're here, why don't you come up and do some songs
with us?" And he was like, "Yeah okay, sure!" So
as one thing led to another, and then my brother had some responsibilities
that kept him from touring, we were working together -- me, Mark
and Dez!
And Joey Ramone's 50th birthday party had come up
and Blondie was playing there, and I'd run into Jimmy Destri and
told Jimmy about the project, and he was interested in playing.
And Ronnie, we actually called her on the phone. She was a good
friend of Joey Ramone's as well, so Ronnie heard that we were working
on a project and knew we were good friends with Joey, and she said,
"Well, let me see what I can do for you guys." And she
came down and threw her two cents in. So we got the five of us on
there.
It's really great because Mark was up for the game;
Mark was very excited about working on a '50s project, something
he'd always wanted to do. And Dez is actually a second-generation
musician, his dad had worked in the music business before. And it
just all fell together. I'm real happy with the product. I think
the kids get something, the parents get something they can relate
to with the kids, and we got a bunch of kids moshing to "This
Magic Moment" so --
Ha!
I stand there and laugh, you know? We do an oldies
block in the middle of our set, and I'll see these kids moshing
to these songs and I just say to myself, "Did those guys who
wrote this stuff and recorded it ever think for one minute that
kids would be doing this while their music was being played?"
I say, "Nah, I don't think so." So it's good. I think
it's an album to really transcend just about every generation there
is. We have a problem now with parents stealing their kids' CDs,
so the roles have been reversed.
I'm gonna pick it up either this weekend or next
weekend as a birthday type thing for myself.
Oh you're gonna get a kick out of it! The packaging
is real good. We started our own label, and one of the main things
we realized was that the packaging has to really sell the product
today, because kids can go out and buy a CD and then ten kids can
burn them. So you have to really be on your toes. Now all of a sudden
the marketing that we've been perfecting over the years all comes
into play. And it's nice because you're able to go into Best Buy
and buy our album with a free DVD in it for $11.99.
Yeah, I saw that it had that. What's on the DVD?
The DVD is us on Halloween night with Jimmy Destri
playing "Runaway." And then we played the Phillips Snowboard
Championships up in Vermont, outside on the side of a ski slope.
Specifically, Phillips called us up -- this was
before the release of the record, this was last February -- and
said, "Listen, we know you guys are working on a '50s project.
We want you to debut it here. I mean, this is really why we're bringing
you in here. We wanna see what happens." And we were like,
"Yeah, you're callin' real early -- we wanna see what happens
too!" So it was funny because those were all the snowboarding
kids and all the acrobatic skiers and stuff. They were all cutting
edge! They listen to the hardest stuff there is while they skate
and do their thing. So we had them all moshing, and when I seen
them start moshing, I was just like, "Wow! Here we go -- this
is gonna work!" Because if these kids get it, then your average
kid will get it no problem, you know? These were the more extreme
kids; these were like all the crazy kids. So it was really good.
We got hit with snowballs -- that's in there. Then
there's a bunch of footage of us and Balzac, which is a band that's
on our label now. And that's on there too as bonus stuff. It helps
promote the label, it helps promote the band, and it also really
brings to light the similarities between the original rock and roll
and the punk music.
It's all about vocal melodies. And really that's
what we were musically getting away from -- as you'd see heavy metal
start coming in, you wound up getting more virtuoso guitar players
and drummers doing ten-minute solos and things like this. So punk
music really came and was a slap in the face for everybody to say,
"Hey! Let's just write a bunch of really great songs, go out
there and kick them as hard as we can!" Make no highs and lows
or strategic pauses --
And you guys were one of the first and one of
the best. You started a long time ago!
Yeah, you know, I did! But it was funny because
I was the young guy in the crowd. I was 17, Howie Pyro -- who plays
in D Generation and he played also in Danzig's band recently --
he was 16, and my brother Doyle was 12!
Wow!
Yeah, Doyle's five years younger than me! So Doyle
saw the Jam play CBGB's, I think he saw the Clash with me, he saw
Sid Vicious play Max's Kansas City -- when he was in 8th grade!
So we were like young guys on the scene, and most of the older guys
that were on the scene -- the Jerry Nolans and the Johnny Thunders
and guys like this -- they were about between five and ten years
older than me, but they were totally into doing different things.
We came out of high school and we were a bunch of
football players and basketball players, so we were athletes --
we would lift weights and we would do all this kinda stuff -- and
I think that's really what preserved us as long physically, was
that we came in and we didn't get involved with heroin or other
things like that that these guys were doing. And God rest their
souls, we lost a lot of them. We managed to keep it going and keep
it alive.
And I think we managed to reinvent ourselves every
step of the way, which was important too. I was always a big David
Bowie fan, and what happened was that when David Bowie switched
from Ziggy Stardust into doing Young Americans and doing that little
disco kinda dancey stuff and dressing up, all of a sudden I couldn't
relate, you know? And I kinda left him on the side of the road and
we started our own band about the same time.
So I discovered the Clash, I discovered the Pistols,
obviously the Ramones, Blondie -- now Blondie being more of a transitional
thing where they have the ability to hit the charts, where other
bands have always struggled. I mean, I don't know what the highest
Billboard chart for a Ramones song was or anything like that; I
really don't follow it because we're not Billboard-oriented kinda
people. But at the same time, with this new album, we charted very,
very high! For us, we got in the 130s or something like that, which
for us was the highest rated Misfits record yet.
Oh wow! Really?
Yeah! And I think Famous Monsters came in at 138,
which is one of our songs so we were kinda tickled --
That's pretty funny, yeah! "We Are 138."
We were tickled pink about that. Or tickled BLACK,
we should say! The thing was that for the Misfits actually to have
that kind of a landing with this is big, and it seems to be holding
its own from week to week. And I think that as more people buy it,
and more people see the packaging and they get the DVD, I think
it's gonna sell really, really well.
And I also think that we're gonna be going to oldies
stations during the Halloween season with "Monster Mash,"
and I think that when these oldies stations get their hands on it,
you're gonna see a lot of parents going home and saying to their
kids, "I was listening to the radio on the way home -- did
you ever hear of the Misfits?," and they're all gonna go, "OH
MY GOD! My mother's listening to the Misfits!" So it's kinda
funny.
I didn't wanna be a goof in that way. I just really
wanted to show the kids, you know, because when I was a kid, my
mom -- she was a cheerleader when she was in high school in the
'50s, she graduated in '57. So what happened was she would go to
sock hops and collect oldies records. And when I was growing up
in the early ''60s, she would just put a whole bunch of 45s on the
turntable and let it go for an hour. And I would sit there and play
with my toys and listen to Fats Domino and Buddy Holly and Little
Richard and things like this.
So when I hit high school, or actually in grammar
school, my eighth-grade teacher was my DAD's eighth-grade teacher
-- that was his first class and we were just about his last class
-- and he would bring in oldies for us -- to show us his oldies
collection from when he used to run the sock hops. So it was kinda
very nostalgic for me. And I didn't discover real metal music until
probably about '74 or in that area, when I was a freshman in high
school. We saw Kiss's second tour, we saw Aerosmith's second tour
--
Aw man!
We saw Queen's second tour. We missed everybody's
first tour, but then again nobody knew about it! And once the albums
started to be on the radio, and kids started wearing shirts, and
you found them down the shore -- I don't know if you're familiar
with the Jersey shore, but you could win albums on wheel games.
They had these wheel games -- it's like a 20-to-1 shot. So you'd
put a quarter up and if you got it, you'd win an album. So over
the course of a week being down there with your parents, you wound
up coming home with about 20 albums! And that's how I got Kiss's
first album, and then I went to see Hotter Than Hell that fall.
And we got Queen I and then Queen II -- they did that album about
the same year. And that's how we would get turned on to bands, so
it was pretty interesting.
So in the end, I thought that me reflecting on a
'50s project was just a no-brainer. And it also gave me the ability
to showcase the fact that I was gonna be singing a little bit here.
And it really helped my game -- that's the one thing. We're talking
with Glenn Danzig; hopefully we can get things back together and
do a little work with him. But either way, it's time to start really
writing some stuff, and I really wanted to write some stuff in the
vein of the original Misfits, and this was really the first step
in that direction.
Okay. I was really fond of Famous Monsters.
I thought it was kind of a sort of a step away from what the Misfits
were when Glenn was in the band.
Yeah!
But in a good way! I mean, I thought you guys
came up with a lot of good stuff.
Well, I tell you what -- there was a thing there.
First we did American Psycho -- are you familiar with that?
To be honest, I wasn't as fond of that one, because
it seemed like --
Oh. Well, that was a fastball. See, what happened
was that we got signed to Geffen based on the premise of Green Day
selling five million records, OK? So what they wanted, and what
I knew we would be criticized by our fans for not doing, was kicking
it the whole way.
So when we wrote the American Psycho record,
we really were looking for something that was nothing but a punk
album from beginning to end, with really no variations from the
theme -- just straight up. And from our fans, we got the respect;
from the record company, we got, you know, a FROWN.
Ha!
You know, because they were looking for something
for the radio. They wanted to use "Dig Up Her Bones" and
we wanted to use something much more crazy. I wanted to go with
"Psycho"! I thought "Psycho" was probably one
of the most crunching tracks. But they were looking for something
for radio play. And I said, "Listen, this isn't a radio play
band. This is not really what you look for. What you look for is
extreme polarity -- to find interest! That's what the kids will
find interest in -- the fact that we come out and rip somebody's
head off -- they're gonna love that! We come out and sing a little
lullaby, and everybody's gonna want to kill us! Don't put me there!
And so we left Geffen, and we worked on Famous
Monsters. And when we worked on Famous Monsters, everybody
was kinda disheartened, because we had done extremely well on the
road with Anthrax. The line-up was Cannibal Corpse, Life of Agony,
Anthrax and the Misfits. And we had such a versatile crowd -- a
bunch of people coming from different areas. And we played really
big places, had really big shows, and Anthrax was hungry! They were
really looking to get to our audience, because that was really an
audience that wasn't gonna die out on them.
And then when we put the Psycho album out,
we wound up opening for Megadeth, and it was just a rock crowd.
And everybody was like, "Oh, what's going on?" We're playing
for all these people, but nobody gets it. I was saying the same
thing, and they were charging like $30 a ticket for us and Megadeth,
and then taking an hour and a half to frisk everybody at the door.
And our fans who paid 30 bucks didn't even get to see us! It was
a real pain in the ass, so when we wrote Famous Monsters,
everybody was kinda scattered, so Famous Monsters was written
in about two months by people just like sending in stuff.
What?!?
Yeah, everybody came down with ideas and basically
we picked the best ideas, and we were just so -- there was no consistency
between everything. It was like 20 different colors just splattered
on the board.
I really like that about it!
That's what Danzig liked about it!
Oh, he liked it too?
Well, he liked that better than American Psycho.
Now see, Doyle doesn't. Doyle likes Psycho better. And me
-- I like certain things about each one. I thought that the real
versatility in Famous Monsters really showed a lot of talent.
You know, we had songs like "Descending Angel" and we
had songs like "The Forbidden Zone" -- and "Helena!"
The record company didn't, Roadrunner -- we were
on Roadrunner, we figured Roadrunner, it's an indie label, they've
got Slipknot for Christ's sake. So why are they gonna kinda scrutinize
what we're doing? They wanted to cut "Helena" out of the
line-up! And I was just like, "Oh my god! This song is just
-- it's got it all!" You know? And it's a favorite with the
crowd, and I like it too, "Crawling Eye" probably being
one of my favorites on the album.
Then there was some stuff I wrote with Daniel Rey,
who worked on Joey Ramone's stuff, and he wrote "Pet Sematary"
with Dee Dee. Danny's good -- he's a good songwriter. He's a little,
I don't wanna say on the pop side, but very well structured songs.
You know, where "Helena" is like three different things
welded together --
Ha!
You know, shabbily welded together so you
can tell the difference in every part of that song, Danny kinda
writes smooth. We wrote "Hunting Humans," we wrote things
like this. Danny and I wrote ten songs in seven days, which I thought
might be close to the record until you probably look at some of
the Beatles statistics. But four of them made the record, or five
of them made the record, and that was the foundation.
Once that happened, everybody got a little bit scared
that me and Danny were gonna write the album in the next three days,
so then everybody started showing up with stuff. But the thing was,
we had a deadline. We were supposed to have the album out for a
Halloween release, which is always big for us. We had to cram it
in, and I'm real proud of that because we put that together in two
months, and there was a LOT of stuff on there for two months.
Yeah. Oh wow, I didn't know it was two months.
Yeah, that's all it took. American Psycho
we put about six months into writing it and trying to fix stuff
and working on lyrics and working on timings. That was our first
studio album, so we wanted to make sure that all our i's were dotted
and t's were crossed. It was a good working band for its time, and
it kinda outgrew itself so what I did was, when we did the 25th
anniversary tour, it bought me time to bring in guys like Marky
and Dez -- all-star home run hitters -- and then it fell into this
album. 'Cause this album is really, in my case, a new beginning.
If we don't lock down with Glenn, then I'm gonna have to start working
with my vocals for the next record and just work along those lines
and start working with Doyle again.
What's going on with Glenn? I didn't realize
you were talking to him.
Glenn and us, we had a few talks and we decided,
"Hey -- is there something that we can do here or something
that we can't do." There's obviously a lot of distance between,
but the idea is not a bad idea. And my premise was I really didn't
want to come back and be just a band playing a bunch of punk songs
that we did back in the '70s and the '80s.
I really wanted to come back and work on new stuff
and try to incorporate some of the new technology as far as drumming
goes -- the double-bass drum and, you know, the real aggressive
low end that these guys got going. Those kinds of production procedures
weren't available to us, but now we've spawned bands like Metallica
and Pantera and Mansun and these other bands that come along. Slipknot,
for example, have come along and they got the show, and they've
got this huge crunching banging around low end that blows out your
windows in the car. I mean, we haven't accomplished that yet.
Not that it's something that we won't easily master
-- I think that it'll wind up working really, really well. But I
think we should come back and show all the boys that learned from
us what we had up our sleeve the whole time, just now that obviously
recording technology has been so far advanced since then. We used
to be 2-inch 16 tracks, you know? And now we bring the 16-track
old tapes into the studio to remix stuff, and people are like, "Whoa
-- that's 16!" So it's a different game.
So do you think you will have Doyle back in the
band at some point?
Oh yeah. Doyle right now, as a matter of fact, he's
not at work for the last two weeks. He's got something wrong with
his elbow. Some kind of tendonitis or something. They've got an
electronical strap that he's wearing now. And the thing is -- he's
gigantic! He's twice my size! He's been lifting and working, his
baby daughter just turned one, so that was a milestone, and he's
got four kids now that he's taking care of. So it's something I
was looking forward to, but he needs some time off. He said, "Hey
listen -- I'm going through a divorce, I'm getting remarried, and
now we've got some injuries."
But I'm hoping to get him back, if not next fall,
as soon as we start writing some new material. 'Cause we'll run
this '50s record probably through the end of the year and maybe
for a little bit of next year, but it's time to really focus and
put together something great. And I know that, regardless of whether
we work with Glenn in the future or not, it's just a matter of trying
to write the best stuff. So based on that, I might have to go dump
this stuff on Glenn's desk and have him review it and go over it.
I wanna make sure it smokes, you know?
Oh, okay. Why is he interested in -- is he kind
of bored with what he's doing or --
He's launching a festival. We had just done the
Fiend Fest, and the Fiend Fest was our answer to Horror Punk. We
had Balzac from Japan, we had the Damned from England -- it was
international bands, it was six bands on the line-up. We had Agnostic
Front, which brought in a lot of the hardcore kids -- it was actually
a really, really great band!
Yeah, I like them.
We were on tour with them in Europe, and the problem
is when a band goes on right before me, I never get to see them
because I have to do a vocal lesson and prepare to get on stage.
So the red zone for me is an hour before we go on, and most bands
that open for us usually get 45 minutes or an hour. So I can catch
maybe the first couple of songs, but the way it was laid out, Agnostic
Front was during my make-up time, which is before that!
Ohhhhh!
It's a pain in the butt, but you are who you are
and you do what you gotta do. So the thing is, I got a formula for
pulling off these shows. So people were just coming up to me saying,
"Man, Agnostic Front is great," so we had them on the
bill. We had D.I., which is kind of a -- and the Dickies, so it
was a really really strong show.
Oh wow. Oh man! I should have gone to that --
I like all those bands!
Yeah, well that's it! There was a point when we
were in San Francisco and I had to do a Guitar Center signing for
our new string line that came out. So Dean Markley hooked that up
and they said, "Hey listen, we want you down at the store at
3 o'clock." So it was an early show in Frisco and I got back
to my bus -- it was parked right outside the door, and the doors
were open and I could hear the bands getting ready to go. So I said,
"Okay, let me get ready -- aaah, I've got about five hours
before I go on! I'm gonna lay down for a minute. So I laid down
with the windows open, and I listened to every band one after the
other. And after each song, I heard the crowd scream. And I was
just like, "Wow!" I said, "This is really, really
good!" I said, "You know, every song is getting a very
huge positive response -- every band!"
And that's something that I think a lot of the bigger
festivals lack, you know? They're just so diversified -- I mean
they've got Mansun with Limp Bizkit. That's two totally different
crowds. And if you're spending a lot of money to see one type of
music, you gotta sit there with your thumb up your rear end 'til
it happens! With us, it's a very specific audience. Come see this,
'cause you'll like the whole thing. If you like steak, this is it
for you. This is our little barbecue. So it wound up working really
well. I was happy with it.
One of the things that Glenn was working on, which
I knew would be a hard sell, was the Blackest of the Black, which
is a bunch of death metal bands, mostly from Europe. I think that's
what he had planned on working on, so I'm hoping that we can get
this together and do some stuff, 'cause it would be fun. It would
obviously be an attention getter. And we've always worked well together,
so I really don't see an issue of us moving progressively forward.
But you know, in time!
Why did the band originally break up in '83 or
'84?
Well, it was a stressful time. I had gotten -- I
had been married -- just gotten -- well, I was married for about
a year and I had a daughter, and we weren't making any money, and
it was just getting to the point where, if I was gonna play like
I did all the time and walk out the door every time I needed to,
then I wanted it to be fun. You know? I wanted to enjoy it. I didn't
want to be told what we were gonna do or I didn't want to see egos
get in the way, and it just wound up getting that way.
There were some situations where I was giving up
everything I had for the band and I just expected everybody else
to feel the same way. And when I saw that some things were just
undoable for the good of the band, I realized that I was just kidding
myself. In a way, I'm happy, because I think if we were to hit the
level that like say Metallica or somebody like that hit, then we'd
have had a hard time dealing with it. I think in the end, it would
have been our doom.
Oh yeah?
Well yeah, I mean the money, the drugs, the --
Oh okay, yeah.
It's hard for anybody at that level. You know what
I'm saying?
Yeah.
And I was, my God, I was 23, so my brother Doyle
was 18. And we stepped out of the picture, and three or four years
later -- boom! Metallica hit, and I think that we would have been
just as well a candidate for that kind of level of acceptance, based
on the melodic songs that we have. I mean, they play a lot of them
-- I'll put it to you that way. And they do them well, but we do
them better. Heh heh!
I know. Yep, yep.
So I think it would have been good, but at the same
time, I think a lot of things from a family structure point would
have fell apart. And I think a lot of us being more mature, being
more responsible and having the band now is probably a blessing
in disguise.
What kind of stuff did you do between then and
when you relaunched the band later?
We worked on a bunch of different projects.
I've heard of Kryst the Conquerer.
Yeah, we worked on that. Well, everybody thought
we were demonic. That was the impression that was being put out
there, was that basically Glenn was the band and he was into that
Danzig Son of Satan stuff. So I didn't want the kids to think that,
and I didn't know if we'd ever get our name back, but we did. And
we also designed our guitars during that period of time, and we're
trying to get them licensed through BC Rich right now so the kids
can buy them. The ones we make I think are too high-endy, too expensive,
'cause they're made out of graphite.
Wow!
They take a long time to make, they take five minutes
to screw 'em up.
Ha ha!
I go bang 'em against stuff. It's almost a sin what
happens to our stuff! But the equipment we were buying and hacking
up to make look like Batman guitars -- we decided that for just
about the same amount of money, we should be able to build our own,
so we got into doing that. There was a lot of stuff that wound up
being preliminary work for what followed -- the Psycho record
and things like this. So we were pretty much prepping the whole
time -- building props, building drum kits. We built a giant drum
kit with these huge spikes on it that glowed in the dark.
Oooo!
Crazy stuff! Just off-the-wall kind of stuff, amusing
ourselves. So I think that's probably one of the things -- we had
too much time with nothing to do! But we work every day; I'm in
the machine shop right now.
Do the Misfits keep you financially set? Or do
you have to work a day job?
Well, the thing is that we have a lot of things
going on. So the Misfits pretty much funds the Misfits. In other
words, it used to cost me money to be in the band. When I was in
the band with Glenn, Doyle and I would take our paycheck and throw
it on the counter at the music store and spend all our money on
keeping the Misfits going. And I think we got paid the last gig
we ever did. That was about it.
After that, during the '80s, pretty much we had
to work to support our families, and then when the new band came
back out, we hit levels but we didn't hit the levels that I thought
we could have. I thought that Geffen dropped the ball. I thought
that Roadrunner pretty much exploited our fans and took what they
could from the project while putting in as little as possible. That's
why we started our own label. It just came to the point where, hey
look, if we're gonna sell a quarter of a million records to our
fans, then we should be doing it. Because that's your break-even
point when you deal with a big label.
Is it you and Doyle who own the label?
Right now, it's me and John Caferio, my manager,
and then as soon as Doyle's back in, then Doyle as well. It's a
good situation. I think it's gonna be a great label. We're gonna
do horror films and put out DVDs. We're gonna branch it out! Right
now, we've got merchandising up the gazoo as you know, so --
Do you think Dez and Marky are gonna stay in
the band for a while, or is this just a one-off thing?
Oh well, I hope so! I really would like Marky as
a permanent drummer; I think he's fantastic. I think Dez as a guest
star would be great once Doyle gets back, if we can work with Glenn
'cause I'm sure the kids are gonna wanna see a straight-up line-up.
And Marky by far in my opinion is the best drummer on the planet.
I mean, I hate to blow his horn, you know, because everybody does,
but he's really solid. He cut our whole oldies album in eight hours,
and that includes bringing the drums upstairs. He's an amazing drummer.
I've never seen anything really like him; he's really good.
And Dez is fantastic as well. And we work well together,
and there's a really good vibe. I mean, that's the one thing that,
in the end when we had Graves and Chud in the band, we wound up
losing -- was that it wasn't fun anymore. It was like everybody
was like not digging each other. It wound up really getting terrible.
The thing is that I would walk out of work and dread going on tour,
and I said, "Well, this is wrong."
Ugh! I didn't -- that sucks! Was it more ego,
or just four different types of people?
No, it was just a kinda rebellious attitude. I was
trying to point these guys in the right direction -- you know, do
your vocal lessons, lift your weights, step into the shoes, become
the image. And people sometimes don't like to be told they gotta
get out of bed.
But my job is not really to be babysitting people;
my job is really to be focusing on making the best band I possibly
can. And in a lot of instances, there were a lot of times I felt
we had the best band in the world. We would walk out on that stage,
and I felt there was nobody that could touch us. And that's really
what it's about.
And losing Michael and Glenn, and being in a position
where I had to go out and do leads, it really helped my game. I
may never be the greatest singer on the planet, but I'm gonna be
definitely the best
.singing bass player on the planet! So
I'm gonna be the best number two guy in the business, so it doesn't
really matter. I might not be Shaq, but I can be Kobe, you know?
Did you get a lot of -- I remember back when
there was the whole lawsuit, getting the name back and everything
--
Aw yeah, that was disgusting.
When you first started playing out again, did
you have the problems that the Dead Kennedys without Jello are having
now? With people boycotting and saying you're not the Misfits?
Well, I get that from time to time. The thing was
that the actual image itself -- the look of the band, the haircut,
the make-up, the spikes -- I made the spikes at work -- pretty much
I fabricated the individuality of the band. So when people look
at me, I kinda personify what they envision the band to be.
And that's why I'm able to hold it even now without
the presence of Doyle. I mean, if Doyle needs some time, I got his
back, and it was nice because it also gave me the opportunity to
do this solo project, and really tie in the band, but not totally
lock the band down to it, where people would say, "Well, we
don't know if this is it" or whatever. But it came to a point
where I was able to take number one songs and go out and showcase
my vocals that I've been working on, and really not be harshly judged
for doing it. And really that's what I wanted to do.
In the event that I do have to sing in this band,
then I would like to get Dez on one side of me and Doyle on the
other and double up on the guitars. That's when Black Flag stepped
up to a level where -- we used to play with them a lot, when they
were a four-piece and we were a four-piece. When Dez stepped to
rhythm guitar and they had that extra guitar, it was like the difference
between Iron Maiden and Van Halen. So all of a sudden, you had this
extra dimension of guitar playing. Not that Eddie can't do it alone!
But I know what you mean though.
You know what I'm saying? It's got two different
feels! It's fatter and it's thicker, so that would be an evolution
in the music scheme that I would consider. But the main thing is
that we keep the continuity of the band and write great albums.
I mean, the Ramones went through a couple different line-up changes,
and Johnny and Joey held through the whole thing. So right now I'm
the only one hanging in there, but at the same time, I expect Doyle
to come back and maybe even Glenn and put this thing really into
a level where people are gonna sit up and take notice. In the meantime,
like I say, I just keep sharpening my teeth!
Has there been a move -- I know it's been a lot
of years since you started, 25 years -- are the Misfits shows the
same as they used to be in terms of, it seems like there used to
be a lot of anger and violence in the shows.--
Well, I tell ya what -- I've been getting a little
pissed off lately, but that's my personal gripe with, I don't know,
just kids that are being jerks, you know? We're faster now than
we've ever been. That might be an issue once we get Glenn back,
because I tell you what, you gotta really be on it to keep up.
And the other thing is that I think we're very well-rounded
by having Marky and Dez in the line-up. It enables me to do a couple
of Ramones songs that are hits. You know what I mean? And also we
get to do a couple of Black Flag things which the kids appreciate.
We do "Rise Above," we do "Six Pack," we do
a couple songs like that. So it's a little more diversified.
I think with the release of a true new Misfits album,
that would have to change. We'd have to really focus on more Misfits
stuff, which is really what we're starting to get ready for for
October. Because, you know, I just wanted to pay homage to Joey
and Dee Dee. I thought that since their music really inspired us
and obviously made Marky who he is, and just doing songs like "Lobotomy"
and "KKK" and "Sedated," they're great! What
are you gonna do? You can't bypass them. We have the ability to
do them, so why not pull them off? But there's a limit to that too.
Were you following Glenn's career after he left?
Were you into any of his music?
In the '80s, no. I mean, I know "Mother"
did really well for him; he was in the top 40 with that. Glenn's
stuff got really dark and really, I wanna say grungy but that wouldn't
be the right word. But more grindy sorta stuff.
Less melodic?
Well, more hard blues almost? And that's even a
bad word too! But I would say more rhythm-oriented and less melody-oriented.
But that's Glenn trying to be hard, you know? And I think he did
well. I think he did what he set out to do. And I think it went
farther than, if somebody were to just throw it up in my face in
the beginning and say, "Hey, we're gonna run with this. What
do you think of this?," I didn't think it would hit top 40.
But it did. Every once in a while, you hear "Mother" on
the radio, you know? And everybody breaks my balls.
Really?
Everyone says, "Aww! Listen to this!"
But that's cool! I learned something from my whole legal battle
-- the better Glenn does, the more I'm worth as an artist!
Ha!
It's a sad reality, but it's true.
Did you co-write a lot of the early songs that
ended up --
Musically I arranged a lot of it and wrote all of
the intro riffs and stuff like that. On a musical level, we probably
wrote 25% or maybe 30% of the music between me and Doyle. But Glenn
was real psyched on having everything in his name and all that kind
of stuff. That was one of our settlement things. But that's okay.
He did write all the lyrics. I wrote a line here, a line there,
just because I thought he said something and when I ran it past
him, he liked it. So that was me just stumbling in there. He was
doing that.
The way things used to work was -- the way our business
ran was he would book the shows and basically put together the songs,
and me and Doyle would go to the shop and build the equipment and
pay the money to get the band where it needed to go. So it was a
good relationship, and I thought that it ended up working well because
he's an excellent songwriter.
And based on that, it was real good to see that
when we put American Psycho and Famous Monsters together,
that our stuff sounded more like us than something he did after.
If you listen to the last two Misfits albums, you would say, "Well,
that sounds more like the Misfits than Danzig's albums," you
know?
Yeah. When American Psycho came out, I
didn't like it as much because it seemed like -- you know, I was
excited like, "Oh, let's see what these guys can do without
Glenn Danzig," and it sounded like -- to me, I'm just one guy
-- it sounded like you were TRYING to do the exact same kind of
thing? Whereas --
Well, we were trying to write really fast, aggressive
three-chord songs. But when we got into the studio, Mike was a little
gun-shy, to make a long story short. He didn't sing with any kind
of aggression. He was like being a little prissy about it, and we
were like, "No man, dig in!" But it was a learning experiment.
I think "American Psycho" is a great song, "Dig Up
Her Bones" is a great song, "From Hell They Came"
is a great song.
But then Famous Monsters came out and
I was like, "Well, they DON'T need Glenn Danzig. These are
great songs!"
Well, yeah! That's true. That diversity end of it
showed up more in Famous Monsters. It was just something
that -- I was basically judging by what the fans would think. If
I was a Misfits fan, what the hell would I want the first album
to be? And then after that, I didn't care! "Hey, I did what
you want, now I'm gonna do what we do!" I liked it a lot. I
thought that was the thing. But you gotta realize -- if you look
at the original Misfits albums, Static Age is very New York
and dark sounding, Walk Among Us is very just, I wanna say
-- not pop, but really fast and catchy, and Earth A.D. is
really the turning point in rock and roll history because all of
a sudden, after Earth A.D., all the speed metal bands and
all the death metal bands came rolling down the pike.
I've heard -- Earth A.D., I don't know
how you feel about it at this point --
We recorded it in six hours!
I think it's incredible! I think it's an amazing
record!
We did it from midnight to six in the morning after
we played a show with Black Flag at the Santa Monica Civic, I think.
That was after a gig! We recorded me, Doyle and Robo all at once,
and Glenn slept! He was tired, and he didn't have to sing 'til the
music was done, so I said, "We know the stuff -- go to bed!"
One of those books -- I don't know if it was
American Hardcore or This Band Could Be Your Life
or something -- one of those books was talking about how somebody,
when they mixed it, they had all the reverb noises too, or the feedback
noises too loud so you couldn't hear the guitars or something?
Well no, the thing was that there were feedback
tracks that actually a lot of them weren't used. We actually --
Doyle and I just opened the door, ran the tape and threw our guitars
on the floor, and let them feedback. Closed the doors.
That album just sounds like it's on fire - all
that "whooooo!"
It is on fire! It is. It's a great album. The thing
was it was supposed to be Motorhead meets the Misfits. "Death
Comes Ripping" is a key example of that because it's almost
the "Ace of Spades." That album really changed a lot of
the way people viewed music, and the sad thing was that the band
fell apart after that.
Because I think we could have taken it to another
step if we would have just pulled together and said, "Hey look,
we had an argument. Who gives a shit? Let's -- hey, I'm wrong or
I'm right, it doesn't really matter. The main thing is that this
band keeps going." But I think Glenn was up for a change too.
I think that he was looking to be the boss, and we weren't a boss
kind of an outfit. But that shows over the years; every time he
puts out a Danzig record, he's pretty much got a new line-up, you
know? But that's okay. That's fine. Hopefully, everything will pass
and we can get on to doing great stuff again.
Even if not, I'm really looking forward to hearing,
well, first of all the new album I gotta get, and then what you
guys come up with next. I was impressed with Famous Monsters;
I think I'd probably be impressed by the next thing you do.
Well hey, thanks! Okay, anything else? 'Cause I
got another one I'm a little behind on.
Oh okay, I'm sorry!
No, that's fine!
Thank you. Thank you very much.
I'm glad you're interested! That's cool.
Thank you very much for your time.
Okay, great!
Alright, thank you! Bye!
Bye.
September 2, 2003.
----
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Vampiro Talks Drug Culture In WCW, Warning WCW Management About A Wrestler, Why Misfits Left WCW
Recently on The Art Of Wrestling podcast, Colt Cabana interviewed Lucha Underground commentator, Vampiro. The professional wrestling veteran discussed his time with WCW, including the rampant drug abuse behind the scenes and punk rock band, Misfits, run with the company.
According to Vampiro, WCW did not merely have a party atmosphere, but rather, it was a "drug dependent" environment. Vampiro went on to insinuate that Mexican performers were brought into WCW to smuggle in drugs.
"WCW, that was stupid drug abuse. That wasn't drug use to get by, not that I'm justifying either one of them. But WCW was f–king brutal, man. I hated WCW. Everybody says, 'why do you hate WCW so much?' I was so glad you asked me this because I never got I chance to tell the story. I disliked WCW because of the politics behind the [scenes]. It was f–king brutal. You've heard the story a million different times from a million different people and I can confirm that it's all true." Vampiro continued, "there [were] 27 Mexican guys signed to contracts. How many of those guys wrestled more than once every two years? I'm not going to name names, but somas were being made in Tijuana [Mexico]. What the f–k do you think those guys were bringing in?"
Vampiro said that what broke his heart about WCW was that he warned JJ Dillon that Bobby Duncum, Jr. was addicted to Percocet and Dillon looked the other way. Duncum later died of a drug overdose.
"Bobby Duncum was on the plane with me and he kept popping these pills, these Percocets. I'd never heard of them before. And he was taking not 10. He was taking handfuls. He goes, 'brother, you have to try this' and he gave me two or three and I was f–king out. We get off the plane together and he was met by his wife and his baby daughter. I was so devastated that I called the office and I asked to talk to JJ Dillon and I asked to talk to other people in the office. And I said, 'listen, man, I don't want to be a stooge, and you guys know what that means' and I said, 'I can't live with myself if I don't tell you I think this guy has a drug problem and I'm scared he's going to die'. They never did anything, and sure enough, he had a drug overdose and he died. And I was like, 'you motherf–kers have just left that young girl, that baby girl, three or four year old girl, without a dad because you didn't want to deal with that f–king problem'. That was the moment I gave up on [professional] wrestling, pretty much."
Vampiro stated that bringing Misfits to WCW television was his idea when creative had nothing for him.
"It was in Minnesota. I remember it like it was yesterday. And [WCW officials] said, 'we don't know what to do with you'. And I went across the street to a bar because the Misfits were playing there and I said, 'guys, I've never met you before'. I showed up and I said, 'hey, man, I'm this guy and I'm your fan. How would you guys like to get involved in this little idea I have of you guys coming to the ring with me? It would be great exposure.' The Misfits have never been on TV and they were like, 'yeah!' So we all got Misfitted up and painted up and leathered up and we walked into the [WCW] Monday Nitro as the Misfits and everybody was like, 'oh my God!'"
Vampiro attributed Misfits' WCW departure to Dr. Death injuring bassist and vocalist Jerry Only and Gorgeous George leaving 'Macho Man' Randy Savage for guitarist Doyle Wolfgang von Frankenstein.
"[Only] just became the biggest pro wrestler in the world. He wanted to be Hulk Hogan." Vampiro added, "it just got to the point with Jerry where he started bugging the office so much and they came up with the crazy idea of having him work with Steve Williams, Dr. Death, another guy, rest in peace. And Steve beat him up pretty bad. And then they left because Doyle, the guitar player, I love him, my brother, fell in love with Randy Savage's girl and she left Randy for Doyle. That was the end of the Misfits and Vampiro pretty f–king quick."
In addition to these topics, Vampiro talked about his entrance into the world of professional wrestling, getting famous by dating a Mexican celebrity, and much more. Click here to check out the show. If you use any of the quotes from this article, please credit The Art Of Wrestling with an H/T to Wrestling Inc. for the transcription.
Source: The Art Of Wrestling

Question: when did vampire first appear on wcw

Question: who is the main character in cww Nitro

Question: who did onley play a steel cage match with

who did onley play a steel cage match with

Question: what was the name of the ww2 show where vampire and onley were involved

Question: who was steve in the steel cell

Question: who does steve williams play in steel cell

Доктор Смерть

who does steve williams play in steel cell

Question: who played a steel cage match with doctor death williams

In 1999 , in order to expand the audience , the group took part in several WCW Nitro reselling shows , taking part in the story line with Vampire , and Onley even played a match in a steel cell with Steve " Doctor Death " Williams .

Question: what was the name of the album released by vampire in 1999

Question: when was the album famous monsters released

when was the album famous monsters released

Question: what is the name of the main character in wcw nitro

what is the name of the main character in wcw nitro

Question: who did onley play a match with in a steel cell

who did onley play a match with in a steel cell

Question: who did steve williams play a match with in the steel cell

Доктор Смерть

In the autumn of 1999 , the album Famous Monsters was released .

Осенью 1999 года выходит альбом Famous Monsters.

In 1999, in order to expand the audience, the group took part in several WCW Nitro reselling shows, taking part in the story line with Vampire, and Onley even played a match in a steel cell with Steve "Doctor Death" Williams. In the autumn of 1999, the album Famous Monsters was released.

воссоединились

Question: who was the dancing only doyle

Question: when did the misfits become the dancing only doyle

when did the misfits become the dancing only doyle

Question: what is the name of the group in dancing only doyle

what is the name of the group in dancing only doyle

Question: how many years after the misfits split into the dancing only-doyle

Question: what is the name of the dancing only

Question: what was the name of the group the misfits were in when they reunited

Данциг - Онли - Дойл

Question: who did the misfits become in 2016

Данциг - Онли - Дойл

In 2016 ( 33 years later ) The Misfits reunited into the Dancing - Only - Doyle .

воссоединились

воссоединившийся

Question: where did the misfits perform in las vegas 2017

where did the misfits perform in las vegas 2017

Question: where did the misfits perform in 2017

MGM Grand Garden Arena в Лас - Вегасе 28 декабря и The Forum в Инглвуде

Question: what is the name of the group the misfits are a part of

Question: how many years later did the misfits become the dancing only doyle

Question: who is the dancing only doyle

Question: when was the last time the misfits were together

when was the last time the misfits were together

In 2017 , the reunited composition gave two more concerts at MGM Grand Garden Arena in Las Vegas on December 28 and The Forum in Inglwood , California on December 30 .

In 2016 (33 years later) The Misfits reunited into the Dancing-Only-Doyle. In 2017, the reunited composition gave two more concerts at MGM Grand Garden Arena in Las Vegas on December 28 and The Forum in Inglwood, California on December 30.


Атмосферное излучение

Атмосферное излучение (атмосферная радиация) — собственное излучение атмосферы в инфракрасном диапазоне волн, вызванное за счёт нагрева частиц, находящихся в различных слоях атмосферы. Принято делить на излучение в сторону Земли и излучение от Земли, разность которых формирует радиационный баланс Земли и парниковый эффект.

 Принцип возникновения
За счет пропускания атмосферой космической радиации, основным источником которой для Земли является солнечное излучение, приводит к нагреванию земной поверхности. Нагретая земная поверхность излучает тепло (инфракрасное излучение), которое поглощается слоями атмосферы, что приводит к тому, что атмосфера излучает инфракрасную радиацию. Совместная земная и атмосферная радиация совместно с отраженной солнечной уравновешивают приток солнечной радиации, формируя баланс температуры на планете Земля.

Длины волн, которые проходят через атмосферу и не поглощаются, составляют «атмосферные окна прозрачности».

Атмосферное явление порождается атмосферой и облаками в частности, с длинами волн от 4 до 120 мкм.

По направлению атмосферное излучение делится:
 в сторону космического пространства (уходящая радиация);
 в сторону земной поверхности (встречное излучение, противоизлучение).

 Влияние излучения на планету
Атмосферное электромагнитное излучение защищает от проникания на поверхность Земли радиации в диапазоне частот от ультрафиолетового до рентгеновских лучей.Слой атмосферы за счёт её способности излучать и поглощать электромагнитные волны создаёт парниковый эффект, за счёт которого в средняя температура на поверхности Земли поддерживается на одном уровне.

Если кто-то возьмет и сделает вертикальный поперечный разрез всей атмосферы, то можно заметить, что температура увеличивается с высотой. Это увеличение температуры объясняется увеличение поглощения электромагнитной радиации с высотой благодаря более высокой концентрации поглощающих газов с высокоэнергетической длиной волн, которые присутствуют в более высоких слоях атмосферы.

 См. также

 Атмосферное электричество
 Полярное сияние
 Теплооборот

 Примечания

 Литература

 Хромов С. П., Петросянц М. А. Метеорология и климатология. — 7-е. — М.: Наука, 2006. — 582 с.

Категория:Атмосфера
Категория:Атмосферные явления
Категория:Метеорология

возникновения

инфракрасное

инфракрасную

АТМОСФЕ́РНОЕ ИЗЛУЧЕ́НИЕ
АТМОСФЕ́РНОЕ ИЗЛУЧЕ́НИЕ (атмосферная радиация), собственное излучение атмосферы в длинноволновой области спектра (на длинах волн св. 4 мкм), которое атмосфера, как всякое физич. тело, испускает в соответствии с темп-рой её разл. слоёв. Атмосфера нагревается благодаря поглощению (в осн. молекулами воды и углекислого газа) длинноволнового излучения от поверхности Земли, нагретой солнечной радиацией. Направленное к Земле излучение называется противоизлучением (или встречным излучением) атмосферы; излучение, направленное вверх, – уходящей радиацией. Их разность составляет эффективное излучение системы Земля – атмосфера (см. Радиационный баланс). Именно А. и. вместе с излучением поверхности Земли создаёт парниковый эффект, благодаря которому ср. темп-ра поверхности Земли поддерживается на уровне ок. 15 °C.

Question: what is the main source of radiation for the earth

Question: what type of radiation does the earth's surface receive

инфракрасное

Question: what is the main source of heat on earth

космической радиации

Question: what type of radiation does the atmosphere absorb

инфракрасное

Question: what does the earths surface radiates

Question: what type of radiation does the atmosphere receive

инфракрасное

Question: what absorbs infrared radiation

атмосферы , что приводит к тому , что атмосфера излучает инфракрасную радиацию

Question: what is the effect of cosmic radiation on the earths surface

The principle of occurrence by passing the atmosphere of cosmic radiation , the main source of which for the Earth is solar radiation , leads to the heating of the Earth 's surface .

The heated surface of the earth radiates heat ( infrared radiation ) , which is absorbed by layers of the atmosphere , leading to the fact that the atmosphere radiates infrared radiation .

The principle of occurrence by passing the atmosphere of cosmic radiation, the main source of which for the Earth is solar radiation, leads to the heating of the Earth's surface. The heated surface of the earth radiates heat (infrared radiation), which is absorbed by layers of the atmosphere, leading to the fact that the atmosphere radiates infrared radiation.


Тамудо, Рауль

Рау́ль Таму́до (; род. 19 октября 1977 года, Санта-Колома-де-Граменет) — испанский футболист. На данный момент завершил профессиональную карьеру футболиста.

 Карьера

 Клубная
Тамудо воспитанник «Эспаньола». С 1992 по 1996 год он выступал за молодёжный состав клуба. С 1996 по 1998 был игроком «Эспаньола B». С 2000 года был уже основным игроком «бело-синих», и сыграл за них 339 матчей, забив 129 голов. В 1998 и 1999 годах отдавался в аренду, в «Алавес» и «Лериду» соответственно. С «Эспаньолом» Рауль дважды выигрывал Кубок Испании, и однажды доходил до финала Кубка УЕФА. Рауль был многолетним капитаном клуба. Зимой 2009 года из-за финансовых проблем руководство «Эспаньола» решило летом выставить игрока на трансфер. 1 августа Тамудо на правах свободного агента перешёл в «Реал Сосьедад».

5 сентября 2015 года Рауль Тамудо объявил о завершении карьеры.

 Международная
Рауль Тамудо принимал участие в летних Олимпийских играх 2000 года в Сиднее. Там испанцы дошли до финала, где проиграли по пенальти Камеруну. Рауль принял участие во всех шести матчах и забил один гол, сборной США.

В первой сборной Тамудо играл с 2000 по 2007 год. Всего за национальную сборную он сыграл 13 матчей и забил 5 голов.

 Достижения
 Обладатель Кубка Испании (2): 1999/2000, 2005/06
 Финалист Кубка УЕФА: 2006/07
 Лучший бомбардир в истории «Эспаньола»: 138 голов

 Примечания

 Ссылки
 Профиль на сайте Чемпионат.com

Категория:Футболисты Испании
Категория:Игроки сборной Испании по футболу (до 21 года)
Категория:Игроки сборной Испании по футболу
Категория:Серебряные призёры летних Олимпийских игр 2000 года
Категория:Футболисты на летних Олимпийских играх 2000 года
Категория:Игроки ФК «Эспаньол»
Категория:Игроки ФК «Эспаньол B»
Категория:Игроки ФК «Алавес»
Категория:Игроки ФК «Лерида»
Категория:Игроки ФК «Реал Сосьедад»
Категория:Игроки ФК «Райо Вальекано»
Категория:Игроки ФК «Пачука»
Категория:Игроки ФК «Сабадель»

Raul was a long-term club captain.

Question: when did raul spaniel leave spaniel

Raul was a long-term club captain.

Question: who was spaniel's long-term club captain

Raul was a long-term club captain.

who was spaniel's long-term club captain

Question: why did spaniel expose raul for transfer

финансовых проблем

Raul was a long-term club captain.

why did spaniel expose raul for transfer

Question: what breed of dog was raul raul

Raul was a long-term club captain.

Question: who exposed raul for transfer in 2009

руководство « Эспаньола » решило летом

Raul was a long-term club captain.

Question: what was raul's position at spaniel

капитаном клуба

Raul was a long-term club captain.

Question: when did spaniel move to spaniel

"Зимой 2009 года из - за финансовых проблем руководство « Эспаньола » решило летом

Raul was a long-term club captain.

Question: what position did raul hold at spaniel

Raul was a long-term club captain.

In the winter of 2009 , due to financial problems , the management of Spaniel decided to expose the player for transfer in the summer .

Рауль был многолетним капитаном клуба.

Raul was a long-term club captain. In the winter of 2009, due to financial problems, the management of Spaniel decided to expose the player for transfer in the summer.

Question: who did tamado transfer his rights to

Реал Сосьедад

Question: in what year did spaniel leave spaniel

Question: when did tamado's rights pass to real sociedad

when did tamado's rights pass to real sociedad

Question: why did spaniel decide to expose the player for transfer in 2009

финансовых проблем

Question: when did spaniel leave spaniel

Question: who did real sociedad sign on 1 august 2009

who did real sociedad sign on 1 august 2009

Question: what did spaniel expose the player for

On 1 August , Tamado on the rights of a free agent passed to Real Sociedad .

In the winter of 2009, due to financial problems, the management of Spaniel decided to expose the player for transfer in the summer. On 1 August, Tamado on the rights of a free agent passed to Real Sociedad.

On September 5, 2015, Raul Tamado announced his career.

Question: who announced his retirement from boxing in 2015

Рауль Тамудо

who announced his retirement from boxing in 2015

Question: when did raul tamado announce his retirement

"5 сентября 2015 года Рауль Тамудо объявил о завершении карьеры .

when did raul tamado announce his retirement

Question: when did raul tamado start his career

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Question: what month does raul tamado start his new career

what month does raul tamado start his new career

Question: what did raul tamado announce on september 5, 2015

what did raul tamado announce on september 5, 2015

On September 5 , 2015 , Raul Tamado announced his career .

Международная

Question: where did raul tamado take part in the 2000 summer olympics

Question: who did spanish lose to in the 2000 olympics

who did spanish lose to in the 2000 olympics

Question: in what year did raul tamado take part in the summer olympics

Question: who took part in the 2000 summer olympics in sydney

Рауль Тамудо

Question: what nationality did raul tamado represent at the 2000 olympics

Question: what caused the spanish to lose in the 2000 olympics

Question: when did raul tamado take part in the sydney olympics

летних Олимпийских играх 2000 года в

International Raul Tamado took part in the 2000 Summer Olympics in Sydney .

There the Spanish arrived to the final , where they lost on the penalty to Cameroon .

International Raul Tamado took part in the 2000 Summer Olympics in Sydney. There the Spanish arrived to the final, where they lost on the penalty to Cameroon.

Question: who did the spanish lose to in the final

who did the spanish lose to in the final

Question: what team did raul play for in the world cup

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Question: who played in all six matches for the usa

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Question: what caused the spanish to lose to cameroon

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Question: how many goals did raul scored for the us team

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Question: who did raul raul play for in the 2010 world cup

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Question: who did the us lose to in the final

Question: how many matches did raul play for the us

how many matches did raul play for the us

Raul took part in all six matches and scored one goal , the U.S. team .

There the Spanish arrived to the final, where they lost on the penalty to Cameroon. Raul took part in all six matches and scored one goal, the U.S. team.

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Чемпионат.com

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Чемпионат.com

Link Profile on the website Championship.com

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Ссылки Профиль

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Link Profile on the website Championship.com

Ссылки Профиль на сайте Чемпионат.com

Ссылки Профиль на сайте Чемпионат.com

Link Profile on the website Championship.com

Link Profile on the website Championship.com


Кревишон () — располагающийся к западу от Херма и к северу от Джету остров в группе Нормандских островов, административно относящийся к Гернси.

В различные периоды истории острова на нём располагались пиратская база и склад оружия и боеприпасов из замка Корнет. Также гранит с острова использовался для постройки ступеней собора святого Павла в Лондоне.

 Примечания

 Внешние ссылки

Категория:География Гернси

During the various periods of the island's history there was a pirate base and a warehouse of weapons and ammunition from the Castle of Cornet.

располагались

Question: where was the warehouse of weapons and ammunition located

замка Корнет

Question: what type of base was in the castle of cornet

Question: what was in the castle of cornet

пиратская база

Question: what was stored in the castle of cornet

и боеприпасов

During the various periods of the island 's history there was a pirate base and a warehouse of weapons and ammunition from the Castle of Cornet .


Колюрия () — род многолетних травянистых растений семейства , включает 9—10 видов.

Произрастает в Западной и Восточной Сибири, Монголии.

Корневые листья часто с почти параллельными краями, лировидно перисто-рассечённые или перистые.

Гипантий обычно длинно-, реже короткоколокольчатый с 10 жилками. Наружная чашечка обычно небольшая. Лепестков  5, диск с хорошо развитым краем.

Плоды орешкообразные, покрытые жесткими сосочками.

 Классификация
 Таксономия
Род Колюрия входит в трибу Colurieae подсемейства  семейства  порядка .

В 2007 году группой ботаников была пересмотрена система семейства Розовые, в результате данный род включили в род D. Potter, T. Eriksson, R. C. Evans, S. Oh, J. E. E. Smedmark, D. R. Morgan, M. Kerr, K. R. Robertson, M. Arsenault, T. A. Dickinson, C. S. Campbell:  Phylogeny and classification of Rosaceae. Plant Systematics and Evolution, Band 266, 2007, S. 5-43. .

 Виды
По информации базы данных The Plant List, род включает 5 видов:

 Применение

 Кулинария
В пищевой промышленности СССР, особенно в консервной, весьма часто гвоздику заменяли отечественной пряностью — колюрией.

 Примечания

Категория:Розановые
Категория:Флора Азии

According to the Plant List database, the breed includes 5 species:

⚠ Version 1.1 of The Plant List has been superseded and should no longer be used.
The new version is available at http://www.worldfloraonline.org. The new version is enhanced, using more data sources including Taxonomic Expert Networks and will be more frequently updated.
The genus Coluria is in the family Rosaceae in the major group Angiosperms (Flowering plants).
Statistics are at the end of the page.
See "Status", "Confidence level", "Source" for definitions.
|Name||Status||Confidence level||Source||Date supplied||Infra. rec.|
|Coluria elegans||Unresolved||RJP||2011-10-18|
|Coluria geoides||Accepted||RJP||2011-10-18|
|Coluria henryi||Accepted||RJP||2011-10-18|
|Coluria laxmannii||Unresolved||RJP||2011-10-18|
|Coluria longifolia||Accepted||RJP||2011-10-18|
|Coluria oligocarpa||Accepted||RJP||2011-10-18|
|Coluria omeiensis||Accepted||RJP||2011-10-18|
|Coluria potentilloides||Unresolved||RJP||2011-10-18|
The Plant List includes 17 scientific plant names of species rank for the genus Coluria. Of these 5 are accepted species names.
The Plant List includes a further 5 scientific plant names of infraspecific rank for the genus Coluria. We do not intend The Plant List to be complete for names of infraspecific rank. These are primarily included because names of species rank are synonyms of accepted infraspecific names.
The status of the 17 species names for the genus Coluria recorded in The Plant List, are as follows:
|Status||Total|
|◕||Accepted||5||29.4%|
|◕||Synonym||5||29.4%|
|◕||Unplaced||0||0%|
|◕||Unassessed||7||41.2%|
The status of the 22 names (including infraspecific names) for the genus Coluria recorded in The Plant List, are as follows:
|Status||Total|
|◕||Accepted||5||22.7%|
|◕||Synonym||10||45.5%|
|◕||Unplaced||0||0%|
|◕||Unassessed||7||31.8%|
The confidence with which the status of the 17 species names recorded in The Plant List for the genus Coluria, are assigned as follows:
|Confidence level||Accepted||Synonym||Unplaced||Unassessed||Total|
|High confidence||2||3||0||0||5||29.4%|
|Medium confidence||0||0||0||0||0||0%|
|Low confidence||3||2||0||7||12||70.6%|
The source of the species name records found in The Plant List for the genus Coluria is as follows:
|Source of record||Accepted||Synonym||Unplaced||Unassessed||Misapplied||Total|
|RJP||5||5||0||7||0||17||100%|

Question: how many different types of croatians are there

Question: where can one find the names of the crocus

Question: what is the name of the plant in washington

Question: where can you find the names of all the different types of crocs

Question: what database lists the different types of croatian plants

Question: how many species are there in the crocus

Question: what kind of animal is the Колюрия

According to the Plant List database , the breed includes 5 species :


Сну́ды — озеро в Браславском районе Витебской области в 10 км севернее Браслава, в 5 км от границы с Латвией. Площадь озера — 22 км².

 Описание
слева|мини|Озеро Снуды
Снуды — второе по площади среди Браславских озер. Озеро занимает обширную котловину, вытянутую с северо-запада на юго-восток. Береговая линия сильно изрезана, характеризуется наличием большого числа мысов и заливов. На большом протяжении преобладают моренные и песчаные склоны, высотой до 30 м.

На озере имеется 11 островов общей площадью 1,6 км². Наиболее крупные — Турмос, Красногорка, Лакино, Липовец — вытянуты вдоль главной оси озера. Они сложены красно-бурой мореной и булыжником, практически лишены растительности и очень хорошо выделяются на фоне голубой воды. Наибольшая глубина 16,5 м — отмечена в юго-восточной части озера.

Приток воды в озеро идёт по 13 ручьям, многие из которых летом пересыхают. Питает озеро также протока из озера Северное Волосо; сток идёт по протоке в озеро Струсто.

 Название
Название сопоставимо с ненецким атрибутивом сандя — «глубокий».

 Растительный мир
Высокое качество воды благоприятствует развитию растений. Вдоль всего берега озера отмечается полоса тростника. Заросли носят разреженный характер и лишь в восточной и юго-восточной частях озера образуют широкую полосу. Погруженные растения отмечаются до глубины 8 м и отличаются разнообразием и высокой биомассой.

 Животный мир
Одной из особенностью озера является наличие реликтового рачка Limnocalanus macrurus (до 1972 г.). В последнее время он не обнаружен, вероятно, по причине эвтрофикации водоёма.

В озере обитает более 20 видов рыб, среди основных — плотва, щука, окунь, линь, ряпушка, угорь. Периодически проводится промышленный лов рыбы.

 Экология
В 1971 году ЦК КПСС и Совет Министров СССР постановили начать строительство Белорусской АЭС около озера Снуды, но в 1972 году сооружение АЭС было перенесено на несколько десятков километров на запад, где была построена Игналинская АЭСМонзуль В. Ю. Мирный атом в БССР // Беларуская думка. — 2018. — № 1. — С. 63-70..

В 1985 году на озере Снуды был организован орнитологический заказник местного значенияО создании орнитологического заказника местного значения на озере Снуды Браславского района.

Озеро Снуды, как и другие озёра Браславской группы, является важным туристическим объектом, особенно в летний период.

 Примечания

 Литература
  (1-е издание — 1966)
  (На белор. языке)

Категория:Бассейн Друйки
Категория:Озёра Браславского района

In 1985, an ornithological order of local importance was organized on the lake of Snouda on the creation of an ornithological order of local importance on the lake of Snouda in the Brazilian region.

орнитологический

орнитологического

Браславского

27.02.2015
Решение Исполнительного комитета Витебского областного Совета народных депутатов от 25 марта 1985 г. № 98
РЕШЕНИЕ ИСПОЛНИТЕЛЬНОГО КОМИТЕТА ВИТЕБСКОГО ОБЛАСТНОГО СОВЕТА НАРОДНЫХ ДЕПУТАТОВ 25 марта 1985 г. № 98 О СОЗДАНИИ ОРНИТОЛОГИЧЕСКОГО ЗАКАЗНИКА МЕСТНОГО ЗНАЧЕНИЯ НА ОЗЕРЕ СНУДЫ БРАСЛАВСКОГО РАЙОНА Рассмотрев материалы Витебского государственного педагогического института им.С.М.Кирова по результатам исследований научных сотрудников сектора экологии проблемной лаборатории освоения, реконструкции и охраны животного мира Белорусского Поозерья о создании орнитологического заказника местного значения на озере Снуды Браславского района, исполнительный комитет Витебского областного Совета народных депутатов решил: 1. Создать орнитологический заказник местного значения общей площадью 2200 гектаров на озере Снуды Браславского района сроком на 20 лет. 2. Все острова на озере Снуды объявить зоной строгой охраны. 3. На территории созданного заказника запрещается: промысловый и любительский лов рыбы в 50-метровой полосе вдоль береговой линии островов в период с 1 апреля по 15 июля; всякое посещение островов людьми, домашними животными в период с 1 апреля по 15 июля; круглогодичная охота на все виды зверей и птиц. 4. Охрану заказника возложить на Браславское озерно-товарное рыбное хозяйство и Браславский лесхоз. 5. Контроль за соблюдением установленного режима охраны и использованием территории заказника возложить на областные инспекции Госкомприроды БССР (т.Алефиренко) и "Белрыбвод" (т.Галецкого). Председатель В.П.КУЛАКОВ Секретарь В.А.ГРИБАНОВ

Question: when was the lake snouda created

Question: where was an ornithological order of local importance organized in 1985

Question: where is snouda located on a map

Question: snouda is in which region of south america

Question: where was an ornithological order of local importance organized

In 1985 , an ornithological order of local importance was organized on the lake of Snouda on the creation of an ornithological order of local importance on the lake of Snouda in the Brazilian region .