Dangerous — восьмой студийный альбом американского автора-исполнителя Майкла Джексона. Был выпущен на лейбле Epic Records 26 ноября 1991 года. Критики отмечали широкую жанровую палитру пластинки, в которую входят: нью-джек-свинг, фанк, индастриал, современный ритм-н-блюз, госпел, поп-рок и хард-рок.

Создавая альбом, Джексон сам выступал в качестве его исполнительного продюсера, сотрудничая с  и Биллом Боттреллом. Певец принимал непосредственное участие в создании каждой из 14-ти песен в качестве автора, продюсера или сопродюсера. Зимой 1991 года Dangerous дебютировал на вершинах хит-парадов США и Великобритании. В течение двух лет из него было выпущено 9 синглов и видеоклипов к ним, ролики вошли в видеосборник Dangerous – The Short Films. Наиболее успешными в мире стали синглы «Black or White» и «Remember the Time», в странах Европы успеха также добились «Heal the World», «Will You Be There» и «Give In to Me». Мировые продажи пластинки составляют от 32 до 40 млн экземпляров, она считается самым продаваемым альбомом Джексона после Thriller. В 1992 году Dangerous был отмечен одной статуэткой «Грэмми» и другими музыкальными наградами.

Летом 1992 года стартовал второй сольный мировой тур Майкла Джексона — Dangerous World Tour. В сентябре 1993 года певец дал свой первый концерт в России. Всего музыкант дал 69 концертов для 3,5 млн зрителей. Весь полученный доход от тура был пожертвован разным благотворительным организациям.

В 2001 году оригинальный альбом был переиздан под названием Dangerous: Special Edition.

 Предыстория
Предыдущий альбом Джексона, Bad, хотя и был скептически воспринят некоторыми критиками, стал коммерчески успешным. В первые дни после релиза пластинка стала одним из самых быстро продаваемых альбомов в истории. Пять из девяти синглов из Bad возглавили американский чарт Billboard Hot 100, таким образом был установлен рекорд по количеству синглов № 1 из одного альбома. Мировой тур в поддержку пластинки стал самым прибыльным концертным турне сольного исполнителя в 1980-х гг. Джексон возглавил список самых высокооплачиваемых деятелей шоу-бизнеса по версии журнала Forbes и был признан самым продаваемым артистом десятилетия.

Музыкант принял участие в записи песни  для мультсериала «Симпсоны», однако, по условиям контракта певца со звукозаписывающим лейблом, его причастность к созданию композиции замалчивалась. Позднее одни источники утверждали, что Джексон лишь записал для неё бэк-вокал, другие — что музыкант является ещё и соавтором песни вместе с . «Do the Bartman» была выпущена в качестве сингла в ноябре 1990 года и заняла первые строчки хит-парадов нескольких стран мира. Кроме того, в сентябре 1991 года на телеэкраны вышел эпизод «Симпсонов» под названием «Совершенно безумный папа», для которого Джексон озвучил персонажа и написал песню «Happy Birthday, Lisa», в мультсериале её исполнил .

После выпуска Bad были выполнены условия контракта на 3 альбома, заключенного Джексоном в 1978 году с Куинси Джонсом. Певец не стал продолжать сотрудничество и решил сам выступить в качестве исполнительного продюсера своего следующего релиза. В марте 1991 года, музыкант подписал со звукозаписывающей компанией Sony Music Entertainment на тот момент крупнейший в мире контракт на шесть альбомов. Первоначально Джексон планировал издать сборник своих хитов с четырьмя новыми песнями под названием Decade. Работа началась сразу после выпуска Bad. Количество нового материала стало расти и, в конце концов, посоветовавшись с представителями лейбла, певец решил выпустить полноценный новый альбом.

 История создания
«На следующий день после релиза Bad Майкл уже работал в студии, создавая новые демоверсии», — вспоминает звукорежиссёр  начало работы над новым альбомом. Около полутора лет Джексон работал в домашней студии, экспериментируя вместе со звукоинженерами. Процесс записи этой пластинки отличался от предыдущих: теперь певец сам выступал в роли «штурмана», принимая непосредственное участие в создании каждой из 14-ти песен в качестве автора, продюсера или сопродюсера. Сначала подготовленные треки отправлялись в студию , где музыкант уже записывал предыдущие пластинки. Именно там было положено начало работы над такими песнями как «Black or White», «Who Is It», «Dangerous» и «What About Us» (композиция была выпущена в 1995 году под названием «Earth Song»). Мэтт Форджер, работавший с Джексоном с начала 80-х вспоминал, что все годы между выпуском Bad и Dangerous можно назвать непрерывным творческим потоком: «Он [Майкл] не из тех артистов, которые говорят: „Ой, у меня новый альбом на подходе, пора начинать писать песни“». С самого начала работы над пластинкой певец в течение 3-х лет сотрудничал с Биллом Боттреллом. Билл описал, каким образом Джексон сочинял свои песни: «Майкл начинает писать композицию не с текста, а с музыки, с её полного звучания. Возможно, бывают исключения, но чаще всего он дописывает слова позднее. Он напевает звуки, передаёт их своим голосом, не просто поёт слова песни, а показывает, как должна звучать та или иная партия: ударных или синтезаторов. Он действительно делает это очень хорошо».

В конце 1990 года Джексон связался с «крёстным отцом» нью-джек-свинга : певцу нравился синтез хип-хопа, фанка и соула в этом музыкальном направлении, именно эти ритмы он хотел услышать в своем новом материале. Звук нью-джек-свинга в альбоме был адаптирован под вкусы музыканта. В частности, Джексон просил наложить поверх жанрового звучания свои фирменные объёмные струнные. Кроме того, Райли использовал в записи большое количество винтажной аппаратуры. Как только продюсер присоединился к процессу создания пластинки, команда певца разделилась, заняв две калифорнийские студии Record One и Larrabee Studios. В поисках нового звучания Джексон также обратился к Эл Эй Рейду и Бэбифейсу, однако ни одна их работа в альбом не вошла. Среди них была композиция «Slave to the Rhythm», которая в 2014 году была переработана продюсерами и выпущена в посмертном альбоме Джексона Xscape, в делюкс издание вошла демоверсия песни. В сотрудничестве с  музыкант написал и записал более 20-ти треков, ни один из которых также не попал на пластинку. Когда певец отказался от трека «To Satisfy You», Лорен решил выпустить её в своём исполнении, Джексон записал для песни бэк-вокал. Песня Брайана «Superfly Sister» была выпущена в 1997 году в альбоме музыканта Blood on the Dance Floor: HIStory in the Mix. Известно, что окончательный отбор в Dangerous не прошли такие треки различных авторов как: «California Grass», «Joy», «Verdicts», «Men in Black», «Michael McKellar» и «Peter Pan». Планировалось, что демоверсии «She Got It» и «If You Don’t Love Me» войдут в бонусный компакт-диск переиздания Dangerous: Special Edition.

 Обложка
Обложка пластинки представляет собой картину, написанную художником поп-сюрреалистом Марком Райденом при участии Джексона. Полотно выполнено акриловыми красками, на его создание у художника ушло 6 месяцев. Райден готовил картину параллельно с созданием пластинки Dangerous и, по его словам, черпал вдохновение в новой, тогда ещё не представленной публике музыке Джексона и аспектах его жизни. В картине заметно влияние христианского искусства Северной Европы XV века, в частности, стиля Иеронима Босха.

В центре располагаются глаза Джексона, остальная часть его лица скрыта за большой маской. Слева от неё на троне сидит Король с собачьей головой, тело которого скопировано с полотна Жана Огюста Доминика Энгра «Наполеон на императорском троне». В правой части сидит Королева-птица, образ которой позаимствован из триптиха Босха «Сад земных наслаждений». В центре внизу видна фабрика и дорога, пройдя по которой можно попасть внутрь.

Картина полна разнообразной символикой. Так Собачий король, по предположениям рецензентов, может обозначать власть, господство и жадность по аналогии с использованием образа собаки в видеоклипе Джексона «Leave Me Alone». Королева-птица — символ жизни, творчества и любви. Фабрика по одной версии может олицетворять творческую жизнь артиста; по другой — холодное и мрачное предприятие символизирует образ нижнего промышленного этажа мира из фильма Фрица Ланга «Метрополис». На вопрос о том, что на самом деле означают некоторые символы на картине, Райден ответил: «Майкл хотел, чтобы они оставались загадкой и люди интерпретировали бы их по-своему».

 Особенности композиции альбома
Dangerous часто характеризуют как исключительно нью-джек-свинговый альбом. Однако некоторые критики отмечают нехарактерные для этого жанра более динамичные и чёткие биты, синкопированные ритмы, индустриальное звучание; певец часто использует битбокс, скэт и щелчки пальцами. В композициях можно обнаружить большое разнообразие звуков: гудки клаксонов, звон цепей, хлопание дверей, звуки разбитого стекла, грохот металла. «Джексон легко адаптировался к новому жанру: он звучит фанковее, чем , его тексты острее, чем у Бобби Брауна», — писал рецензент Pitchfork. Некоторые критики делят пластинку на две части по музыкальной составляющей. Первая — шесть композиций, созданных Джексоном в сотрудничестве с Тедди Райли: «Jam», «Why You Wanna Trip on Me», «In the Closet», «She Drives Me Wild», «Remember the Time» и «Can’t Let Her Get Away». Они охватывают разнообразие тяжёлого ритм-н-блюза от характерных для нью-джек-свинга грувов в низкой тональности до фанка и индастриала. Ко второй части относятся песни, имеющие в себе черты исключительно джексоновского артистизма: «Heal the World», «Black or White», «Who Is It», «Give In to Me» и «Will You Be There»; а также две баллады других авторов: «Keep the Faith» и «Gone Too Soon». Эти композиции относятся к другим музыкальным направлениям: поп-рок, танцевальная музыка, госпел. Завершает альбом титульный трек.
 «Jam». «Jam» открывает альбом звоном разбитого стекла, символизирующим «прорыв». Это нью-джек-свинговая с элементами фанка и хип-хопа композиция, написанная музыкантом вместе с Тедди Райли,  и Брюсом Свиденом. Критики отмечали инновационную манеру исполнения Джексона, представлявшую собой смешивание джазовой техники скэта с энергетикой хип-хопа, а также использование вздохов в качестве синкоп. Рэп исполнил Heavy D. В тексте Джексон повествует о внутреннем непонимании и противоречиях в контексте мира и общества.
 «Why You Wanna Trip on Me». В тексте «Why You Wanna Trip on Me» музыкант продолжает развивать тематику своего трека «Leave Me Alone». Джексон осуждает своих критиков за преследование и указывает на злободневные вопросы, на которые им следовало бы обратить внимание вместо него — это нищета, уличная преступность, голод и СПИД. «Эти ударные смогут стереть каменные стены в песок, вокальные партии тщательно наложены друг на друга, многочисленные бриджи оставляют достаточно пространства для танцевальных импровизаций», — писал журналист Pitchfork.
 «In the Closet». Первоначально «In the Closet» должна была стать дуэтом Джексона и Мадонны, но сотрудничество с ней было прекращено ещё на раннем этапе, музыкант отказался от идей певицы, касающихся текста композиции. Песня по мнению критиков значительно отличается от других песен в жанре нью-джек-свинга конца 80-х — начала 90-х. Открывает её вступление на рояле, переходящее затем в замкнутый электронный бит, построенный на звуках хлопающей двери. Музыка наращивает напряжённость, достигающую высшей точки на отметке 4:30. Звучит в «In the Closet» и женский голос «Таинственной девушки» («Mystery Girl»), позднее стало известно, что под этим псевдонимом скрывалась принцесса Монако Стефания. Рецензенты отмечали, что песня иллюстрирует самый сексуально-романтичный период творчества Джексона.
 «She Drives Me Wild». Трек «She Drives Me Wild» можно назвать продолжением экспериментальной композиции «Speed Demon». Вместо музыкальных инструментов в песне были использованы звуки автомобилей: хлопанье дверей, гудки клаксонов, сирен и другие. В издании The Village Voice отметили, что «She Drives Me Wild» опровергает точку зрения критиков, считавших, что в альбоме Dangerous в музыкальном плане нет ничего нового.

 «Remember the Time». «Remember the Time» представляет собой ностальгическую композицию, в тексте которой певец предлагает девушке вспомнить о тех временах, когда они любили друг друга. Критики отмечали, что песня сочетает в себе жанры ритм-н-блюза, нью-джек-свинга и госпела и, также как и сопровождавший её затем видеоклип, содержит расово-культурные отсылки к африканскому континенту. Певец посвятил «Remember the Time» Дайане Росс.
 «Can’t Let Her Get Away». В этой композиции Джексон подражает манере исполнения своего кумира Джеймса Брауна. Она была экспериментом по слиянию хип-хопа и фанка начала 60-х гг. Рецензенты писали: «„Can’t Let Her Get Away“ представляет собой непрерывный поток хлопков, битов, скрипов и импровизаций». Песня завершает нью-джек-свинговую часть пластинки.
 «Heal the World». «Heal the World» играет в альбоме роль своеобразной тематической точки опоры, отталкиваясь от которой, музыкант уводит слушателя от шумных, запутанных, житейских треков к утопии. Композиция, выдержанная в жанре госпела, была написана Джексоном с целью создать песню с социальным посылом, понятную всем слушателям, независимо от национальности, языка, культуры. В сентябре 1992 года певец открыл одноимённый благотворительный фонд.

 «Black or White». «Black or White» совмещает в себе жанры поп-музыки, ритм-н-блюза, рока и рэпа с элементами фанка и кантри. Текст, призывающий к расовой гармонии, и музыку сочинил Джексон, рэп-часть написал и исполнил Билл Боттрелл. Гитарное вступление, звучащее в полной альбомной версии песни было исполнено бывшим гитаристом группы Guns'n'Roses Слэшем.
 «Who Is It». Эта мрачная ритм-н-блюзовая композиция начинается со звучания женского сопрано в исполнении Линды Хармон. Песня характеризуется многослойной музыкальной структурой, открывающейся при пристальном прослушивании; она включает в себя соло на флейте, звуки виолончели и пронзительную партию струнных. В тексте певец повествует о предательстве.
 «Give In to Me». Продолжает тематику коварства и предательства песня «Give In to Me». Это эмоционально переменчивый трек, начинающийся с гудения меллотрона и развивающийся в выплеск накопленной внутри агрессии. Критики называли песню лучшим хард-роковым исполнением Джексона в его карьере, композиция, по их мнению, получилась более гранжевой, чем другие песни музыканта в этом жанре. Певец написал «Give In to Me» вместе с Биллом Боттреллом. Для исполнения гитарного риффа и соло в студию вновь был приглашён Слэш.
 «Will You Be There». Из хард-роковой атмосферы предыдущего трека «Will You Be There» переносит слушателя в совершенно другую, открывая перед ним новый по выразительности стилистический ландшафт. В качестве вступления к этой композиции Джексон использовал отрывок из Симфонии № 9 Людвига ван Бетховена. «Will You Be There» построена в строфической песенной форме без припева, способствующей развитию импровизаций, и формы , характерных для жанра госпела.
 «Keep the Faith». Песня сочетает в себе черты госпела и спиричуэлсов. Она была написана Гленом Баллардом и . Как и «Man in the Mirror», написанная ранее для Джексона этими авторами, «Keep the Faith» повествует о вере в себя и в способность человека изменить мир к лучшему.
 «Gone Too Soon». «Gone Too Soon» — баллада, написанная Базом Коэном и Ларри Гроссманом. Певец записал и включил её в альбом в память о юной жертве СПИДа — Райане Уайте. Джексон дружил с Уайтом и поддерживал его до самой смерти в марте 1990 года. Журналист  писал: «Музыкант выпустил свой трибьют в тот период 90-х, когда не было ещё практически ни одного хип-хоп артиста, желавшего говорить о СПИДе публично. Эта песня — неподдельное выражение переживаний певца о молодой жертве болезни».
 «Dangerous». Жанровую направленность трека «Dangerous» рецензенты характеризуют как нью-джек-индастриал фанк. Первая демоверсия была написана и записана Джексоном в сотрудничестве с Биллом Боттреллом. Основой для композиции тогда послужила песня «Streetwalker», не вошедшая в альбом Bad. Закончена «Dangerous» была с Тедди Райли.

 Релиз и промо
Работа над альбомом продолжалась более трёх лет. В конце лета — начале осени 1991 года под давлением звукозаписывающего лейбла и менеджеров певец стал завершать проект.
За несколько дней до релиза пластинки группа грабителей совершила кражу 30 тыс. экземпляров альбома со склада в международном аэропорту Лос-Анджелес. Dangerous был выпущен 26 ноября 1991 года на компакт-дисках, кассетах и виниловых пластинках.

В 2001 году было запланировано выпустить двухдисковое переиздание пластинки, в бонусный компакт-диск должны были войти неизданные ранее композиции, записанные для альбома. Однако релиз второго диска был отменён, и альбом был переиздан в оригинальном варианте под названием Dangerous: Special Edition.

 Коммерческий успех
За первую неделю после релиза было продано более 325 тыс. экземпляров пластинки в США и более 2-х млн по всему миру. Dangerous дебютировал на вершинах альбомных чартов США и Великобритании. Мировые продажи пластинки составляют от 32 до 40 млн экземпляров, Dangerous считается самым продаваемым альбомом Джексона после Thriller. Пластинка была отмечена одной «Грэмми», двумя «American Music Awards» и несколькими другими статуэтками.

 Синглы и видеоклипы
Видеоклипы
Ведущим синглом из альбома стал «Black or White». Восхождение этой композиции на вершину чарта Billboard Hot 100 стало самым быстрым с 1969 года. На первой строчке она провела 7 недель — это самый успешный сингл Джексона со времён «Billie Jean». Кроме того, «Black or White» стала первой песней американского исполнителя, дебютировавшей на верхней строчке британского хит-парада UK Singles Chart с 1960-го года. В декабре 1991 года состоялась мировая премьера 11-минутного видеоклипа на песню, в 27-ми странах мира ролик тогда просмотрели порядка 500 млн человек. Сразу после первого показа, на видеоклип обрушился шквал критики: вторая его половина — «танец пантеры» — была признана слишком провокационной и агрессивной, к ротации была допущена лишь первая часть ролика.

В январе 1992 года был издан второй сингл из пластинки — «Remember the Time». Песня стала третьей в Billboard Hot 100, возглавила Hot R&B/Hip-Hop Songs, а также хит-парад Новой Зеландии. Сингл получил золотой сертификат RIAA. Сопровождал релиз песни видеоклип в стилистике Древнего Египта. В ролике снялись актёр Эдди Мерфи, сомалийская и американская топ-модель Иман и баскетболист Мэджик Джонсон.

Третьим синглом из Dangerous должна была стать песня «Who Is It», однако вместо неё в апреле 1992 года было решено выпустить трек «In the Closet». Он возглавил Hot R&B/Hip-Hop Songs и оказался в пятёрках хит-парадов Австралии, Ирландии и Новой Зеландии. Видеоклип на песню, снятый Джексоном вместе с фотографом Хербом Ритцем, стал режиссёрским дебютом певца. В роли соблазнительницы, о которой музыкант повествует в тексте песни, выступила британская супермодель Наоми Кэмпбелл.

В июле 1992 года «Jam» стала четвёртым синглом из пластинки в США. Песня заняла третью строчку в Hot R&B/Hip-Hop Songs. В видеоклипе на песню снялись баскетболист Майкл Джордан, хип-хоп дуэт Kris Kross и рэпер Heavy D. В остальном мире в то же время была издана «Who Is It». Этот сингл стал третьим в хит-параде Польши, пятым в австрийском чарте и шестым в американском R&B/Hip-Hop Songs, в Великобритании «Who Is It» заняла 10-ю строчку. 13 июля 1992 года в Европе состоялась премьера видеоклипа на «Who Is It», снятого Дэвидом Финчером. В США песня была выпущена синглом в марте 1993 года после трансляции интервью Джексона Опре Уинфри, в которой музыкант а капелла и битбоксом исполнил отрывок песни. В Штатах этот ролик был выпущен только на DVD Dangerous – The Short Films, а в ротацию на телевидении попал лишь монтаж из выпущенных ранее видеоклипов и выступлений Джексона. «Jam», выпущенная синглом в других странах позднее, в Новой Зеландии стала второй, в Ирландии — пятой.

В сентябре 1992 года Джексон основал свой благотворительный фонд , а два месяца спустя песня «Heal the World» стала шестым синглом из альбома музыканта. В чартах США и Канады песня не имела большого успеха, оставшись за пределами двадцатки. В европейских хит-парадах композиция напротив заняла высокие позиции, так она стала второй в Великобритании, Ирландии и Франции уступив лишь «I Will Always Love You» в исполнении Уитни Хьюстон. «Heal the World» получила золотые сертификаты в Австралии, Великобритании и Новой Зеландии. Видеоклип на песню представляет собой антивоенный ролик, демонстрирующий бедность и нищету детей в странах третьего мира.

В середине февраля 1993 в Австралии, Новой Зеландии и странах Европы состоялся релиз седьмого сингла из альбома — «Give In to Me». Песня возглавила хит-парады Польши и Новой Зеландии и стала второй в Великобритании и Ирландии. Премьера видеоклипа на эту композицию состоялась 10 февраля 1993 года во время интервью Джексона Опре Уинфри.

Восьмой сингл из пластинки, «Will You Be There», был выпущен в конце июня 1993 года перед премьерой фильма «Освободите Вилли», для которого песня была использована в качестве саундтрека. Композиция заняла седьмую строчку Billboard Hot 100, стала второй в Новой Зеландии, третьей — в хит-парадах Нидерландов, Бельгии и Швейцарии. Видеоклип на песню представляет собой компиляцию из концертных выступлений Джексона и кадров из фильма «Освободите Вилли». Композиция получила золотую сертификацию в США.

В качестве последнего сингла из Dangerous во Всемирный день борьбы со СПИДом 1 декабря 1993 года была выпущена баллада «Gone Too Soon». Песня стала шестой в чарте Новой Зеландии. В Великобритании композиция стала 9-м синглом из одного альбома Джексона, вошедшим в Топ-40, таким образом певец повторил достижение своей предыдущей пластинки Bad. «Gone Too Soon» сопровождалась видеоклипом, в него вошли кадры, на которых Райан Уайт запечатлён вместе с Джексоном, а также съёмки с похорон Уайта.

 Концертные выступления

Видео
В 1991 году Джексон выступил с песнями «Black or White» и «Will You Be There» на концерте, посвящённом 10-летию телеканала MTV. В феврале 1992 года стало известно, что музыкант поедет во второй сольный мировой тур — Dangerous World Tour. Серия концертов стартовала 25 июня в Германии. В августе 1992 года певец заключил сделку с компанией HBO на трансляцию концерта его тура в Бухаресте. По условиям соглашения организация заплатила Джексону около 20 млн долларов — трансляция концерта музыканта стала самой дорогой в истории. Шоу было выпущено на DVD .

По завершении первой части турне, Джексон в конце января 1993 года посетил церемонию American Music Awards, на которой исполнил песню «Dangerous». Спустя несколько дней певец выступил в перерыве финального матча турнира по американскому футболу Супербоул, из альбома тогда прозвучали композиции «Jam», «Black or White» и «Heal the World». Его перфоманс поспособствовал изменению динамики рейтингов этого спортивного события, трансляция матча стала одной из самых просматриваемых в истории телевидения. Джексон задал новый тренд: вместо оркестров и марширующих групп организаторы турнира стали приглашать других знаменитых музыкантов. В рамках второй половины Dangerous World Tour 15 сентября 1993 года певец под проливным дождём дал свой первый концерт в России на московском стадионе «Лужники». Всего Джексон дал 69 концертов для 3,5 млн зрителей, все доходы артист отправлял на благотворительность, в том числе в свой собственный фонд . В ноябре 1993 года музыкант решил прервать турне по состоянию здоровья. Несмотря на то, что титульный трек пластинки не был выпущен синглом, певец выступал с этой композицией на последних концертах тура, а также на нескольких церемониях вручения наград.

 Реакция критиков

Рецензент PopMatters охарактеризовал Dangerous как переизобретение популярной музыки: «Как ещё описать альбом, сочетающий в себе ритм-н-блюз, фанк, госпел, хип-хоп, рок, индастриал и классику?». Журналист также отметил, что нью-джек-свинговые композиции на пластинке значительно отличаются от других треков в этом жанре конца 80-х — начала 90-х. По мнению критика Los Angeles Times Джексон «потерялся» без Куинси Джонса, и лишь вторая половина альбома напоминает то, что они раньше делали вместе. Рецензенту New York Times Dangerous показался самым неуверенным альбомом со времён начала сольной карьеры музыканта. Журналисты Billboard выделили широкую жанровую палитру пластинки, от тяжёлого ритм-н-блюза и госпела до рока и танцевальных треков. Роберт Кристгау назвал Dangerous шагом вперёд после Bad, хотя некоторые вокальные приёмы певца показались ему вторичными. В издании Entertainment Weekly альбом был охарактеризован по сравнению с предыдущим как «более фанковый, тяжёлый, со вспышками мрачности и паранойи в текстах песен». Некоторые рецензенты возразили, что термин «паранойя» не подходит для описания пластинки: «Общество, мировые устои, систематический расизм, одиночество, потеря себя, поиск искупления — этот альбом мрачен, но не параноидален». Критик портала Allmusic писал, что перемены внутри команды пошли певцу на пользу и раскрепостили его: он написал множество песен значительно сильнее тех, что были на предыдущей пластинке. В Spin Dangerous посчитали последним великим и, в то же время, самым мрачным альбомом Джексона. При этом, в композиции «Heal the World» он снова продемонстрировал идею того, что популярный музыкант может изменить мир к лучшему. Рецензент Rolling Stone назвал пластинку триумфальной: «Альбом не скрывает страхов и противоречий жизни, проведённой в центре внимания». По мнению критиков The Guardian, Dangerous был реальным творческим и эмоциональным пиком Джексона: «Песни, созданные в сотрудничестве с Райли — это чертовски сложные многослойные треки, их фанковая точность подчёркивает вокальные приёмы певца». В «Remember the Time» слышны и мягкость и свирепая страсть; "Will You Be There и «Heal the World» — очаровательно невинные баллады — в альбоме сочетаются с эротичными треками. Журналисты отметили, что Джексон рисковал, выпуская эту пластинку, и этот риск недооценён больше, чем кажется.

 Влияние
Журналисты Vibe писали, что благодаря собственному видению ритм-н-блюза Джексона и Райли и таким композициям как «Remember the Time» жанр вступил на новый виток развития. «Очевидно, что, как и в 1991 году, мейнстримовые артисты продолжают рассматривать хип-хоп стереотипно как нечто мимолётное или исключительно нигилистическое и криминальное», — писал критик Pitchfork Джефф Вайс. Джексон решил рискнуть, смешав в своей музыке хип-хоп и ритм-н-блюз. Для того, чтобы успешно воплотить эту идею в жизнь, певцу необходимо было пройти по тонкой грани между однодневными рэп-композициями и чем-то совсем радикальным. «Осуществив свой замысел, музыкант показал, что он умеет переплетать хип-хоп и ритм-н-блюз лучше, чем кто-либо мог себе представить», — отметил Вайс. В результате, с альбомом Dangerous стартовало новое музыкальное десятилетие, звучание, созданное Джексоном и Райли, отразилось в творчестве таких артистов, как Мэри Джей Блайдж, TLC, R. Kelly. Эксперименты, аналогичные тем, что провёл Джексон с перкуссией в «She Drives Me Wild», стали ставить Тимбаленд и The Neptunes. Пластинка также оказала влияние на музыку Дрейка, Канье Уэста, Бейонсе и многих других артистов, возглавляющих чарты. Критик The Guardian пишет: «Можно утверждать, что Dangerous в начале 90-х гг. был столь же значим для развития ритм-н-блюза и нью-джек-свинга, как Nevermind для альтернативного рока и гранжа». По мнению журналиста, современная музыка больше обязана альбому Джексона. Он отмечает, что только в наше время рецензенты начинают производить переоценку значимости Dangerous, отбросив шумиху и предрассудки, окружавшие релиз пластинки в 1991 году.

 Рейтинги и списки
 Издание Рейтинг/Список Источник Q Список записей года, 1992 Spin 300 лучших альбомов за 30 лет (1985—2014) Complex 50 лучших альбомов 90-х  200 Definitive Albums of All Time

 Список композиций

 Участники записи

 Майкл Джексон — исполнительный продюсер, автор текстов и музыки, вокал, бэк-вокал
  — продюсер, автор музыки, ударные, гитара
 Билл Боттрелл — продюсер, автор музыки, гитара, перкуссия
  — автор музыки
  — клавишные
  — автор музыки, запись, микширование, ударные
  — гитара
 Терри Джексон — бас-гитара
  — ударные, бас-гитара
 , Абрахам Лабориэль — бас-гитара
 Тим Пирс —
 Брэд Баксер, Джон Барнс, Джейсон Мартц,  — клавишные
 Мэтт Форджер — звукорежиссёр, запись, микширование

 Брэд Сандберг — звукорежиссёр
 Брэд Баксер — аранжировка, клавишные
 , Дэвид Пейч — аранжировка, синтезаторы
 Джефф Поркаро, Ретт Лоуренс — ударные
 Джаи Виндин — рояль, бас-гитара
  — клавишные
 Хор  — бэк-вокал
 «Таинственная девушка» («Mystery Girl») — вокал («In the Closet»)
 Криста Ларсон — вокальное соло («Heal the World»)
 Джон Бахлер и его хор — аранжировка хора («Heal the World»)
 Ларри Корбетт — соло на виолончели («Who Is It»)
 Линда Хармон — вокал сопрано («Who Is It»)
 Глен Баллард, ,  — авторы текстов и музыки
 Слэш — соло-гитара
 Heavy D — рэп
 Джонни Мэндел — оркестр

 Позиции в чартах и сертификации

 Позиции в чартах
 Чарт (1991—93)  Высшая позиция Австралия1 Австрия2 Великобритания1 Германия1 Европа1 Израиль1 Канада3 Куба1 Мексика1 Нидерланды1 Новая Зеландия1 Норвегия1 США1 Франция1 Швейцария1 Швеция2 Япония1

 Сертификации
СтранаСертификация Бразилия (ABPD)Золотой Дания (IFPI)Золотой Венгрия (Mahasz)Платиновый Финляндия (IFPI)Платиновый Мексика (AMPROFON)2× Платиновый Япония (RIAJ)2× Платиновый Нидерланды (NVPI)3× Платиновый Швеция (IFPI)3× Платиновый Австрия (IFPI)4× Платиновый Германия (BVMI)4× Платиновый Чили (IFPI)5× Платиновый Швейцария (IFPI)5× Платиновый Великобритания (BPI)6× Платиновый Испания (PROMUSICAE)6× Платиновый Канада (Music Canada)6× Платиновый Новая Зеландия (RIANZ)6× Платиновый Малайзия ()7× Платиновый США (RIAA)8× Платиновый Австралия (ARIA)10× Платиновый Франция (SNEP)2х Бриллиантовый

 Награды и номинации
 Год Награда Номинированная работа Категория Результат Источник1992Billboard Music Awards «Black or White» Сингл № 1 в мире  Dangerous Альбом № 1 в мире  Billboard Music Video Awards «In the Closet» Лучшая мужская хореография в видеоклипе  Grammy Awards Dangerous Лучшая работа звукоинженеров MTV Video Music Awards «In the Closet» Лучшая кинематография «Black or White» Лучшие спецэффекты  Pro-Set Los Angeles Music Awards Видеоклип года  International Monitor Awards Лучшие спецэффекты  Juno Awards Самый продаваемый сингл зарубежного артиста Japan Gold Disc AwardsDangerous Лучший зарубежный альбом  Лучший зарубежный рок-альбом 1993Grammy Awards «Black or White» Лучшее вокальное поп-исполнение «Jam» Лучшее вокальное ритм-н-блюз исполнение  Лучшая ритм-н-блюз песня American Music AwardsDangerous Лучший поп/рок альбом  Лучший соул/ритм-н-блюз альбом  «Remember the Time» Лучший соул/ритм-н-блюз сингл  Dangerous Лучший ритм-н-блюз соул альбом  «Remember the Time» Лучший ритм-н-блюз соул сингл  «Black or White»Награда в категории «Поп»  «Remember the Time»  MTV Video Music Awards «Jam» Лучшая хореография  NAACP Image Awards«Black or White» Выдающееся музыкальное видео  Juno Awards Самый продаваемый сингл (зарубежный или отечественный)  1994 MTV Movie Awards «Will You Be There» Лучший саундтрек

 Примечания

 Литература

 Ссылки

Категория:Альбомы Майкла Джексона
Категория:Альбомы Epic Records
Категория:Альбомы, возглавлявшие Billboard 200
Категория:Альбомы — лауреаты премии «Грэмми»
Категория:Альбомы на английском языке
Категория:Альбомы, сертифицированные как мультиплатиновые Американской ассоциацией звукозаписывающих компаний
Категория:Альбомы, сертифицированные как платиновые Британской ассоциацией производителей фонограмм
Категория:Альбомы, сертифицированные как платиновые Bundesverband Musikindustrie
Категория:Альбомы, сертифицированные как платиновые Канадской ассоциацией звукозаписывающих компаний
Категория:Альбомы современного ритм-н-блюза
Категория:Альбомы, спродюсированные Майклом Джексоном

Jackson's previous album, Bad, although was skeptically perceived by some criticism, became commercially successful.

"Предыстория

1
We love a good list on NME.COM. You may have noticed. And today we’re looking at the fastest selling albums ever – kicking off with Westlife’s ‘Face To Face’ (2005), which sold 216,879 copies in its very first week of release. The figures that follow are all for first-week sales.
2
49. Madonna, ‘Confessions On A Dance Floor’ (2005). Sold: 217, 610. Madonna’s tenth studio album earned her a Grammy Award for “Best Dance/Electronic Album” in 2007, as well as the “International Female Solo Artist” award at the 2006 BRIT Awards.
3
48. Westlife, ‘The Love Album’ (2006). Sold: 219, 622. The boy band’s eighth album, and second cover album. All the songs were about love, and featured covers of artists including Bette Midler, Bonnie Tyler, O-Town and The Carpenters.
4
47. Kings Of Leon, ‘Only By The Night’ (2008). Sold: 220, 879. KOL’s fourth studio album impressively reached the the top ten in more than ten different countries, and it was nominated for a Grammy for “Best Rock Album”. Track ‘Sex On Fire’ received two nominations, as well.
5
46. Keane, ‘Under The Iron Sea’ (2006). Sold: 222, 297. Keane’s second studio album was an enhanced CD that came along with original demos, live recordings and video footage, a free ringtone, wallpaper and screensaver. It also came with a DVD of special video footage.
6
45. Craig David, ‘Born To Do It’ (2000). Sold: 225, 320. Craig David’s debut album was voted number two in MTV’s ‘Greatest Albums of All Time’ in April 2009.
7
44. Take That, ‘Greatest Hits’ (1996). Sold: 226, 107. As the title reveals, this was their greatest hits collection, released following the announcement of their split in 1996. It contained the band’s final single – their cover of The Bee Gees’ ‘How Deep Is Your Love’.
8
43. Arctic Monkeys, ‘Favourite Worst Nightmare’ (2007). Sold: 227, 922. This was their second studio album, and it has reached 2x platinum in the UK. The album was also nominated for the 2007 Mercury Prize and it won “Best British Album” at the 2008 BRIT Awards.
9
42. Eminem, ‘The Eminem Show’ (2002). Sold: 228, 297. This was the rapper’s fourth album – and the first to be released through Shady Records. It was also his first album that was largely self-produced.
10
41. Oasis, ‘Heathen Chemistry’ (2002). Sold: 230, 551. The fifth studio album from the Gallagher bros was the last one to feature Alan White on drums. When he left the band in 2004, he was replaced by Ringo Starr’s son, Zak Starkey.
11
40. Westlife, ‘Coast To Coast’ (2000). Sold: 234, 767. The boyband’s second album was the third best-selling album of 2000 in the UK. It also serves as the sixth best-selling boyband record ever in the UK.
12
35. JLS, ‘JLS’ (2009). Sold: 239, 644. Their first studio album debuted at number one in the UK and Ireland, and has been certified 4x platinum in the UK.
13
33. Frankie Goes To Hollywood, ‘Welcome To The Pleasuredome’ (1984). Sold: 250,000. Another debut album to make this list, this one was originally issued as a vinyl double album only. It also peaked at number one in the New Zealand Albums Chart.
14
32. Phil Collins, ‘…But Seriously’ (1989). Sold: 250,000. His fourth album spent 15 non-consecutive weeks at at the top of the UK chart, including the entire Christmas season. It was the UK’s best-selling album of 1990.
15
31. The Verve, ‘Urban Hymns’ (1997). Sold: 250, 054. The Verve’s third studio album was their best-selling release. The album was nominated for “Best British Album of the Last 30 Years” at 2010 BRIT Awards, but it lost to Oasis’s ‘(What’s The Story) Morning Glory?’
16
28. The Killers, ‘Sam’s Town’ (2006). Sold: 268, 946. Their second offering has sold more than 4.5 million copies worldwide. Brandon Flowers told Entertainment Weekly that it would be “the album that keeps rock & roll afloat.”
17
26. George Michael, ‘Patience’ (2004). Sold: 274, 816. This one debuted at the top of the UK Albums Chart, and has sold approximately ten million copies worldwide.
18
24. Scissor Sisters, ‘Ta-Dah’ (2006). Sold: 288, 167. These guys collaborated with Elton John, Carlos Alomar and Paul Williams for their second studio album, which reached the top of the charts in the UK, Ireland and Australia.
19
21. Coldplay, ‘Viva La Vida Or Death And All His Friends’ (2008). Sold: 302, 074. Coldplay’s fourth album debuted at number one in 36 countries. In the UK, it sold 125,000 copies in its first day alone.
20
20. Hear’Say, ‘Popstars’ (2001). Sold: 306, 631. This pop group was created on the TV show Popstars – and their debut album cleverly shared the same title. It peaked at number one in the UK, and spent 27 weeks on the chart.
21
19. Oasis, ‘Standing On The Shoulder Of Giants’ (2000). Sold: 311, 265. Their fourth studio album was certified double platinum by the British Phonographic Industry. Despite being commercially successful, it was the band’s lowest-selling album.
22
16. The Beatles, ‘1’ (2000). Sold: 319, 126. The fab four’s compilation album with almost every number one single of theirs (from ’62-’70) was released on the 30th anniversary of their break-up. It was their first compilation album to be released on one CD.
23
14. Boyzone, ‘By Request’ (1999). Sold: 329, 176. This was another greatest hits album, and it was the second best-selling album of 1999 in the UK, earning a certification of 6x Platinum. As if that’s not enough of an accomplishment, ‘By Request’ was the fifth best-selling boyband album in the UK.
24
13. Madonna, ‘The Immaculate Collection’ (1990). Sold: 340,000. Her very first greatest hits album featured 15 hits from ’82 to ’90, as well as two new tracks (‘Justify My Love’ and ‘Rescue Me’). It was the best-selling album from a female in the UK, and spent nine of consecutive weeks on the top of the chart in the UK – a record broken by Adele, who was at the top of the chart for ten weeks.
25
11. Michael Jackson, ‘Bad’ (1987). Sold: 350,000. The King Of Pop’s seventh studio album sold more than 30 million copies worldwide. It received six Grammy nominations and two wins. Stateside, it’s the only album to have five of its singles peak at number one on the Billboard 100 consecutively.
26
10. U2, ‘Rattle And Hum’ (1988). Sold: 360,000. Their sixth album came along with a companion documentary film, as well – both containing live recordings, covers and new songs. Upon its release, it had the highest first-week sales of any album to date.
27
7. Leona Lewis, ‘Spirit’ (2007). Sold: 375, 872. Leona’s debut album debuted at number one in nine countries (including the UK, USA and Germany) and reached the top five in eight other countries. The album also broke a record as the best-selling digital album in one week for a new artist.
28
5. Susan Boyle, ‘I Dreamed A Dream’ (2009). Sold: 411, 820. Her debut album featured 11 covers and one original song (‘Who I Was Born to Be’). It was the biggest selling album of 2009, worldwide, and has sold nearly nine million copies across the globe.
29
3. Coldplay, ‘X&Y’ (2005). Sold: 464, 471. Making it into third place is Coldplay’s third studio album, which gave the band their third consecutive number one debut in the UK. With an 8x platinum certification in the UK, it won “Best British Album” at the BRIT Awards, a Mercury Prize nomination and Grammy nominations for “Best Rock Album” (losing to U2).
30
2. Take That, ‘Progress’ (2010). Sold: 518, 601. In second place we have Take That’s ‘Progress’ – the band’s first album with Robbie Williams since 1995. It debuted the top of the UK Albums Chart, becoming the fastest-selling album of the century and the second fastest-selling album of all-time.

Question: what was the title of jackson's third album

Jackson's previous album, Bad, although was skeptically perceived by some criticism, became commercially successful.

what was the title of jackson's third album

Question: what was the result of bad by jackson

коммерчески успешным

Question: which singer released the album 'dangerous'

which singer released the album 'dangerous'

Question: what happened to bad after it was released

стал коммерчески успешным

what happened to bad after it was released

Question: what did bad do for jackson's album

Question: how did bad compare to jackson's bad

Question: why was bad by jackson so successful

скептически воспринят некоторыми критиками

Question: what was wrong with bad by jackson

некоторыми критиками

Jackson 's previous album , Bad , although was skeptically perceived by some criticism , became commercially successful .

Предыстория Предыдущий альбом Джексона, Bad, хотя и был скептически воспринят некоторыми критиками, стал коммерчески успешным.

Предыстория Предыдущий альбом Джексона, Bad, хотя и был скептически воспринят некоторыми критиками, стал коммерчески успешным.

Jackson's previous album, Bad, although was skeptically perceived by some criticism, became commercially successful.

Jackson's previous album, Bad, although was skeptically perceived by some criticism, became commercially successful.

In the first days after the release, the album became one of the fastest-selling albums in history.

Five of the nine singles from Bad headed the American Billboard Hot 100 chart, thus set a record on the number of singles No. 1 from one album.

американский

Question: how many of bad's albums reached number 1 on the billboard hot 100

In the first days after the release, the album became one of the fastest-selling albums in history.

Five of the nine singles from Bad headed the American Billboard Hot 100 chart, thus set a record on the number of singles No. 1 from one album.

how many of bad's albums reached number 1 on the billboard hot 100

Question: how many bad songs were on the album dangerous

how many bad songs were on the album dangerous

Question: how many bad songs made it to number 1 on the billboard hot 100

"Пять из девяти

how many bad songs made it to number 1 on the billboard hot 100

Question: what is the record for a bad album

Question: what was the name of the group that had a number one hit in the uk

what was the name of the group that had a number one hit in the uk

Question: how fast did dangerous sell in the uk

Question: what was the record for bad's Dangerous

Question: where did the album dangerous top the charts

американский чарт Billboard Hot 100

where did the album dangerous top the charts

In the first days after the release , the album became one of the fastest - selling albums in history .

Five of the nine singles from Bad headed the American Billboard Hot 100 chart , thus set a record on the number of singles No . 1 from one album .

В первые дни после релиза пластинка стала одним из самых быстро продаваемых альбомов в истории. Пять из девяти синглов из Bad возглавили американский чарт Billboard Hot 100, таким образом был установлен рекорд по количеству синглов № 1 из одного альбома.

В первые дни после релиза пластинка стала одним из самых быстро продаваемых альбомов в истории.

Пять из девяти синглов из Bad возглавили американский чарт Billboard Hot 100, таким образом был установлен рекорд по количеству синглов № 1 из одного альбома.

In the first days after the release, the album became one of the fastest-selling albums in history. Five of the nine singles from Bad headed the American Billboard Hot 100 chart, thus set a record on the number of singles No. 1 from one album.

In the first days after the release, the album became one of the fastest-selling albums in history.

Five of the nine singles from Bad headed the American Billboard Hot 100 chart, thus set a record on the number of singles No. 1 from one album.

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s.

американский

Question: how many of bad's albums reached number one in the uk singles chart

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s.

how many of bad's albums reached number one in the uk singles chart

Question: what was the most profitable concert tour of solo artists in the 1980s

what was the most profitable concert tour of solo artists in the 1980s

Question: how many bad songs did bad have in the 80s

"Пять из девяти

how many bad songs did bad have in the 80s

Question: how many number one hits did bad have with dangerous

how many number one hits did bad have with dangerous

Question: when did the album dangerous come out

Question: which group had a no. 1 hit in the 1980s with dangerous

which group had a no. 1 hit in the 1980s with dangerous

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s .

Пять из девяти синглов из Bad возглавили американский чарт Billboard Hot 100, таким образом был установлен рекорд по количеству синглов № 1 из одного альбома. Мировой тур в поддержку пластинки стал самым прибыльным концертным турне сольного исполнителя в 1980-х гг.

Мировой тур в поддержку пластинки стал самым прибыльным концертным турне сольного исполнителя в 1980-х гг.

Five of the nine singles from Bad headed the American Billboard Hot 100 chart, thus set a record on the number of singles No. 1 from one album. The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s.

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s.

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s. Jackson headed the list of the highest-paid show-business characters according to the Forbes magazine and was recognized as the most sold artist of the decade.

высокооплачиваемых

Question: who named jackson the most paid artist of the decade

журнала Forbes

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s. Jackson headed the list of the highest-paid show-business characters according to the Forbes magazine and was recognized as the most sold artist of the decade.

who named jackson the most paid artist of the decade

Question: which magazine named jackson the most paid artist of the decade

which magazine named jackson the most paid artist of the decade

Question: who topped the list of the highest paid show-business characters according to forbes magazine

who topped the list of the highest paid show-business characters according to forbes magazine

Question: what was the name of jackson's tour in support of dangerous

what was the name of jackson's tour in support of dangerous

Question: what did dangerous mean for richard jackson

самым продаваемым артистом десятилетия

what did dangerous mean for richard jackson

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s . Jackson headed the list of the highest - paid show - business characters according to the Forbes magazine and was recognized as the most sold artist of the decade .

Мировой тур в поддержку пластинки стал самым прибыльным концертным турне сольного исполнителя в 1980-х гг. Джексон возглавил список самых высокооплачиваемых деятелей шоу-бизнеса по версии журнала Forbes и был признан самым продаваемым артистом десятилетия.

Мировой тур в поддержку пластинки стал самым прибыльным концертным турне сольного исполнителя в 1980-х гг. Джексон возглавил список самых высокооплачиваемых деятелей шоу-бизнеса по версии журнала Forbes и был признан самым продаваемым артистом десятилетия.

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s. Jackson headed the list of the highest-paid show-business characters according to the Forbes magazine and was recognized as the most sold artist of the decade.

The world tour in support of the album became the most profitable concert tour of solo performers in the 1980s. Jackson headed the list of the highest-paid show-business characters according to the Forbes magazine and was recognized as the most sold artist of the decade.

The musician took part in the recording of the song for the animated series "Sympsons", however, under the terms of the singer's contract with the sound recording label, his involvement in the creation of the composition was silent.

мультсериала

звукозаписывающим

причастность

замалчивалась

Michael Jackson Update: News From Korea, Poland And Groening
Michael Jackson is in Seoul, South Korea for Wednesday's inauguration of President Kim Dae-jung. Press sources report that Jackson arrived Sunday and was supposed to have been accompanied by Elizabeth Taylor, but the actress cancelled due to an unspecified illness.
Jackson is also expected to further his previously announced plans for a giant fund-raising concert October 10 for the benefit of North Korean children, tentatively titled "We are the World 2" (see [article id="1430455"]"Michael Jackson Revives 'We Are The World' For North Korea"[/article]).
Jackson had previously been in South Korea in November 1997 touring a financially troubled ski resort with an eye towards investment (see [article id="1430457"]"Jackson Exploring Underwear Company's Kids Park"[/article]).
Meanwhile, Jackson is a step closer to making his proposed Polish amusement park a reality. The AP reports that the Polish government said on Friday that they wanted
Jackson to sign a letter of intent to develop the $500 million theme area at a former military airport in Warsaw being made available to Jackson by the Military Property Agency. The AP says Jackson picked the site during a visit last year and is expected to return in May to sign the final agreement. They add the 222-acre site is expected to be built by June 1, 1999.
Also, it's been confirmed that Jackson was the voice in the Simpsons episode "Stark Raving Dad," credited to "John Jay Smith," and that Jackson wrote the cartoon's popular rap theme, "Do The Bartman" which was released on the 1991 CD, "The Simpsons Sing the Blues." Variety reports that Simpsons' creator Matt Groening spilled the official beans at an animation convention in Pasadena last week.
In addition to all his extra-curicular activities, Jackson is continuing to work on a new album. R. Kelly told a chat room earlier in the month that he was working on two songs with Jackson. Babyface had previously been
announced as a producer, and web sources report that Puff Daddy, Blackstreet and David Foster are also involved. The record is expected out later this year.

Question: who did dangerous sing for in the cartoon series

звукозаписывающим лейблом

The musician took part in the recording of the song for the animated series "Sympsons", however, under the terms of the singer's contract with the sound recording label, his involvement in the creation of the composition was silent.

who did dangerous sing for in the cartoon series

Question: which animated tv series featured the song dangerous

which animated tv series featured the song dangerous

Question: what happened to the singer's part in dangerous

замалчивалась

what happened to the singer's part in dangerous

Question: dangerous is the theme tune to which animated series

dangerous is the theme tune to which animated series

Question: what kind of tv show is dangerous

The musician took part in the recording of the song for the animated series " Sympsons " , however , under the terms of the singer 's contract with the sound recording label , his involvement in the creation of the composition was silent .

Музыкант принял участие в записи песни для мультсериала «Симпсоны», однако, по условиям контракта певца со звукозаписывающим лейблом, его причастность к созданию композиции замалчивалась.

Музыкант принял участие в записи песни для мультсериала «Симпсоны», однако, по условиям контракта певца со звукозаписывающим лейблом, его причастность к созданию композиции замалчивалась.

The musician took part in the recording of the song for the animated series "Sympsons", however, under the terms of the singer's contract with the sound recording label, his involvement in the creation of the composition was silent.

The musician took part in the recording of the song for the animated series "Sympsons", however, under the terms of the singer's contract with the sound recording label, his involvement in the creation of the composition was silent.

Later, some sources claimed that Jackson only recorded a back vocal for her, while others claimed that the musician was also a co-author of the song.

"Do the Bartman" was released as a single in November 1990 and occupied the first lines of hit parades in several countries around the world.

Question: when did do the bartman come out

Later, some sources claimed that Jackson only recorded a back vocal for her, while others claimed that the musician was also a co-author of the song.

"Do the Bartman" was released as a single in November 1990 and occupied the first lines of hit parades in several countries around the world.

Question: what is the title of the 1990 hit single by jimmy jackson, which

what is the title of the 1990 hit single by jimmy jackson, which

Question: what was the first line of dangerous by jackson

what was the first line of dangerous by jackson

Question: who wrote the song do the bartman by dangerous

who wrote the song do the bartman by dangerous

Question: what part of the song dangerous did jackson sing

what part of the song dangerous did jackson sing

Question: who sang do the bartman in dangerous by jackson

who sang do the bartman in dangerous by jackson

Later , some sources claimed that Jackson only recorded a back vocal for her , while others claimed that the musician was also a co - author of the song .

" Do the Bartman " was released as a single in November 1990 and occupied the first lines of hit parades in several countries around the world .

Позднее одни источники утверждали, что Джексон лишь записал для неё бэк-вокал, другие — что музыкант является ещё и соавтором песни вместе с . «Do the Bartman» была выпущена в качестве сингла в ноябре 1990 года и заняла первые строчки хит-парадов нескольких стран мира.

Позднее одни источники утверждали, что Джексон лишь записал для неё бэк-вокал, другие — что музыкант является ещё и соавтором песни вместе с .

«Do the Bartman» была выпущена в качестве сингла в ноябре 1990 года и заняла первые строчки хит-парадов нескольких стран мира.

Later, some sources claimed that Jackson only recorded a back vocal for her, while others claimed that the musician was also a co-author of the song. "Do the Bartman" was released as a single in November 1990 and occupied the first lines of hit parades in several countries around the world.

Later, some sources claimed that Jackson only recorded a back vocal for her, while others claimed that the musician was also a co-author of the song.

"Do the Bartman" was released as a single in November 1990 and occupied the first lines of hit parades in several countries around the world.

After the release of Bad were fulfilled the terms of the contract for three albums, concluded by Jackson in 1978 with Queensy Jones.

The singer did not continue cooperation and decided to perform as the executive producer of his next release.

заключенного

сотрудничество

исполнительного

Question: who did jackson sign a record deal with in 1978

Куинси Джонсом

After the release of Bad were fulfilled the terms of the contract for three albums, concluded by Jackson in 1978 with Queensy Jones.

The singer did not continue cooperation and decided to perform as the executive producer of his next release.

who did jackson sign a record deal with in 1978

Question: when did the first dangerous album come out

when did the first dangerous album come out

Question: how many albums did jackson have with queensy jones

how many albums did jackson have with queensy jones

Question: who produced the 1978 album ‘dangerous’

Question: what role did jackson play on his next album

what role did jackson play on his next album

Question: what was the title of jackson’s first album, released in 1978

what was the title of jackson’s first album, released in 1978

After the release of Bad were fulfilled the terms of the contract for three albums , concluded by Jackson in 1978 with Queensy Jones .

The singer did not continue cooperation and decided to perform as the executive producer of his next release .

После выпуска Bad были выполнены условия контракта на 3 альбома, заключенного Джексоном в 1978 году с Куинси Джонсом. Певец не стал продолжать сотрудничество и решил сам выступить в качестве исполнительного продюсера своего следующего релиза.

После выпуска Bad были выполнены условия контракта на 3 альбома, заключенного Джексоном в 1978 году с Куинси Джонсом.

Певец не стал продолжать сотрудничество и решил сам выступить в качестве исполнительного продюсера своего следующего релиза.

After the release of Bad were fulfilled the terms of the contract for three albums, concluded by Jackson in 1978 with Queensy Jones. The singer did not continue cooperation and decided to perform as the executive producer of his next release.

After the release of Bad were fulfilled the terms of the contract for three albums, concluded by Jackson in 1978 with Queensy Jones.

The singer did not continue cooperation and decided to perform as the executive producer of his next release.

In March 1991, the musician signed a contract with the recording company Sony Music Entertainment at the time the world’s largest contract for six albums.

сотрудничество

исполнительного

звукозаписывающей

Question: which record label signed dangerous in 1991

In March 1991, the musician signed a contract with the recording company Sony Music Entertainment at the time the world’s largest contract for six albums.

which record label signed dangerous in 1991

Question: when did dangerous sign with sony music

Question: how many albums did dangerous have with sony

how many albums did dangerous have with sony

Question: what role did dangerous play on his next album

what role did dangerous play on his next album

Question: why did dangerous leave sony music

Question: when did dangerous sign a contract with sony

when did dangerous sign a contract with sony

In March 1991 , the musician signed a contract with the recording company Sony Music Entertainment at the time the world ’s largest contract for six albums .

Певец не стал продолжать сотрудничество и решил сам выступить в качестве исполнительного продюсера своего следующего релиза. В марте 1991 года, музыкант подписал со звукозаписывающей компанией Sony Music Entertainment на тот момент крупнейший в мире контракт на шесть альбомов.

В марте 1991 года, музыкант подписал со звукозаписывающей компанией Sony Music Entertainment на тот момент крупнейший в мире контракт на шесть альбомов.

The singer did not continue cooperation and decided to perform as the executive producer of his next release. In March 1991, the musician signed a contract with the recording company Sony Music Entertainment at the time the world’s largest contract for six albums.

In March 1991, the musician signed a contract with the recording company Sony Music Entertainment at the time the world’s largest contract for six albums.

Around a year and a half Jackson worked in a home studio, experimenting with sound engineers.

The recording process of this album was different from the previous: now the singer himself played the role of a "stormant", taking direct participation in the creation of each of the 14 songs as the author, producer or co-producer.

экспериментируя

звукоинженерами

непосредственное

Question: what role did jackson play in dangerous by himself

Around a year and a half Jackson worked in a home studio, experimenting with sound engineers.

The recording process of this album was different from the previous: now the singer himself played the role of a "stormant", taking direct participation in the creation of each of the 14 songs as the author, producer or co-producer.

what role did jackson play in dangerous by himself

Question: how many songs are there on dangerous by jackson

how many songs are there on dangerous by jackson

Question: who did jackson work with on dangerous

звукоинженерами

Question: how long did jackson work on dangerous by himself

лет Джексон работал в домашней студии , экспериментируя вместе со звукоинженерами

how long did jackson work on dangerous by himself

Question: how long did it take jackson to make dangerous

how long did it take jackson to make dangerous

Question: what does jackson's role in dangerous mean

what does jackson's role in dangerous mean

Question: what roles did jackson play in dangerous by himself

автора , продюсера или сопродюсера

what roles did jackson play in dangerous by himself

Around a year and a half Jackson worked in a home studio , experimenting with sound engineers .

The recording process of this album was different from the previous : now the singer himself played the role of a " stormant " , taking direct participation in the creation of each of the 14 songs as the author , producer or co - producer .

Около полутора лет Джексон работал в домашней студии, экспериментируя вместе со звукоинженерами. Процесс записи этой пластинки отличался от предыдущих: теперь певец сам выступал в роли «штурмана», принимая непосредственное участие в создании каждой из 14-ти песен в качестве автора, продюсера или сопродюсера.

Около полутора лет Джексон работал в домашней студии, экспериментируя вместе со звукоинженерами.

Процесс записи этой пластинки отличался от предыдущих: теперь певец сам выступал в роли «штурмана», принимая непосредственное участие в создании каждой из 14-ти песен в качестве автора, продюсера или сопродюсера.

Around a year and a half Jackson worked in a home studio, experimenting with sound engineers. The recording process of this album was different from the previous: now the singer himself played the role of a "stormant", taking direct participation in the creation of each of the 14 songs as the author, producer or co-producer.

Around a year and a half Jackson worked in a home studio, experimenting with sound engineers.

The recording process of this album was different from the previous: now the singer himself played the role of a "stormant", taking direct participation in the creation of each of the 14 songs as the author, producer or co-producer.

In the late 1990s, Jackson connected to the “cross father” of the new-jack swing: the singer liked the synthesis of hip-hop, fan and solo in this musical direction, just those rhythms he wanted to hear in his new material.

Question: when did jackson start playing the cross father

In the late 1990s, Jackson connected to the “cross father” of the new-jack swing: the singer liked the synthesis of hip-hop, fan and solo in this musical direction, just those rhythms he wanted to hear in his new material.

when did jackson start playing the cross father

Question: what type of father is dangerous by jackson

what type of father is dangerous by jackson

Question: what genre of music did jackson play in dangerous

what genre of music did jackson play in dangerous

Question: when did jackson start playing cross father

конце 1990 года Джексон связался с « крёстным отцом » нью - джек - свинга : певцу нравился синтез хип - хопа , фанка и соула в этом музыкальном направлении , именно эти ритмы он хотел услышать в своем новом материале

when did jackson start playing cross father

Question: what are the rhythms in dangerous by jackson

хип - хопа , фанка и соула

what are the rhythms in dangerous by jackson

Question: dangerous is an example of what type of music

- джек - свинга

dangerous is an example of what type of music

Question: dangerous is an example of what type of swing

- джек - свинга

dangerous is an example of what type of swing

In the late 1990s , Jackson connected to the “ cross father ” of the new - jack swing : the singer liked the synthesis of hip - hop , fan and solo in this musical direction , just those rhythms he wanted to hear in his new material .

В конце 1990 года Джексон связался с «крёстным отцом» нью-джек-свинга : певцу нравился синтез хип-хопа, фанка и соула в этом музыкальном направлении, именно эти ритмы он хотел услышать в своем новом материале.

В конце 1990 года Джексон связался с «крёстным отцом» нью-джек-свинга : певцу нравился синтез хип-хопа, фанка и соула в этом музыкальном направлении, именно эти ритмы он хотел услышать в своем новом материале.

In the late 1990s, Jackson connected to the “cross father” of the new-jack swing: the singer liked the synthesis of hip-hop, fan and solo in this musical direction, just those rhythms he wanted to hear in his new material.

In the late 1990s, Jackson connected to the “cross father” of the new-jack swing: the singer liked the synthesis of hip-hop, fan and solo in this musical direction, just those rhythms he wanted to hear in his new material.

These compositions relate to other musical directions: pop rock, dance music, gospel.

The album ends with the title track.

“Jam”

направлениям

танцевальная

Question: when does the song jam come out on dangerous

титульный трек

These compositions relate to other musical directions: pop rock, dance music, gospel.

The album ends with the title track.

“Jam”

when does the song jam come out on dangerous

Question: what genre of music does dangerous have

The album ends with the title track.

“Jam”

Question: what genre of music are the songs dangerous by

поп - рок , танцевальная музыка , госпел .

The album ends with the title track.

“Jam”

what genre of music are the songs dangerous by

Question: what type of music is dangerous by the band

The album ends with the title track.

“Jam”

what type of music is dangerous by the band

Question: what genre of music is the album dangerous

поп - рок , танцевальная музыка , госпел .

The album ends with the title track.

“Jam”

what genre of music is the album dangerous

Question: what is the name of the song on dangerous

титульный трек

The album ends with the title track.

“Jam”

what is the name of the song on dangerous

These compositions relate to other musical directions : pop rock , dance music , gospel .

Эти композиции относятся к другим музыкальным направлениям: поп-рок, танцевальная музыка, госпел. Завершает альбом титульный трек. «Jam».

Эти композиции относятся к другим музыкальным направлениям: поп-рок, танцевальная музыка, госпел.

Завершает альбом титульный трек.

These compositions relate to other musical directions: pop rock, dance music, gospel. The album ends with the title track. “Jam”

These compositions relate to other musical directions: pop rock, dance music, gospel.

“Remember the Time” is a nostalgic composition in which the singer offers the girl to remember the times when they loved each other.

The critics noted that the song combines the rhythm and blues, new-jack swing and gospel genres and, as well as the video that accompanied it then, contains racial and cultural references to the African continent.

представляет

ностальгическую

сопровождавший

африканскому

Happy Birthday MJ: How ‘Remember The Time’ Reminds Us Of Michael Jackson’s Greatness
Michael Jackson would have turned 56 today. Since his 2009 death, the otherworldly music icon’s ever-evolving legend has taken an even more surreal turn: his peerless mystique a study in how the afterlife of music’s highest selling solo act has skyrocketed into an unprecedented fourth act. Jackson’s estate has raked in more than $700 million through such projects as his recent posthumous album Xscape; his critically acclaimed Cirque du Soleil shows based on his hit songs; and the well-received concert film This Is It, which according to Forbes has grossed over $260 million across the globe.
But when discussing the impact and accomplishments of the larger-than-life entertainer who proudly embraced his chest-beating title as the undisputed King of Pop to at times remarkable excess, one era for Michael Jackson is often times eclipsed by the post-disco genius of Off The Wall (1979); the world-beating, record breaking hysteria that is Thriller (1982); and the obsessive pop craftsmanship of Bad (1987). 1991’s Dangerous is largely viewed as Jackson’s not so subtle attempt to recapture his R&B base after years of ruling the pop universe. But MJ ‘s musical alliance with New Jack Swing visionary Teddy Riley should be viewed in another important context: It ignited R&B’s next great run. And the primary song we have to thank for that is “Remember The Time.”
In the early ’90s, rhythm and blues was king as the Billboard Hot 100 charts saw a dominating streak of African-American artists crossing over on their own terms. In 1993 alone (arguably R&B’s last great commercial run before hip-hop’s complete cultural takeover), 23 of the 25 top pop singles of the year came straight from the Hot R&B Songs charts as the likes of R. Kelly, Mary J. Blige, Toni Braxton and MJ’s baby sister Janet ruled the top 10. However, it could be said that this impressive streak was not only sparked by the emergence of SoundScan in 1991—which finally gave a more accurate figure for music sales over the retail counter—but Jackson’s full embrace of Riley’s sound.
Before Dangerous’ “Remember The Time,” New Jack Swing had enjoyed a hugely successful run as America’s coolest trend-setting youthful soundtrack. Riley produced statements by Keith Sweat and Teddy’s own groundbreaking supergroup Guy sold millions of albums and managed to impact the pop charts without ever having to water down its signature sound that boldly merged gospel, soul and hip-hop. Bobby Brown became the biggest R&B star on the planet selling over 7 million copies of his sophomore 1988 solo work Don’t Be Cruel, an album propelled by the Riley orchestrated monster anthem “My Prerogative,” a game-changing No. 1 pop single that showed the music industry that New Jack Swing was more than ready for its mainstream close up.
Everyone it seems wanted that Teddy Riley magic, including the biggest entertainer on the planet—Michael Jackson. After meeting with the Harlem-born producer, the unlikely pair discussed some of the demoed tracks that would later make the cut on Jackson’s fourth adult solo effort. One track in particular caught MJ’s ears.
“When I played my demos for Michael he stopped me at the fifth song, which was ‘Remember The Time,’” Riley once told me of his early meetings with Jackson. “He took me to the back room and I thought I was going to get fired. I thought I had done something wrong, but it was a chord that he couldn’t get around. He didn’t know the church chords. The first chord you hear on ‘Remember The Time’ started off that song in a very church way. He never started off his songs in that way, and that’s why he pulled me in the back because it was so unusual for him.”
It was indeed a gamble for Jackson. Yes, Off The Wall (arguably his most potent pure artistic statement) was straight-no-chaser R&B; a nearly flawless dance floor boogie foot stomper that often time bubbled over with swaggering funk despite its pop chart success. But after Thriller and Bad, MJ’s fans had come to expect a more universal sheen to his work than the unfiltered church-inflected soul of “Remember The Time,” which seemed worlds apart from the pure pop confections of say “Beat It,” I Just Can’t Stop Loving You,” and “Smooth Criminal.” And yet the results proved to be stunning.
While Dangerous’ sugary first single “Black Or White” was savvy business-as-usual for the criminally underrated songwriter (Jackson gift for melody had few peers), “Remember The Time” exploded out the speakers. “Do you remember/Us holding hands/In each other’s eyes we would stare,” a heartfelt Jackson sung. “Remember The Time’s” ancient Egyptian-theme video, which featured an all-black cast, was telling. From it’s visuals to its gospel-rooted groove, “Remember The Time” was unapologetically black.
Maybe a little too black.
“Remember The Time” peaked at no. 3 on the Billboard Hot 100 on March 7, 1992, but topped the R&B charts as Jackson’s first no. 1 single since Bad’s “Another Part of Me.” Yet the track’s overall reach was clear as it hit the top 10 in more than 11 countries. Jackson had taken Riley’s New Jack Swing to new global heights making the newest era of rhythm and blues into the go-to pop sound.
“Working with Michael was like going to college,” Riley said of the experience. “He basically gave me the map. He navigated me on how to actually compose. I could say I introduced the New Jack Swing chords to him. All of those songs were great to work on: ‘In The Closet’; ‘Jam’; ‘Can’t Let Her Get Away’…that’s history for me. It was a great feeling to be a part of a huge selling album like that…over 30 million records of Dangerous.”
Thank the Music Gods for Michael Jackson. —Keith Murphy (@murphdogg29)

Question: what continent is the song dangerous about

африканскому континенту

“Remember the Time” is a nostalgic composition in which the singer offers the girl to remember the times when they loved each other.

The critics noted that the song combines the rhythm and blues, new-jack swing and gospel genres and, as well as the video that accompanied it then, contains racial and cultural references to the African continent.

what continent is the song dangerous about

Question: what genre of music is dangerous by dangerous

блюза , нью - джек - свинга и госпела и , также как и сопровождавший её затем видеоклип , содержит расово - культурные отсылки к африканскому континенту .

what genre of music is dangerous by dangerous

Question: what genres are in the song dangerous by dangerous

rhythm and blues, new-jack swing and gospel

- н - блюза , нью - джек - свинга и госпела и , также как и сопровождавший её затем видеоклип , содержит расово - культурные отсылки к африканскому континенту .

rhythm and blues , new - jack swing and gospel

what genres are in the song dangerous by dangerous

Question: what is the name of the song dangerous by dangerous

what is the name of the song dangerous by dangerous

“ Remember the Time ” is a nostalgic composition in which the singer offers the girl to remember the times when they loved each other .

The critics noted that the song combines the rhythm and blues , new - jack swing and gospel genres and , as well as the video that accompanied it then , contains racial and cultural references to the African continent .

«Remember the Time» представляет собой ностальгическую композицию, в тексте которой певец предлагает девушке вспомнить о тех временах, когда они любили друг друга. Критики отмечали, что песня сочетает в себе жанры ритм-н-блюза, нью-джек-свинга и госпела и, также как и сопровождавший её затем видеоклип, содержит расово-культурные отсылки к африканскому континенту.

«Remember the Time» представляет собой ностальгическую композицию, в тексте которой певец предлагает девушке вспомнить о тех временах, когда они любили друг друга.

Критики отмечали, что песня сочетает в себе жанры ритм-н-блюза, нью-джек-свинга и госпела и, также как и сопровождавший её затем видеоклип, содержит расово-культурные отсылки к африканскому континенту.

“Remember the Time” is a nostalgic composition in which the singer offers the girl to remember the times when they loved each other. The critics noted that the song combines the rhythm and blues, new-jack swing and gospel genres and, as well as the video that accompanied it then, contains racial and cultural references to the African continent.

“Remember the Time” is a nostalgic composition in which the singer offers the girl to remember the times when they loved each other.

The critics noted that the song combines the rhythm and blues, new-jack swing and gospel genres and, as well as the video that accompanied it then, contains racial and cultural references to the African continent.

"Heal the World" plays in the album the role of a kind of thematic point of support, pulling away from which the musician leads the listener from noisy, confused, life tracks to utopia.

The composition, held in the gospel genre, was written by Jackson with the aim of creating a song with a social message that is understandable to all listeners, regardless of nationality, language, culture.

своеобразной

тематической

отталкиваясь

национальности

Question: what genre of music is dangerous by jackson

"Heal the World" plays in the album the role of a kind of thematic point of support, pulling away from which the musician leads the listener from noisy, confused, life tracks to utopia.

The composition, held in the gospel genre, was written by Jackson with the aim of creating a song with a social message that is understandable to all listeners, regardless of nationality, language, culture.

what genre of music is dangerous by jackson

Question: what is the title of dangerous by jackson

what is the title of dangerous by jackson

Question: what is the meaning of glass in dangerous

what is the meaning of glass in dangerous

Question: who wrote the gospel song dangerous by jackson

who wrote the gospel song dangerous by jackson

Question: what is the meaning of chained the world

шумных , запутанных , житейских треков к утопии

noisy , confused , life tracks to utopia

what is the meaning of chained the world

" Heal the World " plays in the album the role of a kind of thematic point of support , pulling away from which the musician leads the listener from noisy , confused , life tracks to utopia .

The composition , held in the gospel genre , was written by Jackson with the aim of creating a song with a social message that is understandable to all listeners , regardless of nationality , language , culture .

«Heal the World» играет в альбоме роль своеобразной тематической точки опоры, отталкиваясь от которой, музыкант уводит слушателя от шумных, запутанных, житейских треков к утопии. Композиция, выдержанная в жанре госпела, была написана Джексоном с целью создать песню с социальным посылом, понятную всем слушателям, независимо от национальности, языка, культуры.

«Heal the World» играет в альбоме роль своеобразной тематической точки опоры, отталкиваясь от которой, музыкант уводит слушателя от шумных, запутанных, житейских треков к утопии.

Композиция, выдержанная в жанре госпела, была написана Джексоном с целью создать песню с социальным посылом, понятную всем слушателям, независимо от национальности, языка, культуры.

"Heal the World" plays in the album the role of a kind of thematic point of support, pulling away from which the musician leads the listener from noisy, confused, life tracks to utopia. The composition, held in the gospel genre, was written by Jackson with the aim of creating a song with a social message that is understandable to all listeners, regardless of nationality, language, culture.

"Heal the World" plays in the album the role of a kind of thematic point of support, pulling away from which the musician leads the listener from noisy, confused, life tracks to utopia.

The composition, held in the gospel genre, was written by Jackson with the aim of creating a song with a social message that is understandable to all listeners, regardless of nationality, language, culture.

This dark rhythm-n-blue composition begins with the sound of a female soprano performed by Linda Harmon.

The song is characterized by a multi-layer musical structure that opens when hearing; it includes solo on the flate, the sounds of the violonchell and the penetrating party of the strings.

характеризуется

многослойной

открывающейся

прослушивании

пронзительную

The booklet for Dangerous begins with a short prose poem by Michael Jackson describing the release the singer feels while dancing: "Creator and creation merge into one wholeness of joy" until "there is only ... the dance." It is Jackson's version of William Butler Yeats's "How can you tell the dancer from the dance?" and a revealing introduction to the first album in four years from this generation's best-known and bestselling superstar.
Dangerous might seem to be a chance to separate this dancer — the "eccentric" Michael of the chimps, the Elephant Man bones, the hyperbaric chamber — from his dancing and singing, which remain among the wonders of the performance world and, lest we forget, were the real reason we paid so much attention to Jackson in the first place. According to this plan, we must consider Dangerous on its own terms and listen without images of llamas and Macaulay Culkin dancing in our heads.
But of course this polarity between Jackson's on- and offstage lives is exactly what makes him so fascinating, and the triumph of Dangerous is that it doesn't hide from the fears and contradictions of a lifetime spent under a spotlight. This edge of terror electrified Thriller's Jackson-penned break-through cuts "Billie Jean" and "Beat It" but was diverted into an unconvincing nastiness in 1987 on Bad. It also drove the "controversial" segment of the "Black or White" video, but this tension is presented much more effectively on the album itself.
Teddy Riley replaces. Quincy Jones as Jackson's primary collaborator on Dangerous, an inspired selection that is the key to the album's finest moments. Riley — the producer of groundbreaking tracks by Bobby Brown, Keith Sweat and his own combo, Guy — is the godfather of New Jack Swing, which merges hip-hop beats with soul crooning and has dominated the R&B charts in recent years. This choice clearly represents Jackson's pursuit of a more contemporary sound, an attempt to come to grips with the changes that have swept pop music since Bad — most significantly, rap's successful attack on the mainstream. Riley's work on Dangerous is reminiscent of Jackson's solo album Off the Wall (1979) and that record's distillation of disco to its perfect pop essence. Riley's tracks don't offer the revolutionary genre-busting of Thriller, but they dramatically illustrate the versatility of his style. Instead of the cocksure strut of a New Jack classic like Bobby Brown's "My Prerogative," the stacked layers of keyboards on Dangerous shift and percolate, varying textures over insistent, thumping rhythm tracks.
The aggressive yet fluid dance grooves Riley helped construct — and his emphasis is on writing grooves, not traditional songs — prove a perfect match for Jackson's clipped, breathy uptempo voice. The fit is especially striking on the songs dealing with women. Exactly half of Dangerous is concerned with affairs of the heart, and Jackson's greatest fears are brought right up front — there's not a single straightforward love song in the bunch. Instead we get betrayal in "Who Is It" and repressed lust in the titillatingly titled (and determinedly heterosexual) "In the Closet." Even "Remember the Time," the most lighthearted musical track on the album, tells of a blissful romance only to ask, "So why did it end?" The tense, stuttering beats mirror these anxieties compellingly Riley's melodies may seem secondary, but he carefully plants unshakable hooks in the least likely places — a jittery rhythm track in "Can't Let Her Get Away," a snaky, unexpected bridge in "In the Closet."
There's nothing on Dangerous as anti-female as Bad's "Dirty Diana," but Jackson's persona is much more assertively sexual than the accused victim in "Billie Jean." He stalks and preens in "She Drives Me Wild." "Give In to Me" flirts with something more disturbing as Jackson sings, "Don't try to understand me/Just simply do the things I say" in a grittier, throaty voice while Slash's guitar whips and soars behind him. Neither this slow-burn solo nor the Stones-derived riff on "Black or White" offers the catharsis of Eddie Van Halen's blazing break on "Beat It," but they demonstrate that what seemed like a stunning crossover fusion in 1982 has now become an established part of the pop vocabulary.
Less impressive are the ballads on Dangerous, where Jackson turns to more global concerns. He has always had a weakness for sappiness, and over the years his delivery has grown increasingly constricted on slower numbers. "Heal the World" is a Hallmark-card knockoff of "We Are the World," while the grandiose "Will You Be There" never catches fire. "Keep the Faith," with its power-of-positive-thinking message, is looser and sets off fireworks with a call-and-response gospel coda. It's easy to overlook, though, because it immediately follows "Will You Be There," and both tracks feature the Andrae Crouch Singers; the sequencing of Dangerous often clusters similar songs in bunches when a more varied presentation would have been stronger.
"Jam," the album's opener, addresses. Jackson's uneasy relationship to the world and reveals a canny self-awareness that carries the strongest message on Dangerous. "Jam" features a dense, swirling Riley track, propelled by horn samples and a subtle scratch effect, and includes a fleet rap by Riley favorite Heavy D. Though it initially sounds like a simple, funky dance vehicle, Jackson's voice bites into each phrase with a desperation that urges us to look deeper. He is singing as "false prophets cry of doom" and exhorts us to "live each day like it's the last." The chorus declares that the miseries of the world "ain't too much stuff" to stop us from jamming. To Jackson, who insists that he comes truly alive only onstage, the ability to "Jam" is the sole means to find "peace within myself," and this hope rings more sincere than the childlike wishes found in the ballads.
At such moments, Dangerous rises to the impossible challenge set by Thriller, the commercial and artistic juggernaut that will always loom over Michael Jackson's work. At his best, then and now, the dancer and the dance come together and reveal a man, no longer a man-child, confronting his well-publicized demons and achieving transcendence through performance. What got lost in the uproar over That Video is that, despite his offstage Peter Pan image, Michael Jackson's finest song and dance is always sexually charged, tense, coiled — he is at his most gripping when he really is dangerous.
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Question: who plays the female soprano on dangerous

Линды Хармон

This dark rhythm-n-blue composition begins with the sound of a female soprano performed by Linda Harmon.

The song is characterized by a multi-layer musical structure that opens when hearing; it includes solo on the flate, the sounds of the violonchell and the penetrating party of the strings.

who plays the female soprano on dangerous

Question: who sings the beginning of dangerous by linda harmon

женского сопрано

who sings the beginning of dangerous by linda harmon

Question: what type of music is dangerous by linda harmon

- н - блюзовая

what type of music is dangerous by linda harmon

Question: what instrument is played solo in dangerous by linda harmon

what instrument is played solo in dangerous by linda harmon

Question: what type of structure is dangerous by linda harmon

многослойной

what type of structure is dangerous by linda harmon

This dark rhythm - n - blue composition begins with the sound of a female soprano performed by Linda Harmon .

The song is characterized by a multi - layer musical structure that opens when hearing ; it includes solo on the flate , the sounds of the violonchell and the penetrating party of the strings .

Эта мрачная ритм-н-блюзовая композиция начинается со звучания женского сопрано в исполнении Линды Хармон. Песня характеризуется многослойной музыкальной структурой, открывающейся при пристальном прослушивании; она включает в себя соло на флейте, звуки виолончели и пронзительную партию струнных.

Эта мрачная ритм-н-блюзовая композиция начинается со звучания женского сопрано в исполнении Линды Хармон.

Песня характеризуется многослойной музыкальной структурой, открывающейся при пристальном прослушивании; она включает в себя соло на флейте, звуки виолончели и пронзительную партию струнных.

This dark rhythm-n-blue composition begins with the sound of a female soprano performed by Linda Harmon. The song is characterized by a multi-layer musical structure that opens when hearing; it includes solo on the flate, the sounds of the violonchell and the penetrating party of the strings.

This dark rhythm-n-blue composition begins with the sound of a female soprano performed by Linda Harmon.

The song is characterized by a multi-layer musical structure that opens when hearing; it includes solo on the flate, the sounds of the violonchell and the penetrating party of the strings.

This is an emotionally variable track, starting with the thinning of melotron and developing into a splash of accumulated inside aggression.

The critics called the song the best hard-rock performance of Jackson in his career, the composition, according to them, became greater than the other songs of the musician in this genre.

эмоционально

переменчивый

начинающийся

развивающийся

Dangerous
On Dangerous, humanity lets Michael Jackson down at every turn. Women are tramping on his fragile soul and breaking his heart, and his fellow citizens can’t be bothered with trying to save this parched, crumbling mound of mud we call earth. ”Everyone’s taking control of me/Seems that the world’s got a role for me/I’m so confused,” Jackson sings (presumably to his God) in one of the album’s three overtly hymnlike numbers, complete with enough choirs and orchestration to boost what sounds like his sagging morale.
Coming from a man whose videos suggest his idea of ”street” is a Hollywood soundstage, such sentiments make you take notice; for the first time, he appears to be revealing a little of the mind behind the plastic surgery. But just as the lyrics seem burdened, so does the music. His solo triumphs — Off the Wall, Thriller, and Bad — had their share of fluffy songs and gimmicks, but they were supremely confident albums; the music glided on air. That confidence, though, is almost absent from Dangerous. A sprawling album (14 cuts, 77 minutes) with little center, it is the least assured record of Jackson’s post-Motown career, a belabored attempt to be all things to all record buyers at a time when such a goal may be beyond even Jackson’s reach.
Working without steadfast producer Quincy Jones, Jackson tosses cohesion to the wind and instead touches on every contemporary style of R&B, from rap and hip-hop gospel to new jack swing. The idea is to make him seem down with urban teenagers, but he just seems insecure: Does Jackson doubt his instincts so much that he has to graft raps onto his songs? Even more problematic is his work with new jack producer-writer Teddy Riley. On paper, the combination of Jackson’s lithe voice and Riley’s exuberant mesh of hip-hop and soul sounds combustible, and on at least one song — the clenched-teeth ”Why You Wanna Trip on Me” — the collaboration adds a fresh, seething dimension. But Riley’s style is denser and more bass-heavy than the singer’s air-cushioned pop, making Jackson’s music lumber where it once soared.
When Jackson isn’t dabbling, he’s in retreat. ”Heal the World” is a more cloying ”We Are the World”; the sappy ”Gone Too Soon,” a tribute to Ryan White, who died of AIDS, recasts the equally melodramatic Off the Wall hit ”She’s Out of My Life,” even down to Jackson’s sobs during the finale. He still knows how to fashion a hook that will take up permanent residence in your brain (away from its video, ”Black or White” is spare and effortless). And when his voice isn’t competing with drum machines, it has rarely sounded stronger-achingly pure on ”Heal the World,” menacing on the creepy ”Give In to Me” (his best-ever shot at hard rock), and at times, deeper and adult.
But even the most acute studio skills can’t compensate for the hole-in-the-soul that haunts the album. The love songs replace warmth with an unsettling sense of hostility, and even Jackson’s pop-gospel songs sound forlorn, not uplifting. Looking to connect to a mass pop audience that may no longer be his, living on a planet that refuses to live in harmony, he constructs a world on Dangerous in which neither love nor God provides much hope. For the first time, Michael Jackson is caught up in problems that not even a good beat can solve. B-
Comments

Question: what type of music is dangerous by jackson

This is an emotionally variable track, starting with the thinning of melotron and developing into a splash of accumulated inside aggression.

The critics called the song the best hard-rock performance of Jackson in his career, the composition, according to them, became greater than the other songs of the musician in this genre.

what type of music is dangerous by jackson

Question: what is the main theme of dangerous by jackson

what is the main theme of dangerous by jackson

Question: what kind of track is dangerous by jackson

переменчивый трек , начинающийся с гудения меллотрона и развивающийся в выплеск накопленной внутри агрессии

what kind of track is dangerous by jackson

Question: what is the emotional component of dangerous by jackson

внутри агрессии

what is the emotional component of dangerous by jackson

Question: how does the composition of dangerous compare to other hard rock songs

how does the composition of dangerous compare to other hard rock songs

Question: what kind of music is dangerous by jackson

лучшим хард - роковым

what kind of music is dangerous by jackson

Question: who wrote the song dangerous by jackson

This is an emotionally variable track , starting with the thinning of melotron and developing into a splash of accumulated inside aggression .

The critics called the song the best hard - rock performance of Jackson in his career , the composition , according to them , became greater than the other songs of the musician in this genre .

Это эмоционально переменчивый трек, начинающийся с гудения меллотрона и развивающийся в выплеск накопленной внутри агрессии. Критики называли песню лучшим хард-роковым исполнением Джексона в его карьере, композиция, по их мнению, получилась более гранжевой, чем другие песни музыканта в этом жанре.

Это эмоционально переменчивый трек, начинающийся с гудения меллотрона и развивающийся в выплеск накопленной внутри агрессии.

Критики называли песню лучшим хард-роковым исполнением Джексона в его карьере, композиция, по их мнению, получилась более гранжевой, чем другие песни музыканта в этом жанре.

This is an emotionally variable track, starting with the thinning of melotron and developing into a splash of accumulated inside aggression. The critics called the song the best hard-rock performance of Jackson in his career, the composition, according to them, became greater than the other songs of the musician in this genre.

This is an emotionally variable track, starting with the thinning of melotron and developing into a splash of accumulated inside aggression.

The critics called the song the best hard-rock performance of Jackson in his career, the composition, according to them, became greater than the other songs of the musician in this genre.

Release and promotion The work on the album lasted for more than three years.

At the end of summer – early autumn of 1991 under the pressure of the sound recording label and managers the singer began to complete the project.

A few days before the release of the album, a group of thieves did theft of 30 thousand.

продолжалась

звукозаписывающего

Question: how much did the thieves steal from the record label

Release and promotion The work on the album lasted for more than three years.

At the end of summer – early autumn of 1991 under the pressure of the sound recording label and managers the singer began to complete the project.

A few days before the release of the album, a group of thieves did theft of 30 thousand.

how much did the thieves steal from the record label

Question: how long did it take for dangerous to come out

how long did it take for dangerous to come out

Question: who stole 30,000 copies of dangerous album

группа грабителей совершила кражу

who stole 30,000 copies of dangerous album

Question: in which year was the album dangerous released

in which year was the album dangerous released

Question: who pressured the singer to finish his album Dangerous

звукозаписывающего лейбла и менеджеров

who pressured the singer to finish his album Dangerous

Question: how many years did the album dangerous last

how many years did the album dangerous last

Release and promotion The work on the album lasted for more than three years .

At the end of summer – early autumn of 1991 under the pressure of the sound recording label and managers the singer began to complete the project .

A few days before the release of the album , a group of thieves did theft of 30 thousand .

Релиз и промо Работа над альбомом продолжалась более трёх лет. В конце лета — начале осени 1991 года под давлением звукозаписывающего лейбла и менеджеров певец стал завершать проект. За несколько дней до релиза пластинки группа грабителей совершила кражу 30 тыс.

Релиз и промо Работа над альбомом продолжалась более трёх лет.

В конце лета — начале осени 1991 года под давлением звукозаписывающего лейбла и менеджеров певец стал завершать проект.

За несколько дней до релиза пластинки группа грабителей совершила кражу 30 тыс.

Release and promotion The work on the album lasted for more than three years. At the end of summer – early autumn of 1991 under the pressure of the sound recording label and managers the singer began to complete the project. A few days before the release of the album, a group of thieves did theft of 30 thousand.

Release and promotion The work on the album lasted for more than three years.

At the end of summer – early autumn of 1991 under the pressure of the sound recording label and managers the singer began to complete the project.

A few days before the release of the album, a group of thieves did theft of 30 thousand.

Examples of the album from the warehouse at Los Angeles International Airport.

Dangerous was released on November 26, 1991 on compact disks, cassettes and vinyl plates.

международном

Question: where did the album dangerous come from

международном аэропорту Лос - Анджелес

Examples of the album from the warehouse at Los Angeles International Airport.

Dangerous was released on November 26, 1991 on compact disks, cassettes and vinyl plates.

Question: what was the name of the album that was released at the warehouse at los angeles

what was the name of the album that was released at the warehouse at los angeles

Question: what types of media were dangerous on

компакт - дисках , кассетах и виниловых пластинках

Question: what kind of disks were dangerous on

компакт - дисках , кассетах и виниловых пластинках

Question: what kind of media was dangerous on

compact disks, cassettes and vinyl plates

компакт - дисках , кассетах и виниловых пластинках

compact disks , cassettes and vinyl plates

Examples of the album from the warehouse at Los Angeles International Airport .

Dangerous was released on November 26 , 1991 on compact disks , cassettes and vinyl plates .

экземпляров альбома со склада в международном аэропорту Лос-Анджелес. Dangerous был выпущен 26 ноября 1991 года на компакт-дисках, кассетах и виниловых пластинках.

экземпляров альбома со склада в международном аэропорту Лос-Анджелес.

Dangerous был выпущен 26 ноября 1991 года на компакт-дисках, кассетах и виниловых пластинках.

Examples of the album from the warehouse at Los Angeles International Airport. Dangerous was released on November 26, 1991 on compact disks, cassettes and vinyl plates.

Examples of the album from the warehouse at Los Angeles International Airport.

Dangerous was released on November 26, 1991 on compact disks, cassettes and vinyl plates.

Commercial success In the first week after the release, more than 325 thousand copies of the album were sold in the United States and more than 2 million worldwide.

"Коммерческий

Michael Jackson's much ballyhooed new "Dangerous" isn't thrilling the nation's record buyers. They have bought just 326,500 copies of the record since it hit stores on Nov. 26, according to industry sources.
That's enough to power "Dangerous" to the top of next week's Billboard pop chart, but the total falls well below first-week sales earlier this year for albums by rockers Guns N' Roses and Metallica. Indeed, Jackson's premiere-week sales just barely topped the debuts of country sensation Garth Brooks' "Ropin' the Wind" and hard-rock veteran Van Halen's "For Unlawful Carnal Knowledge."
Unlike any of those records, however, "Dangerous" was launched with a multimillion-dollar publicity campaign that included a national network premiere of Jackson's 11-minute "Black or White" video, coast-to-coast news coverage and an entire weekend of Michaelmania on MTV.
Record industry officials, who as recently as last week were hoping that holiday sales of "Dangerous" would jump-start the recession-ravaged music business, downplayed the significance of the less-than-monumental first-week sales figures on Wednesday. They said they expect Jackson's record to continue selling strong into next year and not peak early and then trail off as have most of the other top records of the year.
"It's like that old expression: 'It's not where you start, it's where you end up.' I believe that Michael's album will ultimately end up doing very well," said Geoff Mayfield, associate director of retail research at the music trade journal Billboard. "The true test of the record is how it fares over the long run. Only Garth Brooks has consistently sold more than 200,000 copies for more than three weeks."
Since May, when weekly sales figures for pop albums became widely available, six records have broken the 300,000 mark in their premiere weeks. The year's No. 1 first week ranking went to Guns N' Roses' "Use Your Illusion II,' which sold a phenomenal 770,000 units when it hit the stores in October. Even more unusual, however, the No. 2 spot also belongs to GNR with the companion album "Use Your Illusion I." Released simultaneously with "Illusion II," it sold 685,000 copies. Metallica's "Metallica" sold 600,000 copies its first week out.
Jackson's 326,500 debut came during Thanksgiving holiday week, which means he lost one day of sales but also presumably benefited from the traditionally strong kickoff of the Christmas buying season.
Though many industry officials had speculated that the Jackson figure would be higher given his past sales history and the enormous publicity blitz accompanying its release, Glen Brunman, vice president of media and artist development at Epic Records, said his company is "very pleased" with Jackson's sales debut.
"Retailers are telling us that whereas the Guns N' Roses buyer came out to buy only Guns N' Roses albums, Michael's fans are also purchasing other artists' music," he said Wednesday. Jackson's 1983 "Thriller," which sold 21 million copies in the United States and is still the largest selling album in U.S. pop history, took off to a slow start.
Recession-pinched retailers--whose business was down 11% during the first six months of the year--had been looking for the album to help lure record fans back into the stores, and several on Wednesday said that "Dangerous" appears to be doing just that.
"This is a No. 1 record and there's no question about it," Russ Solomon, president of the 60-store Sacramento-based Tower Records, said Wednesday. "We didn't expect the same kind of turnout as for Guns N' Roses.
"Michael Jackson doesn't attract the same kind of hard-core rock fan. What happened with GNR only goes down once in a blue moon. It shot out of the box, but look at it now. Sales have dropped off. Everybody in the industry believes that Michael's album will have legs. We expect it will sell many copies well into the next year."
Retailers aren't the only ones anxiously monitoring the "Dangerous" sales. This is the first album by Jackson since the pop star signed an unprecedented $60-million contract with Sony, the Japanese conglomerate.
"Black or White," the single from the album, continues to be hot. The recording shot to No. 1 on the Billboard chart last week after three weeks in the stores, making it the fastest single to go to No. 1 since the Beatles' "Get Back" in 1969. It remains at No. 1 this week.
Top 5 Albums--1991 First-Week Sales
NO. ARTIST ALBUM LABEL SALES 1. Guns N' Roses "Use Your Illusion II" Geffen 770,000 2. Guns N' Roses "Use Your Illusion I" Geffen 685,000 3. Metallica "Metallica" Elektra 600,000 4. Michael Jackson "Dangerous" Epic 326,500 5. Garth Brooks "Ropin' the Wind" Capitol 300,000
Source: SoundScan, which began compiling its figures May 25.

Question: how many albums did dangerous sell in the first week

Commercial success In the first week after the release, more than 325 thousand copies of the album were sold in the United States and more than 2 million worldwide.

how many albums did dangerous sell in the first week

Question: how many copies of dangerous were sold in the first week

how many copies of dangerous were sold in the first week

Commercial success In the first week after the release , more than 325 thousand copies of the album were sold in the United States and more than 2 million worldwide .

Коммерческий успех За первую неделю после релиза было продано более 325 тыс. экземпляров пластинки в США и более 2-х млн по всему миру.

Коммерческий успех За первую неделю после релиза было продано более 325 тыс. экземпляров пластинки в США и более 2-х млн по всему миру.

Commercial success In the first week after the release, more than 325 thousand copies of the album were sold in the United States and more than 2 million worldwide.

Commercial success In the first week after the release, more than 325 thousand copies of the album were sold in the United States and more than 2 million worldwide.

Dangerous debuted at the top of the U.S. and UK album charts.

The album’s worldwide sales range from 32 to 40 million copies, and Dangerous is considered Jackson’s best-selling album after Thriller.

Великобритании

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Friday 22 January 2016
12:53PM BST 26 Jun 2009
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Question: what was the second best selling album of all time by jackson jackson

Dangerous debuted at the top of the U.S. and UK album charts.

The album’s worldwide sales range from 32 to 40 million copies, and Dangerous is considered Jackson’s best-selling album after Thriller.

what was the second best selling album of all time by jackson jackson

Question: how many copies did dangerous sell worldwide

32 до 40 млн

how many copies did dangerous sell worldwide

Question: what is the title of jackson's best selling album

what is the title of jackson's best selling album

Question: how many albums did dangerous sell worldwide

32 до 40 млн экземпляров

how many albums did dangerous sell worldwide

Question: how many albums does dangerous have in the uk

how many albums does dangerous have in the uk

Question: which singer/songwriter released the albums thriller and dangerous

which singer/songwriter released the albums thriller and dangerous

Dangerous debuted at the top of the U.S. and UK album charts .

The album ’s worldwide sales range from 32 to 40 million copies , and Dangerous is considered Jackson ’s best - selling album after Thriller .

Dangerous дебютировал на вершинах альбомных чартов США и Великобритании. Мировые продажи пластинки составляют от 32 до 40 млн экземпляров, Dangerous считается самым продаваемым альбомом Джексона после Thriller.

Dangerous дебютировал на вершинах альбомных чартов США и Великобритании.

Мировые продажи пластинки составляют от 32 до 40 млн экземпляров, Dangerous считается самым продаваемым альбомом Джексона после Thriller.

Dangerous debuted at the top of the U.S. and UK album charts. The album’s worldwide sales range from 32 to 40 million copies, and Dangerous is considered Jackson’s best-selling album after Thriller.

Dangerous debuted at the top of the U.S. and UK album charts.

The album’s worldwide sales range from 32 to 40 million copies, and Dangerous is considered Jackson’s best-selling album after Thriller.

The rise of this composition to the top of the Billboard Hot 100 chart became the fastest since 1969.

On the first line she spent 7 weeks – it’s Jackson’s most successful single since Billie Jean.

A look back at the music that made Michael Jackson the undisputed King of Pop
"Never Can Say Goodbye"
The Jackson 5
Hot 100 Peak Position: 2
Peak Date: May 8, 1971
Weeks On Chart: 12
Not many 12-year-olds can maturely depict a romantic situation like Michael did in the Jackson 5's hit single, "Never Can Say Goodbye." Michael describes a situation where he is incapable of leaving his partner, no matter how close he gets. "There's that same unhappy feeling/ There's that anguish/ There's that doubt," Michael expertly croons in the ballad. The song struck a chord with a relating crowd, charting at No. 1 on Billboard's R&B songs chart and No. 2 on the Hot 100.
"Rockin' Robin"
Michael Jackson
Hot 100 Peak Position: 2
Peak Date: April 22, 1972
Weeks On Chart: 13
Michael Jackson's cover of "Rockin' Robin" by Bobby Day reached No. 2 on the Hot 100 and Billboard's R&B songs chart in 1972. 13-year-old Michael brings playfulness to the classic, with more advanced production including a bird-like melody. The star keenly reports on a popular local songbird, "All the little birdies on Jaybird street/ Love to hear the robin go tweet tweet tweet" -- not dissimilar from the effect Jackson's singing had on his audience.
"Don't Stop 'Til You Get Enough"
Michael Jackson
Hot 100 Peak Position: 1 (1 week)
Peak Date: October 13, 1979
Weeks On Chart: 21
While Michael had first topped the Hot 100 apart from the Jackson 5 with the ballad "Ben" at age 14 in 1972, his second No. 1 and first on Epic Records set in motion his monumental rise to superstardom as a solo performer, while introducing fans to a more mature artist in both sound and lyrical content. This song ushered in Jackson's "Off the Wall" album and became the first of the set's four Hot 100 top 10s.
"Dirty Diana"
Michael Jackson
Hot 100 Peak Position: 1 (1 week)
Peak Date: July 2, 1988
Weeks On Chart: 14
In the world of stalky, creepy women in Michael Jackson's lyrics, "Dirty Diana" is right up there with "Billie Jean" and Susie from "Blood on the Dance Floor." The R&B/rock tune about a groupie gone all sorts of wrong features Steve Stevens on guitar and became the "Bad" album's fifth and final No. 1 on the Hot 100 in 1988. With the song's coronation, Jackson set a record that still stands for most Hot 100 No. 1s (five) from one album. (Katy Perry's "Teenage Dream" equaled the mark with five No. 1s in 2010-11.)
"Got To Be There"
Michael Jackson
Hot 100 Peak Position: 4
Peak Date: December 11, 1971
Weeks On Chart: 14
Smartly capitalizing on the group's immense success, Motown Records released Michael's debut single while the Jackson 5 was still enjoying chart achievements with its third album. "Got to Be There" peaked at No. 4 on the Hot 100 dated Dec. 11, 1971, the same date as the debut of the Jackson 5's "Sugar Daddy," which would later peak at No. 10.
"Bad"
Michael Jackson
Hot 100 Peak Position: 1 (2 weeks)
Peak Date: October 24, 1987
Weeks On Chart: 14
Although braggadocious at first listen, Jackson's "Bad" was actually inspired by a real-life story about a boy who went off to a private boarding school and was murdered out of jealousy when he returned back home. The track was helmed by longtime producer Quincy Jones and released as the second single from the "Bad" album. The song peaked at No. 1 on the Hot 100, staying there for two weeks.
"I Just Can't Stop Loving You"
Michael Jackson with Siedah Garrett
Hot 100 Peak Position: 1 (1 week)
Peak Date: September 19, 1987
Weeks On Chart: 14
Despite the majority of uptempo tracks on "Bad," Epic introduced the follow-up album to "Thriller" with a sleek, sultry love song. This duet with Quincy Jones protégé Siedah Garrett soared to No. 1 on the Hot 100 in its seventh week in September 1987. The cut scaled Adult Contemporary even more quickly, reaching the summit in four weeks to become Jackson's second of two career leaders on the list, following "The Girl Is Mine," with Paul McCartney, in 1982-83.
"Black Or White"
Michael Jackson
Hot 100 Peak Position: 1 (7 weeks)
Peak Date: December 7, 1991
Weeks On Chart: 20
The pop music landscape was shifting in late 1991, with Nirvana introducing grunge and rap gaining a larger foothold. Jackson's appeal, however, proved impenetrable with the first single from "Dangerous." Featuring guitarist Slash, "Black or White" tallied seven weeks atop the Hot 100, matching "Billie Jean" for Jackson's longest reign. The song's video remains memorable for its pioneering use of morphing technology and subsequently deleted scenes of Jackson violently smashing car windows against a backdrop of racist graffiti.
"The Way You Make Me Feel"
Michael Jackson
Hot 100 Peak Position: 1 (1 week)
Peak Date: January 23, 1988
Weeks On Chart: 18
The third single from "Bad" became the album's third consecutive Hot 100 No. 1 in January 1988, marking Jackson's only set to yield more than two toppers ("Bad" would eventually yield a record five Hot 100 leaders; see No. 17, "Dirty Diana"). In 2005, veteran pop crooner Paul Anka stamped a lounge spin on the song on his jazz-inflected covers album, "Rock Swings."
"The Love You Save/ I Found That Girl"
The Jackson 5
Hot 100 Peak Position: 1 (2 weeks)
Peak Date: June 27, 1970
Weeks On Chart: 13
Jackson knew all about growing up too fast and trying to preserve youth. That's why it comes as no surprise that 1970's "The Love You Save," by the Jackson 5, finds him, along with brother Jermaine, warning a "fast" girl to slow down atop an uptempo production. "The Jackson 5 was the only group in history to have their first four singles go to [No. 1]," Motown founder Berry Gordy wrote in the introduction to "Moonwalk." "For Michael, it was the inspiration to break all the rest [of the chart records]. And he did."

Question: who sings the song dangerous by jackson jackson

The rise of this composition to the top of the Billboard Hot 100 chart became the fastest since 1969.

On the first line she spent 7 weeks – it’s Jackson’s most successful single since Billie Jean.

who sings the song dangerous by jackson jackson

Question: when did the song dangerous come out

Question: how many weeks did the song dangerous last

how many weeks did the song dangerous last

Question: how long did dangerous take to get to the top of the billboard 100

how long did dangerous take to get to the top of the billboard 100

Question: who wrote the song dangerous by billie jean

who wrote the song dangerous by billie jean

Question: dangerous reached the top of which chart in 1969

dangerous reached the top of which chart in 1969

Question: when does the song dangerous come out

The rise of this composition to the top of the Billboard Hot 100 chart became the fastest since 1969 .

On the first line she spent 7 weeks – it ’s Jackson ’s most successful single since Billie Jean .

Восхождение этой композиции на вершину чарта Billboard Hot 100 стало самым быстрым с 1969 года. На первой строчке она провела 7 недель — это самый успешный сингл Джексона со времён «Billie Jean».

Восхождение этой композиции на вершину чарта Billboard Hot 100 стало самым быстрым с 1969 года.

На первой строчке она провела 7 недель — это самый успешный сингл Джексона со времён «Billie Jean».

The rise of this composition to the top of the Billboard Hot 100 chart became the fastest since 1969. On the first line she spent 7 weeks – it’s Jackson’s most successful single since Billie Jean.

The rise of this composition to the top of the Billboard Hot 100 chart became the fastest since 1969.

On the first line she spent 7 weeks – it’s Jackson’s most successful single since Billie Jean.

In January 1992, the second single from the album was released, “Remember the Time”.

The song became the third in the Billboard Hot 100, headed by Hot R&B/Hip-Hop Songs, as well as the New Zealand hit parade.

Question: when did remember the time come out

In January 1992, the second single from the album was released, “Remember the Time”.

The song became the third in the Billboard Hot 100, headed by Hot R&B/Hip-Hop Songs, as well as the New Zealand hit parade.

Question: where did remember the time come in the billboard hot 100

where did remember the time come in the billboard hot 100

Question: what was the title of dangerous's 1992 hit single

what was the title of dangerous's 1992 hit single

Question: what was the song dangerous about in new zealand

хит - парад Новой Зеландии

what was the song dangerous about in new zealand

Question: who sang the song remember the time

In January 1992 , the second single from the album was released , “ Remember the Time ” .

The song became the third in the Billboard Hot 100 , headed by Hot R&B / Hip - Hop Songs , as well as the New Zealand hit parade .

В январе 1992 года был издан второй сингл из пластинки — «Remember the Time». Песня стала третьей в Billboard Hot 100, возглавила Hot R&B/Hip-Hop Songs, а также хит-парад Новой Зеландии.

В январе 1992 года был издан второй сингл из пластинки — «Remember the Time».

Песня стала третьей в Billboard Hot 100, возглавила Hot R&B/Hip-Hop Songs, а также хит-парад Новой Зеландии.

In January 1992, the second single from the album was released, “Remember the Time”. The song became the third in the Billboard Hot 100, headed by Hot R&B/Hip-Hop Songs, as well as the New Zealand hit parade.

In January 1992, the second single from the album was released, “Remember the Time”.

The song became the third in the Billboard Hot 100, headed by Hot R&B/Hip-Hop Songs, as well as the New Zealand hit parade.

The company received the RIAA Gold Certificate.

Question: where did dangerous come in the billboard hot 100

The company received the RIAA Gold Certificate.

where did dangerous come in the billboard hot 100

Question: where did the song dangerous come from

Новой Зеландии

Question: what colour is the diamond in dangerous by riaa

what colour is the diamond in dangerous by riaa

Question: what type of certificate did dangerous get from riaa

золотой сертификат RIAA

what type of certificate did dangerous get from riaa

Question: who sings the song dangerous in the billboard hot 100

who sings the song dangerous in the billboard hot 100

Question: what did dangerous get from riaa

золотой сертификат RIAA

Question: who had a number one hit with dangerous

The company received the RIAA Gold Certificate .

Песня стала третьей в Billboard Hot 100, возглавила Hot R&B/Hip-Hop Songs, а также хит-парад Новой Зеландии. Сингл получил золотой сертификат RIAA.

Сингл получил золотой сертификат RIAA.

The song became the third in the Billboard Hot 100, headed by Hot R&B/Hip-Hop Songs, as well as the New Zealand hit parade. The company received the RIAA Gold Certificate.

The company received the RIAA Gold Certificate.

He accompanied the release of the song of a video clip in the style of Ancient Egypt.

The role was played by actor Eddy Murphy, Somali and American top model Imman and basketball player Madjick Johnson.

американская

баскетболист

Question: who played imman in the video dangerous

He accompanied the release of the song of a video clip in the style of Ancient Egypt.

The role was played by actor Eddy Murphy, Somali and American top model Imman and basketball player Madjick Johnson.

Question: what was the style of the video in Dangerous

Древнего Египта

what was the style of the video in Dangerous

Question: who is the basketball player in dangerous video

Мэджик Джонсон

who is the basketball player in dangerous video

Question: who are the singers in dangerous by eddy murphy

who are the singers in dangerous by eddy murphy

Question: what country is the song dangerous from

Question: what ethnicity is imman in dangerous video

what ethnicity is imman in dangerous video

Question: madjick johnson and eddy murphy played which sport in dangerous

madjick johnson and eddy murphy played which sport in dangerous

He accompanied the release of the song of a video clip in the style of Ancient Egypt .

The role was played by actor Eddy Murphy , Somali and American top model Imman and basketball player Madjick Johnson .

Сопровождал релиз песни видеоклип в стилистике Древнего Египта. В ролике снялись актёр Эдди Мерфи, сомалийская и американская топ-модель Иман и баскетболист Мэджик Джонсон.

Сопровождал релиз песни видеоклип в стилистике Древнего Египта.

В ролике снялись актёр Эдди Мерфи, сомалийская и американская топ-модель Иман и баскетболист Мэджик Джонсон.

He accompanied the release of the song of a video clip in the style of Ancient Egypt. The role was played by actor Eddy Murphy, Somali and American top model Imman and basketball player Madjick Johnson.

He accompanied the release of the song of a video clip in the style of Ancient Egypt.

The role was played by actor Eddy Murphy, Somali and American top model Imman and basketball player Madjick Johnson.

The third single from Dangerous was to be the song "Who Is It", but instead of it in April 1992 was decided to release the track "In the Closet".

Question: what is the title of the 1992 hit single by dangerous

The third single from Dangerous was to be the song "Who Is It", but instead of it in April 1992 was decided to release the track "In the Closet".

what is the title of the 1992 hit single by dangerous

Question: when did the song in the closet come out

when did the song in the closet come out

Question: what was the title of the 1992 single ‘who is it’

what was the title of the 1992 single ‘who is it’

Question: what was the title of the third single from dangerous

Who Is It » , однако вместо неё в апреле 1992 года было решено выпустить трек « In the Closet

what was the title of the third single from dangerous

The third single from Dangerous was to be the song " Who Is It " , but instead of it in April 1992 was decided to release the track " In the Closet " .

Третьим синглом из Dangerous должна была стать песня «Who Is It», однако вместо неё в апреле 1992 года было решено выпустить трек «In the Closet».

Третьим синглом из Dangerous должна была стать песня «Who Is It», однако вместо неё в апреле 1992 года было решено выпустить трек «In the Closet».

The third single from Dangerous was to be the song "Who Is It", but instead of it in April 1992 was decided to release the track "In the Closet".

The third single from Dangerous was to be the song "Who Is It", but instead of it in April 1992 was decided to release the track "In the Closet".

He headed Hot R&B/Hip-Hop Songs and was in the fifth hit parades in Australia, Ireland and New Zealand.

The video for the song, filmed by Jackson along with photographer Herb Ritz, became the singer's director's debut.

режиссёрским

Question: who is the photographer in dangerous video

Хербом Ритцем

He headed Hot R&B/Hip-Hop Songs and was in the fifth hit parades in Australia, Ireland and New Zealand.

The video for the song, filmed by Jackson along with photographer Herb Ritz, became the singer's director's debut.

who is the photographer in dangerous video

Question: who is the director of dangerous music video

who is the director of dangerous music video

Question: where did the song dangerous come in the charts

where did the song dangerous come in the charts

Question: where did the song dangerous come from in australia

Ирландии и Новой Зеландии

where did the song dangerous come from in australia

Question: where was the video dangerous by jackson filmed

where was the video dangerous by jackson filmed

He headed Hot R&B / Hip - Hop Songs and was in the fifth hit parades in Australia , Ireland and New Zealand .

The video for the song , filmed by Jackson along with photographer Herb Ritz , became the singer 's director 's debut .

Он возглавил Hot R&B/Hip-Hop Songs и оказался в пятёрках хит-парадов Австралии, Ирландии и Новой Зеландии. Видеоклип на песню, снятый Джексоном вместе с фотографом Хербом Ритцем, стал режиссёрским дебютом певца.

Он возглавил Hot R&B/Hip-Hop Songs и оказался в пятёрках хит-парадов Австралии, Ирландии и Новой Зеландии.

Видеоклип на песню, снятый Джексоном вместе с фотографом Хербом Ритцем, стал режиссёрским дебютом певца.

He headed Hot R&B/Hip-Hop Songs and was in the fifth hit parades in Australia, Ireland and New Zealand. The video for the song, filmed by Jackson along with photographer Herb Ritz, became the singer's director's debut.

He headed Hot R&B/Hip-Hop Songs and was in the fifth hit parades in Australia, Ireland and New Zealand.

The video for the song, filmed by Jackson along with photographer Herb Ritz, became the singer's director's debut.

In July 1992, “Jam” became the fourth single from the album in the United States.

Question: what was the title of the fourth single from dangerous

In July 1992, “Jam” became the fourth single from the album in the United States.

what was the title of the fourth single from dangerous

Question: where did the song jam come from on dangerous

where did the song jam come from on dangerous

In July 1992 , “ Jam ” became the fourth single from the album in the United States .

В июле 1992 года «Jam» стала четвёртым синглом из пластинки в США.

В июле 1992 года «Jam» стала четвёртым синглом из пластинки в США.

In July 1992, “Jam” became the fourth single from the album in the United States.

In July 1992, “Jam” became the fourth single from the album in the United States.

In September 1992, Jackson founded his charitable foundation, and two months later, the song "Heal the World" became the sixth single from the musician's album.

благотворительный

Question: what was the name of the sixth single from dangerous by jackson

In September 1992, Jackson founded his charitable foundation, and two months later, the song "Heal the World" became the sixth single from the musician's album.

what was the name of the sixth single from dangerous by jackson

Question: when did jackson's dangerous album come out

сентябре 1992

when did jackson's dangerous album come out

Question: when did dangerous by jackson first come out

when did dangerous by jackson first come out

Question: what was the name of jackson's sixth hit single

what was the name of jackson's sixth hit single

Question: what was the name of the sixth single from dangerous

what was the name of the sixth single from dangerous

Question: where does the song seal the world come from

where does the song seal the world come from

Question: when does dangerous by jackson come out

Question: how long did it take for dangerous to be released

how long did it take for dangerous to be released

In September 1992 , Jackson founded his charitable foundation , and two months later , the song " Heal the World " became the sixth single from the musician 's album .

В сентябре 1992 года Джексон основал свой благотворительный фонд , а два месяца спустя песня «Heal the World» стала шестым синглом из альбома музыканта.

В сентябре 1992 года Джексон основал свой благотворительный фонд , а два месяца спустя песня «Heal the World» стала шестым синглом из альбома музыканта.

In September 1992, Jackson founded his charitable foundation, and two months later, the song "Heal the World" became the sixth single from the musician's album.

In September 1992, Jackson founded his charitable foundation, and two months later, the song "Heal the World" became the sixth single from the musician's album.

Heal the World has received gold certificates in Australia, the UK and New Zealand.

The video for the song is an anti-war video demonstrating poverty and poverty of children in countries of the third world.

Великобритании

представляет

демонстрирующий

He is, without doubt, one of the biggest selling solo artists of all time (beaten only by rock 'n' roll legend Elvis Presley, the daughter of whom he actually married) and became a global phenomenon after embarking on a solo career from his childhood band the Jackson 5. Whilst he has held the record for the biggest selling album of all time with 'Thriller' for a number of years and has evermore growing sales nearly four years after his death, we thought we'd collate together the best global favourite Michael Jackson songs from The Pop Star's back catalogue.
We would like to emphasize that we understand that our top 20 songs may have been different had we looked at other nations' music charts, but this list is based on a point system racking up the number of weeks his singles topped the charts in the US, the UK, France, Spain and Australia only.
20. Heal the World (1992)
It is without doubt that Michael Jackson was an avid philanthropist and this song is probably his hit that most reflects this. The video features the poverty and misery among children in third world countries, predominantly Burundi. It also shares its name with his own charitable foundation that he set up to help some of these children and was donated for use as the anthem for the James Bulger Red Balloon Center; a safe haven for bullied children run by the mother of the murdered toddler who the charity is tribute to. It was rather appropriately performed by Ciara at the 2009 BET Awards to pay homage to the star following his passing in June that year.
Watch the video for Heal The World
19. The Girl Is Mine [ft. Paul McCartney] (1982)
This is the third collaboration MJ had with former Beatle Paul McCartney and appeared on his coveted 'Thriller' album. Although it wasn't one of his most popular works, it reached global recognition and earned its number one spot on the Spanish charts for 3 weeks. It became the subject of two lawsuits, however, when Fred Sanford alleged that Jackson used material from his song 'Please Love Me Now' and when Reynaud Jones and Robert Smith claimed that the track and two other Jackson songs bared close similarity to their own efforts. The lawsuits were later dismissed in Jackson's favour. In 2008, will.i.am remixed the track for 'Thriller 25', though it was slammed by many music critics.
Listen to The Girl Is Mine
18. One Day In Your Life (1981)
'One Day In Your Life' featured on Jackson's fourth solo studio album 'Forever, Michael' released in 1975 and shares its name with his second compilation record. Although the track didn't do so well in the US charts, over in the UK it stayed at number one for 2 weeks when it was released as a single 6 years after its album appearance making it the sixth best-selling single in 1981. Cuban singer Gloria Estefan performed the track in her Liverpool concert during the 90 Millas World Tour while R&B star Kyla also covered it for her album 'Heartfelt' in 2007.
Watch the video for One Day In Your Life
17. Dirty Diana (1988)
This was one of Jackson's more rock-infused singles and appeared on his album 'Bad'. Similarly to 'Billie Jean', it incited much speculation as to what it was about with some suggesting that it was about his close friend Diana Ross and others suggesting it concerned another friend of his, Diana, Princess of Wales. However, co-producer Quincy Jones confirmed that, as with 'Billie Jean', 'Dirty Diana' was also about groupies. Princess Diana did personally tell MJ that it was her favourite of his songs which prompted him to sing it at a performance at Wembley Arena. The song was at number 1 in the US for 1 week and entered the charts again in 2009 following his death after an increase in digital downloads.
Watch the video for Dirty Diana
16. Thriller (1984)
The title single from his 1982 album, 'Thriller' became a huge hit with its voice-over from horror legend Vincent Price and typical horror sound effects like those of a 50s movie and it remained at number 1 in the French charts for 3 weeks plus a further 1 week in Spain. However, the actual song was massively surpassed by the accompanying music video which won Jackson 3 MTV Video Music Awards and global recognition. It features a narrative with MJ on a date with a pretty girl at the movies before running into an army of zombies who perform the iconic 'Thriller' dance routine. The dance has been copied numerous times appearing in films including 'Donga', 'Coming to America' and '13 Going on 30' as well as being famously re-enacted by some prison inmates in Cebu, Philippines in a YouTube video that went viral. Strangely, in spite of the very thematic nature of the song and video, the single cover remains the most shocking thing leaving no indication of the song's concept whatsoever.
Watch the video for Thriller
15. The Way You Make Me Feel (1987)
From the excellent ironically titled 'Bad' album, this track has been quite a favourite with cover artists. It is one of MJ's more romantic numbers, topping both the US chart and the Spanish chart at number 1 for a week each. It was notably performed after his death by John Legend and a devastated Stevie Wonder at the Rock and Roll Hall of Fame 25th Anniversary Concert, and Stevie has been covering at his shows ever since. The late Whitney Houston also sang the song on her I Look to You Tour the following year and Rihanna featured some of the track's lyrics for her own song 'Nobody's Business'.
Watch the video for The Way You Make Me Feel
Next page: 'Smooth Criminal', 'Man In The Mirror' and others
Since no one will ever see the epic show, the next best thing is this...

Question: what is the name of the anti-war video by dangerous

Heal the World has received gold certificates in Australia, the UK and New Zealand.

The video for the song is an anti-war video demonstrating poverty and poverty of children in countries of the third world.

what is the name of the anti-war video by dangerous

Question: what kind of certificates did dangerous win in australia

what kind of certificates did dangerous win in australia

Question: where has heal the world received gold certificates

Австралии , Великобритании и Новой Зеландии

where has heal the world received gold certificates

Question: where did dangerous get gold certificates from

where did dangerous get gold certificates from

Question: what is the video dangerous about in the third world

бедность и нищету детей в

what is the video dangerous about in the third world

Question: what did dangerous get in australia

золотые сертификаты в Австралии

Question: what kind of video is dangerous by dangerous

what kind of video is dangerous by dangerous

Heal the World has received gold certificates in Australia , the UK and New Zealand .

The video for the song is an anti - war video demonstrating poverty and poverty of children in countries of the third world .

«Heal the World» получила золотые сертификаты в Австралии, Великобритании и Новой Зеландии. Видеоклип на песню представляет собой антивоенный ролик, демонстрирующий бедность и нищету детей в странах третьего мира.

«Heal the World» получила золотые сертификаты в Австралии, Великобритании и Новой Зеландии.

Видеоклип на песню представляет собой антивоенный ролик, демонстрирующий бедность и нищету детей в странах третьего мира.

Heal the World has received gold certificates in Australia, the UK and New Zealand. The video for the song is an anti-war video demonstrating poverty and poverty of children in countries of the third world.

Heal the World has received gold certificates in Australia, the UK and New Zealand.

The video for the song is an anti-war video demonstrating poverty and poverty of children in countries of the third world.

The eighth single from the album, "Will You Be There", was released in late June 1993 before the premiere of the film "Free Willy", for which the song was used as a soundtrack.

использована

Various – Free Willy - Original Motion Picture Soundtrack
|Genre:||Pop, Classical, Stage & Screen|
|Style:||Soundtrack, Score|
|Year:|
Tracklist
|Michael Jackson–||Will You Be There|
|NKOTB*–||Keep On Smilin'|
|3T–||Didn't Meant To Hurt You|
|SWV–||Right Here (Human Nature Remix)|
|Funky Poets–||How Can You Leave Me Now|
|Basil Poledouris–||Main Title|
|Basil Poledouris–||Connection|
|Basil Poledouris–||The Gifts|
|Basil Poledouris–||Friends Montage|
|Basil Poledouris–||Audition|
|Basil Poledouris–||Farewell Suite|
|Michael Jackson–||Will You Be There (Reprise)|
Credits (4)
- Basil PoledourisComposed By
- Basil PoledourisConductor
- Bruce SwedienExecutive-Producer
- Michael JacksonExecutive-Producer
Versions
Filter by
20 versions
|Image||,||–||In Your Collection, Wantlist, or Inventory||Version Details||Data Quality|
|Free Willy - Original Motion Picture Soundtrack|
CD, Album
|Epic Soundtrax – 474264 2||Europe||1993||Europe — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
Cassette, Compilation
|Epic Soundtrax – ET 57280, MJJ Productions – ET 57280||US||1993||US — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Compilation
|Epic – EK 57280||US||1993||US — 1993|
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|Free Willy - Original Motion Picture Soundtrack|
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|Epic – EPC 474264 1||Europe||1993||Europe — 1993|
Recently Edited
|Free Willy - Original Motion Picture Soundtrack|
LP, Album
|Epic – EK-57280, Sony – CPL-1382||South Korea||1993||South Korea — 1993|
New Submission
|Free Willy (Original Motion Picture Soundtrack)|
CD, Compilation
|MJJ Productions – 474264 2, Epic Soundtrax – 474264 2||Australia||1993||Australia — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Album
|Epic – EK 57280, Epic Soundtrax – CPK-1382||South Korea||1993||South Korea — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Compilation
|Epic Soundtrax – EK 57280||Canada||1993||Canada — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Album
|Epic Soundtrax – CDEPC 3611 K||South Africa||1993||South Africa — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
Cassette, Album
|Epic Soundtrax – 474264 4||Europe||1993||Europe — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
Cassette, CompilationDolby
|Epic Soundtrax – ET 57280, MJJ Productions – ET 57280||Canada||1993||Canada — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
LP, Album
|Epic – 237.020/1-474264||Brazil||1993||Brazil — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
LP, Album, Promo
|Epic Soundtrax – 91 474264, Sony Music Entertainment (Colombia) S.A. – 91 474264||Colombia||1993||Colombia — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Album, Club Edition
|Epic Soundtrax – CEK 57280||Canada||1993||Canada — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Album
|MJJ – EK 57280, Epic Soundtrax – EK 57280||US||1993||US — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Compilation
|Epic – 758.134 / 2-474264||Brazil||1993||Brazil — 1993|
New Submission
|Free Willy (Original Motion Picture Soundtrack)|
Cassette, Album
|Epic Soundtrax – ET 57280, MJJ – ET 57280||Malaysia||1993||Malaysia — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
Cassette, Album
|Epic Soundtrax – E-3050893, ET 57280||Indonesia||1993||Indonesia — 1993|
New Submission
|Free Willy - Original Motion Picture Soundtrack|
CD, Album
|Epic Soundtrax – ESCA 5904||Japan||1994||Japan — 1994|
New Submission
|Free Willy (Original Motion Picture Soundtrack)|
Cassette, Album
|Epic Soundtrax – 474264 4||Turkey||1994||Turkey — 1994|
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Question: which 1993 film featured the song 'will you be there'

Освободите Вилли

The eighth single from the album, "Will You Be There", was released in late June 1993 before the premiere of the film "Free Willy", for which the song was used as a soundtrack.

which 1993 film featured the song 'will you be there'

Question: what is the title of the eighth single from dangerous

what is the title of the eighth single from dangerous

Question: what number is will you be there by dangerous

what number is will you be there by dangerous

Question: when was will you be there released

конце июня 1993

The eighth single from the album , " Will You Be There " , was released in late June 1993 before the premiere of the film " Free Willy " , for which the song was used as a soundtrack .

Восьмой сингл из пластинки, «Will You Be There», был выпущен в конце июня 1993 года перед премьерой фильма «Освободите Вилли», для которого песня была использована в качестве саундтрека.

Восьмой сингл из пластинки, «Will You Be There», был выпущен в конце июня 1993 года перед премьерой фильма «Освободите Вилли», для которого песня была использована в качестве саундтрека.

The eighth single from the album, "Will You Be There", was released in late June 1993 before the premiere of the film "Free Willy", for which the song was used as a soundtrack.

The eighth single from the album, "Will You Be There", was released in late June 1993 before the premiere of the film "Free Willy", for which the song was used as a soundtrack.

The composition occupied the seventh line of Billboard Hot 100, becoming the second in New Zealand and the third in the hit parades of the Netherlands, Belgium and Switzerland.

использована

The Hot 100
This week's most popular songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen Music, sales data as compiled by Nielsen Music and streaming activity data provided by online music sources.
1 Last Week: 2
Dreamlover
Mariah Carey
Last Week 2
Peak Position 1
Wks on Chart 29
- Gains in performance
Last Week 1
Peak Position 1
Wks on Chart 29
Last Week 3
Peak Position 2
Wks on Chart 45
4 Last Week: 6
Last Week 6
Peak Position 4
Wks on Chart 27
- Gains in performance
5 Last Week: 5
Runaway Train
Soul Asylum
Last Week 5
Peak Position 5
Wks on Chart 26
Last Week 7
Peak Position 2
Wks on Chart 22
- Gains in performance
7 Last Week: 8
Will You Be There (From "Free Willy")
Michael Jackson
Last Week 8
Peak Position 7
Wks on Chart 20
- Gains in performance
Last Week 4
Peak Position 4
Wks on Chart 24
9 Last Week: 11
The River Of Dreams
Billy Joel
Last Week 11
Peak Position 3
Wks on Chart 27
- Gains in performance
Last Week 10
Peak Position 7
Wks on Chart 21
11 Last Week: 9
I m Gonna Be (500 Miles)
The Proclaimers
Last Week 9
Peak Position 3
Wks on Chart 20
Last Week 14
Peak Position 10
Wks on Chart 25
- Gains in performance
13 Last Week: 15
One Last Cry
Brian McKnight
Last Week 15
Peak Position 13
Wks on Chart 22
Last Week 17
Peak Position 14
Wks on Chart 20
- Gains in performance
15 Last Week: 16
I Don t Wanna Fight (From "What s Love Got To Do With It")
Tina Turner
Last Week 16
Peak Position 9
Wks on Chart 24
Last Week 12
Peak Position 4
Wks on Chart 20
Last Week 13
Peak Position 1
Wks on Chart 26
Last Week 22
Peak Position 11
Wks on Chart 25
- Gains in performance
Last Week 23
Peak Position 12
Wks on Chart 26
- Gains in performance
20 Last Week: 20
Insane In The Brain
Cypress Hill
Last Week 20
Peak Position 19
Wks on Chart 20
- Gains in performance
21 Last Week: 25
Another Sad Love Song
Toni Braxton
Last Week 25
Peak Position 7
Wks on Chart 26
- Gains in performance
22 Last Week: 29
Boom! Shake The Room
Jazzy Jeff
Last Week 29
Peak Position 13
Wks on Chart 20
- Gains in performance
Last Week 18
Peak Position 11
Wks on Chart 25
24 Last Week: 19
Alright
Kris Kross Featuring Supercat
Last Week 19
Peak Position 19
Wks on Chart 19
Last Week 24
Peak Position 12
Wks on Chart 40
26 Last Week: 21
What s Up
4 Non Blondes
Last Week 21
Peak Position 14
Wks on Chart 26
Last Week 30
Peak Position 27
Wks on Chart 20
- Gains in performance
Last Week 26
Peak Position 5
Wks on Chart 28
29 Last Week: 27
Check Yo Self
Ice Cube Featuring Das EFX
Last Week 27
Peak Position 20
Wks on Chart 20
Last Week 28
Peak Position 8
Wks on Chart 29
31 Last Week: 33
Break It Down Again
Tears For Fears
Last Week 33
Peak Position 25
Wks on Chart 20
- Gains in performance
Last Week 36
Peak Position 23
Wks on Chart 20
- Gains in performance
33 Last Week: 46
Hey Jealousy
Gin Blossoms
Last Week 46
Peak Position 25
Wks on Chart 22
- Gains in performance
34 Last Week: 44
Sweat (A La La La La Long)
Inner Circle
Last Week 44
Peak Position 16
Wks on Chart 25
- Gains in performance
35 Last Week: 31
That s The Way Love Goes
Janet Jackson
Last Week 31
Peak Position 1
Wks on Chart 23
Last Week 34
Peak Position 34
Wks on Chart 20
37 Last Week: 61
Soul To Squeeze (From "Coneheads")
Red Hot Chili Peppers
Last Week 61
Peak Position 22
Wks on Chart 20
38 Last Week: 38
Very Special
Big Daddy Kane Feat. Spinderella, L. Williams
Last Week 38
Peak Position 31
Wks on Chart 20
- Gains in performance
39 Last Week: 47
Reason To Believe
Rod Stewart
Last Week 47
Peak Position 19
Wks on Chart 20
- Gains in performance
Last Week 32
Peak Position 3
Wks on Chart 25
Last Week 43
Peak Position 35
Wks on Chart 20
- Gains in performance
42 Last Week: 35
Have I Told You Lately
Rod Stewart
Last Week 35
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62 Last Week: 53
Can t Get Enough Of Your Love
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Billboard
ChartsView All Charts
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87 Last Week: 81
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Billy Ray Cyrus
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Question: the song dangerous was used as the soundtrack for which 1993 film

Освободите Вилли

The composition occupied the seventh line of Billboard Hot 100, becoming the second in New Zealand and the third in the hit parades of the Netherlands, Belgium and Switzerland.

the song dangerous was used as the soundtrack for which 1993 film

Question: what number is will you be there by dangerous on billboard

what number is will you be there by dangerous on billboard

Question: dangerous was a hit in which european countries

, Бельгии и Швейцарии

dangerous was a hit in which european countries

The composition occupied the seventh line of Billboard Hot 100 , becoming the second in New Zealand and the third in the hit parades of the Netherlands , Belgium and Switzerland .

Восьмой сингл из пластинки, «Will You Be There», был выпущен в конце июня 1993 года перед премьерой фильма «Освободите Вилли», для которого песня была использована в качестве саундтрека. Композиция заняла седьмую строчку Billboard Hot 100, стала второй в Новой Зеландии, третьей — в хит-парадах Нидерландов, Бельгии и Швейцарии.

Композиция заняла седьмую строчку Billboard Hot 100, стала второй в Новой Зеландии, третьей — в хит-парадах Нидерландов, Бельгии и Швейцарии.

The eighth single from the album, "Will You Be There", was released in late June 1993 before the premiere of the film "Free Willy", for which the song was used as a soundtrack. The composition occupied the seventh line of Billboard Hot 100, becoming the second in New Zealand and the third in the hit parades of the Netherlands, Belgium and Switzerland.

The composition occupied the seventh line of Billboard Hot 100, becoming the second in New Zealand and the third in the hit parades of the Netherlands, Belgium and Switzerland.

As the last single from Dangerous on World AIDS Day on 1 December 1993, the ballad "Gone Too Soon" was released.

*
mit abstand schlechtestes lied auf dangerousLast edited: 28.11.2006 14:50
*****
...schon nicht!!!...
Wenn man bedenkt: Die 9. (!!!!) Singleauskopplung aus einem Album ...Last edited: 22.05.2011 23:44
****
ist OK
****
nicht schlecht
****
schön
***
gefällt mir nicht
***
...find ich nicht gut...
****
Gefiel mir damals als Teeni sehr gut. Heute...naja...eher ein mageres Liedchen.Last edited: 30.06.2009 21:56
*****
Sehr schöne ballade und 9. single von "Dangerous"... Weihnachtsong genau 2 jahren nach "Release" von das Album "Dangerous"..... am ende 1993 war es am platz # 31 in NL......
****
Durchschnittlicher Song von MJ! Stammt auch aus dem sehr erfolgreichen "Danngerous"-Album.
******
Süss ,verträumt und doch schwere Kost
Den Song so umzusetzen schafft nur ein Meister.
*
tiefpunkt des dangerous albums
*
Eine sehr, sehr lahme Nummer ohne Höhen und Tiefen
****
ein wenig lasch...aber doch ganz schön..
******
gut
****
cooool
das lästs sichs tanzen
******
Eines der schönsten Lieder vom King of Pop!
****
Nichts im Vergleich zu Balladen wie Heal the World....
Trauriger Hintergrund, kommt bei mir aber nicht ganz so an, vielleicht zu langweilig
******
Als Abschiedssong für den an Aids verstorbenen Ryan White...wunderschöne Ballade ohne viel Schnickschnack!
******
WUNDERSCHÖN
****
das ist dann schon seeeeehr schmalzig aber der Anfang klingt so verträumt - wunderschön - danach wird's etwas mühsam
***
lahmes Lied, besser man hätte "Gone Too Soon" als Gedicht belassen
****
▓ Iets te langzaam voor een "Hit" in Nederland eind 1993 !!! Het is echt een plaat voor "Candlelight" !!! Hij zingt hier nu eindelijk eens Puur !!! Ik vind hem heel mooi !!! Maar verder in Nederland dachten ze er anders over !!! Of ze hadden de CD: "Dangerous" uit 1991 al in huis !!! De koe raakt natuurlijk een keer uitgemolken !!! (NL Top 40: 5 wk / # 31) !!!
*****
nicht seine beste ballade aber trotzdem noch sehr gut!
******
Schön aber auch traurig....Last edited: 21.12.2006 22:55
****
diese traurige nummer an den toten jungen war von den 9 singles die einzige die es nicht in die top 10 brachte..das video war ziemlicher mist..
******
great
***
...weniger...
***
Majestät beschluchzt die Vergänglichkeit der Dinge.
Halbschöner Soundtrack zum eigenen Karriere-Ende.
***
Gefällt mir weniger.
****
gut
**
*gähn
**
gute 2 für diesen Kitsch
****
" Gut" mit leichten Abstrichen...
***
Wieder so ein Tränendrüsen-Drücker... Aber nicht einmal mehr annähernd die Qualität seiner 80er-Balladen, schade!
*****
Ja, kitschig und schleimig. Aber wunderschön.Last edited: 14.01.2011 17:21
******
schön
******
Wundervoller Song!
******
Extra
*****
Sehr schöne Ballade - exzellent gesungen!
******
Zum träumen schön..wenn auch etwas traurig
****
Buena.
***
...eher nicht...
*****
Schön.
*****
Sehr schön, vorallem wenn man die Geschichte des Songs kennt.Last edited: 10.03.2011 15:34
***
Kitsch, kitschiger, am kitschigsten...... 3 +
****
ok
******
Eine wunderschöne, traurige, aber auch sehr nachdenkliche Ballade!!! Der arme Ryan White ist ja im Alter von 13 Jahren bereits an Aids erkrankt und starb darauf 5 Jahre später, im Alter von 18 Jahren!!! Michael und er waren eng befreundet und in seiner Trauer hat er ihm auch den Song "Gone too soon" gewidmet!!! Mich nimmt der Song immer sehr mit, da ich immer an das tragische Schicksal dieses Jungen denken muss!!! Natürlich wieder mal eine Meisterballade von Michael Jackson, einzigartig und unbeschreiblich schön!!! Bekommt natürlich die volle Anzahl an Sternen!!! Einfach großartig, wie immer!!!
*****
Müsste eigentlich posthum noch einmal veröffentlich werden,
kann es immer noch nicht glauben....
**
schöner lied aber dann doch lieber blos das video
***
ja, er ist für seine Fans viel zu früh gegangen...aber dieses Lied hier ist einfach nur langweilig - 3*...
**
Absolutes 0815-Durchschnittsliedchen, sorry.
*****
Toen ik dit nummer voor het eerst hoorde, was ik er niet zo van onder de indruk. Als je je de achtergrond van het nummer bedenkt, krijgt het een andere wending en is het toch wel mooi.
Sinds 2 weken heeft het nummer weer een heel andere dimensie gekregen. Nu Michael zelf dood is, is het enige commentaar hierop: "GONE TOO SOON".
Als dit nummer nu opnieuw op single zou worden uitgebracht, zou het best wel eens veel en veel hoger kunnen komen dan de nr 20 waar ie op eindigde met Kerst 1993.
****
Je nach Stimmung schon gut.
****
Schön
****
gut
****
He really was gone too soon. Rest in Peace, Michael. Your music will live on!Last edited: 07.02.2012 10:28
****
na ja ein wenig zu balladig ausgefallen und auch der Gesangsstil ein wenig zu künstlich ausgefallen
****
Eine wirklich schöne Ballade von Michael!
**
...
****
9ème et dernier single de "Dangerous". Belle ballade.
**
Auch das ist mir viel zu kitschig!
****
Ganz guter Durchschnitt.
****
12/07/2009 08:03
peter_ceterafan
Member *****
He really was gone too soon. Rest in Peace, Michael. Your music will live on and on!
Peaked at #76 in Australia, 1993.Last edited: 29.09.2009 14:37
******
Als ik dit nummer hoor, kan ik gewoon tranen in m'n ogen krijgen, zo mooi! Ook een mooie single-hoes trouwens!
****
ja so lala
*****
sehr schöner Song
****
Nice calm song with emotion and great lyrics. 5 weeks in the UK top 100. UK#33 and Ireland#18.Last edited: 22.06.2011 14:05
****
Der Song ist auch wieder stark, aber 9 Singles von einem Album??? Puuuuuh.
*****
Singt mal wieder mit etwas sehr hoher Stimme, aber ansonsten ein wirklich schöner Song.
***
Nice enough, but he has so many ballads that work really well and this for me isn't one of them. The lyrics are good though.Last edited: 16.08.2012 09:51
****
Tendiert zur Langeweile, aber gerade noch eine ordentliche Ballade, finde ich nicht schlechter als "Heal The World". 3,5-4*.
*****
... sehr traurige Ballade ... glaubwürdig vorgetragen ... sehr stimmungsabhängig ... aber sicher sehr gut gemacht ...
***
Langweilig, zum einpennen, knapp 3*.
*
muss nun echt nicht sein... aber ich bin stolz auf mich, dass ich diese elend langweillige ballade bis zum schluss durchgehört habe...
*
Zeer zwakke ballad. Komaan Michael, je kan beter.
******
Excellent ballad.
****
knapp an der Grenze zur 3
***
O.K song. Peaked at #43 on my personal chart
******
Starke Nummer, knappe 6*.
*****
nur audio total langweilig
aber mit dem korrespondierenden video über den tragischen tod des aids kranken ryan white einfach nur schön und traurig zugleich
war die 9. und letzte single aus DANGEROUS
1994 als single veröffentlicht , wo doch das album schon 91 erschien
beachtlich
****
Ok
****
good

Question: what was the title of the last single from dangerous

выпущена баллада « Gone Too

As the last single from Dangerous on World AIDS Day on 1 December 1993, the ballad "Gone Too Soon" was released.

what was the title of the last single from dangerous

Question: what was the last dangerous song to be released

what was the last dangerous song to be released

Question: when was gone too soon by dangerous released

Всемирный день борьбы со СПИДом

when was gone too soon by dangerous released

Question: "what was the title of the 1993 single ""gone too soon""?"

"what was the title of the 1993 single ""gone too soon""?"

Question: when did the song gone too soon come out

when did the song gone too soon come out

Question: when was gone too soon released

1 декабря 1993

As the last single from Dangerous on World AIDS Day on 1 December 1993 , the ballad " Gone Too Soon " was released .

В качестве последнего сингла из Dangerous во Всемирный день борьбы со СПИДом 1 декабря 1993 года была выпущена баллада «Gone Too Soon».

В качестве последнего сингла из Dangerous во Всемирный день борьбы со СПИДом 1 декабря 1993 года была выпущена баллада «Gone Too Soon».

As the last single from Dangerous on World AIDS Day on 1 December 1993, the ballad "Gone Too Soon" was released.

As the last single from Dangerous on World AIDS Day on 1 December 1993, the ballad "Gone Too Soon" was released.

In August 1992, the singer signed an agreement with HBO to broadcast a concert of his tour in Bucharest.

Under the terms of the agreement, the organization paid Jackson about $20 million – the broadcast of the musician's concert became the most expensive in history.

Michael Jackson, Live, On HBO in October
Published: August 13, 1992
In what is being described as the largest financial deal for a concert performance on television, Michael Jackson's concert from Bucharest, Romania, on Oct. 10 will be broadcast live by the Home Box Office cable network, the network said today.
HBO would not disclose the terms of its agreement with Mr. Jackson, but music industry executives familiar with the deal said that the figure was close to $20 million. The exclusive two-hour broadcast -- the first time that a full-length concert by Mr. Jackson has been televised -- is to feature the entertainer performing hits from his four solo albums: "Off the Wall," "Thriller," "Bad," and the current "Dangerous." The concert will mark the culmination of the European leg of Mr. Jackson's "Dangerous Tour," which began on June 27 in Munich, Germany.
"With no U.S. tour planned in the near future," said Michael Fuchs, chairman and chief executive officer of HBO, "this special HBO event could be the only chance that American audiences will have to see Michael Jackson in full concert for years."

Question: how much did the hbo pay for dangerous

In August 1992, the singer signed an agreement with HBO to broadcast a concert of his tour in Bucharest.

Under the terms of the agreement, the organization paid Jackson about $20 million – the broadcast of the musician's concert became the most expensive in history.

Question: in which european city did the singer dangerous perform in 1992

in which european city did the singer dangerous perform in 1992

Question: which tv network paid jackson $20 million to broadcast a concert in bucharest

which tv network paid jackson $20 million to broadcast a concert in bucharest

Question: when did dangerous come out on netflix

Question: when did dangerous tour with hbo start

августе 1992

Question: how much did the hbo pay jackson for his bucharest concert

около 20 млн

how much did the hbo pay jackson for his bucharest concert

Question: which singer signed an agreement with hbo to broadcast a concert in bucharest in

which singer signed an agreement with hbo to broadcast a concert in bucharest in

In August 1992 , the singer signed an agreement with HBO to broadcast a concert of his tour in Bucharest .

Under the terms of the agreement , the organization paid Jackson about $ 20 million – the broadcast of the musician 's concert became the most expensive in history .

В августе 1992 года певец заключил сделку с компанией HBO на трансляцию концерта его тура в Бухаресте. По условиям соглашения организация заплатила Джексону около 20 млн долларов — трансляция концерта музыканта стала самой дорогой в истории.

В августе 1992 года певец заключил сделку с компанией HBO на трансляцию концерта его тура в Бухаресте.

По условиям соглашения организация заплатила Джексону около 20 млн долларов — трансляция концерта музыканта стала самой дорогой в истории.

In August 1992, the singer signed an agreement with HBO to broadcast a concert of his tour in Bucharest. Under the terms of the agreement, the organization paid Jackson about $20 million – the broadcast of the musician's concert became the most expensive in history.

In August 1992, the singer signed an agreement with HBO to broadcast a concert of his tour in Bucharest.

Under the terms of the agreement, the organization paid Jackson about $20 million – the broadcast of the musician's concert became the most expensive in history.

The show was released on DVD.

Michael Jackson – Live In Bucharest: The Dangerous Tour
|Label:||Sony Music – EPC 204003 9, Epic Music Video – EPC 204003 9, MJJ Music – EPC 204003 9, Sony Music – 2040039001, Epic Music Video – 2040039001, MJJ Music – 2040039001|
|Format:|
|Country:||Europe|
|Released:|
|Genre:||Electronic, Funk / Soul, Pop|
|Style:||Disco, Eurodance, Synth-pop|
Tracklist
|1||Main Title|
|2||Jam|
|3||Wanna Be Startin' Somethin'|
|4||Human Nature|
|5||Smooth Criminal|
|6||I Just Can't Stop Loving You|
|7||She's Out Of My Life|
|8||I Want You Back / The Love You Save|
|9||I'll Be There|
|10||Thriller|
|11||Billie Jean|
|12||Working Day And Night|
|13||Beat It|
|14||Will You Be There|
|15||Black Or White|
|16||Heal The World|
|17||Man In The Mirror|
|18||Credits|
Companies, etc.
- Distributed By – Sony Music Entertainment
- Copyright © – Optimum Productions
- Made By – Sony Music
- Glass Mastered At – Sony DADC – S0100778271-A955
- Glass Mastered At – Sony DADC – S0100778271-B955
Credits
- Artwork – David Coleman (5)
- Co-producer [Associate] – Rachel Ralston
- Engineer [Vision Mixer / Editor] – Jerry Behrens
- Executive-Producer – Jim Morey, Sandy Gallin
- Executive-Producer [Executive In Charge Of Production] – David Wyler (2)
- Film Director – Andy Morahan
- Film Editor [Supervising Editor] – Bob Jenkis
- Film Technician [Technical Director] – Terry Donohue
- Lighting Director [Concert Lighting Director] – Peter Morse (2)
- Other [Mjj Productions Producer] – Joseph M. Wilcots
- Photography By – Sam Emerson
- Producer – John Diaz (2), Kevin Wall
- Producer [Line Producer], Film Director [Associate Director] – Allen Newman
- Producer [Supervising Producer] – T'Boo Dalton
- Production Manager – Dan Nunenmacher
Notes
© 1992 Optimum Productions. Made in the EU (On DVD Label and back cover).
Live recording of the Bucharest leg of the "Dangerous Tour", October 1st 1992. Made in the EU.
Total running time: 122 minutes approximately
Dual-Layer DVD. No mention of Region, but for sure a Region 2 Release.
Housed in an Amaray type packaging (DVD's regular plastic case - black) including an inlay
Live recording of the Bucharest leg of the "Dangerous Tour", October 1st 1992. Made in the EU.
Total running time: 122 minutes approximately
Dual-Layer DVD. No mention of Region, but for sure a Region 2 Release.
Housed in an Amaray type packaging (DVD's regular plastic case - black) including an inlay
Barcode and Other Identifiers
- Barcode (Printed): 5 099720 400394
- Barcode (Scanned): 5099720400394
- Mastering SID Code: IFPI L557
- Mastering SID Code: IFPI L558
- Mould SID Code: IFPI 945V
- Matrix / Runout (1st lay): S0100778271-A955 77 A07
- Matrix / Runout (2nd lay): S0100778271-B955 18 A11
- Rights Society: BIEM/GEMA
- Label Code: LC 00199
Other Versions (5 of 40)View All
|Title (Format)||Label||Cat#||Country||Year|
New Submission
|Live In Bucharest: The Dangerous Tour (DVD, DVD-Video, PAL, Unofficial Release)||Epic Music Video (2)||EVD 53497||Russia||2005|
New Submission
|Live in Bucharest: The Dangerous Tour (DVD, DVD-Video, NTSC, Repress, Stereo, BL)||Epic Music Video, MJJ Music||132.313/9 058724||Brazil||2005|
New Submission
|Live In Bucharest: The Dangerous Tour (DVD, DVD-Video, NTSC)||Epic Music Video||EVD 53497||US||2005|
New Submission
|Live In Bucharest: The Dangerous Tour (DVD, DVD-Video, NTSC)||Epic||MHBP-61||Japan||2005|
New Submission
|Live In Bucharest: The Dangerous Tour (DVD, DVD-Video, PAL)||Sony Music Russia, Epic Music Video||88697 00457 9||Russia||2005|
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Question: how much did the movie dangerous cost

The show was released on DVD.

Question: what kind of movie is dangerous on

The show was released on DVD.

Question: who was the star of the movie dangerous

The show was released on DVD.

Question: how expensive was the show dangerous on dvd

самой дорогой

The show was released on DVD.

how expensive was the show dangerous on dvd

Question: what was the most expensive show in history

концерта музыканта

The show was released on DVD.

what was the most expensive show in history

Question: what was the most expensive part of dangerous

трансляция концерта музыканта

The show was released on DVD.

the broadcast of the musician 's concert

what was the most expensive part of dangerous

По условиям соглашения организация заплатила Джексону около 20 млн долларов — трансляция концерта музыканта стала самой дорогой в истории. Шоу было выпущено на DVD .

Шоу было выпущено на DVD .

Under the terms of the agreement, the organization paid Jackson about $20 million – the broadcast of the musician's concert became the most expensive in history. The show was released on DVD.

After completing the first part of the tour, Jackson visited the American Music Awards at the end of January 1993, on which he performed the song "Dangerous".

A few days later, the singer appeared in the break of the final match of the American football tournament Superbowl, from the album then sounded the compositions "Jam", "Black or White" and "Heal the World".

американскому

Super Bowl wasn't always the audience magnet it is now
NBC sports executive Dick Ebersol was unhappy about the matchup for Super Bowl XLIII in 2009.
The Pittsburgh Steelers were always a desirable draw. But the Arizona Cardinals? The franchise had a long history of futility in the NFL, and some embarrassing losses in the regular season.
Veteran sportscaster Al Michaels said he tried to allay Ebersol's concerns of a ratings dive: "Dick, do you think that anybody in America wakes up on Super Bowl Sunday and says to his wife — 'The Arizona Cardinals are in the Super Bowl, let's go to the movies today,'" he said. "It just doesn't happen."
The Steelers' 27-23 victory in the final minute was watched by 98.7 million viewers, the second consecutive year that the Super Bowl's audience hit a new high. That record has since been broken four more times, with last year's Seattle Seahawks' 43-8 rout of the Denver Broncos the most-watched television event in history with 112.2 million viewers.
No matter who plays or how lopsided the score is, the Super Bowl is the only television event considered bulletproof for the three networks that take turns carrying the game: NBC, CBS and Fox. Even the Oscar telecast has down years.
Tuning into the perennially No.1-rated TV event of the year is no longer just about football. It's a way for Americans to be part of a national conversation, whether it's about the puppy in the Budweiser commercials or debating Katy Perry's performance at Sunday'shalftime show.
Social media sites such as Twitter and Facebook have increased interest in the broadcast, which draws non-football fans and casual viewers in front of giant flat-screen televisions across the country. The Super Bowl is growing at a time when the proliferation of viewing choices and the ability to watch shows on demand are making mass audiences scarce.
Since 2003, the Super Bowl audience has risen 30%, far outpacing the increase in the number of the nation's TV households. Women made up 47% of the audience last year compared with 35% during regular-season NFL games.
The price of commercials on the broadcast continues to climb while overall TV advertising revenue growth is stagnating. NBC said Sunday's game is sold out, with advertisers paying a record $4.5 million for a 30-second spot — topping the $4 million that Fox commanded last year.
Many advertisers make their commercials available for viewing before their Sunday TV debut, and YouTube said this year's entrants have already been streamed online 80 million times — 75% more than last year.
"You're extending the exposure of your spot long before and after the game," CBS Sports Chairman Sean McManus said. "That would have been unheard-of 15 years ago."
The overall popularity of the NFL has also helped.
Higher-quality picture on HDTV sets and technical improvements to the broadcasts have made live sports, especially the NFL, a hot TV ticket. Fantasy leagues keep fans tuned in during blowouts. Even live televised coverage of the NFL draft hit a new high, with 12.4 million viewers watching the first round last year.
It's hard to remember a time when the Super Bowl was not the indomitable TV spectacle it has become. But there was a wake-up call in 1992 that helped lay the groundwork.
Fox was still an upstart network at the time. It had been programming prime time for only a few years and did not yet have the rights to NFL games. The Super Bowl rotated between the old-guard Big Three broadcast networks: ABC, CBS and NBC.
"In Living Color" was one of Fox's hottest Sunday night shows in those early years. Fox executives decided to use the sketch comedy series that featured Jim Carrey and Keenan Ivory Wayans to yank ratings away from that year's Super Bowl broadcast on CBS. Their way in was the halftime show, considered the soft underbelly of the broadcast.
None of the major professional sports leagues was savvy about contemporary pop culture at the time. While a generation of TV viewers grew up watching music videos, the Super Bowl halftime still included such acts as Up With People, the squeaky-clean vocal group that first came to prominence as an establishment answer to the counterculture youth movements of the 1960s.
"The halftime show was considered one long bathroom break," said Sandy Grushow, who was marketing chief for Fox at the time. "It seemed to us an opportunity to speak to a massive audience with something that was far more compelling."
It was easy for Fox to establish itself as an alternative that day. The halftime entertainment planned for Super Bowl XXVI in Minneapolis was a musical performance set on stages shaped like giant snowflakes and featured Olympic ice skaters Dorothy Hamill and Brian Boitano. "It was called 'Winter Magic,' " Grushow recalled. "It tells you everything you need to know."
Fox relentlessly promoted the "In Living Color" stunt with on-air spots that showed an off-key, inept marching band falling over.
The show's cast was signaled to go on from Hollywood right after the whistle blew to end the first half. Fox had a digital countdown clock ticking off in the corner of the screen, letting football fans who switched over know exactly when the game resumed.
The effect showed up in the Nielsen data that came out the next morning. "In Living Color" scored 25 million viewers while the viewing level for the CBS telecast took a pronounced dip. The Super Bowl drew a still potent 40.3% of U.S. TV households and reached 79.6 million viewers. But it was the second-lowest rating for the game in 22 years and ranked below that year's Academy Awards telecast.
The NFL reacted decisively the following year: Michael Jackson headlined the halftime show at the Rose Bowl produced by Radio City Music Hall. Even though the King of Pop had been a megastar for years, the NBC Sports press department found itself fielding reporter queries about his provocative dance moves.
But Jackson delivered. NBC's Super Bowl ratings were up 12%, and a new bar was set for Super Bowl halftime talent. The biggest stars in every popular music genre have been featured in the shows ever since (Bruce Springsteen, U2, Madonna, Beyonce and the FCC fine-worthy performance of Janet Jackson).
"The ratings do not go down during the halftime of the Super Bowl, which is unheard-of at a sporting event," McManus said, who credited Jackson's appearance with changing the dynamic.
Sportscaster Michaels said: "We all know if you have 100 people at a party, 20 or 30 of them are not going to be watching the game. But then at halftime they'll come in and watch the entertainment."
The performance by Bruno Mars and the Red Hot Chili Peppers last year drew 115.3 million viewers, outperforming the rest of the game.
Now that Fox is a broadcast partner with the NFL, none of the networks puts up much of a fight against the Super Bowl. Doing so would work against them because CBS, NBC and Fox have to sell ads based on the previous year's numbers.
ABC dropped out of the rotation when its NFL "Monday Night Football" package went to ESPN. But since both networks are part of the Disney family, ABC has no incentive to rock the boat.
There are attempts by smaller channels to go after the audience that has absolutely no interest in the game. Animal Planet's Puppy Bowl draws more viewers each year, but hasn't cut into the NFL's turf.
And Super Bowl XLIX might lure even more viewers thanks to some controversy.
The run-up to the game between the New England Patriots and the Seattle Seahawks includes allegations that the Patriots' used underinflated footballs in their victory over the Indianapolis Colts in the AFC Championship Game.
Discussion of how the team's footballs were handled has been gold for late-night comedy hosts and morning show banterers. It's likely to be buzzed about at Super Bowl parties.
"This won't diminish interest in the game to any degree," Michaels said. "If anything, there might even be more interest."
Twitter: @SteveBattaglioCopyright © 2015, Los Angeles Times

Question: which american football event featured the song dangerous by jackson

After completing the first part of the tour, Jackson visited the American Music Awards at the end of January 1993, on which he performed the song "Dangerous".

A few days later, the singer appeared in the break of the final match of the American football tournament Superbowl, from the album then sounded the compositions "Jam", "Black or White" and "Heal the World".

which american football event featured the song dangerous by jackson

Question: what song did jackson sing at the 1993 american music awards

what song did jackson sing at the 1993 american music awards

Question: where did jackson perform dangerous at in 1993

where did jackson perform dangerous at in 1993

Question: what are the names of the tracks on dangerous by jackson

what are the names of the tracks on dangerous by jackson

After completing the first part of the tour , Jackson visited the American Music Awards at the end of January 1993 , on which he performed the song " Dangerous " .

A few days later , the singer appeared in the break of the final match of the American football tournament Superbowl , from the album then sounded the compositions " Jam " , " Black or White " and " Heal the World " .

По завершении первой части турне, Джексон в конце января 1993 года посетил церемонию American Music Awards, на которой исполнил песню «Dangerous». Спустя несколько дней певец выступил в перерыве финального матча турнира по американскому футболу Супербоул, из альбома тогда прозвучали композиции «Jam», «Black or White» и «Heal the World».

По завершении первой части турне, Джексон в конце января 1993 года посетил церемонию American Music Awards, на которой исполнил песню «Dangerous».

Спустя несколько дней певец выступил в перерыве финального матча турнира по американскому футболу Супербоул, из альбома тогда прозвучали композиции «Jam», «Black or White» и «Heal the World».

After completing the first part of the tour, Jackson visited the American Music Awards at the end of January 1993, on which he performed the song "Dangerous". A few days later, the singer appeared in the break of the final match of the American football tournament Superbowl, from the album then sounded the compositions "Jam", "Black or White" and "Heal the World".

After completing the first part of the tour, Jackson visited the American Music Awards at the end of January 1993, on which he performed the song "Dangerous".

A few days later, the singer appeared in the break of the final match of the American football tournament Superbowl, from the album then sounded the compositions "Jam", "Black or White" and "Heal the World".

Jackson set a new trend: instead of orchestras and marching groups, the organizers of the tournament began to invite other famous musicians.

During the second half of the Dangerous World Tour on September 15, 1993, the singer gave his first concert in Russia at the Moscow Stadium "Luzhniki".

организаторы

(CNN) -- Michael Jackson's fame truly knew no borders: He was even the first international popstar to perform in post-Soviet-era Russia.
In spite of all of the rumors and his "Wacko Jacko" persona, Jackson's musical draw remained strong.
Jackson first visited Moscow in September 1993, just two years after the fall of the Soviet Union. Until then, it had been illegal even to purchase his songs.
The historic concert sparked scenes of near-hysteria among young Russians who embraced him as a symbol of all things American.
Their devotion was all the more extraordinary as few of them had seen images of what he looked like: Russian television didn't show his videos or play his music in the 1980s.
According to pop music historian Dmitry Babich, "Video culture was not very developed in Russia, there were very few VCRs. Michael Jackson became a legend without people seeing him a lot.
"So when Russian television became liberalized, young kids of 17, 18, 19 years of age wanted to watch only him.
"The concert of 1993 was really a major event, not only in terms of pop culture but history in general. It was the first big concert of a world star in Russia," Babich told the Russian News & Information Agency.
The open-air concert was held at the Luzhniki Open Arena in Moscow. Jackson was three hours late, yet the large crowd waited patiently for his arrival in the torrential downpour.
Vladimir Ivanenko, General Producer for Russia's Retro FM station told CNN he remembered watching Jackson's concert on television in 1993.
"It was delayed for 3 or 4 hours," he said. "It was a very rainy day in Moscow that evening and it was an open air concert. It was so wet that his assistants had to sweep the stage all the time during the songs," he said.
"For people in Russia it was something extraordinary," Ivanenko continued. "Everyone was excited that Michael Jackson was in Russia. The quality of the show and sound was shocking for people. He put on quite a show for them. It was incomparable to anything they had ever seen."
Jackson visited Russia twice, in 1993 and 1996. He was also the first Westerner to appear in an advert on Russian TV. More facts about Jackson's life »
Ivanenko said: "For Russians, America was like another planet and Michael Jackson was the king of that planet ... (He) was seen as the face of the crazy American life."
Part of Jackson's appeal, Ivanenko told CNN, was that there was a forbidden fruit element about him.
"His music was not played during the Soviet era as there was only state radio. His music was from America and America was supposed to be an enemy," Ivanenko said.
"Jackson's music was not available at all," he continued. "It was the same for all the international artists. Friends passed it to each other and that was the main source of distribution. iReport.com: Share your favorite Jackson memory Jackson
"It was all done completely illegally," he explained. "Someone would bring their long-play tape deck and record it for others, that's how it was distributed, but if you wanted to buy a real one, you had to buy it from the black market."
But it was not just for his music that he proved popular among Russians, Ivanenko told CNN.
"I think Michael Jackson was more popular as a personality than as a musician. For us living in Soviet-era Russia, we were much more closer to Europe and European music and culture than to American music."
"His music is kind of extraordinary for Russian listeners. It was based on funk and a style that Russians were not used to. The music is not very close to Russians' soul. They mostly prefer the music of Abba and Boney M."
Ivanenko added that people in Russia were very shocked at the news of Jackson's death.
"People are very shocked whether they like his music or not," he said. "Michael Jackson is a true music legend and he was too young to die."

Question: when did jackson first perform in russia

15 сентября 1993

Jackson set a new trend: instead of orchestras and marching groups, the organizers of the tournament began to invite other famous musicians.

During the second half of the Dangerous World Tour on September 15, 1993, the singer gave his first concert in Russia at the Moscow Stadium "Luzhniki".

when did jackson first perform in russia

Question: what was the name of the moscow stadium where dangerous performed in 1993

what was the name of the moscow stadium where dangerous performed in 1993

Question: which country was the venue for the dangerous world tour in 1993

which country was the venue for the dangerous world tour in 1993

Question: what type of music did jackson play in dangerous

оркестров и марширующих групп организаторы турнира стали приглашать других знаменитых

what type of music did jackson play in dangerous

Question: which singer gave his first concert in russia at the luzhniki stadium in

which singer gave his first concert in russia at the luzhniki stadium in

Question: where was the first dangerous concert held in russia

where was the first dangerous concert held in russia

Question: in which year did jackson perform his first concert in russia

in which year did jackson perform his first concert in russia

Question: which russian stadium was the venue for the dangerous world tour

московском стадионе

which russian stadium was the venue for the dangerous world tour

Jackson set a new trend : instead of orchestras and marching groups , the organizers of the tournament began to invite other famous musicians .

During the second half of the Dangerous World Tour on September 15 , 1993 , the singer gave his first concert in Russia at the Moscow Stadium " Luzhniki " .

Джексон задал новый тренд: вместо оркестров и марширующих групп организаторы турнира стали приглашать других знаменитых музыкантов. В рамках второй половины Dangerous World Tour 15 сентября 1993 года певец под проливным дождём дал свой первый концерт в России на московском стадионе «Лужники».

Джексон задал новый тренд: вместо оркестров и марширующих групп организаторы турнира стали приглашать других знаменитых музыкантов.

В рамках второй половины Dangerous World Tour 15 сентября 1993 года певец под проливным дождём дал свой первый концерт в России на московском стадионе «Лужники».

Jackson set a new trend: instead of orchestras and marching groups, the organizers of the tournament began to invite other famous musicians. During the second half of the Dangerous World Tour on September 15, 1993, the singer gave his first concert in Russia at the Moscow Stadium "Luzhniki".

Jackson set a new trend: instead of orchestras and marching groups, the organizers of the tournament began to invite other famous musicians.

During the second half of the Dangerous World Tour on September 15, 1993, the singer gave his first concert in Russia at the Moscow Stadium "Luzhniki".

In total, Jackson gave 69 concerts for 3.5 million spectators, all the income the artist sent to charity, including to his own fund.

благотворительность

Question: how many people saw jackson's dangerous world tour in russia

In total, Jackson gave 69 concerts for 3.5 million spectators, all the income the artist sent to charity, including to his own fund.

how many people saw jackson's dangerous world tour in russia

Question: how many concerts did jackson give in russia

how many concerts did jackson give in russia

Question: when did jackson's first concert in russia

15 сентября 1993

when did jackson's first concert in russia

Question: in which country did jackson perform his first concert in 1993

in which country did jackson perform his first concert in 1993

Question: how many people did jackson jackson sell in russia

3,5 млн зрителей , все доходы артист отправлял на благотворительность , в том числе в свой собственный фонд .

how many people did jackson jackson sell in russia

Question: what was the name of the russian stadium where jackson gave his first concert in

what was the name of the russian stadium where jackson gave his first concert in

Question: when did jackson's dangerous world tour start

when did jackson's dangerous world tour start

Question: what was the name of the russian stadium where james jackson performed his first

what was the name of the russian stadium where james jackson performed his first

In total , Jackson gave 69 concerts for 3.5 million spectators , all the income the artist sent to charity , including to his own fund .

В рамках второй половины Dangerous World Tour 15 сентября 1993 года певец под проливным дождём дал свой первый концерт в России на московском стадионе «Лужники». Всего Джексон дал 69 концертов для 3,5 млн зрителей, все доходы артист отправлял на благотворительность, в том числе в свой собственный фонд .

Всего Джексон дал 69 концертов для 3,5 млн зрителей, все доходы артист отправлял на благотворительность, в том числе в свой собственный фонд .

During the second half of the Dangerous World Tour on September 15, 1993, the singer gave his first concert in Russia at the Moscow Stadium "Luzhniki". In total, Jackson gave 69 concerts for 3.5 million spectators, all the income the artist sent to charity, including to his own fund.

In total, Jackson gave 69 concerts for 3.5 million spectators, all the income the artist sent to charity, including to his own fund.

The journalist also noted that the new-jack swing compositions on the plate differ significantly from other tricks in this genre in the late 80s - early 90s.

According to the Los Angeles Times critics, Jackson "lost" without Queensy Jones, and only the second half of the album reminds what they had done together before.

Michael Jackson has spent most of the last decade gradually stripping himself of the trappings of his former identity and trying to transform himself into a superstar Everyman, cosmetically and otherwise--at least by the alienated accounts of snippy brother Jermaine, tattletale sister LaToya and an unauthorized biographer or two.
With the omnipresent goal of outselling 1982's "Thriller" (48 million copies worldwide) by now a legendarily impossible obsession, each new piece of product from Jackson is designed not just with mass but global appeal in mind. His new album includes an earnest thank-you credit--"to the world, my love!" Clearly, Jackson intends this stuff to play as well in Poland and Punjab as in Peoria.
Given Jackson's outsize bid to transcend all demographics--race, age, nationality--in becoming the biggest star known to man, is there any way the musical missives that he sends out to a waiting world every half-decade or so could avoid turning more and more generic?
More to the point, how dangerous can a man who literally wants to please everyone afford to be again?
Not very, unless you count making a confusedly rebellious and risque video for the single "Black or White," which inspired a few phone calls from concerned parents, to be really risky, envelope-pushing stuff circa 1991.
All a viewer could figure is that Jackson wants to have it every possible way--a role model for the world's children and a bad cat. Meow.
"Dangerous," the album, arrives in stores Tuesday and guess what? Like the video, it too is a messy grab-bag of ideas and high-tech non sequiturs, with something for everyone from the man who has everything. In other words, Merry Christmas!
At the risk of sounding uncynical, it can be said that, for all the weaknesses inherent, it's a dandy stocking-stuffer . Relatively tame, and wildly unfocused, "Dangerous" is also mostly good, expertly made fun.
Though it's far from his best work, Jackson really can't lose with this project, since literally no one in the world except Jackson himself--and possibly a few Japanese executives--holds the realistic expectation that this or any album he'll ever make again will outsell or outphenomenalize "Thriller."
There's nothing here that remotely approaches the greatness of "Billie Jean," but he's still got the touch, and the grooves themselves will go a long way toward restoring some of the credibility Jackson inevitably loses with some of the mixed-up image-mongering between albums. The album's state-of-the-art sounds will surely be just as carefully scrutinized and copied as all the video dance steps yet to be seen.
If the goal is not just to maintain a crowd-pleasing status quo but to provide us a revealing sense of the artist's identity, though, well . . . Michael still isn't quite singular enough for that.
Lest he be pinned down to a persona, Jackson covers most of the conceivable bases--coming off in these 14 tracks and 77 minutes as a little bit sexy, a little shy, a little spiritual, a little lusty, sort of sensitive, intensely paranoid, sweet, demanding, put-upon, misogynist, hugely humanitarian and, of course, just a wee bit dangerous.
This is really a two-part album, though, and the first half does have a remarkable uniformity, with good reason. The chief surprise here--at least after all those allegations that Michael has altered his physical appearance to look relatively raceless--is that the first six songs sound so consistently and outrightly, well, black .
Black as in hip-hop and rap, as in urban contemporary, as in up-to-the-minute R&B jams, that is, if not themes. These lead-off tracks slam , as they say in the trade, with emphatic, roof-rattling dance beats, and some of them go on at enough length to pretty much serve as their own extended remixes.
Not coincidentally, these first six songs--plus the 14th and last--were all co-written and co-produced by "new jack swing" king and Guy architect Teddy Riley, whose stamp is unmistakable. In fact, Riley's touch is so familiar that a handful of tunes even sound like Guy tracks with Jackson singing on top.
Here, at least, Jackson has done something that sounds good and different--and, whoops, like someone else.
Once Riley leaves the picture, diversity sets in, with results for both better and worse. The remaining tunes were either produced by Jackson alone or in tandem with Bill Bottrell, and it's this second half of the album that more resembles his hit work with Quincy Jones, with a far-flung potpourri of lighter-rhythmed pop fare that's more akin to "Bad--The Sequel."
The first and worst of these non-Riley tracks is the saccharine "Heal the World," as abrupt a shift as possible from the jolting dance attacks that precede it. Alone at the helm, Jackson ventures into the realm of virtual self-parody, with a Marty Paich orchestral arrangement better suited for Barbra Streisand, a full choir backing that kicks in at about the same time as an inspirational key change, and a disingenuous chorus that in classic ambiguous-altruistic fashion enthuses: "Heal the world / Make it a better place / For you and me / And the entire human race." No, he doesn't elaborate.
Having a song this goofily embarrassing make the final cut is as vivid an illustration as you could ask for of the danger of being surrounded by too many yes-men.
The second half kicks off to an immediate lift with the pop-rocker "Black or White," whose maddeningly simple, insistent guitar riff is lodged in craniums willing and unwilling alike right about now. "Give In to Me" has the requisite guest appearance by a hard-rock guitarist--this time, Guns N' Roses' Slash (who also puts in a cameo at the beginning of "Black")--and, along with "Who Is It," recaptures some of the slinky, insinuating feel of "Billie Jean."
An odd pairing of spirituals, both nicely framed by the Andrae Crouch Singers, crops up late in the game: "Will You Be There" is outright gospel, even ending with the besieged Jackson addressing his Maker, presumably, in a teary-voiced spoken-word coda. Lest he seem too sanctified, though, it's quickly followed by "Keep the Faith," which is strictly bootstrap city--the ever-popular secular gospel of learning to love yourself.
The album wraps up with a reprise of Riley's touch, with the Guy guy helping out on the darkly sexy title song, in which Jackson again talks to God--this time praying for deliverance from the Billie Jean-like temptress threatening to seduce him away from his steady. By song's end it sounds like "lust's strange inhumanity" is gonna nab him anyway.
But which Jackson is for real? The humanist-of-the-year who croons, "In my heart, I feel you are all my brothers"? The world cheerleader who counsels that you "can climb the highest mountain, swim the deepest sea, hee "? The wounded soul who tells God, "Everyone's taking control of me, seems that the world's got a role for me, I'm so confused"? Or the suspicious control freak who tells his girl (and probably, by extension, his audience), "Don't try to understand me, just simply do the things I say. . . . Give it when I want it"?
Undoubtedly, all of these entertaining confusions of personae, not to mention the guy in the video whose fly is down. Not at all wary of his Peter Pan image, Jackson has nicknamed his private compound Neverland; perhaps, in honor of all the compass-less Boys he represents, his next one-word album title should be "Lost."

Question: who is the lead singer on dangerous by jackson

Куинси Джонса

The journalist also noted that the new-jack swing compositions on the plate differ significantly from other tricks in this genre in the late 80s - early 90s.

According to the Los Angeles Times critics, Jackson "lost" without Queensy Jones, and only the second half of the album reminds what they had done together before.

who is the lead singer on dangerous by jackson

Question: who wrote the book dangerous by jackson

Question: when did new jackson swing come out

— начала 90-х

Question: what type of swing is dangerous by queensy jones

нью - джек - свинговые

what type of swing is dangerous by queensy jones

Question: what part of the album is dangerous by jackson

вторая половина

what part of the album is dangerous by jackson

Question: who wrote the song dangerous by queensy jones

who wrote the song dangerous by queensy jones

Question: what happened to queensy jones on dangerous

what happened to queensy jones on dangerous

The journalist also noted that the new - jack swing compositions on the plate differ significantly from other tricks in this genre in the late 80s - early 90s .

According to the Los Angeles Times critics , Jackson " lost " without Queensy Jones , and only the second half of the album reminds what they had done together before .

Журналист также отметил, что нью-джек-свинговые композиции на пластинке значительно отличаются от других треков в этом жанре конца 80-х — начала 90-х. По мнению критика Los Angeles Times Джексон «потерялся» без Куинси Джонса, и лишь вторая половина альбома напоминает то, что они раньше делали вместе.

Журналист также отметил, что нью-джек-свинговые композиции на пластинке значительно отличаются от других треков в этом жанре конца 80-х — начала 90-х.

По мнению критика Los Angeles Times Джексон «потерялся» без Куинси Джонса, и лишь вторая половина альбома напоминает то, что они раньше делали вместе.

The journalist also noted that the new-jack swing compositions on the plate differ significantly from other tricks in this genre in the late 80s - early 90s. According to the Los Angeles Times critics, Jackson "lost" without Queensy Jones, and only the second half of the album reminds what they had done together before.

The journalist also noted that the new-jack swing compositions on the plate differ significantly from other tricks in this genre in the late 80s - early 90s.

According to the Los Angeles Times critics, Jackson "lost" without Queensy Jones, and only the second half of the album reminds what they had done together before.

The New York Times Dangerous is the most uncertain album since the solo career of the musician.

Question: what is the title of jackson's most uncertain album since his solo career

The New York Times Dangerous is the most uncertain album since the solo career of the musician.

what is the title of jackson's most uncertain album since his solo career

Question: who is the female singer on dangerous by jackson

Куинси Джонса

who is the female singer on dangerous by jackson

Question: which magazine called the album dangerous by jackson the most uncertain since his solo career

York Times Dangerous показался самым неуверенным альбомом со времён

which magazine called the album dangerous by jackson the most uncertain since his solo career

Question: what is the name of jackson's album Dangerous

York Times Dangerous показался самым неуверенным альбомом со времён

what is the name of jackson's album Dangerous

Question: who said jackson lost without queensy jones

who said jackson lost without queensy jones

Question: which half of the album is dangerous by jackson

вторая половина

which half of the album is dangerous by jackson

The New York Times Dangerous is the most uncertain album since the solo career of the musician .

По мнению критика Los Angeles Times Джексон «потерялся» без Куинси Джонса, и лишь вторая половина альбома напоминает то, что они раньше делали вместе. Рецензенту New York Times Dangerous показался самым неуверенным альбомом со времён начала сольной карьеры музыканта.

Рецензенту New York Times Dangerous показался самым неуверенным альбомом со времён начала сольной карьеры музыканта.

According to the Los Angeles Times critics, Jackson "lost" without Queensy Jones, and only the second half of the album reminds what they had done together before. The New York Times Dangerous is the most uncertain album since the solo career of the musician.

The New York Times Dangerous is the most uncertain album since the solo career of the musician.

Billboard journalists have distinguished a wide range of genre plates, from heavy rhythm and blues to rock and dance tricks.

Robert Christgow called Dangerous a step forward after Bad, although some vocal concepts of the singer seemed secondary to him.

танцевальных

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Michael Jackson
- Music and Me [Motown, 1973] B-
- The Best of Michael Jackson [Motown, 1975] B-
- Forever, Michael [Motown, 1975] A-
- Off the Wall [Epic, 1979] A
- Thriller [Epic, 1982] A
- Bad [Epic, 1987] B+
- The Original Soul of Michael Jackson [Motown, 1987] B+
- Dangerous [Epic, 1991] A-
- HIStory: Past, Present and Future Book 1 [Epic, 1995] **
- Invincible [Epic, 2001] A-
- The Ultimate Collection [Epic/Legacy, 2004]
- The Music That Inspired the Movie Michael Jackson's This Is It [Epic, 2009]
Consumer Guide Reviews:
Music and Me [Motown, 1973]
Having finally gotten it through my head that Michael isn't the black Donny Osmond--not only does he have a sense of natural rhythm, but he's a singer not a marionette--I listened hard and decided he's not a very good singer. Genuinely sweet and genuinely clean, when Motown provides the material. But if he's a real interpreter, I'm too old to understand where the interpretations are coming from. B-
The Best of Michael Jackson [Motown, 1975]
Because you can believe that their sincerity is neither feigned nor foolish, it's good in theory for children to sing romantic ballads. But in the end only pederasts, parents, and horny little girls can get off consistently on the interpretive nuances of a boy whose voice hasn't changed--the manipulation from above is simply too transparent. I love "Rockin' Robin" and hate "Ben" and find most of the rest in between. The most interesting exception is "One Day in Your Life," a first-rate tearjerker that achieves just the right mix of autonomy and helpless innocence--probably because Michael cut it about a year ago, when he was sixteen. B-
Forever, Michael [Motown, 1975]
I'm converted. Because it's possible to believe that their sincerity is neither feigned nor foolish, it's good in theory for children to sing romantic ballads. The reason it doesn't work is that the sincerity is so transparently manipulated from above. At 16, however, Michael's voice combines autonomy and helpless innocence in effective proportions. He also gets production help from Brian Holland (who begins one side like Barry White and the other like the Ohio Players) and a few romantic ballads (sure hit: "One Day in Your Life") that are as credible on their own terms as the rockers. A-
Off the Wall [Epic, 1979]
In which fast-stepping Michael J. and quick-witted Quncy J. fashion the dance groove of the year. Michael's vocabulary of grunts, squeals, hiccups, moans, and asides is a vivid reminder that he's grown up, and the title tune suggests that maybe what makes Stevie Wonder (who contributes a good ballad) such an oddball isn't his genius or even his blindness so much as the fact that since childhood his main contact with the real world has been on stage and in bed. A
Thriller [Epic, 1982]
The best-selling album of the millennium was clearly a hits-plus-filler job from the beginning--what we couldn't know is how brilliantly every hit but "P.Y.T." would thrive on mass exposure and public pleasure. The inexhaustible "Beat It" broadcasts Eddie Van Halen wielding his might in the service of the antimacho that is his secret vice. "The Girl Is Mine" got interracial love on the radio and proved cuter than "Michelle." "Wanna Be Startin' Something" starts something every time an air or floor jock starts it up. "Billie Jean" is Michael's clearest statement to date on sexuality and stardom. And "Thriller" is the rare song that's improved by its video, which fleshes out the not-quite-a-joke scariness of "the funk of 40,000 years" for (Michael and) his (white) fans. A
Bad [Epic, 1987]
Anybody who charges studio hackery is too narrow-minded to be able to hear pros out-doing themselves. Studio mastery is more like it, the strongest and most consistent black pop album in years, defining Jam & Lewis's revamp of Baby Sis as the mainstream and then inundating it in rhythmic and vocal power. But what made Thriller a miracle wasn't consistency--it was genius like "Beat It" and "Billie Jean" and the unknowable allure of the pure star. The closest thing to genius here is the CD-only "Leave Me Alone," which isn't all that close and also suggests what's happened to his allure--the more knowable he gets, the more fucked up he seems. This is a record that damn near wrecks perfectly good dancin' and singin' with subtext. He's against burglary, speeding, and sex ("Dirty Diana" is as misogynistic as any piece of metal suck-my-cock), in favor of harmonic convergence and changing the world by changing the man in the mirror. His ideal African comes from Liberia. And he claims moonwalking makes him a righteous brother. Like shit. B+
The Original Soul of Michael Jackson [Motown, 1987]
Once you get past the slipshod cynicism of Motown's catalogue exploitation, you have to admit that this mostly remixed, sometimes synthed-up mishmash has its charms and even uses--that in fact it's superior to the "real" 1975 best-of the label long ago deleted. I love the previously unreleased "Twenty-Five Miles" and the preteen-sings-the-blues "Doggin' Around," could live without the two J5 nonhits, and will no doubt pull this down when I want to remember "Dancing Machine" and "Rockin' Robin." B+
Dangerous [Epic, 1991]
It's hard to hear through the oversell, but--especially if you ignore the faith-hope-and-charity, bringing it down under an hour--this is plainly his most consistent album since Off the Wall, a step up from Bad even if its hookcraft is invariably secondary and its vocal mannerisms occasionally annoying. Teddy Riley acting alone has never manufactured such abrasively unpredictable beats, much less the singer to top them--if they're not as catchy as a 10-year-old might hope, that's just Michael riding the rhythmic moment, as always. And though it's futile to analyze the love life of an invisible man who's convinced he's more popular than the Beatles now, he's hawking the most credible sex-and-romance of his career. "In the Closet" implores his mystery woman to keep their--get this--"lust" behind closed doors. Soon he's going wild, or fabricating desperate nostalgia for their used-to-be. And then he's muttering "Can't Let Her Get Away" through clenched teeth--mantralike, over and over into the void. Coulda happened, doncha think? With Brooke Shields maybe? A-
HIStory: Past, Present and Future Book 1 [Epic, 1995]
if stardom is your only subject, you might as well take it to the limit ("Smile," "Tabloid Junkie") **
Invincible [Epic, 2001]
Jackson's obsession with fame, his grotesque life magnified by his grotesque wealth, are such an offense to rock aesthetes that the fact that he's a great musician is now often forgotten. I use the present tense because (a) his skills seem undiminished and (b) as only Frank Kogan has listened dispassionately enough to remark, he's doing new stuff with them--his funk is steelier and his ballads are airier, both to disquieting effect. At 78 minutes this is too long, and especially given his history, "The Lost Children" is offensive. But the first three tracks are the Rodney Jerkins of the year, "2000 Watts" is the Teddy Riley of the past five years, and even the prunables offer small surprises. Don't believe the hype matters. A-
The Ultimate Collection [Epic/Legacy, 2004]
This well-selected, rarity-studded phantasmagoria of great hits, alternate takes, soundtrack oddities, previously unreleaseds, demos, and remixes traces an arc not merely of promise fulfilled and outlived, but of something approaching tragedy: a phenomenally ebullient child star tops himself like none before, only to transmute audibly into a lost weirdo. Until his fourth solo album as an adult, Dangerous, Jackson's immense originality, adaptability, and ambition generate genius beats, hooks, arrangements, and vocals (though not lyrics). This is no less true of 1970's "ABC" than of 1979's "Don't Stop 'Til You Get Enough" or 1991's "Black and White." While inventing sounds never heard before, Jackson changes with the times, from top 40 to disco to studio funk to new jack swing. This wondrous stuff will stand forever as a reproach to the puritanical notion that pop music is slick or shallow and that's the end of it. But as his troubling life gets away from him in the '90s, so does his music. The fourth disc wisely downplays his intermittent belief that the next step in his progress was Celine Dion, and two tracks from 2001's underrated Invincible prove that he hasn't lost his unnatural sense of rhythm. But theme statements like R. Kelly's endless "You Are Not Alone" and Free Willy 2's regrettable "Childhood" are quietly yucky, and the four new songs are bland, forced, or both. The big finale opposes war. [Blender: 3]
"Shake a Body," "Monkey Business," "Sunset Drive"
The Music That Inspired the Movie Michael Jackson's This Is It [Epic, 2009]
"Wanna Be Startin' Somethin' (Demo)"; "She's Out of My Life (Demo)"
See Also

Question: who called dangerous a step forward after bad

"Роберт Кристгау

Billboard journalists have distinguished a wide range of genre plates, from heavy rhythm and blues to rock and dance tricks.

Robert Christgow called Dangerous a step forward after Bad, although some vocal concepts of the singer seemed secondary to him.

who called dangerous a step forward after bad

Question: what type of music does dangerous sing

тяжёлого ритм - н - блюза и госпела до рока и танцевальных треков

Question: dangerous is a cover artist for which magazine

dangerous is a cover artist for which magazine

Question: what genre of music does dangerous sing

рока и танцевальных треков

Question: what was the name of the singer who was called a step forward after bad

what was the name of the singer who was called a step forward after bad

Question: who was the lead singer of dangerous

Billboard journalists have distinguished a wide range of genre plates , from heavy rhythm and blues to rock and dance tricks .

Robert Christgow called Dangerous a step forward after Bad , although some vocal concepts of the singer seemed secondary to him .

Журналисты Billboard выделили широкую жанровую палитру пластинки, от тяжёлого ритм-н-блюза и госпела до рока и танцевальных треков. Роберт Кристгау назвал Dangerous шагом вперёд после Bad, хотя некоторые вокальные приёмы певца показались ему вторичными.

Журналисты Billboard выделили широкую жанровую палитру пластинки, от тяжёлого ритм-н-блюза и госпела до рока и танцевальных треков.

Роберт Кристгау назвал Dangerous шагом вперёд после Bad, хотя некоторые вокальные приёмы певца показались ему вторичными.

Billboard journalists have distinguished a wide range of genre plates, from heavy rhythm and blues to rock and dance tricks. Robert Christgow called Dangerous a step forward after Bad, although some vocal concepts of the singer seemed secondary to him.

Billboard journalists have distinguished a wide range of genre plates, from heavy rhythm and blues to rock and dance tricks.

Robert Christgow called Dangerous a step forward after Bad, although some vocal concepts of the singer seemed secondary to him.

In Entertainment Weekly, the album was characterized in comparison to the previous as “more fancy, heavy, with outbreaks of darkness and paranoia in the songs texts.”

охарактеризован

Michael Jackson's albums
WITH THE JACKSON 5
Diana Ross Presents the Jackson 5 (1969)
The first official Jackson 5 album (Ross’ touted ”discovery” of the boys was a marketing gimmick) collects the seamless harmonies, sweet Motown soul, and Sly & the Family Stone-style funk of the five prodigiously talented brothers from Gary, Ind. The impossibly expressive, bell-clear voice of Michael soars on now-iconic cuts like ”I Want You Back” and ”Who’s Lovin’ You.” A-
ABC (1970)
Five months after their full-length debut, the Jacksons return with some of the best material Motown’s legendary in-house writing and production crew had to offer: the full-bodied funk of the title track; the groovy, George Clinton-penned ”I’ll Bet You”; the playful schoolyard-love jam ”2 4 6 8.” Though it may seem odd in retrospect to think of a 12-year-old singing songs of romantic passion and yearning, Michael does so here with astonishing emotional conviction. A
Third Album (1970)
At the apex of the Jackson 5’s fame, it seemed there was nothing they couldn’t turn to gold: Immortal ballad ”I’ll Be There” anchors the album, but the buoyant ”Oh How Happy,” James Brown-ish get-down-get-up of ”Goin’ Back to Indiana,” and soul-shimmying ”Mama’s Pearl” still sound wonderfully immediate. A
Maybe Tomorrow (1971)
Following excellent seasonal release The Jackson 5 Christmas Album, the boys return to regular long-player form, building on the success of ”I’ll Be There” with ballads like ”Never Can Say Goodbye” and the lush title track alongside the hip-swiveling ”My Little Baby” and ”Honey Chile.” A-
Destiny (1978)
After years of artistic frustration at Motown, the group (minus Jermaine) moved to CBS Records, where they became just ”the Jacksons” and were finally allowed to write and produce their own material. Destiny yielded boogie-era singles like the seismic crowd mover ”Shake Your Body (Down to the Ground),” and several releases followed, including 1980’s well-received Triumph, but Michael’s participation in the group ended with 1984’s Victory. B
HIS SOLO CAREER
Got to Be There (1972)
Already an industry veteran at the tender age of 13, Michael made this first official solo foray — a canny move by Motown head Berry Gordy to further capitalize on the Jackson 5’s immense popularity. Highlights include a jaunty cover of ”Rockin’ Robin,” the wistful title track, and the soaring ”I Wanna Be Where You Are.” B+
Ben (1972)
Jackson’s second solo effort — released just seven months after his first — will always be defined by its title track, the theme song to the rodent-centric film of the same name. Michael’s delicate rendering of the shamelessly soggy boy-meets-telepathic-rat ode (which scored a Golden Globe win and an Oscar nomination) is a testament to his talent, as is his inspired handling of the rest of the covers-heavy album. B
Music & Me (1973)
On the cusp of a deepening, more adult voice, Jackson begins transitioning into grown-up material, including the contemplative title song, a grab bag of subdued show tunes (”Morning Glow” from Pippin, and Lady Sings the Blues‘ ”Happy”), and a devastatingly fragile cover of Stevie Wonder’s ”With a Child’s Heart.” B
Forever, Michael (1975)
The LP cover of Jackson’s Motown swan song reveals an Afroed 16-year-old clearly on the brink of manhood, and its comparatively adult soul sound confirms he was ready to move on from his days as Gordy’s bubblegum boy wonder. Still, the fairly standard midtempo grooves do little to foreshadow the sonic revelations that were soon to come. B-
Off the Wall (1979)
Together with producer Quincy Jones, Jackson created the first real record of his adulthood: a featherweight rapture of disco-flecked R&B, replete with instant dance-floor dazzlers (”Don’t Stop ‘Til You Get Enough,” ”Rock With You,” ”Workin’ Day and Night”), a few midtempo charmers (”It’s the Falling in Love,” ”Girlfriend”), and, well, one pretty maudlin ballad (”She’s Out of My Life”). For all its spangled glitter-ball flair, the album easily transcends its polyester era. A-
Thriller (1982)
A quarter century of cultural ubiquity tends to obscure the sheer ingenuity and creative genius behind the record, which was certified 28 times platinum this year. From the urgent funk of opener ”Wanna Be Startin’ Somethin”’ and sweet synth stutter of ”P.Y.T. (Pretty Young Thing)” to the iconic rock stomp of ”Beat It,” Thriller offers pure, transporting euphoria in pop form. A
Bad (1987)
How to follow an untoppable blockbuster? Jackson took his time. But ultimately, he delivered — offering immediate radio jams (”Bad,” ”The Way You Make Me Feel”), stirring ballads (”Man in the Mirror,” ”I Just Can’t Stop Loving You”), and outr?ock experiments (”Smooth Criminal,” ”Dirty Diana”) amid a few lesser but still worthwhile album cuts. B+
Dangerous (1991)
Forsaking Quincy Jones for, among others, new jack swing king Teddy Riley, Jackson’s first ’90s album reveals a grittier, funkier outlook, marked by flashes of lyrical darkness and paranoia. Still, four top 10 singles, including ”Black or White” and ”Remember the Time,” proved his continued ability to craft a hit. B+
HIStory (1995)
A double-disc greatest-hits collection, the epic HIStory also served as a conduit for Jackson to explore his increasingly troubled relationship with fame on 14 new tracks (most notably, ”They Don’t Really Care About Us” and ”Scream”). Additionally, he covers a Beatles classic, ”Come Together” (by then, he owned the rights to their catalog), and finds his sentimental-ballad sweet spot with the No. 1 hit ”You Are Not Alone.” B
Blood on the Dance Floor/History in the Mix (1997)
Primarily an album of HIStory remixes, this hard-edged collection also contains five new songs, none of which further Jackson’s artistry much. But some, like ”Ghosts” and the syncopated, slow-building title track, still managed to intrigue, and the involvement of more contemporary artists like the Fugees, as well as his sister Janet’s longtime collaborators Jimmy Jam and Terry Lewis, added further allure. B-
Invincible (2001)
His final solo studio album before his death is, even in light of its eventual multiplatinum status, the least artistically successful of Jackson’s discs, especially in the context of his unmatchable earlier work. Released just weeks after 9/11, the nearly 80-minute work feels oddly airless and disconnected, its bland R&B sketches and tremulous ballads largely lacking the singer’s previous dynamism, despite minor hits like ”You Rock My World.” C+
BY THE NUMBERS
Just how huge was Michael Jackson? A look at some of the massive figures that truly made him the King of Pop.
47
Number of solo singles that charted on the Billboard Hot 100
13
Number of solo singles that hit No. 1 on the Billboard Hot 100
61,500,000
Number of albums sold in the U.S.
37
Number of weeks Thriller spent at the top of the U.S. charts
$85,000,000
Money generated by ticket sales for his planned 50-concert run at London’s O2 theater, which had been set to kick off this month
Comments

Question: who wrote the lyrics to dangerous by robin christgow

"Роберт Кристгау

In Entertainment Weekly, the album was characterized in comparison to the previous as “more fancy, heavy, with outbreaks of darkness and paranoia in the songs texts.”

who wrote the lyrics to dangerous by robin christgow

Question: what magazine called dangerous by robert christgow

what magazine called dangerous by robert christgow

Question: what are the themes of dangerous by robbert christgow

и паранойи в текстах

what are the themes of dangerous by robbert christgow

Question: what was the name of the first album by the singer dangerous

what was the name of the first album by the singer dangerous

Question: what is the name of the album by bad

Question: what did robert christgow think of dangerous

шагом вперёд после Bad

what did robert christgow think of dangerous

In Entertainment Weekly , the album was characterized in comparison to the previous as “ more fancy , heavy , with outbreaks of darkness and paranoia in the songs texts . ”

Роберт Кристгау назвал Dangerous шагом вперёд после Bad, хотя некоторые вокальные приёмы певца показались ему вторичными. В издании Entertainment Weekly альбом был охарактеризован по сравнению с предыдущим как «более фанковый, тяжёлый, со вспышками мрачности и паранойи в текстах песен».

В издании Entertainment Weekly альбом был охарактеризован по сравнению с предыдущим как «более фанковый, тяжёлый, со вспышками мрачности и паранойи в текстах песен».

Robert Christgow called Dangerous a step forward after Bad, although some vocal concepts of the singer seemed secondary to him. In Entertainment Weekly, the album was characterized in comparison to the previous as “more fancy, heavy, with outbreaks of darkness and paranoia in the songs texts.”

In Entertainment Weekly, the album was characterized in comparison to the previous as “more fancy, heavy, with outbreaks of darkness and paranoia in the songs texts.”

Some reviewers objected that the term “paranoia” is not suitable for the description of the album: “Society, world statues, systematic racism, loneliness, loss of self, search for redemption – this album is dark, but not paranoid.”

охарактеризован

систематический

параноидален

Question: which magazine called the album dangerous'more fancy, heavy, with outbreaks of darkness and

Some reviewers objected that the term “paranoia” is not suitable for the description of the album: “Society, world statues, systematic racism, loneliness, loss of self, search for redemption – this album is dark, but not paranoid.”

which magazine called the album dangerous'more fancy, heavy, with outbreaks of darkness and

Question: what term is used to describe the dark side of dangerous

what term is used to describe the dark side of dangerous

Question: what are the themes of dangerous by the band

и паранойи в текстах

what are the themes of dangerous by the band

Question: what is the meaning of dangerous in the lyrics

what is the meaning of dangerous in the lyrics

Question: what adjective is used to describe the dark side of dangerous

параноидален

what adjective is used to describe the dark side of dangerous

Question: how did the album dangerous compare to the previous

более фанковый , тяжёлый

how did the album dangerous compare to the previous

Some reviewers objected that the term “ paranoia ” is not suitable for the description of the album : “ Society , world statues , systematic racism , loneliness , loss of self , search for redemption – this album is dark , but not paranoid . ”

Некоторые рецензенты возразили, что термин «паранойя» не подходит для описания пластинки: «Общество, мировые устои, систематический расизм, одиночество, потеря себя, поиск искупления — этот альбом мрачен, но не параноидален».

In Entertainment Weekly, the album was characterized in comparison to the previous as “more fancy, heavy, with outbreaks of darkness and paranoia in the songs texts.” Some reviewers objected that the term “paranoia” is not suitable for the description of the album: “Society, world statues, systematic racism, loneliness, loss of self, search for redemption – this album is dark, but not paranoid.”

Some reviewers objected that the term “paranoia” is not suitable for the description of the album: “Society, world statues, systematic racism, loneliness, loss of self, search for redemption – this album is dark, but not paranoid.”

Rolling Stone recensist called the album triumphal: “The album does not hide the fears and contradictions of life in the center of attention.”

According to the Guardian, Dangerous was Jackson’s real creative and emotional peak: “Songs created in collaboration with Riley are brilliantly complex multi-layer tricks, their fancy accuracy emphasizes the vocal concepts of the singer.”

триумфальной

противоречий

эмоциональным

сотрудничестве

многослойные

подчёркивает

Michael Jackson's Dangerous was the first album I ever owned, a cassette copy that I pored over like the Rosetta Stone. What was that dog in ermine robes about? Was In the Closet about literally keeping something in a closet? All that was certain was that Macaulay Culkin, in being allowed a spoken-word intro to Black Or White, as well as starring in Home Alone 2, was the luckiest kid alive.
Looking at the sales figures, it's clear that everyone's currently on a Jacko reappreciation binge. My own has inevitably (and nostalgically) honed in on Dangerous, and one thing is objectively clear: this album rules.
As its initial release dovetailed with the Jordan Chandler allegations, the album is now falling neatly into an accepted narrative – that it's part of Jackson's decline, both artistically and personally. The reality is that Dangerous is Jackson at the very peak of his powers, with his widest ever emotional range set to production that makes new jack swing seem much more than just lame dance moves and fluorescent man-made fibres.
Produced mostly by Teddy Riley, the tracks are fiendishly intricate, loaded with scratching, multiple layers of drum programming, and shiny smashes of hyper-artificial brass. In its mechanic complexity and tautly funky precision, it mirrors and amplifies Jackson's corporeal and vocal exactitude; it also reflects Jackson's fascination with the robotic that imperceptibly crept into his dance moves and continued in his Moonwalker film.
Jackson, meanwhile, is revelatory. On Remember the Time, he is soft and teasing, ruthlessly manipulating his former paramour, before unleashing ferocious passion at the climax. Indeed, Dangerous is the only album on which he sounds believably erotic, all strained frustration and full-throated entreaties; Riley extracts a sexual urgency that the Neptunes would later draw from Justin Timberlake. Meanwhile on the baked-Camembert ballads Heal the World and Will You Be There, he's charmingly innocent, and sings simple, effortless melodies.
And while Quincy Jones once allegedly shouted, "No squeaks, motherfucker!" during the recording of Thriller, here Jackson is off the leash, brilliantly weaving his vocal tics into the fabric of Riley's production. On Who Is It, he elicits a gulping sob that syncs exactly with the beat – surely the funkiest crying ever recorded?
In all the swooning at Thriller's album sales and Jackson's pre-surgery beatitude, Dangerous risks becoming even more underrated than it is now. That would be a tragedy – for me, it's his finest hour. Does anyone else agree?
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Question: what is the title of jackson's most recent album

Rolling Stone recensist called the album triumphal: “The album does not hide the fears and contradictions of life in the center of attention.”

According to the Guardian, Dangerous was Jackson’s real creative and emotional peak: “Songs created in collaboration with Riley are brilliantly complex multi-layer tricks, their fancy accuracy emphasizes the vocal concepts of the singer.”

what is the title of jackson's most recent album

Question: who called dangerous jackson's greatest album

who called dangerous jackson's greatest album

Question: who wrote the songs on dangerous by jackson

who wrote the songs on dangerous by jackson

Question: which singer released the album dangerous in 2009

which singer released the album dangerous in 2009

Question: what is the difference between dangerous and riley jackson

what is the difference between dangerous and riley jackson

Question: who called dangerous jackson's album triumphal

who called dangerous jackson's album triumphal

Question: what adjective is used to describe jackson's Dangerous album

триумфальной

what adjective is used to describe jackson's Dangerous album

Rolling Stone recensist called the album triumphal : “ The album does not hide the fears and contradictions of life in the center of attention . ”

According to the Guardian , Dangerous was Jackson ’s real creative and emotional peak : “ Songs created in collaboration with Riley are brilliantly complex multi - layer tricks , their fancy accuracy emphasizes the vocal concepts of the singer . ”

Рецензент Rolling Stone назвал пластинку триумфальной: «Альбом не скрывает страхов и противоречий жизни, проведённой в центре внимания». По мнению критиков The Guardian, Dangerous был реальным творческим и эмоциональным пиком Джексона: «Песни, созданные в сотрудничестве с Райли — это чертовски сложные многослойные треки, их фанковая точность подчёркивает вокальные приёмы певца».

Рецензент Rolling Stone назвал пластинку триумфальной: «Альбом не скрывает страхов и противоречий жизни, проведённой в центре внимания».

По мнению критиков The Guardian, Dangerous был реальным творческим и эмоциональным пиком Джексона: «Песни, созданные в сотрудничестве с Райли — это чертовски сложные многослойные треки, их фанковая точность подчёркивает вокальные приёмы певца».

Rolling Stone recensist called the album triumphal: “The album does not hide the fears and contradictions of life in the center of attention.” According to the Guardian, Dangerous was Jackson’s real creative and emotional peak: “Songs created in collaboration with Riley are brilliantly complex multi-layer tricks, their fancy accuracy emphasizes the vocal concepts of the singer.”

Rolling Stone recensist called the album triumphal: “The album does not hide the fears and contradictions of life in the center of attention.”

According to the Guardian, Dangerous was Jackson’s real creative and emotional peak: “Songs created in collaboration with Riley are brilliantly complex multi-layer tricks, their fancy accuracy emphasizes the vocal concepts of the singer.”

Influence Journalists Vibe wrote that thanks to Jackson and Riley’s own rhythm and blues vision and such compositions as “Remember the Time” the genre entered a new wave of development.

“It is clear that, like in 1991, mainstream artists continue to see hip-hop stereotypically as something passive or exclusively nihilistic and criminal,” Pitchfork critic Jeff Weiss wrote.

собственному

мейнстримовые

рассматривать

исключительно

нигилистическое

криминальное

Question: who wrote the book dangerous by pitchfork

Influence Journalists Vibe wrote that thanks to Jackson and Riley’s own rhythm and blues vision and such compositions as “Remember the Time” the genre entered a new wave of development.

“It is clear that, like in 1991, mainstream artists continue to see hip-hop stereotypically as something passive or exclusively nihilistic and criminal,” Pitchfork critic Jeff Weiss wrote.

who wrote the book dangerous by pitchfork

Question: when was the first dangerous album released

when was the first dangerous album released

Question: who wrote remember the time by dangerous

who wrote remember the time by dangerous

Question: what type of music is dangerous by jackson and riley

блюза Джексона и Райли и таким композициям как « Remember the Time » жанр вступил на новый виток

what type of music is dangerous by jackson and riley

Question: who wrote the book dangerous by jeff weiss

who wrote the book dangerous by jeff weiss

Question: what type of music is dangerous based on

видению ритм - н - блюза Джексона и Райли и таким композициям как « Remember the Time » жанр вступил на новый виток

what type of music is dangerous based on

Question: what genre of music is dangerous based on

what genre of music is dangerous based on

Influence Journalists Vibe wrote that thanks to Jackson and Riley ’s own rhythm and blues vision and such compositions as “ Remember the Time ” the genre entered a new wave of development .

“ It is clear that , like in 1991 , mainstream artists continue to see hip - hop stereotypically as something passive or exclusively nihilistic and criminal , ” Pitchfork critic Jeff Weiss wrote .

Влияние Журналисты Vibe писали, что благодаря собственному видению ритм-н-блюза Джексона и Райли и таким композициям как «Remember the Time» жанр вступил на новый виток развития. «Очевидно, что, как и в 1991 году, мейнстримовые артисты продолжают рассматривать хип-хоп стереотипно как нечто мимолётное или исключительно нигилистическое и криминальное», — писал критик Pitchfork Джефф Вайс.

Влияние Журналисты Vibe писали, что благодаря собственному видению ритм-н-блюза Джексона и Райли и таким композициям как «Remember the Time» жанр вступил на новый виток развития.

«Очевидно, что, как и в 1991 году, мейнстримовые артисты продолжают рассматривать хип-хоп стереотипно как нечто мимолётное или исключительно нигилистическое и криминальное», — писал критик Pitchfork Джефф Вайс.

Influence Journalists Vibe wrote that thanks to Jackson and Riley’s own rhythm and blues vision and such compositions as “Remember the Time” the genre entered a new wave of development. “It is clear that, like in 1991, mainstream artists continue to see hip-hop stereotypically as something passive or exclusively nihilistic and criminal,” Pitchfork critic Jeff Weiss wrote.

Influence Journalists Vibe wrote that thanks to Jackson and Riley’s own rhythm and blues vision and such compositions as “Remember the Time” the genre entered a new wave of development.

“It is clear that, like in 1991, mainstream artists continue to see hip-hop stereotypically as something passive or exclusively nihilistic and criminal,” Pitchfork critic Jeff Weiss wrote.

Rankings and lists Publishing Ranking/List Source Q List of records of the year, 1992 Spin 300 Best Albums in 30 Years (1985-2014) Complex 50 Best Albums of the 90s 200 Definitive Albums of All Time

1986
Q magazine Recordings Of The Year
• Anita Baker - Rapture
• Billy Bragg - Talking with the taxman about poetry
• The Bhundu boys - Shabini
• Cameo - Word up
• Sam Cooke - The man and his music
• Robert Cray - String Persuader
• Albert Collins, Robert Cray, Johnny Copeland - Showdown!
• Elvis Costello - Blood and Chocolate
• Miles Davis - Tutu
• The fabulous thunderbirds - Tuff Enuff
• 5-Star - Silk and Steel
• Frankie goes to Hollywood - Liverpool
• Peter Gabriel - so
• Sophia George - Fresh
• Ted Hawkins - Watch your step
• The Housemartins - London 0 Hull 4
• Billy Idol - Whiplash smile
• Janet Jackson - Control
• Little feat - As time goes by: The best of Little Feat
• Le mystere des voix bulgres - Same
• Branford Marsalis - Royal garden blues
• Madonna - True blue
• Ennio Morricone - The mission soundtrack
• New order - Brotherhood
• Youssou N’Dour - Nelson Mandella
• The Oyster Band - Step outside
• Pet shop boys - Please
• The pretenders - get close
• Prince - Parade
• Stan Ridgway - The big heat
• REM - Lifes Rich Pageant
• Lionel Richie - Dancing on the ceiling
• Run DMC - Raising hell
• Bessie Smith - Jazz classics in digital stereo
• The Smiths - The Queen is dead
• Paul Simon - Graceland
• Ricky Skaggs - Love’s gonna get ya!
• Bruce Springsteen & the E street band - Live 1975 - 85
• Talking heads - True stories
• The Triffids - Born*Sandy*Devotional
• Trouble Funk - Say What!
• Richard Thompson - Daring adventures
• Randy Travis - Storms of life
• Various artists - Hip-Hop Electro 13
• Various artists - Atlantic rhythm & Blues 1947-74
• Various artists - The house sound of Chicago
• Van Halen - 5150
• Steve Winwood - Back in the high life
• Dwight Yoakam - Guitars Cadillacs Etc. etc...
• XTC - Skylarking
Skip To Top
1987
Q magazine Recordings Of The Year
• Anthrax - Among the living
• The Beatles - Revolver
• Regina Belle - All by myself
• The Christians - same
• Creedence Clearwater Revival - Chronicle
• The Cure - Kiss me, Kiss me, Kiss me
• Def Leppard - Hysteria
• Joe Ely - Lord of the Highway
• Eurythmics - Savage
• The Fabulous Thunderbirds - Portfolio
• Fleetwood Mac - Tango in the night
• John Hiatt - Bring the family
• Husker Du - Warehouse (songs and stories)
• Chris Isaak - Same
• Joe Jackson - Will power
• Michael Jackson - Bad
• Jesus and Mary chain - Darklands
• New Order - Substance
• Randy Newman - Lonely at the top
• Alexander O’Neal - Hearsay
• Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio
• Penguin Cafe Orchestra - Signs of life
• Lee ‘Scratch’ Perry - Time boom X de devil dead
• Salif Keita - Soro
• LL Cool J - Bigger and Deffer
• Marillion - Clutching at straws
• Mel & Kim - F.L.M.
• Van Morrison - Poetic champions compose
• Najma - Qareeb
• Pet shop boys - Actually
• Pop will eat itself - Box frenzy
• Elvis Presley - The all time greatest hits
• Maxi Priest - Maxi
• Prince - Sign ‘o’ the times
• Chris Rea - Dancing with strangers
• REM - Document
• The Replacements - Pleased to meet me
• Robbie Robertson - Same
• Marta Sebestyen - Same
• Shirati jazz - Benga beat
• Simply red - Men and woman
• The Smiths - Strangeways here we come
• Bruce Springsteen - Tunnel of love
• 10,000 Maniacs - In my tribe
• That petrol emotion - Babble
• ‘Till Tuesday - Welcome home
• Trouble Funk - Trouble over here, trouble over there
• U2 - The Joshua tree
• Jennifer Warnes - Famous Blue Raincoat
• Stevie Wonder - Characters
Skip To Top
1988
Q magazine Recordings Of The Year
• Joan Armatrading - The shouting stage
• Eric B & Rakim - Follow the leader
• Bon Jovi - New Jersey
• Boogie down productions - By all means necessary
• Billy Bragg - Workers playtime
• Cameo - Machismo
• Tracy Chapman - same
• Toni Childs - Union
• Leonard Cohen - I’m your man
• The Robert Cray Band - Don’t be afraid of the dark
• Crowded house - Temple of low men
• Toumani Diabate - Kaira
• Gail Ann Dorsey - The corporate world
• Fairground attraction - The first of a million kisses
• Fingers inc. - Another side
• Nanci Griffith - Little love affairs
• A.R. Kane - Sixty Nine
• K. D. Lang - Shadowland
• Living Colour - Vivid
• Loose Tubes - Open letter
• Mahlathini and the Mahotella queens - Thokozile
• Bobby McFerrin - Simple pleasures
• Michelle Shocked - Short sharp shocked
• Van Morrison & the Chieftains - Irish heartbeat
• Morrissey - Viva hate
• Randy Newman - Land of dreams
• The Nits - In the Dutch mountains
• Pet shop boys - Introspective
• The Pogues - If I should fall from grace with god
• Prefab Sprout - From Langley park to Memphis
• Prince - Lovesexy
• Public Enemy - It will take a nation of millions to hold us back
• REM - Green
• Keith Richards - Talk is cheap
• Kevin Rowlands - The Wanderer
• Johannes Schmoelling - The zoo of tranquillity
• Siouxsie and the banshees - Peep show
• The Smiths - Rank
• The Sugercubes - Life’s too good
• Talk talk - Spirit of eden
• Tanita Tikaram - Ancient heart
• Traveling Wilburys - Volume one
• U2 - Rattle and hum
• Was(not was) What up, dog?
• Brian Wilson - Same
• Steve Winwood - Roll with it
• Richard Thompson - Amnesia
• Ali Farka Toure - Same
• Neil Young - This note’s for you
• John Zorn - Spillane
Skip To Top
1989
Q magazine Recordings Of The Year
• Adeva - Adeva!
• Aerosmith - Pump
• The Beautiful South - Welcome to ...
• The Blue Nile - Hats
• David Byrne - Rei Momo
• Tracy Chapman - Crossroads
• Neneh Cherry - Raw like sushi
• Eric Clapton - Journeyman
• Elvis Costello - Spike
• Deacon Blue - When the world knows your name
• De La Soul - 3 Feet high and rising
• Bob Dylan - Oh mercy
• Erasure - Wild!
• Eurythmics - We too are one
• Fine young cannibals - The raw and the cooked
• Peter Gabriel - Passion
• The gipsy kings - Mosaique
• John Lee Hooker - The healer
• Lenny Kravitz - Let love rule
• Daniel Lanois - Acadie
• Paul McCartney - Flowers in the dirt
• Kirsty Maccoll - Kite
• Madonna - Like a prayer
• Van Morrison - Avalon Sunset
• Les Negresses - Mlah
• Neville Brothers - Yellow moon
• Roy Orbison - Mystery Girl
• Tom Petty - Full moon fever
• Pixies - Doolittle
• The Pogues - Peace and Love
• Prefab Sprout - Protest songs
• Prince - Batman
• Chris Rea - The road to hell
• Dan Reed Network - Slam
• Lou Reed - New York
• Rolling Stones - Steel Wheels
• S’Express - Original soundtrack
• Simple minds - Street fighting years
• Simply red - A new flame
• Soul II Soul - Club classics Vol I
• The stone roses - same
• Tears for fears - The seeds of love
• Tin Machine - same
• Tone loc - Loc’ed after dark
• The triffids - The black swan
• Various artists - Italia: Dance music from Italy
• Wet wet wet - Holding back the river
• Loudon Wainwright III - Therapy
• The wonder stuff - Hup
• Neil Young - Freedom
Skip To Top
1990
Q magazine Recordings Of The Year
• Aztec Camera - Stray
• Pet sounds - The Beach Boys
• Beats International - Let them eat bingo
• The beautiful South - Choke
• The beloved - Happiness
• Clint Black - Killin’ time
• Tim Buckley - Dream letter live in London 1968
• The Christians - Colour
• Cocteau Twins - Heaven or Las Vegas
• Lloyd Cole - Same
• Julee Cruise - Floating into the night
• Deee-lite - World clique
• Depeche mode - Violator
• 808 state - Ninety
• Bob Geldof - The vegetarians of love
• Happy Mondays - Pills ‘n’ thrills and bellyaches
• Inxs - X
• The La’s - same
• Living colour - Time’s up
• Nick Lowe - Party of one
• Jeff Lynne - Armchair theatre
• Madonna - The immaculate collection
• George Michael - Listen without whinging Vol 1
• Midnight oil - Blue sky mining
• Gary Moore - Still got the blues
• Van Morrison - Enlightenment
• Sinead O’ Connor - I do not want what I haven’t got
• Pet shop boys - Behaviour
• Pixies - Bossanova
• Prefab sprout - Jordan: The comeback
• The Pretenders - Packed!
• Prince - Graffiti bridge
• Public Enemy - Fear of a black planet
• The pursuit of happiness - On sided story
• Queen Latifah - All hail the queen
• Quireboys - A bit of what you fancy
• Lou Reed/John Cale - Songs for Drella
• Jonathan Richman - Jonathan goes country
• Paul Simon - The rhythm of the saints
• The sisters of mercy - Vision thing
• The soup dragons - Lovegod
• Sonny Southon - Falling through a cloud
• Martin Stephenson and the daintees - Salvation road
• They might be giants - Flood
• Traveling Wilburys - Vol 3
• Randy Travis - Heroes and friends
• Was(not was) - Are you okay?
• World Party - Goodbye jumbo
• Neil Young - Ragged Glory
• ZZ Top - Recycler
Skip To Top
1991
Q magazine Recordings Of The Year
• Blur - Leisure
• Billy Bragg - Don’t try this at home
• Gary Clail/On-U Sound System - The Emotional Hooligan
• Julian Cope - Peggy Suicide
• Elvis Costello - Mighty like a rose
• Crowded House - Woodface
• Dire Straits - On every street
• The Dream Warriors - And now the legacy begins
• EG and Alice - 24 years of hunger
• 808 State - Ex.El
• Electronic - Same
• EMF - Schubert dip
• Erasure - Chorus
• Flowered up - A life with Brian
• Guns N’ Roses - Use your illusion II
• John Lee Hooker - Mr Lucky
• Ice T - Original Gangster
• Jellyfish - Bellybutton
• Jesus Jones - Doubt
• The KLF - White Room
• Kraftwerk - The mix
• Lenny Kravitz - Mama said
• Metallica - Same
• The milltown brothers - Slinky
• Nirvana - Nevermind
• Omar - There’s Nothing like this
• Alexander O’Neil - All true man
• Tom Petty - Into the great wide open
• P.M. Dawn - Of the heart, of the soul and of the cross..
• Primal Scream - Screamadelica
• Prince - Diamonds and pearls
• Bonnie Raitt - Luck of the draw
• Chris Rea - Auberge
• REM - Out of time
• Runrig - The big wheel
• Seal - Seal
• Simply Red - Stars
• Slowdive - Just for a day
• Squeeze - Play
• St Etienne - Fox Base Alpha
• Sting - The soul Cages
• Teenage fanclub - Bandwagonesque
• Richard Thompson - Rumor and sigh
• U2 - Achtung baby
• Various artists - I’m your fan
• Various artists - Where the pyramid meets the eye: A tribute to Roky Erickson
• Voice of the beehive - Honey lingers
• Chris Whitley
• The wonder stuff - Never loved Elvis
• Neil Young - Arc weld
Skip To Top
1992
Q magazine Recordings Of The Year
For this year they listed a top 10 (In alphabetical order)
• Tori Amos - Little earthquakes
• The Cure - Wish
• Inxs - Welcome to wherever you are
• Michael Jackson - Dangerous
• The Orb - U.F.Orb
• REM - Automatic for the people
• Spiritualized - Lazer guided melodies
• Sugar - Copper blue
• Neil Young - Harvest moon
• Warren Zevon - Mr bad example
The rest!
• Arrested Development - 3 years, 5 months & 2 days in the life of...
• The Black Crows - The Southern Harmony and the musical Companion
• Mary - Chapin Carpenter - Come on come on
• Nick Cave - Henry’s dream
• Neneh Cherry - Homebrew
• dc Basehead - Play with toys
• Def leppard - Adrenalize
• Del Amitri - Change Everything
• Del tha funkee homosapien - I wish my brother George was here
• Disposable heroes of hiphoprisy - Hypocrisy is the greatest luxury
• Bob Dylan - Good as I been to you
• EMF - Stigma
• Faith no more - Angel dust
• The Fall - Code:selfish
• The 4 of us - Man alive
• The Frank and Walters - Trains, boats and planes
• Peter Gabriel - Us
• Juliana Hatfield - Hey babe
• Joe Henderson - Lush Life
• K.D. Lang - Ingenue
• Lemonheads - It’s a shame about Ray Groves
• Annie Lennox - Diva
• Los Lobos - Kiko
• Baaba Maal - Lam Toro
• Manic street preachers - Generation Terrorists
• Loreena McKennit - The Viset
• Morrissey - Your Arsenal
• Pavement - Slanted and enchanted
• PJ Harvey - Dry
• Pearl Jam - Ten
• Prince - OI+>
• Chris Rea - God’s great banana skin
• Lou Reed - Magic and loss
• The Rockingbirds
• Sonic youth - Dirty
• Bruce Springsteen - Human Touch/Lucky Town
• Matthew Sweet - Girlfriend
• Thunder - Laughing on judgement day
• Suzanne Vega - 99.9 F
Skip To Top
1993
Q magazine Recordings Of The Year
Top 10
• The Auteurs - New wave
• Cypress hill - Black Sunday
• Aimee Mann - Whatever
• Meat Loaf - Bat out of hell IV
• New order - Republic
• Nirvana - In Utero
• The spin doctors - Pocket full of Kryptonite
• Sting - Ten Summoner’s tales
• UB40 - Promises and lies
• Neil Young - Unplugged
The rest
• A-Ha - Memorial Beach
• Geri Allen - Maroons
• Altan - Island
• The Aphex twin - selected ambient recordings 1985 - 1992
• David Baerwald - Triage
• Bjork - Debut
• Frank Black - Same
• Blur - Modern life is rubbish
• The boo radleys - Giant steps
• David Bowie - Black tie white noise
• Jackson Browne - I’m Alive
• Buzzcocks - Trade test transmissions
• The Cranberries - Everybody else is doing it, So why can’t we?
• Sheryl Crow - Tuesday night music club
• Crowded house - Together alone
• Terence Trent D’Obolicle - Symphony or damn: bla bla bla...
• Chaka Demus and Torque wrench - Tease me
• Depeche mode - Songs of faith and devotion
• Dr Dre - The Chronic
• Donald Fagen - Kamakiriad
• Grant Lee Buffalo - Fuzzy
• John Hiatt - Perfectly good guitar
• The Lemonheads - Come on feel the lemonheads
• Willie Nelson - Across the borderline
• Geoggrey Oryema - Beat the border
• Liz Phair - Exile in Guyville
• PJ Harvy - Rid of me
• Robert Plant - Fate of nations
• Smashing Pumpkins - Siamese dream
• Suede - Same
• Teenage Fanclub - Thirteen
• Tont Toni tone - Sons of soul
• U2 - Zooropa
• Sven Vath - Accident in paradise
• Paul Weller - Wild Wood
• Paul Westerberg - 14 songs
• The wildhearts - Earth versus the wildhearts
• The wonderstuff - Construction for the modern idiot
• World Party - Bang
• Warren Zevon - Learning to flinch
Skip To Top
1994
Q magazine Recordings Of The Year
Top 10
• Blur - Park life
• Jackie Leven - The mystery of love is greater than the mystery of death
• Morrissy - Vauxhall and I
• Soundtrack (Various artists) - Natural born killers
• Oasis - Definitely maybe
• Orbital - Snivilation
• Pink Floyd - The division bell
• Soundgarden - Superunknown
• Suede - Dog man star
• Therapy? - Troublegum
The rest.
• Above the rim - The soundtrack
• Beastie Boys - ill Communication
• Beck - Mellow gold
• Boston - Walk on
• Jeff - Buckley - Grace
• Johnny Cash - American recordings
• Vic Chesnut - Drunk
• Eric Clapton - From the cradle
• Colour me bad - Time and chance
• Elvis Costello - Brutal Youth
• Counting crows - August and everything after
• The Cranberries - No need to argue
• Crash test dummies - God shuffled his feet
• The divine comedy - Promenade
• Warren G - Regulate...G funk era
• Green day - Dookie
• Hole - Live through this
• Ice cube - Lethal injection
• Lightning seeds - Jollification
• Nick Lowe - The impossible bird
• Baaba Maal - Firin’ in fouta
• Shane MacGowan & The Popes - The Snake
• Machine Head - Burn my eyes
• Manic street preachers - The Holy Bible
• Massive attack - Protection
• Ian McNabb - Head like a rock
• Nirvana - Unplugged in New York
• Sinead O’Connor - Universal mother
• Jimmy Page and Robert Plant - No Quarter: Unledded
• Liz Phair - Whip-Smart
• The Prodigy - Music for a jilted generation
• Pulp - His ‘N’ hers
• REM - Monster
• Danny Red - Riddimwize
• David Sanchez - The departure
• Snoop Doggy dog - Doggystyle
• Sparks - Gratuitous sax and senseless violins
• Strangelove - Time for the rest of your life
• Terrorvision - How to make friends and influence people
• Neil Young - Sleeps with angels
Skip To Top
1995
Q magazine Recordings Of The Year
Top 10
• Blur - The great escape
• Bon Jovi - These days
• The Chemical Brothers - Exit planet dust
• Del Amitri - Twisted
• PJ Harvey - To bring you my love
• Oasis - (What’s the story)Morning glory?
• Radiohead - The bends
• Ron Sexsmith - same
• Teenage Fanclub - Grand Prix
• Paul Weller - Stanley Road
The rest
• Guy Baker - Into the blue
• Black Grape - It’s great when you’re straight... Yeah
• Bomb the bass - Clear
• The boo radleys - Wake up!
• Ali Campbell - Big love
• The Cardigans - Life
• The Charlatans - Same
• The dogg pound - Dogg food
• Steve Earle - Train a comin’
• Enya - The memory of trees
• Finn - Finn
• Stevie Forbert - Mission of the crossroads palms
• Emmylou Harris - Wrecking ball
• Salif Keita - Folon
• K.D. Lang - All you can eat
• Leftfield - Leftism
• Marillion - Afraid of light
• Method man - Tical
• Keb’ Mo’ - same
• Morphine - Yes
• Van Morrison - Days like this
• Alanis Morissette - Jagged little Pill
• Morrissey - Southpaw grammar
• Paradise lost - Draconian times
• Passengers - Original soundtracks 1
• Pulp - Different Class
• Red hot chili peppers - One hot minute
• Rolling Stones - Stripped
• Smashing pumpkins - Mellon collie and the infinite sadness
• Jill Sobule - Same
• Bruce Springsteen - The ghost of Tom Joad
• Stereolab - Music for the amorphous body study centre
• Supergrass - I should coco
• Therapy? - Infernal love
• TLC - CrazySexyCool
• Tricky - Maxinquaye
• Various - The help album
• The Verve - A northern soul
• Wet wet wet - Picture this
• The Wildhearts - P.H.U.Q.
Skip To Top
1996
Q magazine Recordings Of The Year
The top 10 - In alphabetical order.
• Ash - 1977
• Ben folds five - Ben folds five
• Def leppard - Slang
• Fugees - The score
• Manic street preachers - Everything must go
• Ocean colour scene - Moseley shoals
• REM - New adventures in hi fi
• Sting - Mercury falling
• Suede - Coming up
• Underworld - Second toughest in the infants
The rest...
• The auteurs - After murder park
• Baby bird - Ugly Beautiful
• Babylon zoo - The boy with the X-ray eyes
• The beautiful south - Blue is the colour
• Beck - Odelay
• The blue nile - Peace at last
• Billy Bragg
• The cardigans - First band on the moon
• The divine comedy - Casanova
• DJ Shadow - Endtroducing..
• Dodgy - Free peace sweet
• Earl Brutus - Your majesty..we are here
• Everything but the girl - Walking wounded
• Genius/Gza - Liquid swords
• Joe Henry - Trampoline
• Iona - Journey to the moon
• Kris Kristofferson - A moment forever
• Kula shaker - K
• Chikhlo - Ne la thass
• Lightning seeds - Dizzy heights
• Longpigs - The sun is often out
• Metalheads - Metalheads presents platinum breakz
• George Michael - Older
• Nas - It is written
• New edition - Home again
• Nirvana - From the muddy banks of the Wishkah
• Orbital - In sides
• Pearl jam - No code
• Pet shop boys - Bilingual
• Tom Petty and the heartbreakers - Songs & music from She’s the one
• Courtney Pine - Modern day jazz stories
• Lou Reed - Set the twilight reeling
• The Tony Rich project - Words
• Patti Rothberg - Between the 1 and the 9
• Screaming trees - Dust
• Patti Smith - Gone again
• Sparklehorse - Vivadixiesubmarinetransmissionplot
• Super furry animals - Fuzzy logic
• Terrorvision - Regular urban survivors
• Norma Waterson - Norma Waterson
Skip To Top
1997
Q magazine Recordings Of The Year
No ranking – No Top 10 This year - Alphabetical order.
• Erykah Badu ~ Baduizm
• Belle And Sebastian ~ If You’re Feeling Sinister
• Blur ~ Blur
• David Bowie ~ Earthling
• Bush ~ Razorblade Suitcase
• Nick Cave And The Bad Seeds ~ The Boatman’s Call
• The Charlatans ~ Tellin’ Stories
• The Chemical Brothers ~ Dig Your Own Hole
• Chumbawamba – Tubthumper
• Common ~ One Day It Will All Make Sense
• Ry Cooder, Ibrahim Ferrer ~ Buena Vista Social Club
• Daft Punk ~ Homework
• Etienne De Crecy ~ Super Discount
• Depeche Mode ~ Ultra
• Bob Dylan ~ Time Out Of Mind
• Ben Folds Five ~ Whatever And Ever Amen
• Fountains Of Wayne ~ Fountains Of Wayne
• Gravediggaz ~ The Pick, The Sickle & The Shovel
• Hanson ~ Middle Of Nowhere
• Hurricane #1 ~ Hurricane #1
• James ~ Whiplash
• The Jayhawks ~ Sounds Of Lies
• Khaled ~ Sahra
• Lighthouse Family ~ Postcards From Heaven
• Charles Lloyd ~ Canto
• Mansun ~ Attack Of The Grey Lantern
• Paul McCartney ~ Flaming Pie
• Van Morrison ~ The Healing Game
• U-Ziq ~ Lunatic Harness
• The Notorious B.I.G. ~ Life After Death
• Oasis ~ Be Here Now
• Ocean Colour Scene ~ Marchin’ Already
• Portishead ~ Portishead
• Primal Scream ~ Vanishing Point
• The Prodigy ~ The Fat Of The Land
• Finley Quaye ~ Maverick A Strike
• Radiohead ~ Ok Computer
• Reef ~ Glow
• Roni Size Reprazent ~ New Forms
• Sleeper ~ Pleased To Meet You
• Spiritualized ~ Ladies And Gentlemen We Are Floating In Space
• Stereophonics ~ Word Gets Around
• Supergrass ~ In It For The Money
• Texas ~ White On Blond
• Tindersticks ~ Curtains
• Travis ~ Good Feeling
• U2 ~ Pop
• The Verve ~ Urban Hymns
• Simon Warner ~ Waiting Rooms
• Wilco ~ Being There
Skip To Top
1998
Q magazine Recordings Of The Year
No Ranking Just In Alphabetical Order.
• Air – Moon Safari
• Tori Amos – From The Choirgirl Hotel
• Ash – Nu-Clear Sounds
• Buju Banton – Inna Heights
• Beastie Boys – Hello Nasty
• The Beautiful South – Quench
• Belle & Sebastian – The Boy With The Arab Strap
• Belly Bragg & Wilco – Mermaid Avenue
• Michael Brecker Quartet – Two Blocks From The Edge
• Jeff Buckley – Sketches For (My Sweetheart The Drunk)
• Bernard Butler – People Move On
• Canibus – Can-I-Bus
• Catatonia – International Velvet
• The Corrs – Talk On Corners
• Elvis Costello & Burt Bacharach – Painted From Memory
• Sheryl Crow – The Globe Sessions
• Embrace – The Good Will Out
• Fatboy Slim – You’ve Come A Long Way Baby
• Neil Finn – Try Whistling This
• Garbage – Version 2.0
• Philip Glass – Kundun
• Gomez – Bring It On
• Lauryn Hill – The Miseducaction Of Lauryn Hill
• Hole – Celebrity Skin
• Ifang Bondi – Gis Gis
• Madonna – Ray Of Light
• Manic Street Preachers – This Is My Truth, Tell Me Yours
• Marilyn Manson – Mechanical Animals
• Massive Attack – Mezzanine
• Maxwell – Embrya
• Mercury Rev – Deserters Songs
• Alanis Morissette – Supposed Former Infatuation Junkie
• Willie Nelson – Teatro
• Page And Plant – Walking Into Clarksdale
• Placebo – Without You I’m Nothing
• Propellerheads – Decksanddrumsandrockandroll
• Pulp – This Is Hardcore
• Rae & Christian – Northern Sulphuric Soul
• R.E.M. – Up
• Semisonic – Feeling Strangely Fine
• Smashing Pumpkins – Adore
• Elliot Smith – Xo
• Space – Tin Planet
• Usher – My Way
• Robbie Williams – I’ve Been Expecting You
Reissues
• The Beta Band – The 3 EP’s
• Bob Dylan – Bootleg Series Vol. 4 & 5 – The Royal Albert Hall Concert
• James – The Best Of
• Derrick May – Innovator
• Oasis – The Masterplan
Skip To Top
1999
Q magazine Recordings Of The Year
Album of the year
The Chemical Brothers – Surrender
The rest in alphabetical order…
• Basement Jaxx – Remedy
• Beck – Midnight Vultures
• Ben & Jerry – Emoticons
• The Beta Band – The Beta Band
• The Black Crows – By Your Side
• Mary J Blige – Mary
• Blur – 13
• David Bowie – …Hours
• Catatonia – Equally Cursed And Blessed
• The Charlatans – Us And Us Only
• Death In Vegas – The Contino Sessions
• Missy Elliott – Da Real World
• Eminem – The Slim Shady Lp
• The Flaming Lips – The Soft Bulletin
• Gomez – Liqued Skin
• Macy Gray – On How Life Is
• Groove Armada – Vertigo
• James – Millionaires
• Jamiroquai – Synkronized
• Lightning Seeds – Tilt
• Shelby Lynne – I Am Shelby Lynne
• Taj Mahal & Toumani Diabate – Kulanjan
• Moby – Play
• New Radicals – Maybe You’ve Been Brainwashed Too
• Orbital – The Middle Of Nowhere
• Pavement – Terror Twilight
• Pet Shop Boys – Nightlife
• Re Hot Chilli Peppers – Californication
• Linda Ronstat & Emmylou Harris – Western Wall/The Tucson Sessions
• The Roots – Things Fall Apart
• Kate Rusby – Sleepless
• Scritti Politti – Anomie & Bonhomie
• Shack – Hms Fable
• Stereophonics – Performance & Cocktails
• Sting – Brand New Day
• Suede – Head Music
• Supergrass – Supergrass
• Texas – The Hush
• TLC – Fanmail
• Travis – The Man Who
• Tom Waits – Mule Variations
• Wilco – Summerteeth
• Casandra Wilson – Travelling Miles
• Witness – Before The Calm
Re Issues..
• Air – Premiers Symptoms
• The Clash – From Here To Eternity
• Dean Martin – The Very Best Of.. The Capitol Years/Reprise Years
• Bruce Springsteen – Tracks
• Talking Heads – Stop Making Sense
Skip To Top
2000
Q magazine Recordings Of The Year
Readers Choice
• Coldplay – Parachutes
Writers Choice
Alphabetical order
• AC/DC – Stiff Upper Lip
• Badly Drawn Boy – The Hour Of Bewilderbeast
• Beautiful South – Painting It Red
• Black Box Recorder – The Facts Of Life
• Bloodhound Gang – Hooray For Boobies
• Brothers In Sound – Family Is For Sharing
• Johnny Cash – American III: Solitary Man
• Coldplay – Parachutes
• D’Angelo – Voodoo
• The Dandy Warhols – Thirteen Tales From Urban Bohemia
• Craig David – Born To Do It
• Doves – Lost Souls
• Dr Dre – 2001
• Eels – Daisies Of The Galaxy
• Eminem – The Marshall Matherd Lp
• Fatboy Slim – Halfway Between The Gutter And The Stars
• Foo Fighters – There Is Nothing Left To Lose
• Goldfrapp – Felt Mountain
• Ruben Gonzalez – Chanchullo
• Granddaddy – The Sophtware Slump
• David Gray – White Ladder
• Guru’s Jazzmatazz – Streetsoul
• Emmylou Harris – Red Dirt Girl
• PJ Harvey – Stories From The City, Stories From The Sea
• Graham Haynes – Bpm
• JJ72 – JJ72
• Kelis – Kaleidoscope
• Lambchop – Nixon
• Madonna – Music
• Tom Mcrae – Tom Mcrae
• Moloko – Things To Make And Do
• Monster Magnet – God Says No
• Muse – Showbiz
• Nelly – Country Grammar
• Oasis – Standing On The Shoulder Of Giants
• Primal Scream – Exterminator
• Q-Tip – Amplified
• Queens Of The Stone Age – Rated R
• Radiohead – Kid A
• Jill Scott – Who The Fuck Is Jill Scott? Words And Sounds Vol 1
• Paul Simon – You’re The One
• Sisqo – Unleash The Dragon
• Elliott Smith – Figure 8
• Angie Stone – Black Diamond
• Toploader – Onka’s Big Moka
• U2 – All That You Can’t Leave Behind
• Kathryn Williams – Little Black Number
• Robbie Williams – Sing When You’re Winning
• Wookie – Wookie
• Neil Young – Silver And Gold
Best Re Issues
• Blur – Greatest Hits
• David Bowie – Bowie At The Beeb
• Dexy’s Midnight Runners – Searching For The Young Soul Rebels
• Nick Drake – Bryter Later
• Stevie Wonder – At The Close Of The Century
Best Compilations
• New Orleans Funk
• Romeo Must Die – The Album
• Sasha & John Digweed Communicate
• The Complete UK Upsetter Singles Collection Vol.3
• Zed Bias: Sound Of The Pirates
Skip To Top
2001
Q magazine Recordings Of The Year
Readers choice
Travis - The invisible band
Writers choice
• Ryan Adams – Gold
• Air – 100000 Hz Legend
• Andrew W.K. – I Get Wet
• Ash – Free All Angels
• The Avalanches – Since I Left You
• Basement Jaxx – Rooty
• The Charlatans – Wonderland
• Cosmic Rough Riders – Enjoy The Melodic Sunshine
• Daft Punk – Discovery
• Dido – No Angel
• Bob Dylan – Love And Theft
• Elbow – Asleep At The Back
• Missy Elliott – Miss E…. So Addictive
• Nelly Furtado – Whoa, Nelly
• Gorillaz – Gorillaz
• John Hammond – Wicked Grin
• Ed Hardcourt – Here Be Monsters
• Jamiroquai – A Funk Odyssey
• Jimmy Eat World – Bleed American
• Alicia Keys – Songs In A Minor
• Baaba Maal – Missing You (Mi Yeewnii)
• Mercury Rev – All Is Dream
• Mull Historical Society – Loss
• Muse – Origin Of Symmetry
• N*E*R*D – In Search Of
• New Order – Get Ready
• Outkast – Stankonia
• Oxide & Neutrino – Execute
• Playgroup – Playgroup
• Radiohead – Amnesiac
• R.E.M. – Reveal
• Roots Manuva – Run Come Save Me
• Semisonic – All About Chemistry
• Spritualized – Let It Come Down
• Starsailor – Love Is Here
• Stereophonics – Just Enough Education To Perform
• The Stroks – Is This It
• Super Furry Animals – Rings Around The World
• Tool – Lateralus
• Travis – The Invisible Band
• Turin Breaks – The Optimist LP
• Rufus Wainwright – Poses
• Weezer – The Green Album
• The White Stripes – White Blood Cells
• Lucinda Williams – Essence
Compilations
• Various – Rough Trade Shops – 25 Years
• Various – Death Row Greatest Hits
• Various – The Stax Story
Re-Releases
• Marvin Gaye – What’s Going On
• The La’s – The La’s
Skip To Top
2002
Q magazine Recordings Of The Year
Readers Choice
• Coldplay – A Rush Of Blood To The Head
In Alphabetical Order..
• Badly Drawn Boy – About A Boy
• Be Good Tanyas – Blue House
• Beck – Sea Change
• David Bowie – Heathen
• Black Rebel Motorcycle Club – BRMC
• Coldplay – A Rush Of Blood To The Head
• The Coral – The Coral
• Cornershop – Handcream For A Generation
• The Datsuns – The Datsuns
• Doves – The Last Broadcast
• Steve Earle – Jerusalem
• Electric Soft Parade – Holes In The Wall
• Eminem – The Eminem Show
• Feeder – Comfort In Sound
• The Flaming Lips – Yoshimi Battles The Pink Robots
• Leaves – Breathe
• Lemon Jelly – Lost Horizons
• Timo Maas – Loud
• Ms Dynamite – A Little Deeper
• Moby – 18
• Gemma Hayes – Night On My Side
• The Hives – Your New Favourite Band
• Hundred Reasons – Ideas Above Our Station
• Idlewild – The Remote Part
• Jay-Z – The Blueprint
• Nickleback – Silver Side Up
• Orchestra Baobab – Specialist In All Styles
• The Polyphonic Spree – The Beginning Stages Of……
• Queens Of The Stoneage – Songs For The Deaf
• Radiohead – I Might Be Wrong
• Red Hot Chilli Peppers – By The Way
• Soundtrack Of Our Lives – Behind The Music
• Bruce Springsteen – The Rising
• The Streets – Original Pirate Material
• Sugerbabes – Angels With Dirty Faces
• The Vines – Highly Evolved
• Weezer – Maladroit
• Paul Weller – Illumination
• Cassandra Wilson – Belly Of The Sun
• Pete Yorn – Music For The Morning After
Compilations
• 2 Many Dj’s – As Herd On Radio Soulwax Pt2
• Futureism
• David Holms – Oceans Eleven Soundtrack
• Orbital – All Back To Mine
• 24 Hour Party People – OST
Re- Releases
• Ash – Intergalactic Sonic 7’s
• Elvis Presley – Elv1s
• U2 – Best Of 1990 – 2000
• Velvet Underground And Nico – Velvet Underground And Nico
• The Who – My Generation
Skip To Top
2003
Q magazine Recordings Of The Year
1. The White Stripes – Elephant
2. Blur – Think Tank
3. The Mars Volta – De-Loused In The Comatorium
4. Kings Of Leon – Youth And Young Manhood
5. Justin Timberlake – Justified
6. 50 Cent – Get Rich Or Die Tryin’
7. The Strokes – Room On Fire
8. Outkast – Speakerboxxx/The Love Below
9. The Darkness – Permission To Land
10. Janes’s Addiction – Strays
11. Radiohead – Hail To The Thief
12. Elbow – Cast Of Thousand
13. Dizzee Rascal – Boy In Da Corner
14. Muse – Absolution
15. Yeah Yeah Yeahs – Fever To Tell
16. Johnny Cash – The Man Comes Around
17. Sean Paul – Dutty Rock
18. The Thrills – So Much For The City
19. The Roots – Phrenology
20. The Distillers – Coral Fang
21. The Coral – Magic And Medicine
22. Zwan – Mary Star Of The Sea
23. Afi – Sing The Sorrow
24. Super Furry Animals – Phantom Power
25. Basement Jaxx – Kish Kash
26. The Sleepy Jackson – Lovers
27. The Rapture - Echoes
28. Audioslave – Audioslave
29. Beth Gibbons & Rustin’ Man – Out Of Season
30. Electric Six – Fire
31. The Black Keys – Thickfreakness
32. Athlete – Vehicles & Animals
33. Dave Gahn – Paper Monsters
34. The Dandy Wahols – Welcome To The Monkey House
35. Goldfrapp – Black Cherry
36. Iggy Pop – Skull Rising
37. Four Tet – Rounds
38. My Morning Jacket – It Still Moves
39. Tom McRae – Just Like Blood
40. Hot Hot Heat – Make Up The Breakdown
41. Stereophonics – You Gotta Go There To Come Back
42. Bubba Sparxxx – Deliverance
43. Fountains Of Wayne – Welcome Interstate Managers
44. Pink – Try This
45. Audio Bullys – Ego War
46. Ryan Adams – Rock N’ Roll
47. British Sea Power – The Decline Of British Sea Power
48. Calexico – Feast Of Wine
49. Peaches – Fatherfucker
50. Kylie Minogue – Body Language
Re-Releases
Led Zeppelin – How The West Was Won
Neil Young – On The Beach
Lou Reed – Nyc Man
Television – Marquee Moon
Diana Ross - Diana
Skip To Top
2004
Q magazine Recordings Of The Year
1. The Streets – A Grand Don’t Come For Free
2. Keane – Hopes And Fears
3. Franz Ferdinand – Franz Ferdinand
4. U2 – How To Dismantle An Atomic Bomb
5. Razorlight – Up All Night
6. The Libertines – The Libertines
7. Nick Cave And The Bad Seeds – Abattoir Blues/The Lyre Of Orpheus
8. The Killers – Hot Fuss
9. Mylo – Destroy Rock & Roll
10. Interpol – Antics
11. Snow Patrol – Final Straw
12. Dizzee Rascal – Showtime
13. Wilco – A Ghost Is Born
14. Scissor Sisters – Scissor Sisters
15. Danger Mouse – The Grey Album
16. Kasabain – Kasabain
17. Kings Of Leon – Aha Shake Heartbreak
18. Prince – Musicology
19. Gwen Stefani – Love Angel Music Baby
20. The Zutons – Who Killed The Zutons
21. Green Day – American Idiot
22. Graham Coxon – Happiness In Magazines
23. Elliott Smith – From A Basement On The Hill
24. The Blue Nile – High
25. Ryan Adams – Love Is Hell
26. Mark Lanegan – Bubblegum
27. Norah Jones – Feels Like Home
28. Usher – Confessions
29. Kanye West – The Collage Dropout
30. Eminem – Encore
31. The Walkman – Bows + Arrows
32. Lost Prophets – Start Something
33. George Michael – Patience
34. Sufjan Stevens – Seven Swans
35. The Futureheads – The Futureheads
36. Secret Machines – Now Here Is Nowhere
37. !!! [Chik Chik Chik] – Louden Up Now
38. Devendra Banhart – Rejoicing In The Hands
39. Estelle – The 18th Day…
40. Joss Stone – Mind Body And Soul
41. Modest Mouse – Good News For People Who Love Bad News
42. Brian Wilson – Smile
43. Loretta Lynn – Van Lear Rose
44. Jamelia – Than You
45. The Von Bondies – Pawn Shoppe Heart
46. My Chemical Romance – Three Cheers For Sweet Revenge
47. Goldie Lookin’ Chain – Greatest Hits
48. Cee-Lo Green – Cee-Lo Green Is The Soul Machine
49. Red Hot Chilli Peppers – Live In Hyde Park
50. The Bees – Free The Bees
Reissues
• Jeff Buckley – Grace
• The Clash – London Calling
• The Kinks – The Kinks Are The Village Green Preservation Society
• Nirvana – With The Lights Outs
• Pixies – Best Of The Pixies
Tracks That Q Thinks You Should Have Been Listening To In 2004
• Cannibal’s Hymn – Nick Cave
• Chicken Playback – The Bees
• Cuts Across The Land – Duke Sprit
• Diabollc Scheme – The Hives
• (Don’t Go Back To) Dalston – Razorlight
• Don’t Make Fun Of Daddy’s Voice – Morrissey
• Drill Sergeant – Nerd
• Empty Souls – Manic Street Preachers
• Glamorous Indie Rock & Roll – The Killers
• If Eye Was He Man In Your Life – Prince
• Little House Of Savages – The Walkman
• Little Thoughts – Block Party
• One Hundred Days – Mark Lanegan
• Pistol On Fire – Kings Of Leon
• Reason Is Treason – Kasabain
• Take Me Out (Daft Punk Remix) – Franz Ferdinand
• Electro Blue – R.E.M.
• Fond Farewell – Elliott Smith
• I Started A Joke – Kathryn Williams
• Steve Mcqueen – Lambchop
• Still Iris – Faultline
• Devil In Me – 20-20’s
• Enemies/Friends – Hope Of The States
• Hounds Of Love – Futureheads
• Lost The Plot – The Dears
• My Way - Kanye West
• Narc – Interpol
• Shit Scheisse Merde - !!!
• Warm Night – The Concreats
• Better Luck – Scissor Sisters
• My Elusive Drug – Elton John
• Not-A-Lot-To-Do – The Zutons
• Original Of The Species – U2
• Shame – Pj Harvey
• What Are You? – Bonny ‘Prince’ Billy
• The Body Breaks – Devendra Banhart
Readers Best Tracks Of The Year
1. Take Me Out – Franz Ferdinand
2. Dry Your Eyes – The Streets
3. Run – Snow Patrol
4. Golden Touch – Razorlight
5. Mr Brightside – The Killers
6. Fit But You Know It – The Streets
7. Can’t Stand Me Now – The Libertines
8. Comfortably Numb – Scissor Sisters
9. First Of The Gang To Die – Morrissey
10. Laura – Scissor Sisters
11. Irish Blood, English Heart – Morrissey
12. Matinee – Franz Ferdinand
13. Somewhere Only We Know – Keane
14. Float On – Modest Mouse
15. Spitting Games – Snow Patrol
16. Everybody Changing – Keane
17. Take Your Mama – Scissor Sisters
18. Are You Gonna Be My Girl – Jet
19. Chocolate – Snow Patrol
20. For Lovers – Wolfman Ft Pete Doherty
21. Walk Idiot Walk – The Hives
22. Sing For Absolution – Muse
23. Reptilla – The Strokes
24. Bedshaped – Kene
25. Talk Talk Talk – The Ordanery Boys
26. Cannonball – Damien Rice
27. This Love – Maroon 5
28. Somebody Told Me –The Killers
29. You Will You Won’t – The Zutons
30. Trick Me – Kelis
31. Bittersweet Bundle Of Misery – Graham Coxon
32. Michael – Franz Ferdinand
33. Toxic – Britney Spears
34. Good Luck – Basement Jaxx
35. Ch-Check It Out – Beastie Boys
36. Milkshake – Kellis
37. I Love You ‘Cause I Have To – Dogs Die In Hot Cars
38. The Letter – Pj Harvy
39. End Of The World – The Cure
40. My Band – D12
41. 99 Problems – J-Z
42. Yeah – Usher
43. Lola’s Theme – Shapeshifters
44. I Miss You – Blink 182
45. The Rat – The Walkman
46. The Red The White The Black & The Blue – Hope Of The States
47. Roses - Outkast
48. Mass Destruction – Faithless
49. Long Time Coming – Delays
50. Starcrossed – Ash
51. Darts Of Pleasure – Franz Ferdinand
52. All The Things I’ve Done – The Killers
53. Orpheus – Ash
54. Shut Up – Black Eyed Peas
55. C’mon C’mon – The Von Bondies
56. See It In The Boys Eyes – Jamelia
57. Guns Don’t Kill People, Rappers Do – Goldie Lookin’ Chain
58. Decent Days And Night – The Futureheads
59. Step Into My Office – Belle & Sebastian
60. Assessment – The Beta Band
61. Year Of The Rat – Badly Drawn Boy
62. Girls – Prodigy
63. Rip It Up – Razorlight
64. Vice – Razorlight
65. Up At The Lake – The Charlitans
66. Spiders – Wilco
67. 2000 Places – The Polyphonic Spree
68. American Idiot – Green Day
69. Slither – Velvet Revolver
70. Home – Zero 7
71. Wash The Rain – The Bees
72. Some Girls – Rachael Stevens
73. Five Colours In Her Hair – Mcshit
74. She Wants To Move – Nerd
75. Lsf – Kasabain
76. Jesus Walks – Kanye West
77. Strict Machine – Goldfrapp
78. Gravity – Embrace
79. You Lot – Orbital
80. Whatever Happened To Cory Haim? – The Thrills
81. Blinded By The Lights – The Streets
82. Last Summer – Lostprophets
83. Through The Wire – Kanye West
84. Remember Me – The Zutons
85. Nearer To Heaven – Delays
86. Ride – The Vines
87. Harder To Breathe – Maroon 5
88. Leaving New York – R.E.M.
89. Stumble And Fall – Razorlight
90. Clb Foot – Kasabain
91. Single – Natasha Bedingfield
92. Our Mutual Friend – The Divine Comedy
93. Amazing – George Michael
94. My Happy Ending – Avril Lavigne
95. Followed The Waves – Auf Der Maur
96. Triple Trouble – The Beastie Boys
97. Slow Hands – Interpol
98. All Falls Down – Kanye West
99. Fell In Love With A Boy – Joss Stone
100. 1980 – Estelle
Skip To Top
2005
Q magazine Recordings Of The Year
1. Coldplay – X & Y
2. Gorillaz – Demon Days
3. Kaiser Chiefs - Employment
4. Oasis – Don’t Believe The Truth
5. Bright Eyes – I’m Wide Awake, It’s Morning
6. James Runt – Back To Boredom
7. Franz Ferdinand – You Could Have It So Much Better With…
8. Arcade Fire – Funeral
9. Kt Tunstall – Eye To The Telescope
10. Hard-Fi – Stars Of CCTV
11. Goldfrapp – Supernature
12. Kanye West – Late Registration
13. The White Stripes – Get Behind Me Satan
14. The Magic Numbers – The Magic Numbers
15. Antony And The Johnsons – I Am A Bird Now
16. Neil Young – Prairie Wind
17. Paul Weller – As Is Now
18. Jem – Finally Woken
19. Eels – Blinking Lights And Other Revelations
20. Bruce Springsteen – Devils And Dust
21. Rufus Wainwright – Want Two
22. The Darkness – One Way Ticket To Hell..And Back
23. Kate Bush – Aerial
24. David Grey – Life In The Slow Lane
25. Bloc Party – Silent Alarm
26. Madonna – Confessions On A Dance Floor
27. Doves – Some Cities
28. Ryan Adams – 29
29. LCD Soundsystem – LCD Soundsystem
30. The Go-Betweens – Oceans Apart
31. Athlete – Tourist
32. Richard Hawley – Coles Corner
33. Elbow – Leaders Of The Free World
34. Depeche Mode – Playing The Angel
35. My Morning Jacket – Z
36. Josh Rouse – Nashville
37. Queens Of The Stoneage – Lullabies To Paralyze
38. Nine Inch Nails – With Teeth
39. Feeder – Pushing The Senses
40. Devendra Banheart – Cripple Crow
41. Rilo Kiley – More Adventurous
42. Common – Be
43. Willy Mason – Where The Humans Eat
44. Jamiroquai – Dynamite
45. Roisin Murphy – Ruby Blue
46. Stereophonics – Language. Sex. Violence. Other?
47. Texas – Red Book
48. The Stands – Horse Fabulous
49. M.I.A. – M.I.A.
50. Joseph Arthur – Our Shadows Will Remain
Readers 100 Greatest Tracks Of 2005
1. The Importance Of Being Idle – Oasis
2. Fix You – Coldplay
3. I Predict A Riot – Kaiser Chiefs
4. Oh My God – Kaiser Chiefs
5. Black Horse And The Cherry Tree – Kt Tunstall
6. Lyla – Oasis
7. Do You Want To – Franz Ferdinand
8. Dakota – Stereophonics
9. Speed Of Sound – Coldplay
10. Hard To Beat – Hard-Fi
11. Feel Good Inc. – Gorillaz
12. Best Of You – Foo Fighters
13. Somewhere Else – Razorlight
14. Forever Lost – The Magic Numbers
15. Banquet – Bloc Party
16. Holiday – Greenday
17. Somebody Told Me – The Killers
18. Rebellion (Lies) – Arcade Fire
19. Wires – Athlete
20. You’re Beautiful – James Blunt
21. Everyday I Love You Less And Less - Kaiser Chiefs
22. Wake Me Up When September Comes - Greenday
23. Club Foot – Kasabian
24. An Honest Mistake – The Bravery
25. My Doorbell – The White Stripes
26. American Idiot – Greenday
27. All These Things That I’ve Done – The Killers
28. Blue Orchid – The White Stripes
29. Black And White Town - Doves
30. Dare – Gorillaz
31. Hounds Of Love – Futureheads
32. Killamangiro – Babyshambles
33. Apply Some Pressure – Maximo Park
34. Vertigo – U2
35. Smile Like You Mean It – Killers
36. Sometimes You Can’t Make It On Your Own – U2
37. Let There Be Love – Oasis
38. Boulevard Of Broken Dreams – Greenday
39. Gold Digger – Kanye West
40. Oxygen – Willy Mason
41. Fuck Forever – Babyshambles
42. City Of Blinding Lights – U2
43. Helicopter – Blockparty
44. Helena – My Chemical Romance
45. Galvanise – The Chemical Brothers
46. Going Missing – Maximo Park
47. Decent Days And Nights - Futureheads
48. What You Waiting For? – Gwen Stefani
49. Little Sister – Queens Of The Stoneage
50. Living For The Week-End – Hard-Fi
51. Graffiti – Maximo Park
52. Bullets – Editors
53. Turn Up The Sun – Oasis
54. In The Morning – The Coral
55. The Meaning Of Soul – Oasis
56. Neighbourhood #1 – Arcade Fire
57. White Shadows – Coldplay
58. Half Light – Athlete
59. The One I Love – David Grey
60. What If – Coldplay
61. Krafty – New Order
62. The Ghost Of You – My Chemical Romance
63. I Bet You Look Good On The Dancefloor – Arctic Monkeys
64. Hope There’s Someone – Antony & The Johnsons
65. Suddenly I See – Kt Tunstall
66. So Here We Are – Block Party
67. Cash Machine – Hard-Fi
68. The First Day Of My Life – Bright Eyes
69. Diamonds From Sierra Leone – Kanye West
70. Neighbourhood #2 (Laika) – Arcade Fire
71. Superman - Stereophonics
72. Goodnight Goodnight – Hot Hot Heat
73. They – Jem
74. Love Me Like You – The Magic Numbers
75. Pioneers – Block Party
76. Other Side Of The World – Kt Tunstall
77. Bad Day – Daniel Powter
78. Processed Beats – Kasabian
79. Shiver – Natalie Imbruglia
80. Mucky Fingers – Oasis
81. Beverly Hills – Weezer
82. Two More Years – Block Party
83. Tied Up Too Tight – Hard-Fi
84. Girl – Beck
85. Who Put The Weight Of The World On My Shoulders? – Oasis
86. This Morning Love – Block Party
87. Munich – Editors
88. Why Do You Love Me – Garbage
89. Evil – Interpol
90. Byob – System Of A Down
91. I’m Not Ok (I Promise) – My Chemical Romance
92. Hey Scenesters! – The Cribs
93. Doa – Foo Fighters
94. Forget Myself – Elbow
95. E-Pro – Beck
96. Welcome To Jamrock – Damian ‘Jr Gong’ Marley
97. All Because Of You – U2
98. Feeling A Movement – Feeder
99. Good People – Jack Johnson
100. Push The Button – Sugarbabes
Skip To Top
2006
Q magazine Recordings Of The Year
1. Artic Monkeys – Whetever People Say I Am, That’s What I’m Not
2. Muse – Black Holes & Revelations
3. Razorlight – Razorlight
4. Red Hot Chilli Peppers – Stadium Arcadium
5. The Killers – Sam’s Town
6. Keane – Under The Iron Sea
7. Bob Dylan – Modern Times
8. Kasabian – Empire
9. Scissor Sisters – Ta Da
10. Gnarles Barkley – St Elsewhere
11. The Kooks – Inside In/Inside Out
12. Corinne Bailey Rae – Corinne Bailey Rae
13. The Raconteurs – Broken Boy Soldiers
14. The Feeling – Twelve Stops And Home
15. Shack – The Corner Or Miles And Gil
16. Bruce Springsteen – We Shall Overcome: The Seeger Sessions
17. Thom Yorke – The Eraser
18. Snow Patrol – Eye Open
19. Neil Diamond – 12 Songs
20. Guillemots – Through The Window Pain
21. Midlake – The Trials Of Van Occupanther
22. Johnny Cash – American V: A Hundred Highways
23. Pet Shop Boys – Fundamental
24. Jarvis – Jarvis
25. Damien Rice – 9
26. James Morrison – Undercovered
27. Jenny Lewis With The Watson Twins – Rabbit Fur Coat
28. Elton John – The Captain And The Kid
29. Jet – Shine On
30. Outkast – Idlewild
31. Paul Simon – Surprise
32. My Chemical Romance – The Black Parade
33. Yeah Yeah Yeahs – Show Your Bones
34. The Flaming Lips – At War With The Mystics
35. Orson – Bright Idea
36. Justin Timberland – Futuresex/Lovesounds
37. Cat Power – The Greatest
38. Neil Young – Living With War
39. Tv On The Radio – Return To Cookie Mountain
40. The Strokes – First Impressions Of Earth
41. The Automatic – Not Accepted Anywhere
42. The Zutons – Tired Of Being Alone
43. Lambchop – Damaged
44. Hot Chip – The Warning
45. David Gilmore – On An Island
46. Afx – Chosen Lords
47. Morrissey – Ringleader Leader Of The Tormenters
48. Christina Aguliera – Back To Basics
49. John Legend – Once Again
50. The Twilight Singers – Powder Burns
51. Graham Coxon – Love Travels At Illegal Speed
52. Scritti Politti – White Bread Black Beer
53. The Beatles – Love
54. Tom Waits – Orphans…
55. Nelly Furtado – Loose
56. Jack Johnson & Friends – Sing-A-Long And Lullabies..
57. Lilly Allen – Alright, Still
58. Badly Drawn Boy – Born In The Uk
59. Sparklehorse – Dreamt For Light Years In The Belly Of A Mountain
60. Joan As Police Woman – Joan As Police Woman
61. Sway – This Is My Demo
62. Jamelia – Walk With Me
63. Lostprophets – Liberation Transmission
64. Plan B – Who Needs Actions When You Got Words
65. Soloman Burke – Nashville
66. Fiona Apple – Extraordinary Machine
67. Shakira – Oral Fixation Vol.2
68. The Vines – Vision Valley
69. The Sleepy Jackson – Personality…..
70. Primal Scream – Riot City Blues
71. Secret Machines – Ten Silver Drops
72. Beyonce – B’day
73. Willy Nelson – Songbird
74. Belle & Sabastian – The Life Pursuit
75. Junior Boys – So This Is Goodbye
76. Ghostface Killah – Fishscale
77. Burial - Burial
78. Espers – Espers II
79. Get Cape, Wear Cape. Fly – Chronicles Of A Bohemian Teenager
80. Vetiver – To Find Me Gone
81. Tom Petty – Highway Companion
82. Regina Spektor – Begin To Hope
83. Wolfmother – Wolfmother
84. Meatloaf – Bat Out Of Hell Iii: The Monster Is Loose
85. Anthony Hamilton – Ain’t Nobody Worryin’
86. Mogwai – Mr Beast
87. The Magic Numbers – Those The Brokes
88. The Young Knives – Voices Of Animals And Men
89. Css – Cansei De Ser Sexy
90. Adrian Sherwood – Becoming A Cliché
91. David Kitt – Not Fade Away
92. Elvis Costello & Allen Toussaint – The River In Reverse
93. Iron Maiden – A Matter Of Life And Death
94. Duke Special – Songs From The Deep Forrest
95. Clap Your Hands Say Yeah – Clap Your Hands Say Yeah
96. Broken Social Scene – Broken Social Scene
97. Boy Kill Boy – Civilian
98. The Like – Are You Thinking What I’m Thinking
99. The Concretes – In Colour
100. Matisyahu – Youth
Re Issues
1. The Clash – The Singles
2. Queen – A Night At The Opera
3. Bruce Springsteen – Born To Run
4. Pulp – Different Class
5. Talking Heads – Remain In Light
6. Depeche Mode – Violator
7. George Michael – Twentyfive
8. The Jam – All Mod Cons
9. The La’s – Bbc In Session
10. Oasis – Stop The Clocks
100 Great Undiscovered Tracks Of 2006
1. Kasabian - Sun/Rise/Light/Files
2. Arcade Fire – Age Of Concent
3. Gnarls Barkley – Transformer
4. David Gray – The One I Love (Live From London)
5. Neil Young – Flags Of Freedom
6. The Bluetones – My Neighbour’s House
7. Secret Machines – Alone, Jealous And Stoned
8. Kris Kristofferson – Chase The Feeling
9. Sparklehorse – Ghost In The Sky
10. The Flaming Lips – Pompeii Am Gotterdammerung
11. Regina Spektor – Fidelity
12. Sparks – Dick Around
13. Bob Dylan – Ain’t Talkin’
14. Lambchop – Paperback Bible
15. Prince – Fury
16. Michael Stipe Ft. Joseph Arthur – In The Sun
17. Bat For Lashes – What’s A Girl To Do
18. Fall Out Boy – Snitches And Talkers Get Stitches And Walkers
19. Morrissey – Life Is A Pigsty
20. The Fratellis – Henrietta
21. Jack Johnson – We’re Going To Be Friends
22. Richard Ashcroft – Sweet Brother Malcolm
23. Jenny Lewis With The Watson Twins – Rise Up With Fists!!
24. Midlake – Rosco
25. Nouvelle Vague – The Killing Moon
26. Candi Staton – His Hands
27. Brian Ferry And Antony – Lowlands Low
28. Eels – Girl From The North Country
29. The Killers – Bling (Confession Of A King)
30. Tom Waits – Road To Peace
31. Tom Petty – Square One
32. Neil Diamond – I’m On To You
33. Cat Power – Where Is My Love
34. Outkast – The Train
35. Lindsey Buckingham – Down On Rodeo
36. Mika – Relax, Take It Easy
37. Elton John – Blues Never Fade Away
38. Ray Lamontange – Forever My Friend
39. Graham Coxon – I Can’t Look At Your Skin
40. Lilly Allen – Knock ‘Em Out
41. Paul Simon – How Can I Live In The Northeast?
42. Beck – Strange Apparition
43. Kanye West – Touch The Sky
44. My Robot Friend – One More Try
45. Plan B – No Good
46. Joan As Police Woman – Eternal Flame
47. The Young Knives – Tremblings Of Trails
48. Bruce Springsteen – Froggie Went A-Courtin’
49. Amy Winehouse – Love Is A Game
50. Scissor Sisters – Might Tell You Tonight
51. Jarvis – Running The World
52. Pharrell Ft. Snoop Dogg – That Girl
53. Arcade Fire & David Bowie – Five Years
54. Thom Yorke – Cymbal Rush
55. Snow Patrol – You Could Be Happy
56. Richard Hawley – Some Candy Talking
57. The View – Posh Boys
58. Dirty Pretty Things – Wondering
59. The Who – Endless Wire
60. The Walkman – Louisiana
61. Jamelia – Do Me Right
62. Primal Scream – Sometimes I Feel So Lonely
63. The Strokes – Ask Me Anything
64. Hot Chip – And I Was A Boy From School
65. Nelly Furtado – All Good Things (Come To An End)
66. Barbarossa – Aeroplanes
67. Hope Of The States – Industry
68. Camera Obscura – Lloyd, I’m Ready To Be Heartbroken
69. Rekid – Lost Star 6
70. Pet Shop Boys – Luna Park
71. Scream – Midnight Request Line
72. Dj Shadow – Seein’ Things
73. Red Hot Chilli Peppers – Animal Bar
74. Sebastian Teller – La Ritournelle
75. Scritti Politti – The Boom Boom Bap
76. Tortoise & Bonnie ‘Prince’ Billy
77. Afx – Crying In Your Face
78. M Word – Poison Cup
79. Lee ‘Scratch’ Perry – Panic In Babylon
80. Boards Of Canada – Chromakey Dreamcoat
81. Mastodon – Colony Of Birchmen
82. Muse – Map Of The Problematique
83. Matisyahu - Youth
84. Wolfmother – Minds Eye
85. Css – Let’s Make Love And Listen To Death From Above
86. Isobel Campbell & Mark Lanegan – Black Mountain
87. Justice Vs Simian – We Are Your Friends
88. Keane – The Frog Prince
89. E-40 – Tell Me When To Go
90. The Raconteurs – Intimate Secretary
91. The Sleepy Jackson – I Understand What You Want, But I Just Don’t Agree
92. Easy Star All*Stars – Exit Music
93. Robbie Williams – Summertime
94. Van Hunt – No Sense Of Crime
95. We Are Scientists – Lousy Reputation
96. Coldcut Feat. Roots Manuva – True Skool
97. Tv On The Radio – Tonight
98. The Horrors – Sheena Is A Parasite
99. The Like – June Gloom
100. Shack – Butterfly
Readers’ 100 Greatest Tracks of the Year
1. Razorlight - America
2. Gnarls Barkley - Crazy
3. Muse - Supermassive Black Hole
4. Killers - When You Were Young
5. Snow Patrol - Chasing Cars
6. Muse - Starlight
7. Kooks - Naïve
8. Raconteurs - Steady, as She Goes
9. Red Hot Chili Peppers - Dani California
10. Scissor Sisters - I Don’t Feel Like Dancin’
11. Fratellis - Chelsea Dagger
12. Razorlight - In the Morning
13. Arctic Monkeys - When the Sun Goes Down
14. My Chemical Romance - Welcome to the Black Parade
15. Keane - Is it Any Wonder?
16. Lily Allen - Smile
17. Feeling - Sewn
18. Kasabian - Empire
19. Zutons - Valerie
20. Guillemots - Made Up Love Song #43
21. Arctic Monkeys - View from the Afternoon
22. James Morrison - You Give Me Something
23. Automatic - Monster
24. Orson - No Tomorrow
25. Corrine Bailey Rae - Put Your Records On
26. Dirty Pretty Things - Bang Bang Your Dead
27. José González - Heartbeat
28. Yeah Yeah Yeahs - Gold Lion
29. Morrissey - You Have Killed Me
30. Arctic Monkeys - Mardy Bum
31. Madonna - Sorry
32. Kooks - She Moves in Her Own Way
33. Gnarls Barkley - Smiley Faces
34. Nelly Furtado - Maneater
35. OutKast - Morris Brown
36. Paolo Nutini - Last Request
37. Corinne Bailey Rae - Like a Star
38. Franz Ferdinand - Eleanor Put Your Boots On
39. Strokes - Jukebox
40. Muse - Knights of Cydonia
41. Placebo - Because I Want You
42. Lostprophets - A Town Called Hypocrisy
43. Kasabian - Shoot the Runner
44. Rhianna - SOS
45. Beck - Cell Phone’s Dead
46. Fratellis - Creepin’ Up the Backstairs
47. Killers - Read My Mind
48. Franz Ferdinand - L Wells
49. Arctic Monkeys - Fake Tales of San Francisco
50. View - Wasted Little DJs
51. Editors - All Sparks
52. Lily Allen - LDN
53. Hot Chip - Over & Over
54. Seth Lakeman - White Hare
55. Gorillaz - El Mañana
56. Beyoncé featuring Jay-Z - Déjà Vu
57. Primal Scream - Country Girl
58. Streets - Never Went to Church
59. Evanescence - Call Me When You’re Sober
60. Keane - Nothing in My Way
61. Justin Timberlake - SexyBack
62. Nerina Pallot - Everybody’s Gone to War
63. Feeling - Never be Lonely
64. Delays - Valentine
65. Embrace - Nature’s Law
66. Robbie Williams - Lovelight
67. Pearl Jam - World Wide Suicide
68. Christina Aguilera - Ain’t no Other Man
69. Flaming Lips - It Overtakes Me
70. Orson - Bright Idea
71. Magic Numbers - Take a Chance
72. Badly Drawn Boy - Born in the UK
73. Ray LaMontagne - Trouble
74. Nelly Furtado - Promiscuous
75. Belle & Sebastian - Funny Little Frog
76. Jack Johnson - Better Together
77. Amy Winehouse - Rehab
78. Richard Ashcroft - Break the Night with Colour
79. Feeder - Lost & Found
80. Jet - Shine On
81. Red Hot Chili Peppers - Snow (Hey Oh)
82. Young Knives - She’s Attracted To
83. Vines - Don’t Listen to the Radio
84. Sugababes - Easy
85. OK Go - Here it Goes Again
86. Bob Dylan - Workingman’s Blues #2
87. Shakira featuring Wyclef - Hips Don’t Lie
88. Strokes - Heart in a Cage
89. Automatic - Raoul
90. Thom Yorke - Harrowdown Hill
91. Massive Attack - Live with Me
92. Wolfmother - Woman
93. Pet Shop Boys - I’m with Stupid
94. Prince - Black Sweat
95. Jenny Lewis with the Watson Twins - Handle with Care
96. Madonna - Jump
97. Who - Wire & Glass
98. Sandi Thom - I Wish I Was a Punk Rocker
99. Fall Out Boy - Dance Dance
100. Peter, Bjorn & John - Young Folks
Worst Albums
o Tony Bennett - Duets: An American Classic
o Def Leppard - Yeah!
o Milburn - Well, Well, Well
o Towers of London - Blood, Sweat & Towers
o Wicked Wisdom - Wicked Wisdom
Skip To Top
2007
Q magazine Recordings Of The Year
1. Arcade Fire - Neon Bible
2. The White Stripes - Icky Thump
3. Arctic Monkeys - Favourite Worst Nightmare
4. Radiohead - In Rainbows
5. The Good, The Bad & The Queen - The Good, The Bad & The Queen
6. Bruce Springsteen - Magic
7. Kings of Leon - Because of the Times
8. The Shins - Wincing the Night Away
9. The Hold Steady - Boys and Girls in America
10. Rufus Wainwright - Release the Stars
11. Modest Mouse - We Were Dead Before the Ship Even Sank
12. Foo Fighters - Echoes, Silence, Patience & Grace
13. Kaiser Chiefs - Yours Truly, Angry Mob
14. Cherry Ghost - Thirst for Romance
15. Interpol - Our Love to Admire
16. Manic Street Preachers - Send Away the Tigers
17. Rilo Kiley - Under the Blacklight
18. LCD Soundsystem - Sound of Silver
19. Björk - Volta
20. The Rumble Strips - Girls and Weather
21. Cold War Kids - Robbers & Cowards
22. The Coral - Roots & Echoes
23. Bright Eyes - Cassadaga
24. PJ Harvey - White Chalk
25. Spoon - Ga Ga Ga Ga Ga
26. Beirut - The Flying Club Cup
27. Ryan Adams - Easy Tiger
28. The Decemberists - The Crane Wife
29. Roìsìn Murphy - Overpowered
30. The National - Boxer
31. Soulsavers - It's Not How Far You Fall, It's the Way You Land
32. Klaxons - Myths of the Near Future
33. Neil Young - Chrome Dreams II
34. M.I.A. - Kala
35. Hard-Fi - Once upon a Time in the West
36. Common - Finding Forever
37. Robyn - Robyn
38. Fall Out Boy - Infinity on High
39. Joni Mitchell - Shine
40. Field Music - Tones of Town
41. Keren Ann - Keren Ann
42. The Enemy - We'll Live and Die in These Towns
43. Patrick Watson - Close to Paradise
44. Gogol Bordello - Super Taranta!
45. Lucinda Williams - West
46. Sigur Ròs - Hvarf-Heim
47. Kate Nash - Made of Bricks
48. Justice - †
49. Jamie T - Panic Prevention
50. Stereophonics - Pull the Pin
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2008
Q magazine Recordings Of The Year
1. Kings of Leon - Only By The Night
2. Fleet Foxes - Fleet Foxes
3. Coldplay - Viva la Vida
4. Vampire Weekend - Vampire Weekend
5. Glasvegas - Glasvegas
6. Duffy - Rockferry
7. TV On the Radio - Dear, Science
8. Elbow - Seldom Seen Kid
9. Raconteurs - Consolers of the Lonely
10. Nick Cave & the Bad Seeds - Dig!!! Lazarus, Dig!!!
11. Sigur Rós - Með Suð í Eyrum Við Spilum Endalaust
12. Keane - Perfect Symmetry
13. MGMT - Oracular Spectacular
14. Kaiser Chiefs - Off With Their Heads
15. Lil Wayne - Tha Carter III
16. Hot Chip - Made In the Dark
17. Adele - 19
18. British Sea Power - Do You Like Rock Music?
19. Goldfrapp - Seventh Tree
20. Gaslight Anthem - ‘59 Sound
21. Razorlight - Slipway Fires
22. Killers - Day & Age
23. Beck - Modern Guilt
24. Last Shadow Puppets - Age of the Understatement
25. Metallica - Death Magnetic
26. Conor Oberst - Conor Oberst
27. Neil Diamond - Before Home
28. Paul Weller - 22 Dreams
29. AC/DC - Black Ice
30. Portishead - Third
31. Black Mountain - In the Future
32. Oasis - Dig Out Your Soul
33. Hercules & Love Affair - Hercules & Love Affair
34. Bon Iver - For Emma, Forever Ago
35. Hold Steady - Stay Positive
36. REM - Accelerate
37. Lykke Li - Youth Novels
38. John Mellencamp - Life, Love, Death & Freedom
39. Santogold - Santogold
40. My Morning Jacket - Evil Urges
41. Lindsey Buckingham - Gift of Screws
42. Liam Finn - I’ll Be Lightning
43. Joan As Police Women - To Survive
44. Black Kids - Partie Traumatic
45. Jack Johnson - Sleep Through Static
46. Jenny Lewis - Acid Tongue
47. Verve - Forth
48. Randy Newman - Harps & Angels
49. Emmylou Harris - All I Intended To Be
50. Dido - Safe Trip Home
Skip To Top
2009
Q magazine Recordings Of The Year
1. Kasabian – West Ryder Pauper Lunatic Asylum
2. Florence And The Machine – Lungs
3. Yeah Yeah Yeahs – It’s Blitz
4. Animal Collective – Merriweather Post Pavilion
5. Manic Street Preachers – Journal For Plague Lovers
6. Arctic Monkeys – Humbug
7. Muse – The Resistance
8. Lilly Allen – It’s Not Me, It’s You
9. U2 – No Line On The Horizon
10. Phoenix – Woulgang Amadeus Phoenix
11. Doves – Kingdom Of Rust
12. Jack Penate – Everything Is New
13. Grizzly Bear – Veckatimest
14. Devendra Banhart – What Will We Be
15. Dizzee Rascal – Tongue ‘N Cheek
16. Empire F The Sun – Walking On A Dream
17. Green Day – 21st Century Breakdown
18. Mika – The Boy Who Knew Too Much
19. Monsters Of Folk – Monsters Of Folk
20. Fever Ray – Fever Ray
21. Jamie T – Kings And Queens
22. The Low Anthem – Oh My Gad, Charlie Darwin
23. The Prodigy – Invaders Must Die
24. Mos Def – The Ecstatic
25. Noah And The Whale – The First Days Of Spring
26. Bat For Lashes – Two Suns
27. The Dead Weather – Horehound
28. Bruce Springsteen – Working On A Dream
29. Wilco – Wilco (The Album)
30. La Roux – La Roux
31. Biffy Clyro – Only Revolutions
32. Paolo Nutini – Sunny Side Up
33. Dirty Projectors – Bitte Orca
34. White Lies – To Lose My Life
35. Pearl Jam – Backspacer
36. Sonic Youth – The Eternal
37. Fuck Buttons – Tarot Sport
38. Richard Hawley
39. The Horrors – Primary Colours
40. Cheryl Cole – 3 Words
41. Wild Beasts – Two Dancers
42. Mariachi El Bronx – Mariachi El Bronx
43. Tinariwen – Imidiwan Companions
44. The View – Which Bitch
45. Conor Oberst And The Mystic Valley Band – Outer South
46. Golden Silvers – True Romance
47. Madness – The Liberty Of Norton Folgate
48. Ian Brown – My Way
49. Bob Dylan – Together Through Life
50. Jarvis Cocker – Further Complication
Skip To Top
2010
Q magazine Recordings Of The Year
1. Arcade Fire – The Suburbs
2. Robert Plant – Band Of Joy
3. Plan B – The Defamation Of Strickland Banks
4. Laura Marling – I Speak Because I Can
5. Vampire Weekend – Contra
6. John Grant – Queen Of Denmark
7. Gorillaz – Plastic Beach
8. The National – High Violet
9. Paul Weller – Wake Up The Nation
10. Mgmt – Congratulations
11. The Black Keys – Brothers
12. Gil Scott-Heron – I’m New Here
13. Beach House – Teen Dream
14. Hot Chip – One Life Stand
15. Yeasayer – Odd Blood
16. Foals – Total Life Forever
17. John Legend And The Roots – Wake Up!
18. Manic Street Preachers – Postcards From A Young Man
19. Grinderman – Grindaman 2
20. Take That – What Progress
21. Band Of Horses – Infinite Arms
22. Corinne Bailey Rae – The Sea
23. Lcd Soundsystem – This Is Happening
24. Bryan Ferry – Olympia
25. Kings Of Leon – Come Around Sundown
26. Klaxons – Surfing The Void
27. Midlake – The Courage Of Others
28. Avi Buffalo – Avi Buffalo
29. Interpol – Interpol
30. Brandon Flowers – Flamingo
31. The Chemical Brothers – Further
32. The Drums – The Drums
33. Tricky – Mixed Race
34. The Dead Weather – Sea Of Cowards
35. Everything Everything – Man Alive
36. The Roots – How I Got Over
37. The Coral – Butterfly House
38. Janelle Monae – The Archandroid
39. I Am Kloot – Sky At Night
40. Peter Gabriel – Scratch My Back
41. Belle And Sebastian – Write About Love
42. Tom Jones – Praise And Blame
43. Scream – Outside The Box
44. Villagers – Becoming A Jackal
45. Cherry Ghost – Beneath This Burning Shoreline
46. Joanna Newsome – Have One On Me
47. Two Door Cinema Club – Tourist History
48. Edwyn Collins – Loosing Sleep
49. Deerhunter – Halcyon Digest
50. Steve Mason – Boys Outside
Skip To Top
2011
Q Magazine Albums Of 2011
1. Florence And The Machine – Ceremonials
2. PJ Harvey – Let England Shake
3. Adele – 19
4. Bon Iver – Bon Iver
5. Coldplay – Mylo Xyloto
6. Jay-Z & Kanye West – Watch The Thorne
7. Arctic Monkeys – Suck It And See
8. St Vincent – Strange Mercy
9. Wu Lyf – Go Tell Fire To The Mountain
10. Elbow – Build A Rocket Boys!
11. The Horrors – Skying
12. Laura Marling – A Creature I Don’t Know
13. Bombay Bicycle Club – A Different Kind Of Fix
14. The Weekend – House Of Ballons
15. Baxter Dury – Happy Soup
16. Kurt Vile – Smoke Ring For My Halo
17. Metronomy – The English Riviera
18. Anna Calvi – Anna Calvi
19. Cass Mccombs – Wit’s End
20. The Weekend – Thursday
21. Noel Gallagher’s High Flying Birds – Noel Gallaghers High Flying Birds
22. White Lies – Ritual
23. Bjork – Biophilla
24. Real Estate – Days
25. Wild Beasts – Smother
26. Lykke Li – Wounded Rhymes
27. Ed Sheeran - +
28. Gillian Welch – The Harrow & The Harvest
29. Kasabian – Velociraptor!
30. Lady Gagagagag – Born This Way
31. Beastie Boys – Hot Sauce Committee Part Two
32. Radiohead – The King Of Limbs
33. Tune-Yards – Whokill
34. Gruff Ryhs – Hotel Shampoo
35. Cass Mccombs – Humor Risk
36. Katy B – On A Mission
37. Washed Out – Within And Washed Out
38. Feist – Metals
39. James Blake – James Blake
40. Dangermouse & Daniele Luppi – Rome
41. Girls – Farther, Son, Holy Ghost
42. Josh T Pearson – Last Of The Country Gentlemen
43. King Creosote & Jon Hopkins – Diamond Mine
44. Death In Vegas – Trans Love Energies
45. Miles Kane – The Colour Of The Trap
46. Sbtkt – Sbtrkt
47. Mastodon – The Hunter
48. Noah And The Whale – Last Night On Earth
49. Frank Ocean – Nostalgia, Ultra
50. Justice – Audio, Video, Disco
Q magazine Tracks Of 2011
1. Adel – Someone Like You
2. Lana Del Rey – Video Games
3. Kreayshawn – Gucci Gucci
4. Foster The People – Pumped Up Kids
5. Lady Gagagagagag – The Edge Of Glory
6. The Vaccines – If You Wanna
7. Aloe Blacc – I Need A Dollar
8. Tyler The Creator – Yonkers
9. The Strokes – Under Cover Of Darkness
10. Lykke Li – Get Some
11. Jack White – Love Is Blindness
12. Chase & Status – Blind Faith
13. Rihanna – Man Down
14. Fleet Foxes – Helplessness Blues
15. Florance & The Machine – Shake It Out
16. Ghostpoet – Cash And Carry Me Home
17. Wretch 32 – Traktor
18. Cat’s Eyes – Best Person I Know
19. Example – Changed The Way You Kissed Me
20. Beady Eye – The Morning Son
Skip To Top
2012
The 50 Best Albums Of 2012
Q Album Of The Year - Bobby Womack - The Bravest Man In The Universe
• 2Bears – Be Strong
• Alabama Shakes – Boys & Girls
• Alt-J – An Awesome Wave
• Paul Banks – Banks
• Bat For Lashes – The Haunted Man
• Beach House – Bloom
• Jake Bugg – Bloom
• David Byrne & St Vincent – Love This Giant
• Cat Power – Sun
• Leonard Cohen – Old Ideas
• Daphni – Jiaolong
• Lana Del Rey – Born To Die
• Dirty Projectors – Swing Low Magellan
• Django Django – Django Django
• Bob Dylan – Tempest
• El-P – Cancer4cure
• Field Music – Plumb
• Go-Kart Mozart – On The Hot Dog Streets
• Grimes – Visions
• Grizzly Bear – Shields
• Ren Harveieu – Through The Night
• Richard Hawley – Standing At The Sky’s Edge
• Here We Go Magic – A Different Ship
• Hot Chip – In Our Heads
• Elton John Vs. Pnau – Good Morning To The Night
• Josephine – Portrait
• The Killers – Battle Born
• Kindness – World, You Need A Change Of Mind
• Mark Lanegan Band – Blues Funeral
• The Maccabees – Given To The Wild
• Mala In Cuba – Mala In Cuba
• Mumford And Sons – Babel
• Muse – The 2nd Law
• Frank Ocean – Channel Orange
• Orbital – Wonky
• Peaking Lights – Lucifer
• Plan B – Ill Manors
• Emeli Sande – Our Version Of Events
• Saint Etienne – Words And Music By Saint Etienne
• School Of Seven Bells – Ghostory
• Bruce Springsteen – Wrecking Ball
• Tame Impala – Lonerism
• Teed – Trouble
• The Vaccines – Come Of Age
• Sharon Van Etten – Tramp
• The Walkmen – Heaven
• Jessie Ware – Devosion
• Paul Weller – Sonic Kicks
• Jack White – Blunderbuss
• Bobby Womack – The Bravest Man In The Universe
Plus…Ten Great Albums You Might Have Missed…
• Allah-Las – Allah-Las
• Cornershop – Urban Turban
• Dues – Following Sea
• DIIV – Oshin
• Kendrick Lamar – Good Lid m.A.A.d City
• Ian Mcnabb – Little Episodes
• Oh No – Ohnomite
• Pulled Apart By Horses – Tough Love
• Taken By Trees – Other Worlds
• Ty Segall – Twins
Skip To Top
2013
Q Magazine Albums The Year
1. Arctic Monkeys – AM
2. Vampire Weekend – Modern Vampires Of The City
3. David Bowie – The Next Day
4. Daft Punk – Random Access Memories
5. Jon Hopkins – Immunity
6. Manic Street Preachers – Rewind The Film
7. Cass Mccombs – Big Wheel And Others
8. Bill Ryder-Jones – A Bad Wind Blows In My Heart
9. John Grant – Pale Green Ghosts
10. Haim – Days Are Gone
11. Jagwar Ma – Howlin’
12. My Bloody Valentine – m b v
13. Steve Mason – Monkey Minds In Devil Time
14. Queens Of The Stoneage - …Like Clockwork
15. Foals – Holy Fire
16. Laura Mvula – Sing To The Moon
17. Matthew E White – Big Inner
18. Laura Marling – Once I Was An Eagle
19. Factory Floor – Factory Floor
20. Biffy Clyro – Opposites
21. Palma Violets – 180
22. Suede – Bloodsports
23. Disclosure – Settle
24. Empire Of The Sun – Ice On The Dune
25. Boards Of Canada – Tomorrow’s Harvest
26. Kanye West – Yeezus
27. Bill Callahan – Dream River
28. Franz Ferdinand – Right Thoughts, Right Words, Right Action
29. Daniel Avery – Drone Logic
30. Pet Shop Boys – Electric
31. Janelle Monae – The Electric Lady
32. Savages – Silence Yourself
33. Parquet Courts – Light Up Gold
34. Prefab Sprout – Crimson/Red
35. Devandra Banheart – Mala
36. Kurt Vile – Wakin On A Daze
37. The National – Trouble Will Find Me
38. Goldfrapp – Tales Of Us
39. Alunageorge – Body Music
40. Run The Jewels – Run The Jewels
41. Neon Neon – Praxis Makes Perfect
42. These New Puritans – Fields Of Reeds
43. The Knife – Shaking The Habitual
44. Pearl Jam – Lightning Bolt
45. Sigur Ros – Kveikur
46. James Blake – Overgrown
47. The Strokes – Comedown Machine
48. Cate Le Bon – Mug Museum
49. Primal Scream – More Light
50. Mazzy Star – Seasons Of Your Day
Skip To Top
2014
Q Magazine Albums The Year
1. The War On Drugs – Lost In The Dream
2. Alt-J – This Is All Yours
3. Damon Albarn – Everyday Robots
4. Manic Street Preachers – Futureology
5. Beck – Morning Phase
6. St Vincent – St Vincent
7. Sharon Van Etten – Are We There
8. FKA Twigs – LP1
9. Future Islands – Singles
10. Aphex Twin – Syro
11. Elbow – The Takeoff And Landing Of Everything
12. Interpol – El Pintor
13. Sam Smith – In The Lonely Hour
14. Hamilton Leithauser – Black Hours
15. The Horrors – Luminous
16. Royal Blood – Royal Blood
17. Mac Demarco – Salad Days
18. Paolo Nutini – Caustic Love
19. Lana Del Rey - Ultraviolance
20. Sleaford Mods – Divide And Exit
21. East India Youth – Total Strife Forever
22. Caribou – Our Love
23. Jack White – Lazaretto
24. Kate Tempest – Everybody Down
25. Ed Sheeran – X
26. Neneh Cherry – Blank Project
27. Morrissey – Word Peace Is None Of Your Business
28. Kasabian – 48:13
29. Jamie T – Carry On The Grudge
30. Gruff Rhys – American Interior
31. Mogwai – Rave Tapes
32. The Bug – Angels & Devils
33. Sky Farreira – Night Time My Time
34. Wild Beasts – Present Tense
35. Real Estate – Atlas
36. Temples – Sun Structures
37. Baxter Dury – It’s A Pleasure
38. Johnny Marr – Playland
39. Ty Segall – Manipulator
40. Grumbling Fur – Preternaturals
41. The Black Keys – Turn Blue
42. Robert Plant – Lullaby And… The Ceaseless Roar
43. Leonard Cohen – Popular Problems
44. U2 – Songs Of Inconvenience
45. Warpaint – Warpaint
46. Thom Yorke – Tomorrow’s Modern Boxes
47. Spoon – They Want My Soul
48. La Roux – Trouble In Paradise
49. Shabazz Palaces – Lese Majesty
50. Jungle – Jungle
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2015
Q Magazine Albums The Year
1. Tame Impala - Currents
2. Julia Holter - Have You In My Wilderness
3. Jamie Xx - In Colour
4. Blur - The Magic Whip
5. New Order - Music Complete
6. Courtney Barnett - Sometimes I Sit And Think, Sometime I Just Sit
7. Kurt Vile - B'lieve I'm Going Down…
8. Laura Marling - Short Movie
9. Kendrick Lamar - To Pimp A Butterfly
10. Florance + The Machine - How Big, How Blue How Beautiful
11. Father John Misty - I Love You Honeybear
12. Foals - What Went Down
13. Joanna Newsom - Divers
14. Sleaford Mods - Key Markets
15. Django Django - Dorn Under Saturn
16. Miguel - Wildheart
17. Noel Gallagher's High Flying Birds - Chasing Yesterday
18. Four Tet - Morning/Evening
19. Dr Dre - Compton
20. Everything Everything - Get To Heaven
21. The Fall - Sub-Lingual Tablet
22. Gaz Coombes - Matador
23. Lonelady - Hinterland
24. Sun Kil Moon - Universal Themes
25. Paul Weller - Saturnes Pattern
26. The Chemical Brothers - Born In The Echoes
27. The Maccabees - Marks To Proove It
28. Chvrches - Every Open Eye
29. John Grant - Grey Tickles, Black Pressure
30. Ezra Furman - Perpetual Motion People
31. Wire - Wire
32. Muse - Drones
33. Natalie Prass - Natalie Prass
34. FFS - FFS
35. Sleater/Kinney - No Cities Left
36. Jessica Pratt - On Your Own Love Again
37. Bill Ryder-Jones - West Kirby County Primary
38. Leon Bridges - Coming Home
39. Roisin Murphy - Hairless Toys
40. Sufjan Stevens - Carrie & Lowell
41. Wilco - Star Wars
42. Slaves - Are You Satisfied?
43. Years & Years - Communion
44. Wolf Alice - My Love Is Cool
45. The Prodigy - The Day Is My Enemy
46. Palma Violets - Danger In The Club
47. Gwenno - Y Dydd Olaf
48. Mbongwana Star - From Kinshasa
49. Hooton Tennis Club - Highest Point In Cliff Town
50. Mac Demarco - Another One
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2016
Q Magazine Albums The Year
1. David Bowie – Blackstar
2. Leonard Cohen – You Want It Darker
3. PJ Harvey – The Hope Six Demolition Project
4. A Tribe Called Quest – We Got It From Here….Thank You 4 Your Service
5. Nick Cave And The Bad Seeds – Skeleton Tree
6. Radiohead – A Moon Shaped Pool
7. Cass McCombs – Mangy Love
8. Angel Olson – My Woman
9. The 1975 – I Like It When You Sleep, For You Are So Beautiful…
10. Christine And The Queens – Chaleur Humaine
11. Skepta – Konnichiwa
12. Goat – Requiem
13. Beyonce – Lemonade
14. Michael Kiwanuka – Love & Hate
15. Dexys – Let The Record Show: Dexys Do Irish And Country Soul
16. Cate Le Bon – Crab Day
17. Frank Ocean
18. The Avalanches – Wildflower
19. Parquet Courts – Human Performance
20. Anohni – Hopelessness
21. Iggy Pop – Post Pop Depression
22. Steve Mason – Meet The Humans
23. Pet Shop Boys – Super
24. Julia Jacklin – Don’t Let The Kids Win
25. Wild Beasts – Boy King
26. The Lemon Twigs – Do Hollywood
27. Underworld – Barbra, Barbra, We Face A Shining Future
28. Anna Meredith – Vermints
29. Let’s Eat Grandma – I, Gemini
30. Jamie T – Trick
31. Kate Tempest – Let Them Eat Chaos
32. Bat For Lashes – The Bride
33. Kendrick Lamar – Untitled Unmastered
34. Lady Gagaga – Joanne
35. Savages – Adore Life
36. Biffy Clyro – Ellipsis
37. Brian Eno – The Ship
38. Fat White Family – Songs For Our Mothers
39. Thee Oh Sees – A Weird Exits
40. Bastille – Wild World
41. Kevin Morby – Singing Saw
42. Solange – A Seat At The Table
43. The Coral – Distance Inbetween
44. The Last Shadow Puppets – Everything You’ve Come To Expect
45. Kanye West – The Life Of Pablo
46. Peter Doherty – Hamburg Demonstrations
47. Blossoms – Blossoms
48. Drake – Views
49. Richard Ashcroft – These People
50. Primal Scream – Chaosmosis
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2017
Q Magazine Albums The Year
1. Kendrick Lamar – DAMN.
2. LCD Soundsystem – American Dream
3. Wolf Alice – Visions of a Life
4. Lorde – Melodrama
5. Gorillaz – Humanz
6. St. Vincent – MASSEDUCTION
7. Father John Misty – Pure Comedy
8. Baxter Dury – Prince of Tears
9. Queens of the Stone Age – Villains
10. The National – Sleep Well Beast
11. Stormzy – Gang Signs & Prayer
12. Sleaford Mods – English Tapas
13. The Horrors – V
14. Sampha – Process
15. Liam Gallagher – As You Were
16. Girl Ray – Earl Grey
17. The xx – I See You
18. Four Tet – New Energy
19. Dizzee Rascal – Raskit
20. Forest Swords – Compassion
21. Cigarettes After Sex – Cigarettes After Sex
22. Jane Weaver – Modern Kosmology
23. The War on Drugs – A Deeper Understanding
24. Paul Weller – A Kind Revolution
25. Thundercat – Drunk
26. Sparks – Hippopotamus
27. SZA – CTRL
28. MUNA – About U
29. Everything Everything – A Fever Dream
30. Beck – Colors
31. Brian Eno – Reflection
32. Nadia Reid – Preservation
33. Joan Shelley – Joan Shelley
34. Susanne Sundfør – Music For People In Trouble
35. Kasabian – For Crying Out Loud
36. Elbow – Little Fictions
37. J Hus – Common Sense
38. Phoenix – Ti Amo
39. Lana Del Rey – Lust for Life
40. Tyler, the Creator – Flower Boy
41. Fleet Foxes – Crack-Up
42. Laura Marling – Semper Femina
43. Squeeze – The Knowledge
44. Michael Head & The Red Elastic Band – Adiós Señor Pussycat
45. alt-J – Relaxer
46. Jay-Z – 4:44
47. Ghostpoet – Dark Days + Canapés
48. Kevin Morby – City Music
49. Depeche Mode – Spirit
50. Pumarosa – The Witch
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2018
Q Magazine Albums The Year
1. Arctic Monkeys – Tranquillity Base Hotel & Casino
2. Let’s Eat Grandma – I’m All Ears
3. The 1975 – A Brief Inquiry Into Online Relationships
4. Robyn – Honey
5. Parquet Courts – Wide Awake
6. Christine & The Queens – Chris
7. Idels – Joy As An Act Of Resistance
8. Janelle Monae – Dirty Computer
9. Paul Weller – True Meanings
10. Anna Calvi – Hunter
11. Interpol – Marauder
12. Kacey Musgraves – Golden Hour
13. Gruff Rhys – Babelsberg
14. Courtney Barnett – Tell Me How You Really Feel
15. Blood Orange – Negro Swan
16. Mitski – Be The Cowboy
17. Ty Segall – Freedom’s Goblin
18. DJ Koze – Knock Knock
19. Pusha T – Daytona
20. Spritualized – And Nothing Hurt
21. Low – Double Negative
22. Rolling Blackouts Coastal Fever – Hope Downs
23. Tracy Thorn – Record
24. Elvis Costello & The Imposters – Look Now
25. Father John Misty – God’s Favourite Customer
26. U.S. Girls – In A Pom Unlimited
27. Daniel Avery – Song For Alpha
28. Neko Case – Hell-On
29. Gaz Coombes – Word’s Strongest Man
30. Kurt Vile – Bottle It In
31. Florance + The Machine – High As Hope
32. Stephen Malkmus & The Jicks
33. Shame – Songs Of Praise
34. Go-Kart – Mozart’s Mini Mart
35. Julian Holter – Aviary
36. Eleanor Friedberger – Rebound
37. Beach House – 7
38. Bill Ryder-Jones – Yawn
39. Cat Power – Wanderer
40. Kids See Ghosts – Kids See Ghosts
41. Lykke Li – So Sad So Sexy
42. Sophie – Oil Of Every Pearl’s Un-Insides
43. Everything Is Recorded – Everything Is Recorded By Richard Russell
44. Panic! At The Disco – Pray For The Wicked
45. Mac Miller – Swimming
46. Cardi B – Invasion Of Privacy
47. The Good, The Bad & The Queen – Merrie Land
48. Kamasi Washington – Heaven And Earth
49. Manic Street Preachers – Resistance Is Futile
50. The Orielles – Silver Dollar Moment
Q Top 20 Tracks Of The Year
1. Childish Gambino – This Is America
2. The 1975 – Love It If We Made It
3. Christine And The Queens – Girlfriend
4. Arctic Monkeys – Four Out Of Five
5. Janelle Monae – Make Me Feel
6. Idels – Danny Nedelko
7. Drake – Nice For What
8. Let’s Eat Grandma – Hot Pink
9. Underworld & Iggy Pop – Bells & Circles
10. Rosin Murphy – The Rumble
11. Robyn – Honey
12. Parquet Qourts – Total Football
13. Dj Koze – Pick It Up
14. Ty Segall – My Lady’s On Fire
15. Florance + The Machine – Hunger
16. Interpol – If You Really Love Nothing
17. Peggy Gou – It Makes You Forget (Itgehane)
18. Tropical Fuck Storm – You Let My Tyres Down
19. The Carters – Apeshit
20. Kids See Ghosts – Feel The Love
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2019
Q Magazine Albums The Year
1. Lana Del Rey - Norman Fucking Rockwell!
2. Michael Kiwanuka - Kiwanuka
3. Aldous Harding - Designer
4. Little Simz - Grey Area
5. Nick Cave And The Bad Seeds - Ghosteen
6. Fat White Family - Serfs Up!
7. Weyes Blood - Titanic Rising
8. Fontaines D.C. - Dogrel
9. Billie Eilish - When We Fall Asleep, Where Do We Go?
10. Angel Olson - All Mirrors
11. Slowthai - Nothing Great About Britain
12. Jessica Pratt - Quiet Signs
13. Sharron Van Etten - Remind Me Tomorrow
14. Dave - Psychodrama
15. Kevin Morby - Oh My God
16. Tyler, The Creator - Igor
17. Lee 'Scratch' Perry - Rainford
18. Joan Shelly - Like The River Loves The Sea
19. Big Thief - U.F.O.F
20. Solange - When I Get Home
21. Caroline Polachek - Pang
22. Bon Iver - I,I
23. Bruce Springsteen - Western Stars
24. Bill Callahan - Shepherd In A Sheepskin Vest
25. Thom Yorke - Anima
26. Mac Denarco - There Comes The Cowboy
27. Sleater-Kinney - The Center Won't Hold
28. Vampire Weekend - Father Of The Bride
29. Foals - Everything Not Saved Will Be Lost - Part 1
30. Edwyn Collins - Badbea
31. The Murder Capital - When I Have Fears
32. These New Puritans - Inside The Rose
33. Hot Chip - A Bath Full Of Ecstacy
34. The Specials - Encore
35. Taylor Swift - Lover
36. Brittany Howard - Jaime
37. Oh Sees - Face Stabber
38. Sleaford Mods - Eton Alive
39. Purple Mountains - Purple Mountains
40. Underworld - Drif Series 1
41. Laiam Gallagher - Why Me? Why Not
42. Fka Twigs - Magdelene
43. James Blake - Assume Form
44. Elbow - Giants Of All Sizes
45. Jenny Lewis - On The Line
46. Ariana Grande - Thank U, Next
47. Loyle Carner - Not Waving, But Drowning
48. King Princess - Cheap Queen
49. The S.L.P. - The S.L.P.
50. Self Esteem - Compliments Please
Q Top 20 Tracks Of The Year
1. Lil Nas X Feat. Billy Ray Cyrus Etc... - Old Town Road
2. Stormzy - Vossi Bop
3. Billie Eilish - Bad Guy
4. Slowthai - Doorman
5. Ariana Grande - Rings
6. Lana Del Rey - Mariners Apartment Complex
7. Lizzo - Juice
8. Fat White Family - Feet
9. Roisin Murphy - Incapable
10. Rosalia And J Balvin - Con Altura
11. Vampire Weekend - Harmony Hall
12. Amyl And The Sniffers - Gacked On Anger
13. Jarv Is - I Must Evolve
14. Sharron Van Etten - Seventeen
15. The 1975 - People
16. Fontaines D.C. - Big
17. Little Simz - Fm
18. Georgia - About Work The Dancefloor
19. Clairo - Bags
20. Tame Impala - Borderline
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The 100 Greatest British Albums Ever
This list was put together by the writers and staff of Q magazine and first published in the June 2000 issue (#165). Qualifying albums had to be made with the major artist being British – so for example albums by The Jimi Hendrex Experience were excluded.
1. Revolver – The Beatles
2. Ok Computer – Radiohead
3. Exile On Main Street – The Rolling Stones
4. London Calling – The Clash
5. A Hard Days Night – The Beatles
6. Astral Weeks – Van Morrison
7. The Beatles – The Beatles
8. (What’s The Story) Morning Glory – Oasis
9. Blue Lines – Massive Attack
10. Never Mind The Bollocks… Sex Pistols
11. Dark Side Of The Moon – Pink Floyd
12. Sticky Fingers – The Rolling Stones
13. Sgt. Pepper’s… - The Beatles
14. Low – David Bowie
15. Mezzanine – Massive Attack
16. Hunky Dory – David Bowie
17. Abby Road – The Beatles
18. Screamadellica – Primal Scream
19. Unknown Pleasures – Joy Division
20. Hounds Of Love – Kate Bush
21. Rubber Soul – The Beatles
22. Park Life – Blur
23. Bryter Later – Nick Drake
24. Definitely Maybe – Oasis
25. …Ziggy Stardust – David Bowie
26. Led Zeppelin IV – Led Zeppelin
27. The Queen Is Dead – The Smiths
28. Let It Bleed – The Rolling Stones
29. The Stone Roses – The Stone Roses
30. Scary Monsters & Super Creeps – David Bowie
31. Pills ’N’ Thrills & Bellyaches – Happy Mondays
32. Physical Graffiti – Led Zeppelin
33. For Your Pleasure – Roxy Music
34. Leftism – Leftfield
35. The Bends – Radiohead
36. Maxinquaye – Tricky
37. Led Zeppelin II – Led Zeppelin
38. The Specials – The Specials
39. Everything Must Go – Manic Street Preachers
40. The Lexicon Of Love – ABC
41. A Night At The Opera – Queen
42. Dig Your Own Hole – Chemical Brothers
43. Wish You Were Here – Pink Floyd
44. Hatful Of Hollow – The Smiths
45. Armed Forces – Elvis Costello & The Attractions
46. Different Class – Pulp
47. The Fat Of The Land – Prodigy
48. The Clash – The Clash
49. Club Classics Vol. One – Soul To Soul
50. All Mod Cons – The Jam
51. Brothers In Arms – Dire Straits
52. Connected – Stereo MC’s
53. Peter Gabriel III – Peter Gabriel
54. The Man Who – Travis
55. Piper At The Gates Of Dawn – Pink Floyd
56. Quadrophenia – The Who
57. In It For The Money – Supergrass
58. Urban Hymns – The Verve
59. Ogdon’s Nut Gone Flake – The Small Faces
60. Vol.4 – Black Sabbath
61. Dummy – Portishead
62. Plastic Ono Band – John Lennon/Plastic Ono Band
63. Metalheads Presents Platinum Breaks – Various
64. Everything’s Coming Up Dusty – Dusty Springfield
65. Seventeen Seconds – The Cure
66. New Boot And Panties – Ian Dury
67. Solid Air – John Martyn
68. When I Was Born For The 7th Time – Cornershop
69. Dare – The Human League
70. Anokha, Sounds Of The Asian Underground – Various
71. Unplugged – Eric Clapton
72. Grand Prix – Teenage Fanclub
73. Radiator – Super Furry Animals
74. 3 EP’s – The Beta Band
75. Band On The Run – Wings
76. Ghost In The Machine – Police
77. Wildwood – Paul Weller
78. In Rock – Deep Purple
79. Unhalfbricking – Fairport Convention
80. Stars – Simply Red
81. You’ve Come A Long Way Baby – Fatboy Slim
82. This Years Model – Elvis Costello & The Attractions
83. Signing Off – Ub40
84. Goodbye Yellow Brick Road – Elton John
85. Searching For The Young Soul Rebels – Dexy’s Midnight Runners
86. The Yes Album – Yes
87. Brewing Up With Billy Bragg – Billy Bragg
88. Psycocandy – The Jesus And Mary Chain
89. The White Room – The KLF
90. The Undertones – The Undertones
91. Very – The Pet Shop Boys
92. Hats – The Blue Nile
93. Rum Sodomy And The Lash – The Pogues
94. Goodbye Jumbo – World Party
95. Kilimanjaro – The Teardrop Explodes
96. Coming Up – Suede
97. Low Life – New Order
98. Rio – Duran Duran
99. Infected – The The
100. Number Of The Beast – Iron Maiden
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NOT from Q magazine but a US equivalent list...
Top 100 American Albums – from Blender magazine Feb/March 2002 issue.
We Americans have the best music in the world. Nothing like a bit of arrogance to get people to talk and write bollocks! JW
In alphabetical order, according to artist:
A Tribe Called Quest, The Low End Theory
Aerosmith, Rocks
Tori Amos, Under the Pink
Louis Armstrong, The Complete Hot Five and Hot Seven Recordings
The B-52’s, The B-52’s
Beach Boys, Pet Sounds
Beastie Boys (twice), Paul’s Boutique and Licensed to Ill
Beck, Odelay
Chuck Berry, The Great Twenty-Eight
Mary J. Blige, My Life
Blondie, Parallel Lines
James Brown, Sex Machine
Carpenters, The Singles 1969–1981
Johnny Cash, At Folsom Prison
Ray Charles, Modern Sounds in Country and Western Music
Chic, Risque
The Coasters, 50 Coastin’ Classics
Miles Davis, Kind of Blue
De La Soul, 3 Feet High and Rising
DJ Shadow, Endtro-ducing
The Doors, The Doors
Dr. Dre, The Chronic
Bob Dylan (three times), The Basement Tapes, Blonde on Blonde and Highway 61 Revisited
Eagles, Hotel California
Eminem, The Slim Shady LP
Aretha Franklin (twice), I Never Loved a Man the Way I Love You and Lady Soul
Marvin Gaye, Let’s Get It On
Grateful Dead, American Beauty
Al Green, Call Me
Guns N’ Roses, Appetite for Destruction
Woody Guthrie, Dustbowl Ballads
Jimi Hendrix, Electric Ladyland
Lauryn Hill, The Miseducation of Lauryn Hill
Hole, Live Through This
Billie Holiday, Lady in Satin
Buddy Holly, Greatest Hits
Michael Jackson, Off the Wall
Jane’s Addiction, Nothing’s Shocking
Robert Johnson, King of the Delta Blues Singers
Kid Rock, Devil Without A Cause
Kiss, Destroyer
Little Richard, Grooviest 17 Original Hits!
LL Cool J, Radio
Lynyrd Skynyrd, (Pronounced Leh-Nerd Skin-Nerd)
Madonna, The Immaculate Collection
Curtis Mayfield, Superfly
Metallica, Metallica
The Minutemen, Double Nickels on the Dime
Joni Mitchell (twice), Court and Spark and Blue
Modern Lovers, Modern Lovers
Willie Nelson, Red Headed Stranger
Randy Newman, 12 Songs
Harry Nilsson, Nilsson Schmilsson
Nine Inch Nails, The Downward Spiral
Nirvana (twice), In Utero and Nevermind
Notorious B.I.G., Life After Death
Parliament, Mothership Connection
Gram Parsons, Grievous Angel
Pavement, Slanted and Enchanted
Pearl Jam, Vs.
Pixies, Surfer Rosa
Elvis Presley (twice), From Elvis in Memphis and The Sun Sessions
Prince, Sign “O” The Times
Prince and the Revolution, Purple Rain
Public Enemy, It Takes a Nation of Millions to Hold Us Back
Rage Against the Machine, Evil Empire
Ramones, Ramones
Otis Redding, Otis Blue — Otis Redding Sings Soul
R.E.M. (twice), Automatic for the People and Murmur
The Replacements, Let It Be
Run-DMC, Raising Hell
Paul Simon, Graceland
Frank Sinatra, In the Wee Small Hours
Sly & the Family Stone, There’s a Riot Goin’ On
Patti Smith, Horses
Phil Spector, Back to Mono (1958-69)
Bruce Springsteen, Darkness on the Edge of Town
Steely Dan, Katy Lied
Talking Heads, Remain in Light
TLC, Crazysexycool
Van Halen, Van Halen
Various Artists, Nuggets: 1965–1968
The Velvet Underground, The Velvet Underground & Nico
Muddy Waters, At Newport 1960
Weezer, Weezer
Hank Williams, 40 Greatest Hits
Lucinda Williams, Lucinda Williams
Stevie Wonder (twice), Fulfillingness’ First Finale and Innervisions
Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
Neil Young (twice), After the Gold Rush and Rust Never Sleeps
Skip To Top
50 Greatest British Tracks
Q – National Anthems
Q 231 – Oct 2004
1. The Beatles – A Day In The Life
2. The Kinks – Waterloo Sunset
3. Oasis – Wonderwall
4. Sex Pistols – God Save The Queen
5. Queen – Bohemian Rhapsody
6. The Who - My Generation
7. Robbie Williams – Angels
8. David Bowie – Life On Mars
9. The Rolling Stones – Sympathy For The Devil
10. Massive Attack – Unfinished Sympathy
11. Oasis – Live Forever
12. The Beatles – Help!
13. The Smiths – There Is A Light That Never Goes Out
14. The Clash – London Calling
15. Blur – This Is A Low
16. The Jam – Going Underground
17. The Small Faces – All Or Nothing
18. Pink Floyd – Comfortably Numb
19. The Kinks – You Really Got Me
20. Coldplay – The Scientist
21. Kate Bush – Hounds Of Love
22. Madness – Baggy Trousers
23. Dexys Midnight Runners – Come On Eileen
24. The Stone Roses – Fools Gold
25. The Streets – Dry Your Eyes
26. Blur – Girls And Boys
27. The La’s – There She Goes
28. Pet Shop Boys – West End Girls
29. Joy Division – Love Will Tear Us Apart
30. Ian Dury – Sex And Drugs And Rock And Roll
31. The Verve – Bitter Sweet Symphony
32. The Specials – Ghost Town
33. Led Zeppelin – Stairway To Heaven
34. Franz Ferdinand – Take Me Out
35. The Prodigy – Firestarter
36. Pulp – Common People
37. Slade – Cum On Feel The Noise
38. Soul II Soul – Back To Life
39. Morrissey – Everyday Is Like Sunday
40. Radiohead – Karma Police
41. Happy Mondays – Step On
42. The Libertines – Time For Heroes
43. Kaiser Chiefs – I Predict A Riot
44. New Order – Blue Monday
45. Spice Girls – Wannabe
46. Rod Stewart – Maggie May
47. Keane – Everybody’s Changing
48. Elvis Costello – (I Don’t Want To Go To) Chelsea
49. Cornershop – Brimful Of Asha
50. The Undertones – Teenage Kicks

Question: when did dangerous release their first album

Rankings and lists Publishing Ranking/List Source Q List of records of the year, 1992 Spin 300 Best Albums in 30 Years (1985-2014) Complex 50 Best Albums of the 90s 200 Definitive Albums of All Time

when did dangerous release their first album

Question: when did dangerous come out on the charts

when did dangerous come out on the charts

Question: where are the best albums of the 90s ranked

where are the best albums of the 90s ranked

Question: how many best albums in 30 years list Dangerous

how many best albums in 30 years list Dangerous

Question: how long has dangerous been on the charts

how long has dangerous been on the charts

Question: when did dangerous come out in the uk

Question: what is the name of the magazine that lists the best albums of the 90s

Q Список записей года , 1992

what is the name of the magazine that lists the best albums of the 90s

Question: what are the names of the best albums of the 90s

Complex 50 лучших альбомов 90-х

what are the names of the best albums of the 90s

Rankings and lists Publishing Ranking / List Source Q List of records of the year , 1992 Spin 300 Best Albums in 30 Years ( 1985 - 2014 ) Complex 50 Best Albums of the 90s 200 Definitive Albums of All Time

Рейтинги и списки Издание Рейтинг/Список Источник Q Список записей года, 1992 Spin 300 лучших альбомов за 30 лет (1985—2014) Complex 50 лучших альбомов 90-х 200 Definitive Albums of All Time

Рейтинги и списки Издание Рейтинг/Список Источник Q Список записей года, 1992 Spin 300 лучших альбомов за 30 лет (1985—2014) Complex 50 лучших альбомов 90-х 200 Definitive Albums of All Time

Rankings and lists Publishing Ranking/List Source Q List of records of the year, 1992 Spin 300 Best Albums in 30 Years (1985-2014) Complex 50 Best Albums of the 90s 200 Definitive Albums of All Time

Rankings and lists Publishing Ranking/List Source Q List of records of the year, 1992 Spin 300 Best Albums in 30 Years (1985-2014) Complex 50 Best Albums of the 90s 200 Definitive Albums of All Time

Positions in charts Chart (1991–93) Highest position Australia1 Austria2 UK1 Germany1 Europe1 Israel1 Canada3 Cuba1 Mexico1 Netherlands1 New Zealand1 Norway1 USA1 France1 Switzerland1 Sweden2 Japan1

Великобритания1

******
super gut!
******
Jackson as its Best!
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...gut...
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wurde hier eigentlich auch ein Song n i c h t als Single ausgekoppelt?
*****
Gefährlich Brilliant...
******
Super Album! Und auch hier wieder nach dreimonatiger Chartsabwesenheit ein Wiedereinstieg in den Top Ten!!!
******
brilliant!
******
das letzte wirklich gute jackson album - bisher.

Meine Favs:

Will You Be There
Who Is It
Black Or White
Jam
Dangerous
Why You Wanna Trip On Me

Knappe, aber verdiente 6 Punkte, da dieser Sound damals so was von frisch war. Für mich das Popalbum in Sachen "Überblende von 80s zu 90s-Mucke".Last edited: 13/11/2006 21:53
******
Gefällt mir auch super gut!!!!
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eine der besten cds überhaupt...muss man haben
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Mein Lieblingsalbum!!!! es gibt keinen song aus diesem Album der mir missfällt...jeder Song ein Geniestreich und Jacko beweist damit das er der größte Popstar aller Zeiten ist!!!! egal was noch passieren wird...
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NACH BAD, DANGEROUS EIN SUPER ALBUM MIT MEGA STARKEN TITELN! EINFACH WELTKLASSE.
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ok
******
Perfekt!!!
******
Bestes Michael Jackson Album - briliant , innovativ , neu , kann man in x Jahren noch hören -
Perfekt vom Cover - zur Musik
**
Gefällt mir irgendwie nicht wirklich
***
Finde auch nicht viel hörenswertes auf diesem Album, kommerziell natürlich ein riesiger Erfolg.
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Meiner Meinung nach sein bestes Album. Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht.
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Starkes Teil
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Megagefährliches Album!!
******
In der Tat ein perfektes Album:

Die Songs haben durchgehend hohe Qualität ... das kann man einfach durchlaufen lassen - jeder Song ein Vergnügen
****
ok
******
brilliant einfach geil
*****
▓ Deze CD van onze kindervriend "Michael" uit eind 1991 bevalt me toch nog steeds prima !!! Er staan toch nog een paar echte klassiekers op de CD !!! Nog net krap 5 sterren !!!Last edited: 04/09/2006 23:15
****
What's all about this over the 5 minutes track! That somehow spoiled this album although it's nice produced, and "Jam" has to be my favourite out of this album, so as "Will U Be There" from Free Willy movie
*****
Erstaunlicherweise bei uns keine #1 (die wurde von der EAV verteidigt), aber klar (zu Recht) das 3. erfolgreichste Album Michael Jacksons.
Diesmal schlägt er seinen eigenen Rekord und bringt 9 (!!) Singleauskopplungen. Perfekt für die 90er.
Trotz viel Durchschnittsmaterial erreicht die CD immer noch einen Wert von 4.5 plus.
Diese Aussage ist wohl ein Witz: "Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht"...
Last edited: 30/11/2011 20:37
******
Auch hier wieder -> Michael Jackson in Höchstform! Sehr gutes Album!
******
Kann problemlos an die alten Albem mithalten. Ist sogar mein persönlicher Favorit!Last edited: 01/09/2007 18:54
****
Sicher viele sehr gute Einzelstücke, aber als Album insgesamt dann eben doch enttäuschend nach Bad und v.a. Thriller.
Ab da tat ich mir keine Alben von ihm mehr zu, sondern beschränkte mich auf gute CD-Maxis von ihm, die er auch zweifellos rausbrachte.
******
Einfach ein perfektes Album!! Gehört in jede CD-Sammlung!
*****
Gutes Album vom Michael!Top-Hits.
***
ging an mir vorbei wie die hilton an mir vorbei gehen würde...
******
Hat mir jahrelang überhaupt nicht zugesagt. Langsam hat es sich aber immer tiefer in meinen Gehörgang eingearbeitet und einen grandiosen Eindruck hinterlassen. Superbes und vor allem zeitloses Album. Hoffentlich findet Jacko zurück zu dieser Form.
***
unheimlich "dangerous"...
******
Genial!
******
"Hammer Album"
******
ein weiteres meisterwerk vom king!
******
Wenn man die Musik von Jacko mag, dann fährt dieses Album ein wie ein Hammer. Neben rhythmischen Dance-Songs finden sich hier auch wundervolle Balladen. Musikalisch eher noch eine Stufe höher als der Vorgänger "Bad", eine Art Weiterentwicklung und vielleicht sein bestes Werk überhaupt. Ja, gehört zwingend in jede Sammlung.

Highlights: Why You Wanna Trip On Me / Heal The World / Black Or White / Will You Be There / Gone To Soon / DangerousLast edited: 09/11/2011 10:12
******
spitze!
****
meine Nummer 3 aller MJ Alben! viele tolle Songs!
*****
auch dies ein sehr gelungenes album von jacko. für mich nach "thriller" fast schon das beste.

Edit: vor 30 jahren als kind als mc vom gotti erhalten und auf heavy rotation gehört. Schön, das album 2022 wieder mal zu hören.Last edited: 28/01/2022 12:42
*****
Gefällt mir weniger als Thriller und Bad. Die Songs haben nicht mehr so eine starke Melodie. Trotzdem findet man auf diesem Albun Perlen wie Black Or White.

5 Sterne!
***
Hat nicht (mehr) viel zu bieten. 5, 9, 11, 12 - that's it!
*****
Sehr gut! Nur Thriller ist noch ein bisschen besser...
******
erneut ein absolutes meisterwerk. meilenstein der pop-geschichte. hit auf hit auf hit.
******
Das ist mein absolutes Lieblingsalbum von Jacko, mit sehr vielen Erinnerungen verbunden. Tolle Popsongs.
Edit 01.01.2019: natürlich eine 6! Ein Hammeralbum! Sozusagen ein Best Of mit Zusatzsongs! Toll!Last edited: 01/01/2019 05:16
******
Tolles album!
******
Vom Sound her sicherlich das beste MJ Album. Songs wie "Who Is It", "Black Or White", "Remember The Time" oder "Give In To Me" sprechen für sich. Es hat aber auch einen schwachen Titel: "Gone Too Soon" gefällt mir überhaupt nicht. Meiner Meinung nach passt der Song über nicht in den "Dangeros-Sound" und ist der Schwachpunkt der ganzen Scheibe...
******
Excelente álbum.
Mis canciones favoritas:
1. Remember The Time
2. Black Or White
3. Heal The World.
******
Superscheibe, ohne Zweifel. Er hätte jedoch auf 2-3 Songs verzichten können.

P.S. Er hatte ja noch zig unveröffentliches Material, das gut und gerne weitere 5-6 Alben bringen würde. Über diese Songs wird wohl noch Jahre gekämpft.
******
Meisterwerk!
****
Die großartigen Bewertungen gönne ich ihm, aber für mich gehört das schon nicht mehr zu seinen Meisterwerken. Die Singles nerven heute teilweise, auch sonst gibt es zu viel Füllwerk. Mit viel good will eine 4.
******
Für mich das beste Jacko-Album, da es am vielseitigsten ist und die meisten guten Songs all seiner Alben beinhaltet.
Meine Favourites: Give in to me, Who is it, Remember the time, Heal the world, Will you be thereLast edited: 19/07/2009 00:43
**
hier war leider gar kein guter song mehr drauf
******
Wahrscheinlich vor allen Dingen weil es mich durch meine Jugend begleitet hat ist das für mich ebenfalls das Highlight unter den Jackson-Platten. Und noch dazu eines der besten Alben des Jahrzehnts. Wirkliche Schwachstellen finde ich keine höchstensfalls im vorderen Mittelteil einen kurzen Durchhänger.
Favoriten:
1. Will You Be There
2. Who Is It
3. Keep The Faith
4. In The Closet
5. Jam
******
Hammer!!
****
Verbleekt (haha) bij z'n vroegere albums Thriller & Bad.
******
De overgang van de '80 naar de '90 heeft Michael onwijs goed gedaan. Vier jaar duurde het, maar die geweldige stijl is het meer dan waard. Aan de kant Madonna, Britney, GaGa, Justin; Watch out for MJ Power!!Last edited: 05/10/2010 17:36
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Mein Lieblingsalbum von MJ.

Mir gefallen wirklich alle Lieder von dem Album, denn sonst habe ich bei vielen Alben songs die mir nicht gefallen aber bei diesem Album nicht.
Highlights:

Dangerous
Who is it
Jam
Remember the time
why you wanna trip on me
she drives me wild
Black or white
****
6 starke Titel stehen 6 mittelmäßigen und 2 richtig schlechten gegenüber => 4Last edited: 05/01/2010 00:37
*****
Im Vergleich zu seinen vorherigen zwei Hammeralben steht "Dangerous" klar eine Stufe tiefer. Trotzdem finden sich darauf einige ganz tolle Titel. 5*
****
Ok album by MJ some amazing tracks on this but also some over long duds. UK#1 and Ireland#1.

Re-entry:UK#44 August 2009 RIP Michael JacksonLast edited: 13/03/2019 14:45
*****
Probably my least favourite MJ album as far as album tracks are concerned, but I love all the singles.Last edited: 05/11/2010 11:34
*****
Ohne Zweifel ein legendäres Album der Musikgeschichte. Nicht weniger als 9 der 14 Songs waren weltweite grosse Hits - das gibt's nicht allzu oft. Darunter einige Kracher, die wirklich zeitlos sind: "Black or white", "Jam", "Heal the world", "Give in to me", "In the closet" oder "Will you be there". Muss man einfach kennen.
***
ich kann es nicht fassen dass es leute gibt die alben als meisterwerke bezeichnen weil das album ein erfolg war

das hat mit der qualität des albums nicht viel zu tun

bei dangerous ist es besonders problematisch objektiv zu bleiben

denn keine frage michael jackson war ein superstar der tolle songs und tolle alben lieferte

allerdings darf man nicht ausser acht lassen dass er sich 4 jahre zeit liess und die besten angesagtesten produzenten und songwriter eroirte und immens viel geld für videoclips ausgab

also musste dieses album wieder ein hit werden

allerdings hab ich das gefühl dass hier versucht wurde den erfolg von bad zu wiederholen und songs zu liefern die nach dem schema der bad hits geschrieben waren

und bei mj besteht die gefahr dass man von seinen videos begeistert ist und ausser acht lässt dass es im kern um die musik geht

black or white zum beispiel wäre ohne million dollar video und von einem anderen künstler nie so ein hit geworden

auf dem album gibt es sehr viele mittelmässige songs und nur wenige perlen wie REMEMBER THE TIME; WHO IS IT
give it to me ( was nach dirty diana pt 2) klingt oder
HEAL THE WORLD( man in the mirror 2)
****
The thing that stings this album is the singles, even though they are classics it just brings it back to great instead of brilliant.
******
GENIALES ALBUM!!!!
JEDER SONG IST PERFEKT!!!!
ICH LIEBE DIESES ALBUM!!!
IN DAS VERLIEBT MAN SICH SOFORT!!!!!
THANK YOUR FOR THE MUSIC MICHAEL!!!!
<333333333333333333333333333333333Last edited: 11/01/2011 21:19
*****
In 1991 was dit het langstverwachte album van het jaar. Een van mijn zussen had dit album meteen gekocht en toen ik een avond alleen thuis was, ben ik dit album eens aandachtig gaan beluisteren.
Die eerste indruk is van hoe ik ook nu tegen het album aankijk:
Het album was nu niet geproduceerd door Quincy Jones, maar door Teddy Riley (bekend van "Guy" en "Blackstreet"). dit geeft het album een wat meer urban-geluid en minder strak gepolijste funknummers als op "Thriller" en "Bad". Dit klinkt op zich goed, maar hier en daar is dit te zeer overgeproduceerd.
Sommige nummers hebben overdreven lange intro's en outtro's. Voorbeelden hiervan zijn "Jam", "why you wanna trip on me" en "Dangerous".
Al met al is wel te horen dat Michael niet in de jaren '80 is blijven steken, maar met zijn tijd is meegegaan. Daardoor is het wel een hip album, vandaar 5 sterren!
****
... insgesamt ein gutes Album ... aber für mich nicht mehr ... für Fans sicher zwingend nötig, für andere eher weniger ....
**
Sorry Fans, aber
Das Album ist schwach
Lediglich 3 Tracks drauf (Black or White, Heal the world, Dangerous) sind richtig gut, der Rest ist nicht sonderlich der Renner
******
bravo, WELTKLASSE wie bad!!!!!
warum das in österreich nicht zumindest 1 oche platz 1 war verstehe ich nicht, aber damals war genesis leider wahrscheinlich besser
am besten gefallen mir: jam, in the closet, she drives me wild, remember the time, who is it
****
Good Album. Highlight off the album is Remember the time
******
finds super
******
Sein wohl bestes Album, rauher und düsterer als die Vorgänger und mit Who Is It und Give In To Me sind wohl seine beiden stärksten Nummern drauf.
******
Encore un album qui traverse les époques sans prendre une ride. La plupart des morceaux ont bénéficié d'une sortie single ! Mes préférés sont "Jam", "Remember The Time", "Black Or White", "In The Closet" et "Give In To Me". Inutile de s'étendre sur le sujet, cet album est incontestablement excellent. Merci Michael <3
******
Das beste Album hat zwar 2 Songs die nicht beim 1. Hören überzeugen,doch dieses Album hat tausendmal mehr gute songs als Thriller und ist sogar fast doppelt so lang, da die Songs sehr gut mit Gitarrenparts, Intros und allem was dazugehört verlängert wurde. Das Hören dieses perfekten Albums wird nie langweilig, die Beats Hören sich immer wieder anders an. Wäre 1993 nicht DIE Anklage gekommen, hätte sich das Album vielleicht sogar mehr verkaufen können als Thriller. Das Potenzial dazu hätte Es' gehabt...
******
amazing, one of his best albums
****
Ein Album mit Höhen und Tiefen.
******
good
****
Solid album. Served its purpose for me at least.
*****
ich gebe eine 5
******
Ich glaube, über die 6 Sterne muss man hier nicht diskutieren!
******
Dangerous ist für mich neben Off The Wall Michael Jacksons bestes Album. Noch nie hat Michael Jackson so viel experimentiert. Seine Songs Jam, She Drives Me Wild und Can`t Let Her Get Away sind nicht sonderlich melodiös, was für Michael Jackson eher untypisch ist. Dafür ist der Beat bei diesen Songs aber der Hammer.
Viele der Songs auf dem Album "Dangerous" sind sehr düster und dramatisch.
Im zweiten Teil des Albums verzichtet Michael Jackson auf Experimente und setzt grösstenteils auf altbewährtes: melodiöse Songs, die eigentlich schon fast Hitgaranten sind.
Auf jeden Fall ein Hammeralbum. Danach haben die Alben leider in meinen Augen etwas nachgelassen.
******
Der 80s Sound ist gewichen und Michael kam mit einem neuen Sound zu dem damals neuen Jahrzehnt den 90ern zurück!!!Viele der Songs grooven wie die Hölle.Who is it ist wunderbar düster und dramatisch,Keep it in the closet experimentell aber saustark.Alles in einem ist auch Dangerous eine absolute Kultscheibe.Auch die wenigen unbekannten Songs auf diesem Album sind toll gemacht.
*****

Sehr gutes Album...knapp an der 6 vorbei geschrammt.
*****
Sehr gut.
****
Kommt für mich nicht annähernd an "Bad" oder gar "Thriller" ran. Sicher - das Album hat einige wirklich gute Songs wie "Who is it" oder "Give in to me". Allerdings auch wirklich viel mittelmäßige Songs, wie "Jam" oder "Dangerous" die teilweise sehr, sehr ähnlich klingen.
*****
In der Gesamtbetrachtung gesehen ein gutes Album. Durchschnitt: 4,64.
******
Für mich das beste Michael Jackson Album!

Jam 6*
Why You Wanna Trip On Me 5*
In The Closet 6*
She Drives Me Wild 6*
Remember The Time 6*
Can't Let Her Get Away 5*
Heal The World 6*
Black Or White 6*
Who Is It 6*
Give In To Me 6*
Will You Be There 6*
Keep The Faith 5*
Gone Too Soon 5*
Dangerous 6*

Durchschnitt: 5.71 ~ 6*
*****
This is probably my second and majority my last favourite album from Michael Jackson. Although commonly this has to be the longest listen I had starting from "Jam" all the way through the song from the album title. With overlong minutes of 6 and possibly 7 minutes, I still had an enjoyable moment. There is a lot of the New Jack Swing material and I thought there is some pop and funk it's here for a one span. One song I dislike and that is "In The Closet". But the rest I enjoy in a moment will have to be "She Drives Me Wild" and "Keep The Faith" as those two tracks are my highlights.

#11 on my top 100 favourite albums of all timeLast edited: 02/11/2020 07:45
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Bei den vielen Megahits die da drauf sind kann es nur eine 6 geben auch wenn es natürlich nicht mehr an "Bad" oder "Thriller" herankommt.
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Das letzte Topalbum von Michael, leider.
******
Michaels Hammeralbum Dangerous von 91! Frisch, sexy, experimentierfreudig und innovativ! MJ hatte sich weiterentwickelt und hielt nicht an seinen ganzen Erfolgen aus den 80ern fest, probierte auch ganz neue Sounds. Mit Knallern wie Black or white und Give in to me und mir gefällt die Vielseitigkeit und die Wandlungsfähigkeit. Und doch fügen sich die Tracks zu einem harmonischen Ganzem zusammen. Auch die wo keine Singles wurden, sind top. Habe MJ damals auf der Tour schon live erlebt und 97 ebenso. Hammergeil diese Megashows und unvergessen! Dangerous war damals als Kind schon eines meiner absoluten Lieblingsalben und auch heute gibts klar die 6! Für dieses Werk schloss Jacko übrigens den höchst dotierten Plattenvertrag ever ab. Last edited: 03/11/2020 13:29
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Ein Meisterwerk in Sachen Alben - Hit um Hit und einfach absolute Klasse
******
Für mich persönlich nach HIStory Michaels bestes Album. Alle Songs bekommen fast alle Songs eine glatte 6. Nur Cant Let Her Get Away ist leider nicht so meins, aber MJ kann es auch unmöglich all seinen Millionen Fans mit alle. Songs recht machen. Mein Lieblingssong von Michael Jackson ist auch auf der Scheibe: Will You Be There
****
Good album but loses a few points for being unnecessarily long
*****
Ook dit album scoort bij mij ruim 5 sterren

Question: when did the term dangerous come into use

Positions in charts Chart (1991–93) Highest position Australia1 Austria2 UK1 Germany1 Europe1 Israel1 Canada3 Cuba1 Mexico1 Netherlands1 New Zealand1 Norway1 USA1 France1 Switzerland1 Sweden2 Japan1

when did the term dangerous come into use

Question: when did the dangerous list come out

Question: which country has the highest number of dangerous countries in the world

which country has the highest number of dangerous countries in the world

Question: which country has the highest suicide rate in the world

which country has the highest suicide rate in the world

Question: who has the most dangerous countries in the world

Швеция2 Япония1

who has the most dangerous countries in the world

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which country has the highest population in europe

Позиции в чартах Чарт (1991—93) Высшая позиция Австралия1 Австрия2 Великобритания1 Германия1 Европа1 Израиль1 Канада3 Куба1 Мексика1 Нидерланды1 Новая Зеландия1 Норвегия1 США1 Франция1 Швейцария1 Швеция2 Япония1

Позиции в чартах Чарт (1991—93) Высшая позиция Австралия1 Австрия2 Великобритания1 Германия1 Европа1 Израиль1 Канада3 Куба1 Мексика1 Нидерланды1 Новая Зеландия1 Норвегия1 США1 Франция1 Швейцария1 Швеция2 Япония1

Positions in charts Chart (1991–93) Highest position Australia1 Austria2 UK1 Germany1 Europe1 Israel1 Canada3 Cuba1 Mexico1 Netherlands1 New Zealand1 Norway1 USA1 France1 Switzerland1 Sweden2 Japan1

Positions in charts Chart (1991–93) Highest position Australia1 Austria2 UK1 Germany1 Europe1 Israel1 Canada3 Cuba1 Mexico1 Netherlands1 New Zealand1 Norway1 USA1 France1 Switzerland1 Sweden2 Japan1

|Jahr:||1991|
|Persönliche Charts:||In persönliche Hitparade hinzufügen|
|Einstieg:||08.12.1991 (Rang 3)|
|Zuletzt:||30.05.1993 (Rang 25)|
|Höchstposition:||2 (3 Wochen)|
|Chartsverlauf:|
|Anzahl Wochen:||61|
|Rang auf ewiger Bestenliste:||98 (3782 Punkte)|
|Weltweit:|
Tracks
26.11.1991LP Epic 465802 1 [nl] / EAN 5099746580216
|Details anzeigen||Alles anhören|
|LP 1:|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:29|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|LP 2:|
|1.||Black Or White||4:16|
|2.||Who Is It||6:35|
|3.||Give In To Me||5:28|
|4.||Will You Be There||7:40|
|5.||Keep The Faith||5:57|
|6.||Gone Too Soon||3:55|
|7.||Dangerous||7:00|
26.11.1991CD Epic 465802 2 (Sony) / EAN 5099746580223
26.11.1991MC Epic 465802 4 / EAN 5099746580247
15.10.2001Special Edition - CD Epic 5044242 (Sony) / EAN 5099750442425
03.04.2010LP Music On Vinyl MOVLP072 / EAN 0886976862916
04.09.2015CD Epic 88875043892 (Sony) / EAN 0888750438928
|Details anzeigen||Alles anhören|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:25|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|8.||Black Or White||4:16|
|9.||Who Is It||6:35|
|10.||Give In To Me||5:28|
|11.||Will You Be There||7:40|
|12.||Keep The Faith||5:57|
|13.||Gone Too Soon||3:22|
|14.||Dangerous||7:00|
1991LP Epic 465802 1 / EAN 5099746580216
1991MC Epic 465802 4 / EAN 5099746580247
|Details anzeigen||Alles anhören|
1991Collector's Edition - 2 CD Pack - CD Epic 465802 6 (Sony)
|Details anzeigen||Alles anhören|
|CD 1:|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:25|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|8.||Black Or White||4:16|
|9.||Who Is It||6:35|
|10.||Give In To Me||5:28|
|11.||Will You Be There||7:40|
|12.||Keep The Faith||5:57|
|13.||Gone Too Soon||3:22|
|14.||Dangerous||7:00|
|CD 2:|
|1.||Who Is It (IHS Mix)||7:58|
|2.||Black Or White (The Clivillés & Cole House/Club Mix)||7:33|
|3.||Jam (Teddy's Jam)||5:48|
|4.||In The Closet (The Mission)||9:20|
|5.||Give In To Me (Vocal Version)||4:43|
|6.||Remember The Time (Silky Soul 12" Mix)||7:05|
|7.||Rock With You (Masters At Work Remix)||5:29|
|8.||Don't Stop 'Til You Get Enough (Roger's Remix)||6:22|
20.11.2015LP Epic 88875120931 (Sony) / EAN 0888751209312
|Details anzeigen||Alles anhören|
24.08.2018LP Sony 19075866441 (Sony) / EAN 0190758664415
|Details anzeigen||Alles anhören|
12.11.2021LP Epic 19439889101 (Sony) / EAN 0194398891019
|Details anzeigen||Alles anhören|
|Singles - Austria Top 40||Titel||Eintritt||Peak||Wochen|
|Don't Stop 'Til You Get Enough||01.01.1980||11||9|
|Billie Jean||01.04.1983||2||26|
|Beat It||01.07.1983||6||10|
|Say Say Say (Paul McCartney & Michael Jackson)||15.11.1983||10||14|
|I Just Can't Stop Loving You||01.09.1987||5||14|
|Bad||01.11.1987||9||17|
|The Way You Make Me Feel||15.01.1988||15||13|
|Man In The Mirror||01.06.1988||10||26|
|Dirty Diana||15.06.1988||7||32|
|Another Part Of Me||01.10.1988||20||6|
|Smooth Criminal||01.02.1989||17||16|
|Leave Me Alone||01.04.1989||15||10|
|Black Or White||24.11.1991||2||22|
|Remember The Time||08.03.1992||16||12|
|In The Closet||21.06.1992||23||2|
|Who Is It||23.08.1992||5||8|
|Jam||25.10.1992||28||3|
|Heal The World||29.11.1992||4||21|
|Give In To Me||04.04.1993||12||8|
|Will You Be There||15.08.1993||11||17|
|Scream (Michael Jackson & Janet Jackson)||18.06.1995||9||10|
|You Are Not Alone||17.09.1995||2||24|
|Earth Song||26.11.1995||2||25|
|They Don't Care About Us||07.04.1996||2||42|
|Stranger In Moscow||22.09.1996||7||12|
|Why (3T feat. Michael Jackson)||29.09.1996||21||9|
|Blood On The Dance Floor||04.05.1997||9||12|
|History / Ghosts||31.08.1997||36||2|
|You Rock My World||21.10.2001||9||8|
|Cry||16.12.2001||65||2|
|One More Chance||14.12.2003||58||2|
|The Girl Is Mine 2008 (Michael Jackson with will.i.am)||08.02.2008||51||3|
|Beat It 2008 (Michael Jackson with Fergie)||07.03.2008||14||15|
|Thriller||12.09.2008||5||13|
|Hold My Hand (Michael Jackson with Akon)||17.12.2010||9||10|
|Love Never Felt So Good (Michael Jackson & Justin Timberlake)||16.05.2014||20||18|
|Don't Matter To Me (Drake feat. Michael Jackson)||13.07.2018||18||4|
|Alben - Austria Top 40||Titel||Eintritt||Peak||Wochen|
|Thriller||01.02.1983||3||87|
|Bad||15.09.1987||1||78|
|Dangerous||08.12.1991||2||61|
|HIStory: Past, Present And Future - Book I||02.07.1995||2||69|
|Blood On The Dancefloor - History In The Mix||25.05.1997||2||16|
|Invincible||11.11.2001||2||9|
|Number Ones||30.11.2003||11||22|
|The Essential||11.09.2005||8||20|
|Thriller 25||22.02.2008||5||19|
|King Of Pop - The Austrian Limited Edition||12.09.2008||1||76|
|The Collection||10.07.2009||13||16|
|50 - The Motown Years (Michael Jackson & Jackson 5)||17.07.2009||45||4|
|This Is It (Soundtrack / Michael Jackson)||06.11.2009||2||26|
|Michael||24.12.2010||1||9|
|Immortal||02.12.2011||29||2|
|Bad 25||28.09.2012||10||3|
|Xscape||23.05.2014||2||13|
|Scream||13.10.2017||50||2|
super gut!
Jackson as its Best!
...gut...
wurde hier eigentlich auch ein Song n i c h t als Single ausgekoppelt?
Gefährlich Brilliant...
Super Album! Und auch hier wieder nach dreimonatiger Chartsabwesenheit ein Wiedereinstieg in den Top Ten!!!
brilliant!
das letzte wirklich gute jackson album - bisher.
Meine Favs:
Will You Be There
Who Is It
Black Or White
Jam
Dangerous
Why You Wanna Trip On Me
Knappe, aber verdiente 6 Punkte, da dieser Sound damals so was von frisch war. Für mich das Popalbum in Sachen "Überblende von 80s zu 90s-Mucke".
Zuletzt editiert: 13.11.2006 21:53
Gefällt mir auch super gut!!!!
eine der besten cds überhaupt...muss man haben
Mein Lieblingsalbum!!!! es gibt keinen song aus diesem Album der mir missfällt...jeder Song ein Geniestreich und Jacko beweist damit das er der größte Popstar aller Zeiten ist!!!! egal was noch passieren wird...
NACH BAD, DANGEROUS EIN SUPER ALBUM MIT MEGA STARKEN TITELN! EINFACH WELTKLASSE.
ok
Perfekt!!!
Bestes Michael Jackson Album - briliant , innovativ , neu , kann man in x Jahren noch hören -
Perfekt vom Cover - zur Musik
Gefällt mir irgendwie nicht wirklich
Finde auch nicht viel hörenswertes auf diesem Album, kommerziell natürlich ein riesiger Erfolg.
Meiner Meinung nach sein bestes Album. Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht.
Starkes Teil
Megagefährliches Album!!
In der Tat ein perfektes Album:
Die Songs haben durchgehend hohe Qualität ... das kann man einfach durchlaufen lassen - jeder Song ein Vergnügen
ok
brilliant einfach geil
▓ Deze CD van onze kindervriend "Michael" uit eind 1991 bevalt me toch nog steeds prima !!! Er staan toch nog een paar echte klassiekers op de CD !!! Nog net krap 5 sterren !!!
Zuletzt editiert: 04.09.2006 23:15
What's all about this over the 5 minutes track! That somehow spoiled this album although it's nice produced, and "Jam" has to be my favourite out of this album, so as "Will U Be There" from Free Willy movie
Erstaunlicherweise bei uns keine #1 (die wurde von der EAV verteidigt), aber klar (zu Recht) das 3. erfolgreichste Album Michael Jacksons.
Diesmal schlägt er seinen eigenen Rekord und bringt 9 (!!) Singleauskopplungen. Perfekt für die 90er.
Trotz viel Durchschnittsmaterial erreicht die CD immer noch einen Wert von 4.5 plus.
Diese Aussage ist wohl ein Witz: "Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht"...
Zuletzt editiert: 30.11.2011 20:37
Auch hier wieder -> Michael Jackson in Höchstform! Sehr gutes Album!
Kann problemlos an die alten Albem mithalten. Ist sogar mein persönlicher Favorit!
Zuletzt editiert: 01.09.2007 18:54
Sicher viele sehr gute Einzelstücke, aber als Album insgesamt dann eben doch enttäuschend nach Bad und v.a. Thriller.
Ab da tat ich mir keine Alben von ihm mehr zu, sondern beschränkte mich auf gute CD-Maxis von ihm, die er auch zweifellos rausbrachte.
Einfach ein perfektes Album!! Gehört in jede CD-Sammlung!
Gutes Album vom Michael!Top-Hits.
ging an mir vorbei wie die hilton an mir vorbei gehen würde...
Hat mir jahrelang überhaupt nicht zugesagt. Langsam hat es sich aber immer tiefer in meinen Gehörgang eingearbeitet und einen grandiosen Eindruck hinterlassen. Superbes und vor allem zeitloses Album. Hoffentlich findet Jacko zurück zu dieser Form.
unheimlich "dangerous"...
Genial!
"Hammer Album"
ein weiteres meisterwerk vom king!
Wenn man die Musik von Jacko mag, dann fährt dieses Album ein wie ein Hammer. Neben rhythmischen Dance-Songs finden sich hier auch wundervolle Balladen. Musikalisch eher noch eine Stufe höher als der Vorgänger "Bad", eine Art Weiterentwicklung und vielleicht sein bestes Werk überhaupt. Ja, gehört zwingend in jede Sammlung.
Highlights: Why You Wanna Trip On Me / Heal The World / Black Or White / Will You Be There / Gone To Soon / Dangerous
Zuletzt editiert: 09.11.2011 10:12
spitze!
meine Nummer 3 aller MJ Alben! viele tolle Songs!
auch dies ein sehr gelungenes album von jacko. für mich nach "thriller" fast schon das beste.
Edit: vor 30 jahren als kind als mc vom gotti erhalten und auf heavy rotation gehört. Schön, das album 2022 wieder mal zu hören.
Zuletzt editiert: 28.01.2022 12:42
Gefällt mir weniger als Thriller und Bad. Die Songs haben nicht mehr so eine starke Melodie. Trotzdem findet man auf diesem Albun Perlen wie Black Or White.
5 Sterne!
Hat nicht (mehr) viel zu bieten. 5, 9, 11, 12 - that's it!
Sehr gut! Nur Thriller ist noch ein bisschen besser...
erneut ein absolutes meisterwerk. meilenstein der pop-geschichte. hit auf hit auf hit.
Das ist mein absolutes Lieblingsalbum von Jacko, mit sehr vielen Erinnerungen verbunden. Tolle Popsongs.
Edit 01.01.2019: natürlich eine 6! Ein Hammeralbum! Sozusagen ein Best Of mit Zusatzsongs! Toll!
Zuletzt editiert: 01.01.2019 05:16
Tolles album!
Vom Sound her sicherlich das beste MJ Album. Songs wie "Who Is It", "Black Or White", "Remember The Time" oder "Give In To Me" sprechen für sich. Es hat aber auch einen schwachen Titel: "Gone Too Soon" gefällt mir überhaupt nicht. Meiner Meinung nach passt der Song über nicht in den "Dangeros-Sound" und ist der Schwachpunkt der ganzen Scheibe...
Excelente álbum.
Mis canciones favoritas:
1. Remember The Time
2. Black Or White
3. Heal The World.
Superscheibe, ohne Zweifel. Er hätte jedoch auf 2-3 Songs verzichten können.
P.S. Er hatte ja noch zig unveröffentliches Material, das gut und gerne weitere 5-6 Alben bringen würde. Über diese Songs wird wohl noch Jahre gekämpft.
Meisterwerk!
Die großartigen Bewertungen gönne ich ihm, aber für mich gehört das schon nicht mehr zu seinen Meisterwerken. Die Singles nerven heute teilweise, auch sonst gibt es zu viel Füllwerk. Mit viel good will eine 4.
Für mich das beste Jacko-Album, da es am vielseitigsten ist und die meisten guten Songs all seiner Alben beinhaltet.
Meine Favourites: Give in to me, Who is it, Remember the time, Heal the world, Will you be there
Zuletzt editiert: 19.07.2009 00:43
hier war leider gar kein guter song mehr drauf
Wahrscheinlich vor allen Dingen weil es mich durch meine Jugend begleitet hat ist das für mich ebenfalls das Highlight unter den Jackson-Platten. Und noch dazu eines der besten Alben des Jahrzehnts. Wirkliche Schwachstellen finde ich keine höchstensfalls im vorderen Mittelteil einen kurzen Durchhänger.
Favoriten:
1. Will You Be There
2. Who Is It
3. Keep The Faith
4. In The Closet
5. Jam
Hammer!!
Verbleekt (haha) bij z'n vroegere albums Thriller & Bad.
De overgang van de '80 naar de '90 heeft Michael onwijs goed gedaan. Vier jaar duurde het, maar die geweldige stijl is het meer dan waard. Aan de kant Madonna, Britney, GaGa, Justin; Watch out for MJ Power!!
Zuletzt editiert: 05.10.2010 17:36
Mein Lieblingsalbum von MJ.
Mir gefallen wirklich alle Lieder von dem Album, denn sonst habe ich bei vielen Alben songs die mir nicht gefallen aber bei diesem Album nicht.
Highlights:
Dangerous
Who is it
Jam
Remember the time
why you wanna trip on me
she drives me wild
Black or white
6 starke Titel stehen 6 mittelmäßigen und 2 richtig schlechten gegenüber => 4
Zuletzt editiert: 05.01.2010 00:37
Im Vergleich zu seinen vorherigen zwei Hammeralben steht "Dangerous" klar eine Stufe tiefer. Trotzdem finden sich darauf einige ganz tolle Titel. 5*
Ok album by MJ some amazing tracks on this but also some over long duds. UK#1 and Ireland#1.
Re-entry:UK#44 August 2009 RIP Michael Jackson
Zuletzt editiert: 13.03.2019 14:45
Probably my least favourite MJ album as far as album tracks are concerned, but I love all the singles.
Zuletzt editiert: 05.11.2010 11:34
Ohne Zweifel ein legendäres Album der Musikgeschichte. Nicht weniger als 9 der 14 Songs waren weltweite grosse Hits - das gibt's nicht allzu oft. Darunter einige Kracher, die wirklich zeitlos sind: "Black or white", "Jam", "Heal the world", "Give in to me", "In the closet" oder "Will you be there". Muss man einfach kennen.
ich kann es nicht fassen dass es leute gibt die alben als meisterwerke bezeichnen weil das album ein erfolg war
das hat mit der qualität des albums nicht viel zu tun
bei dangerous ist es besonders problematisch objektiv zu bleiben
denn keine frage michael jackson war ein superstar der tolle songs und tolle alben lieferte
allerdings darf man nicht ausser acht lassen dass er sich 4 jahre zeit liess und die besten angesagtesten produzenten und songwriter eroirte und immens viel geld für videoclips ausgab
also musste dieses album wieder ein hit werden
allerdings hab ich das gefühl dass hier versucht wurde den erfolg von bad zu wiederholen und songs zu liefern die nach dem schema der bad hits geschrieben waren
und bei mj besteht die gefahr dass man von seinen videos begeistert ist und ausser acht lässt dass es im kern um die musik geht
black or white zum beispiel wäre ohne million dollar video und von einem anderen künstler nie so ein hit geworden
auf dem album gibt es sehr viele mittelmässige songs und nur wenige perlen wie REMEMBER THE TIME; WHO IS IT
give it to me ( was nach dirty diana pt 2) klingt oder
HEAL THE WORLD( man in the mirror 2)
The thing that stings this album is the singles, even though they are classics it just brings it back to great instead of brilliant.
GENIALES ALBUM!!!!
JEDER SONG IST PERFEKT!!!!
ICH LIEBE DIESES ALBUM!!!
IN DAS VERLIEBT MAN SICH SOFORT!!!!!
THANK YOUR FOR THE MUSIC MICHAEL!!!!
<333333333333333333333333333333333
Zuletzt editiert: 11.01.2011 21:19
In 1991 was dit het langstverwachte album van het jaar. Een van mijn zussen had dit album meteen gekocht en toen ik een avond alleen thuis was, ben ik dit album eens aandachtig gaan beluisteren.
Die eerste indruk is van hoe ik ook nu tegen het album aankijk:
Het album was nu niet geproduceerd door Quincy Jones, maar door Teddy Riley (bekend van "Guy" en "Blackstreet"). dit geeft het album een wat meer urban-geluid en minder strak gepolijste funknummers als op "Thriller" en "Bad". Dit klinkt op zich goed, maar hier en daar is dit te zeer overgeproduceerd.
Sommige nummers hebben overdreven lange intro's en outtro's. Voorbeelden hiervan zijn "Jam", "why you wanna trip on me" en "Dangerous".
Al met al is wel te horen dat Michael niet in de jaren '80 is blijven steken, maar met zijn tijd is meegegaan. Daardoor is het wel een hip album, vandaar 5 sterren!
... insgesamt ein gutes Album ... aber für mich nicht mehr ... für Fans sicher zwingend nötig, für andere eher weniger ....
Sorry Fans, aber
Das Album ist schwach
Lediglich 3 Tracks drauf (Black or White, Heal the world, Dangerous) sind richtig gut, der Rest ist nicht sonderlich der Renner
bravo, WELTKLASSE wie bad!!!!!
warum das in österreich nicht zumindest 1 oche platz 1 war verstehe ich nicht, aber damals war genesis leider wahrscheinlich besser
am besten gefallen mir: jam, in the closet, she drives me wild, remember the time, who is it
Good Album. Highlight off the album is Remember the time
finds super
Sein wohl bestes Album, rauher und düsterer als die Vorgänger und mit Who Is It und Give In To Me sind wohl seine beiden stärksten Nummern drauf.
Encore un album qui traverse les époques sans prendre une ride. La plupart des morceaux ont bénéficié d'une sortie single ! Mes préférés sont "Jam", "Remember The Time", "Black Or White", "In The Closet" et "Give In To Me". Inutile de s'étendre sur le sujet, cet album est incontestablement excellent. Merci Michael <3
Das beste Album hat zwar 2 Songs die nicht beim 1. Hören überzeugen,doch dieses Album hat tausendmal mehr gute songs als Thriller und ist sogar fast doppelt so lang, da die Songs sehr gut mit Gitarrenparts, Intros und allem was dazugehört verlängert wurde. Das Hören dieses perfekten Albums wird nie langweilig, die Beats Hören sich immer wieder anders an. Wäre 1993 nicht DIE Anklage gekommen, hätte sich das Album vielleicht sogar mehr verkaufen können als Thriller. Das Potenzial dazu hätte Es' gehabt...
amazing, one of his best albums
Ein Album mit Höhen und Tiefen.
good
Solid album. Served its purpose for me at least.
ich gebe eine 5
Ich glaube, über die 6 Sterne muss man hier nicht diskutieren!
Dangerous ist für mich neben Off The Wall Michael Jacksons bestes Album. Noch nie hat Michael Jackson so viel experimentiert. Seine Songs Jam, She Drives Me Wild und Can`t Let Her Get Away sind nicht sonderlich melodiös, was für Michael Jackson eher untypisch ist. Dafür ist der Beat bei diesen Songs aber der Hammer.
Viele der Songs auf dem Album "Dangerous" sind sehr düster und dramatisch.
Im zweiten Teil des Albums verzichtet Michael Jackson auf Experimente und setzt grösstenteils auf altbewährtes: melodiöse Songs, die eigentlich schon fast Hitgaranten sind.
Auf jeden Fall ein Hammeralbum. Danach haben die Alben leider in meinen Augen etwas nachgelassen.
Der 80s Sound ist gewichen und Michael kam mit einem neuen Sound zu dem damals neuen Jahrzehnt den 90ern zurück!!!Viele der Songs grooven wie die Hölle.Who is it ist wunderbar düster und dramatisch,Keep it in the closet experimentell aber saustark.Alles in einem ist auch Dangerous eine absolute Kultscheibe.Auch die wenigen unbekannten Songs auf diesem Album sind toll gemacht.
Sehr gutes Album...knapp an der 6 vorbei geschrammt.
Sehr gut.
Kommt für mich nicht annähernd an "Bad" oder gar "Thriller" ran. Sicher - das Album hat einige wirklich gute Songs wie "Who is it" oder "Give in to me". Allerdings auch wirklich viel mittelmäßige Songs, wie "Jam" oder "Dangerous" die teilweise sehr, sehr ähnlich klingen.
In der Gesamtbetrachtung gesehen ein gutes Album. Durchschnitt: 4,64.
Für mich das beste Michael Jackson Album!
Jam 6*
Why You Wanna Trip On Me 5*
In The Closet 6*
She Drives Me Wild 6*
Remember The Time 6*
Can't Let Her Get Away 5*
Heal The World 6*
Black Or White 6*
Who Is It 6*
Give In To Me 6*
Will You Be There 6*
Keep The Faith 5*
Gone Too Soon 5*
Dangerous 6*
Durchschnitt: 5.71 ~ 6*
This is probably my second and majority my last favourite album from Michael Jackson. Although commonly this has to be the longest listen I had starting from "Jam" all the way through the song from the album title. With overlong minutes of 6 and possibly 7 minutes, I still had an enjoyable moment. There is a lot of the New Jack Swing material and I thought there is some pop and funk it's here for a one span. One song I dislike and that is "In The Closet". But the rest I enjoy in a moment will have to be "She Drives Me Wild" and "Keep The Faith" as those two tracks are my highlights.
#11 on my top 100 favourite albums of all time
Zuletzt editiert: 02.11.2020 07:45
Bei den vielen Megahits die da drauf sind kann es nur eine 6 geben auch wenn es natürlich nicht mehr an "Bad" oder "Thriller" herankommt.
Das letzte Topalbum von Michael, leider.
Michaels Hammeralbum Dangerous von 91! Frisch, sexy, experimentierfreudig und innovativ! MJ hatte sich weiterentwickelt und hielt nicht an seinen ganzen Erfolgen aus den 80ern fest, probierte auch ganz neue Sounds. Mit Knallern wie Black or white und Give in to me und mir gefällt die Vielseitigkeit und die Wandlungsfähigkeit. Und doch fügen sich die Tracks zu einem harmonischen Ganzem zusammen. Auch die wo keine Singles wurden, sind top. Habe MJ damals auf der Tour schon live erlebt und 97 ebenso. Hammergeil diese Megashows und unvergessen! Dangerous war damals als Kind schon eines meiner absoluten Lieblingsalben und auch heute gibts klar die 6! Für dieses Werk schloss Jacko übrigens den höchst dotierten Plattenvertrag ever ab.
Zuletzt editiert: 03.11.2020 13:29
Ein Meisterwerk in Sachen Alben - Hit um Hit und einfach absolute Klasse
Für mich persönlich nach HIStory Michaels bestes Album. Alle Songs bekommen fast alle Songs eine glatte 6. Nur Cant Let Her Get Away ist leider nicht so meins, aber MJ kann es auch unmöglich all seinen Millionen Fans mit alle. Songs recht machen. Mein Lieblingssong von Michael Jackson ist auch auf der Scheibe: Will You Be There
Good album but loses a few points for being unnecessarily long
Ook dit album scoort bij mij ruim 5 sterren

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|Jaar:||1991|
|Persoonlijke hitparade:||Aan persoonlijke hitparade toevoegen|
|Binnenkomst:||30/11/1991 (Positie 1)|
|Laatste week notering:||26/03/1994 (Positie 88)|
|Piekpositie:||1 (3 Weken)|
|Chartrun:|
|Aantal weken:||119|
|Positie aller tijden:||78 (7881 Punten)|
|Midprice:||20/12/2003 / Piek: 4 / Weken: 39|
|In de landen:|
Tracks
26/11/1991LP Epic 465802 1 [nl] / EAN 5099746580216
|Toon details||Alles beluisteren|
|LP 1:|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:29|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|LP 2:|
|1.||Black Or White||4:16|
|2.||Who Is It||6:35|
|3.||Give In To Me||5:28|
|4.||Will You Be There||7:40|
|5.||Keep The Faith||5:57|
|6.||Gone Too Soon||3:55|
|7.||Dangerous||7:00|
26/11/1991CD Epic 465802 2 (Sony) / EAN 5099746580223
26/11/1991MC Epic 465802 4 / EAN 5099746580247
15/10/2001Special Edition - CD Epic 5044242 (Sony) / EAN 5099750442425
03/04/2010LP Music On Vinyl MOVLP072 / EAN 0886976862916
04/09/2015CD Epic 88875043892 (Sony) / EAN 0888750438928
|Toon details||Alles beluisteren|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:25|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|8.||Black Or White||4:16|
|9.||Who Is It||6:35|
|10.||Give In To Me||5:28|
|11.||Will You Be There||7:40|
|12.||Keep The Faith||5:57|
|13.||Gone Too Soon||3:22|
|14.||Dangerous||7:00|
1991LP Epic 465802 1 / EAN 5099746580216
1991MC Epic 465802 4 / EAN 5099746580247
|Toon details||Alles beluisteren|
1991Collector's Edition - 2 CD Pack - CD Epic 465802 6 (Sony)
|Toon details||Alles beluisteren|
|CD 1:|
|1.||Jam||5:39|
|2.||Why You Wanna Trip On Me||5:25|
|3.||In The Closet||6:32|
|4.||She Drives Me Wild||3:41|
|5.||Remember The Time||4:00|
|6.||Can't Let Her Get Away||5:02|
|7.||Heal The World||6:24|
|8.||Black Or White||4:16|
|9.||Who Is It||6:35|
|10.||Give In To Me||5:28|
|11.||Will You Be There||7:40|
|12.||Keep The Faith||5:57|
|13.||Gone Too Soon||3:22|
|14.||Dangerous||7:00|
|CD 2:|
|1.||Who Is It (IHS Mix)||7:58|
|2.||Black Or White (The Clivillés & Cole House/Club Mix)||7:33|
|3.||Jam (Teddy's Jam)||5:48|
|4.||In The Closet (The Mission)||9:20|
|5.||Give In To Me (Vocal Version)||4:43|
|6.||Remember The Time (Silky Soul 12" Mix)||7:05|
|7.||Rock With You (Masters At Work Remix)||5:29|
|8.||Don't Stop 'Til You Get Enough (Roger's Remix)||6:22|
20/11/2015LP Epic 88875120931 (Sony) / EAN 0888751209312
|Toon details||Alles beluisteren|
24/08/2018LP Sony 19075866441 (Sony) / EAN 0190758664415
|Toon details||Alles beluisteren|
12/11/2021LP Epic 19439889101 (Sony) / EAN 0194398891019
|Toon details||Alles beluisteren|
|Singles - Dutch Charts||Titel||Binnenkomst||Piek||Weken|
|Ain't No Sunshine||25/11/1972||17||6|
|Ben||02/12/1972||2||19|
|Music And Me||05/01/1974||29||1|
|A Brand New Day (The Wiz Stars feat. Diana Ross & Michael Jackson)||22/09/1979||1||11|
|Don't Stop 'Til You Get Enough||29/09/1979||2||18|
|Ease On Down The Road (Diana Ross / Michael Jackson)||01/12/1979||33||4|
|Off The Wall||15/12/1979||18||12|
|She's Out Of My Life||09/08/1980||13||12|
|One Day In Your Life||11/07/1981||2||16|
|The Girl Is Mine (Michael Jackson / Paul McCartney)||06/11/1982||16||8|
|Billie Jean||29/01/1983||3||32|
|Beat It||30/04/1983||1||26|
|Wanna Be Startin' Somethin'||09/07/1983||3||14|
|Human Nature||10/09/1983||11||9|
|Say Say Say (Paul McCartney & Michael Jackson)||22/10/1983||8||9|
|Thriller||17/12/1983||4||21|
|P.Y.T. (Pretty Young Thing)||17/03/1984||14||10|
|I Just Can't Stop Loving You||01/08/1987||1||16|
|Bad||12/09/1987||1||22|
|The Way You Make Me Feel||28/11/1987||6||19|
|Man In The Mirror||20/02/1988||13||14|
|I Want You Back '88 Remix (Michael Jackson with The Jackson 5)||07/05/1988||13||10|
|Get It (Stevie Wonder & Michael Jackson)||07/05/1988||24||10|
|Dirty Diana||21/05/1988||2||23|
|Another Part Of Me||06/08/1988||8||10|
|Smooth Criminal||29/10/1988||1||26|
|Leave Me Alone||25/02/1989||5||15|
|Liberian Girl||08/07/1989||14||14|
|Black Or White||16/11/1991||2||22|
|Remember The Time||08/02/1992||4||19|
|In The Closet||25/04/1992||9||14|
|Who Is It||04/07/1992||13||10|
|Jam||12/09/1992||12||11|
|Heal The World||14/11/1992||4||19|
|Give In To Me||13/03/1993||4||11|
|Will You Be There||10/07/1993||3||19|
|Gone Too Soon||11/12/1993||20||7|
|Scream (Michael Jackson & Janet Jackson)||10/06/1995||4||7|
|You Are Not Alone||26/08/1995||6||21|
|Earth Song||25/11/1995||3||23|
|They Don't Care About Us||13/04/1996||4||20|
|Why (3T feat. Michael Jackson)||24/08/1996||13||11|
|Stranger In Moscow||21/09/1996||6||15|
|Blood On The Dance Floor||26/04/1997||7||13|
|History / Ghosts||05/07/1997||14||17|
|You Rock My World||20/10/2001||2||14|
|Cry||15/12/2001||39||6|
|One More Chance||06/12/2003||28||9|
|Rock With You||04/03/2006||22||6|
|The Girl Is Mine 2008 (Michael Jackson with will.i.am)||26/01/2008||12||8|
|Hold My Hand (Michael Jackson with Akon)||20/11/2010||27||8|
|Love Never Felt So Good (Michael Jackson & Justin Timberlake)||10/05/2014||2||27|
|A Place With No Name||17/05/2014||24||2|
|Loving You||17/05/2014||42||1|
|Slave To The Rhythm||17/05/2014||48||2|
|Chicago||17/05/2014||53||1|
|Do You Know Where Your Children Are||17/05/2014||62||1|
|Xscape||17/05/2014||63||1|
|Blue Gangsta||17/05/2014||77||1|
|Don't Matter To Me (Drake feat. Michael Jackson)||07/07/2018||7||8|
|Albums - Dutch Charts||Titel||Binnenkomst||Piek||Weken|
|Off The Wall||06/10/1979||8||9|
|The Best Of Michael Jackson||01/08/1981||3||10|
|Thriller||18/12/1982||1||183|
|18 Greatest Hits (Michael Jackson Plus The Jackson 5)||19/05/1984||23||9|
|Farewell My Summer Love||30/06/1984||47||1|
|Bad||12/09/1987||1||109|
|Dangerous||30/11/1991||1||119|
|HIStory: Past, Present And Future - Book I||01/07/1995||1||108|
|Blood On The Dancefloor - History In The Mix||24/05/1997||1||21|
|Thriller (Special Edition)||27/10/2001||77||4|
|Bad (Special Edition)||10/11/2001||96||2|
|Invincible||10/11/2001||1||13|
|Number Ones||29/11/2003||17||21|
|The Ultimate Collection||27/11/2004||46||8|
|The Essential||23/07/2005||19||12|
|Thriller 25||16/02/2008||2||24|
|King Of Pop - The Dutch Collection||06/09/2008||1||59|
|The Collection||04/07/2009||2||46|
|50 - The Motown Years (Michael Jackson & Jackson 5)||04/07/2009||4||14|
|Gold||25/07/2009||60||1|
|This Is It (Soundtrack / Michael Jackson)||31/10/2009||1||48|
|Michael||18/12/2010||1||9|
|Immortal||26/11/2011||17||8|
|Bad 25||22/09/2012||6||8|
|Xscape||17/05/2014||2||23|
|Off The Wall - Deluxe Reissue||05/03/2016||10||5|
|Scream||07/10/2017||30||2|
|DVD Music - Dutch Charts||Titel||Binnenkomst||Piek||Weken|
|Number Ones [DVD]||29/11/2003||12||14|
|History On Film - Volume II [DVD]||06/03/2004||27||3|
|Live In Bucharest: The Dangerous Tour [DVD]||30/07/2005||2||18|
|One Night In Japan [DVD]||11/04/2009||1||8|
|Michael Jackson - A Life [DVD]||15/08/2009||13||2|
|Michael Jackson's Vision [DVD]||27/11/2010||3||24|
|Live At Wembley July 16, 1988 [DVD]||22/09/2012||1||76|
▓ Deze CD van onze kindervriend "Michael" uit eind 1991 bevalt me toch nog steeds prima !!! Er staan toch nog een paar echte klassiekers op de CD !!! Nog net krap 5 sterren !!!
Laatst gewijzigd: 04/09/2006 23:15
What's all about this over the 5 minutes track! That somehow spoiled this album although it's nice produced, and "Jam" has to be my favourite out of this album, so as "Will U Be There" from Free Willy movie
Verbleekt (haha) bij z'n vroegere albums Thriller & Bad.
De overgang van de '80 naar de '90 heeft Michael onwijs goed gedaan. Vier jaar duurde het, maar die geweldige stijl is het meer dan waard. Aan de kant Madonna, Britney, GaGa, Justin; Watch out for MJ Power!!
Laatst gewijzigd: 05/10/2010 17:36
Ok album by MJ some amazing tracks on this but also some over long duds. UK#1 and Ireland#1.
Re-entry:UK#44 August 2009 RIP Michael Jackson
Laatst gewijzigd: 13/03/2019 14:45
Probably my least favourite MJ album as far as album tracks are concerned, but I love all the singles.
Laatst gewijzigd: 05/11/2010 11:34
The thing that stings this album is the singles, even though they are classics it just brings it back to great instead of brilliant.
In 1991 was dit het langstverwachte album van het jaar. Een van mijn zussen had dit album meteen gekocht en toen ik een avond alleen thuis was, ben ik dit album eens aandachtig gaan beluisteren.
Die eerste indruk is van hoe ik ook nu tegen het album aankijk:
Het album was nu niet geproduceerd door Quincy Jones, maar door Teddy Riley (bekend van "Guy" en "Blackstreet"). dit geeft het album een wat meer urban-geluid en minder strak gepolijste funknummers als op "Thriller" en "Bad". Dit klinkt op zich goed, maar hier en daar is dit te zeer overgeproduceerd.
Sommige nummers hebben overdreven lange intro's en outtro's. Voorbeelden hiervan zijn "Jam", "why you wanna trip on me" en "Dangerous".
Al met al is wel te horen dat Michael niet in de jaren '80 is blijven steken, maar met zijn tijd is meegegaan. Daardoor is het wel een hip album, vandaar 5 sterren!
Good Album. Highlight off the album is Remember the time
amazing, one of his best albums
Solid album. Served its purpose for me at least.
Für mich das beste Michael Jackson Album!
Jam 6*
Why You Wanna Trip On Me 5*
In The Closet 6*
She Drives Me Wild 6*
Remember The Time 6*
Can't Let Her Get Away 5*
Heal The World 6*
Black Or White 6*
Who Is It 6*
Give In To Me 6*
Will You Be There 6*
Keep The Faith 5*
Gone Too Soon 5*
Dangerous 6*
Durchschnitt: 5.71 ~ 6*
This is probably my second and majority my last favourite album from Michael Jackson. Although commonly this has to be the longest listen I had starting from "Jam" all the way through the song from the album title. With overlong minutes of 6 and possibly 7 minutes, I still had an enjoyable moment. There is a lot of the New Jack Swing material and I thought there is some pop and funk it's here for a one span. One song I dislike and that is "In The Closet". But the rest I enjoy in a moment will have to be "She Drives Me Wild" and "Keep The Faith" as those two tracks are my highlights.
#11 on my top 100 favourite albums of all time
Laatst gewijzigd: 02/11/2020 07:45
Good album but loses a few points for being unnecessarily long
Ook dit album scoort bij mij ruim 5 sterren

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super gut!
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Jackson as its Best!
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...gut...
******
wurde hier eigentlich auch ein Song n i c h t als Single ausgekoppelt?
*****
Gefährlich Brilliant...
******
Super Album! Und auch hier wieder nach dreimonatiger Chartsabwesenheit ein Wiedereinstieg in den Top Ten!!!
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brilliant!
******
das letzte wirklich gute jackson album - bisher.

Meine Favs:

Will You Be There
Who Is It
Black Or White
Jam
Dangerous
Why You Wanna Trip On Me

Knappe, aber verdiente 6 Punkte, da dieser Sound damals so was von frisch war. Für mich das Popalbum in Sachen "Überblende von 80s zu 90s-Mucke".Last edited: 13.11.2006 21:53
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Gefällt mir auch super gut!!!!
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eine der besten cds überhaupt...muss man haben
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Mein Lieblingsalbum!!!! es gibt keinen song aus diesem Album der mir missfällt...jeder Song ein Geniestreich und Jacko beweist damit das er der größte Popstar aller Zeiten ist!!!! egal was noch passieren wird...
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NACH BAD, DANGEROUS EIN SUPER ALBUM MIT MEGA STARKEN TITELN! EINFACH WELTKLASSE.
****
ok
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Perfekt!!!
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Bestes Michael Jackson Album - briliant , innovativ , neu , kann man in x Jahren noch hören -
Perfekt vom Cover - zur Musik
**
Gefällt mir irgendwie nicht wirklich
***
Finde auch nicht viel hörenswertes auf diesem Album, kommerziell natürlich ein riesiger Erfolg.
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Meiner Meinung nach sein bestes Album. Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht.
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Starkes Teil
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Megagefährliches Album!!
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In der Tat ein perfektes Album:

Die Songs haben durchgehend hohe Qualität ... das kann man einfach durchlaufen lassen - jeder Song ein Vergnügen
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ok
******
brilliant einfach geil
*****
▓ Deze CD van onze kindervriend "Michael" uit eind 1991 bevalt me toch nog steeds prima !!! Er staan toch nog een paar echte klassiekers op de CD !!! Nog net krap 5 sterren !!!Last edited: 04.09.2006 23:15
****
What's all about this over the 5 minutes track! That somehow spoiled this album although it's nice produced, and "Jam" has to be my favourite out of this album, so as "Will U Be There" from Free Willy movie
*****
Erstaunlicherweise bei uns keine #1 (die wurde von der EAV verteidigt), aber klar (zu Recht) das 3. erfolgreichste Album Michael Jacksons.
Diesmal schlägt er seinen eigenen Rekord und bringt 9 (!!) Singleauskopplungen. Perfekt für die 90er.
Trotz viel Durchschnittsmaterial erreicht die CD immer noch einen Wert von 4.5 plus.
Diese Aussage ist wohl ein Witz: "Besser als Thriller und Bad. Obwohl, diese zwei Alben sind auch nicht schlecht"...
Last edited: 30.11.2011 20:37
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Auch hier wieder -> Michael Jackson in Höchstform! Sehr gutes Album!
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Kann problemlos an die alten Albem mithalten. Ist sogar mein persönlicher Favorit!Last edited: 01.09.2007 18:54
****
Sicher viele sehr gute Einzelstücke, aber als Album insgesamt dann eben doch enttäuschend nach Bad und v.a. Thriller.
Ab da tat ich mir keine Alben von ihm mehr zu, sondern beschränkte mich auf gute CD-Maxis von ihm, die er auch zweifellos rausbrachte.
******
Einfach ein perfektes Album!! Gehört in jede CD-Sammlung!
*****
Gutes Album vom Michael!Top-Hits.
***
ging an mir vorbei wie die hilton an mir vorbei gehen würde...
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Hat mir jahrelang überhaupt nicht zugesagt. Langsam hat es sich aber immer tiefer in meinen Gehörgang eingearbeitet und einen grandiosen Eindruck hinterlassen. Superbes und vor allem zeitloses Album. Hoffentlich findet Jacko zurück zu dieser Form.
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unheimlich "dangerous"...
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Genial!
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"Hammer Album"
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ein weiteres meisterwerk vom king!
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Wenn man die Musik von Jacko mag, dann fährt dieses Album ein wie ein Hammer. Neben rhythmischen Dance-Songs finden sich hier auch wundervolle Balladen. Musikalisch eher noch eine Stufe höher als der Vorgänger "Bad", eine Art Weiterentwicklung und vielleicht sein bestes Werk überhaupt. Ja, gehört zwingend in jede Sammlung.

Highlights: Why You Wanna Trip On Me / Heal The World / Black Or White / Will You Be There / Gone To Soon / DangerousLast edited: 09.11.2011 10:12
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spitze!
****
meine Nummer 3 aller MJ Alben! viele tolle Songs!
*****
auch dies ein sehr gelungenes album von jacko. für mich nach "thriller" fast schon das beste.

Edit: vor 30 jahren als kind als mc vom gotti erhalten und auf heavy rotation gehört. Schön, das album 2022 wieder mal zu hören.Last edited: 28.01.2022 12:42
*****
Gefällt mir weniger als Thriller und Bad. Die Songs haben nicht mehr so eine starke Melodie. Trotzdem findet man auf diesem Albun Perlen wie Black Or White.

5 Sterne!
***
Hat nicht (mehr) viel zu bieten. 5, 9, 11, 12 - that's it!
*****
Sehr gut! Nur Thriller ist noch ein bisschen besser...
******
erneut ein absolutes meisterwerk. meilenstein der pop-geschichte. hit auf hit auf hit.
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Das ist mein absolutes Lieblingsalbum von Jacko, mit sehr vielen Erinnerungen verbunden. Tolle Popsongs.
Edit 01.01.2019: natürlich eine 6! Ein Hammeralbum! Sozusagen ein Best Of mit Zusatzsongs! Toll!Last edited: 01.01.2019 05:16
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Tolles album!
******
Vom Sound her sicherlich das beste MJ Album. Songs wie "Who Is It", "Black Or White", "Remember The Time" oder "Give In To Me" sprechen für sich. Es hat aber auch einen schwachen Titel: "Gone Too Soon" gefällt mir überhaupt nicht. Meiner Meinung nach passt der Song über nicht in den "Dangeros-Sound" und ist der Schwachpunkt der ganzen Scheibe...
******
Excelente álbum.
Mis canciones favoritas:
1. Remember The Time
2. Black Or White
3. Heal The World.
******
Superscheibe, ohne Zweifel. Er hätte jedoch auf 2-3 Songs verzichten können.

P.S. Er hatte ja noch zig unveröffentliches Material, das gut und gerne weitere 5-6 Alben bringen würde. Über diese Songs wird wohl noch Jahre gekämpft.
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Meisterwerk!
****
Die großartigen Bewertungen gönne ich ihm, aber für mich gehört das schon nicht mehr zu seinen Meisterwerken. Die Singles nerven heute teilweise, auch sonst gibt es zu viel Füllwerk. Mit viel good will eine 4.
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Für mich das beste Jacko-Album, da es am vielseitigsten ist und die meisten guten Songs all seiner Alben beinhaltet.
Meine Favourites: Give in to me, Who is it, Remember the time, Heal the world, Will you be thereLast edited: 19.07.2009 00:43
**
hier war leider gar kein guter song mehr drauf
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Wahrscheinlich vor allen Dingen weil es mich durch meine Jugend begleitet hat ist das für mich ebenfalls das Highlight unter den Jackson-Platten. Und noch dazu eines der besten Alben des Jahrzehnts. Wirkliche Schwachstellen finde ich keine höchstensfalls im vorderen Mittelteil einen kurzen Durchhänger.
Favoriten:
1. Will You Be There
2. Who Is It
3. Keep The Faith
4. In The Closet
5. Jam
******
Hammer!!
****
Verbleekt (haha) bij z'n vroegere albums Thriller & Bad.
******
De overgang van de '80 naar de '90 heeft Michael onwijs goed gedaan. Vier jaar duurde het, maar die geweldige stijl is het meer dan waard. Aan de kant Madonna, Britney, GaGa, Justin; Watch out for MJ Power!!Last edited: 05.10.2010 17:36
******
Mein Lieblingsalbum von MJ.

Mir gefallen wirklich alle Lieder von dem Album, denn sonst habe ich bei vielen Alben songs die mir nicht gefallen aber bei diesem Album nicht.
Highlights:

Dangerous
Who is it
Jam
Remember the time
why you wanna trip on me
she drives me wild
Black or white
****
6 starke Titel stehen 6 mittelmäßigen und 2 richtig schlechten gegenüber => 4Last edited: 05.01.2010 00:37
*****
Im Vergleich zu seinen vorherigen zwei Hammeralben steht "Dangerous" klar eine Stufe tiefer. Trotzdem finden sich darauf einige ganz tolle Titel. 5*
****
Ok album by MJ some amazing tracks on this but also some over long duds. UK#1 and Ireland#1.

Re-entry:UK#44 August 2009 RIP Michael JacksonLast edited: 13.03.2019 14:45
*****
Probably my least favourite MJ album as far as album tracks are concerned, but I love all the singles.Last edited: 05.11.2010 11:34
*****
Ohne Zweifel ein legendäres Album der Musikgeschichte. Nicht weniger als 9 der 14 Songs waren weltweite grosse Hits - das gibt's nicht allzu oft. Darunter einige Kracher, die wirklich zeitlos sind: "Black or white", "Jam", "Heal the world", "Give in to me", "In the closet" oder "Will you be there". Muss man einfach kennen.
***
ich kann es nicht fassen dass es leute gibt die alben als meisterwerke bezeichnen weil das album ein erfolg war

das hat mit der qualität des albums nicht viel zu tun

bei dangerous ist es besonders problematisch objektiv zu bleiben

denn keine frage michael jackson war ein superstar der tolle songs und tolle alben lieferte

allerdings darf man nicht ausser acht lassen dass er sich 4 jahre zeit liess und die besten angesagtesten produzenten und songwriter eroirte und immens viel geld für videoclips ausgab

also musste dieses album wieder ein hit werden

allerdings hab ich das gefühl dass hier versucht wurde den erfolg von bad zu wiederholen und songs zu liefern die nach dem schema der bad hits geschrieben waren

und bei mj besteht die gefahr dass man von seinen videos begeistert ist und ausser acht lässt dass es im kern um die musik geht

black or white zum beispiel wäre ohne million dollar video und von einem anderen künstler nie so ein hit geworden

auf dem album gibt es sehr viele mittelmässige songs und nur wenige perlen wie REMEMBER THE TIME; WHO IS IT
give it to me ( was nach dirty diana pt 2) klingt oder
HEAL THE WORLD( man in the mirror 2)
****
The thing that stings this album is the singles, even though they are classics it just brings it back to great instead of brilliant.
******
GENIALES ALBUM!!!!
JEDER SONG IST PERFEKT!!!!
ICH LIEBE DIESES ALBUM!!!
IN DAS VERLIEBT MAN SICH SOFORT!!!!!
THANK YOUR FOR THE MUSIC MICHAEL!!!!
<333333333333333333333333333333333Last edited: 11.01.2011 21:19
*****
In 1991 was dit het langstverwachte album van het jaar. Een van mijn zussen had dit album meteen gekocht en toen ik een avond alleen thuis was, ben ik dit album eens aandachtig gaan beluisteren.
Die eerste indruk is van hoe ik ook nu tegen het album aankijk:
Het album was nu niet geproduceerd door Quincy Jones, maar door Teddy Riley (bekend van "Guy" en "Blackstreet"). dit geeft het album een wat meer urban-geluid en minder strak gepolijste funknummers als op "Thriller" en "Bad". Dit klinkt op zich goed, maar hier en daar is dit te zeer overgeproduceerd.
Sommige nummers hebben overdreven lange intro's en outtro's. Voorbeelden hiervan zijn "Jam", "why you wanna trip on me" en "Dangerous".
Al met al is wel te horen dat Michael niet in de jaren '80 is blijven steken, maar met zijn tijd is meegegaan. Daardoor is het wel een hip album, vandaar 5 sterren!
****
... insgesamt ein gutes Album ... aber für mich nicht mehr ... für Fans sicher zwingend nötig, für andere eher weniger ....
**
Sorry Fans, aber
Das Album ist schwach
Lediglich 3 Tracks drauf (Black or White, Heal the world, Dangerous) sind richtig gut, der Rest ist nicht sonderlich der Renner
******
bravo, WELTKLASSE wie bad!!!!!
warum das in österreich nicht zumindest 1 oche platz 1 war verstehe ich nicht, aber damals war genesis leider wahrscheinlich besser
am besten gefallen mir: jam, in the closet, she drives me wild, remember the time, who is it
****
Good Album. Highlight off the album is Remember the time
******
finds super
******
Sein wohl bestes Album, rauher und düsterer als die Vorgänger und mit Who Is It und Give In To Me sind wohl seine beiden stärksten Nummern drauf.
******
Encore un album qui traverse les époques sans prendre une ride. La plupart des morceaux ont bénéficié d'une sortie single ! Mes préférés sont "Jam", "Remember The Time", "Black Or White", "In The Closet" et "Give In To Me". Inutile de s'étendre sur le sujet, cet album est incontestablement excellent. Merci Michael <3
******
Das beste Album hat zwar 2 Songs die nicht beim 1. Hören überzeugen,doch dieses Album hat tausendmal mehr gute songs als Thriller und ist sogar fast doppelt so lang, da die Songs sehr gut mit Gitarrenparts, Intros und allem was dazugehört verlängert wurde. Das Hören dieses perfekten Albums wird nie langweilig, die Beats Hören sich immer wieder anders an. Wäre 1993 nicht DIE Anklage gekommen, hätte sich das Album vielleicht sogar mehr verkaufen können als Thriller. Das Potenzial dazu hätte Es' gehabt...
******
amazing, one of his best albums
****
Ein Album mit Höhen und Tiefen.
******
good
****
Solid album. Served its purpose for me at least.
*****
ich gebe eine 5
******
Ich glaube, über die 6 Sterne muss man hier nicht diskutieren!
******
Dangerous ist für mich neben Off The Wall Michael Jacksons bestes Album. Noch nie hat Michael Jackson so viel experimentiert. Seine Songs Jam, She Drives Me Wild und Can`t Let Her Get Away sind nicht sonderlich melodiös, was für Michael Jackson eher untypisch ist. Dafür ist der Beat bei diesen Songs aber der Hammer.
Viele der Songs auf dem Album "Dangerous" sind sehr düster und dramatisch.
Im zweiten Teil des Albums verzichtet Michael Jackson auf Experimente und setzt grösstenteils auf altbewährtes: melodiöse Songs, die eigentlich schon fast Hitgaranten sind.
Auf jeden Fall ein Hammeralbum. Danach haben die Alben leider in meinen Augen etwas nachgelassen.
******
Der 80s Sound ist gewichen und Michael kam mit einem neuen Sound zu dem damals neuen Jahrzehnt den 90ern zurück!!!Viele der Songs grooven wie die Hölle.Who is it ist wunderbar düster und dramatisch,Keep it in the closet experimentell aber saustark.Alles in einem ist auch Dangerous eine absolute Kultscheibe.Auch die wenigen unbekannten Songs auf diesem Album sind toll gemacht.
*****

Sehr gutes Album...knapp an der 6 vorbei geschrammt.
*****
Sehr gut.
****
Kommt für mich nicht annähernd an "Bad" oder gar "Thriller" ran. Sicher - das Album hat einige wirklich gute Songs wie "Who is it" oder "Give in to me". Allerdings auch wirklich viel mittelmäßige Songs, wie "Jam" oder "Dangerous" die teilweise sehr, sehr ähnlich klingen.
*****
In der Gesamtbetrachtung gesehen ein gutes Album. Durchschnitt: 4,64.
******
Für mich das beste Michael Jackson Album!

Jam 6*
Why You Wanna Trip On Me 5*
In The Closet 6*
She Drives Me Wild 6*
Remember The Time 6*
Can't Let Her Get Away 5*
Heal The World 6*
Black Or White 6*
Who Is It 6*
Give In To Me 6*
Will You Be There 6*
Keep The Faith 5*
Gone Too Soon 5*
Dangerous 6*

Durchschnitt: 5.71 ~ 6*
*****
This is probably my second and majority my last favourite album from Michael Jackson. Although commonly this has to be the longest listen I had starting from "Jam" all the way through the song from the album title. With overlong minutes of 6 and possibly 7 minutes, I still had an enjoyable moment. There is a lot of the New Jack Swing material and I thought there is some pop and funk it's here for a one span. One song I dislike and that is "In The Closet". But the rest I enjoy in a moment will have to be "She Drives Me Wild" and "Keep The Faith" as those two tracks are my highlights.

#11 on my top 100 favourite albums of all timeLast edited: 02.11.2020 07:45
******
Bei den vielen Megahits die da drauf sind kann es nur eine 6 geben auch wenn es natürlich nicht mehr an "Bad" oder "Thriller" herankommt.
******
Das letzte Topalbum von Michael, leider.
******
Michaels Hammeralbum Dangerous von 91! Frisch, sexy, experimentierfreudig und innovativ! MJ hatte sich weiterentwickelt und hielt nicht an seinen ganzen Erfolgen aus den 80ern fest, probierte auch ganz neue Sounds. Mit Knallern wie Black or white und Give in to me und mir gefällt die Vielseitigkeit und die Wandlungsfähigkeit. Und doch fügen sich die Tracks zu einem harmonischen Ganzem zusammen. Auch die wo keine Singles wurden, sind top. Habe MJ damals auf der Tour schon live erlebt und 97 ebenso. Hammergeil diese Megashows und unvergessen! Dangerous war damals als Kind schon eines meiner absoluten Lieblingsalben und auch heute gibts klar die 6! Für dieses Werk schloss Jacko übrigens den höchst dotierten Plattenvertrag ever ab. Last edited: 03.11.2020 13:29
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Ein Meisterwerk in Sachen Alben - Hit um Hit und einfach absolute Klasse
******
Für mich persönlich nach HIStory Michaels bestes Album. Alle Songs bekommen fast alle Songs eine glatte 6. Nur Cant Let Her Get Away ist leider nicht so meins, aber MJ kann es auch unmöglich all seinen Millionen Fans mit alle. Songs recht machen. Mein Lieblingssong von Michael Jackson ist auch auf der Scheibe: Will You Be There
****
Good album but loses a few points for being unnecessarily long
*****
Ook dit album scoort bij mij ruim 5 sterren

Michael Jackson – Dangerous
Album
Jahr
1991
5.2
97 Bewertungen
97 Bewertungen
Album-Hitparade
Einstieg
01.12.1991 (Rang 1)
Zuletzt
02.08.2009 (Rang 82)
Peak
1 (3 Wochen)
Anzahl Wochen
40
271 (3436 Punkte)
Weltweit
LP
26.11.1991
EAN 5099746580216
LP 1:
LP 2:
1
4:16
3
5:28
4
7:40
5
5:57
6
3:55
CD
26.11.1991
EAN 5099746580223
MC Epic 465802 4 / EAN 5099746580247
26.11.1991
Special Edition – CD Epic 5044242 (Sony) / EAN 5099750442425
15.10.2001
LP Music On Vinyl MOVLP072 / EAN 0886976862916
03.04.2010
CD Epic 88875043892 (Sony) / EAN 0888750438928
04.09.2015
8
4:16
10
5:28
11
7:40
12
5:57
13
3:22
LP
1991
EAN 5099746580216
MC Epic 465802 4 / EAN 5099746580247
1991
Collector's Edition - 2 CD Pack – CD
1991
CD 1:
8
4:16
10
5:28
11
7:40
12
5:57
13
3:22
CD 2:
1
Who Is It (IHS Mix)
7:58
2
Black Or White (The Clivillés & Cole House/Club Mix)
7:33
3
Jam (Teddy's Jam)
5:48
4
In The Closet (The Mission)
9:20
5
Give In To Me (Vocal Version)
4:43
6
Remember The Time (Silky Soul 12" Mix)
7:05
7
Rock With You (Masters At Work Remix)
5:29
8
Don't Stop 'Til You Get Enough (Roger's Remix)
6:22
LP
20.11.2015
EAN 0888751209312
LP
24.08.2018
EAN 0190758664415
LP
12.11.2021
EAN 0194398891019
Michael Jackson
Singles - Schweizer Hitparade
Titel
Eintritt
Peak
Wochen
Don't Stop 'Til You Get Enough
Eintritt: 06.01.1980 | Peak: 4 | Wochen: 11
06.01.1980
4
11
Billie Jean
Eintritt: 27.03.1983 | Peak: 1 | Wochen: 34
27.03.1983
1
34
Say Say Say (Paul McCartney & Michael Jackson)
Eintritt: 06.11.1983 | Peak: 2 | Wochen: 17
06.11.1983
2
17
I Just Can't Stop Loving You
Eintritt: 09.08.1987 | Peak: 2 | Wochen: 15
09.08.1987
2
15
The Way You Make Me Feel
Eintritt: 13.12.1987 | Peak: 8 | Wochen: 13
13.12.1987
8
13
Dirty Diana
Eintritt: 05.06.1988 | Peak: 3 | Wochen: 21
05.06.1988
3
21
Another Part Of Me
Eintritt: 21.08.1988 | Peak: 5 | Wochen: 8
21.08.1988
5
8
Smooth Criminal
Eintritt: 27.11.1988 | Peak: 5 | Wochen: 22
27.11.1988
5
22
Leave Me Alone
Eintritt: 19.03.1989 | Peak: 10 | Wochen: 7
19.03.1989
10
7
Liberian Girl
Eintritt: 23.07.1989 | Peak: 12 | Wochen: 11
23.07.1989
12
11
Black Or White
Eintritt: 17.11.1991 | Peak: 1 | Wochen: 29
17.11.1991
1
29
Remember The Time
Eintritt: 23.02.1992 | Peak: 4 | Wochen: 19
23.02.1992
4
19
In The Closet
Eintritt: 24.05.1992 | Peak: 25 | Wochen: 3
24.05.1992
25
3
Heal The World
Eintritt: 29.11.1992 | Peak: 5 | Wochen: 27
29.11.1992
5
27
Give In To Me
Eintritt: 21.03.1993 | Peak: 7 | Wochen: 16
21.03.1993
7
16
Will You Be There
Eintritt: 18.07.1993 | Peak: 3 | Wochen: 21
18.07.1993
3
21
Gone Too Soon
Eintritt: 09.01.1994 | Peak: 33 | Wochen: 4
09.01.1994
33
4
You Are Not Alone
Eintritt: 03.09.1995 | Peak: 1 | Wochen: 28
03.09.1995
1
28
Earth Song
Eintritt: 19.11.1995 | Peak: 1 | Wochen: 32
19.11.1995
1
32
They Don't Care About Us
Eintritt: 31.03.1996 | Peak: 3 | Wochen: 31
31.03.1996
3
31
Stranger In Moscow
Eintritt: 22.09.1996 | Peak: 5 | Wochen: 15
22.09.1996
5
15
Blood On The Dance Floor
Eintritt: 04.05.1997 | Peak: 5 | Wochen: 18
04.05.1997
5
18
History / Ghosts
Eintritt: 03.08.1997 | Peak: 16 | Wochen: 16
03.08.1997
16
16
You Rock My World
Eintritt: 21.10.2001 | Peak: 5 | Wochen: 18
21.10.2001
5
18
One More Chance
Eintritt: 07.12.2003 | Peak: 24 | Wochen: 4
07.12.2003
24
4
The Girl Is Mine 2008 (Michael Jackson with will.i.am)
Eintritt: 10.02.2008 | Peak: 47 | Wochen: 8
10.02.2008
47
8
Beat It 2008 (Michael Jackson with Fergie)
Eintritt: 24.02.2008 | Peak: 26 | Wochen: 6
24.02.2008
26
6
Wanna Be Startin' Somethin'
Eintritt: 24.02.2008 | Peak: 30 | Wochen: 10
24.02.2008
30
10
Man In The Mirror
Eintritt: 12.07.2009 | Peak: 22 | Wochen: 3
12.07.2009
22
3
Human Nature
Eintritt: 12.07.2009 | Peak: 46 | Wochen: 3
12.07.2009
46
3
Maria (You Were The Only One)
Eintritt: 12.07.2009 | Peak: 62 | Wochen: 1
12.07.2009
62
1
Rock With You
Eintritt: 12.07.2009 | Peak: 68 | Wochen: 3
12.07.2009
68
3
Off The Wall
Eintritt: 12.07.2009 | Peak: 81 | Wochen: 1
12.07.2009
81
1
P.Y.T. (Pretty Young Thing)
Eintritt: 12.07.2009 | Peak: 92 | Wochen: 1
12.07.2009
92
1
She's Out Of My Life
Eintritt: 12.07.2009 | Peak: 97 | Wochen: 1
12.07.2009
97
1
Ain't No Sunshine
Eintritt: 12.07.2009 | Peak: 99 | Wochen: 1
12.07.2009
99
1
Hold My Hand (Michael Jackson with Akon)
Eintritt: 19.12.2010 | Peak: 9 | Wochen: 11
19.12.2010
9
11
Love Never Felt So Good (Michael Jackson & Justin Timberlake)
Eintritt: 11.05.2014 | Peak: 15 | Wochen: 18
11.05.2014
15
18
Don't Matter To Me (Drake feat. Michael Jackson)
Eintritt: 08.07.2018 | Peak: 5 | Wochen: 7
08.07.2018
5
7
Alben - Schweizer Hitparade
Titel
Eintritt
Peak
Wochen
HIStory: Past, Present And Future - Book I
Eintritt: 25.06.1995 | Peak: 1 | Wochen: 70
25.06.1995
1
70
Blood On The Dancefloor - History In The Mix
Eintritt: 25.05.1997 | Peak: 2 | Wochen: 23
25.05.1997
2
23
Thriller (Special Edition)
Eintritt: 28.10.2001 | Peak: 38 | Wochen: 4
28.10.2001
38
4
Bad (Special Edition)
Eintritt: 28.10.2001 | Peak: 63 | Wochen: 3
28.10.2001
63
3
Invincible
Eintritt: 11.11.2001 | Peak: 1 | Wochen: 16
11.11.2001
1
16
Greatest Hits - History Vol. 1
Eintritt: 25.11.2001 | Peak: 45 | Wochen: 7
25.11.2001
45
7
Number Ones
Eintritt: 30.11.2003 | Peak: 9 | Wochen: 37
30.11.2003
9
37
The Essential
Eintritt: 31.07.2005 | Peak: 2 | Wochen: 36
31.07.2005
2
36
Thriller 25
Eintritt: 24.02.2008 | Peak: 1 | Wochen: 35
24.02.2008
1
35
King Of Pop - German Edition
Eintritt: 07.09.2008 | Peak: 1 | Wochen: 50
07.09.2008
1
50
The Collection
Eintritt: 12.07.2009 | Peak: 4 | Wochen: 19
12.07.2009
4
19
Off The Wall
Eintritt: 12.07.2009 | Peak: 27 | Wochen: 8
12.07.2009
27
8
50 - The Motown Years (Michael Jackson & Jackson 5)
Eintritt: 19.07.2009 | Peak: 19 | Wochen: 9
19.07.2009
19
9
The Ultimate Collection
Eintritt: 23.08.2009 | Peak: 33 | Wochen: 3
23.08.2009
33
3
This Is It (Soundtrack / Michael Jackson)
Eintritt: 08.11.2009 | Peak: 2 | Wochen: 48
08.11.2009
2
48
Musik-DVD - Schweizer Hitparade
Titel
Eintritt
Peak
Wochen
Live In Bucharest: The Dangerous Tour [DVD]
Eintritt: 16.03.2008 | Peak: 1 | Wochen: 36
16.03.2008
1
36
Number Ones [DVD]
Eintritt: 12.07.2009 | Peak: 1 | Wochen: 34
12.07.2009
1
34
Video Greatest Hits - HIStory [DVD]
Eintritt: 12.07.2009 | Peak: 3 | Wochen: 16
12.07.2009
3
16
Dangerous - The Short Films [DVD]
Eintritt: 12.07.2009 | Peak: 5 | Wochen: 12
12.07.2009
5
12
The One [DVD]
Eintritt: 12.07.2009 | Peak: 5 | Wochen: 5
12.07.2009
5
5
History On Film - Volume II [DVD]
Eintritt: 19.07.2009 | Peak: 3 | Wochen: 17
19.07.2009
3
17
One Night In Japan [DVD]
Eintritt: 26.07.2009 | Peak: 5 | Wochen: 2
26.07.2009
5
2
Michael Jackson - A Life [DVD]
Eintritt: 23.08.2009 | Peak: 4 | Wochen: 5
23.08.2009
4
5
HIStory Tour, Helsinki 1997 [DVD]
Eintritt: 18.10.2009 | Peak: 3 | Wochen: 5
18.10.2009
3
5
The Trial And Triumph Of The King Of Pop [DVD]
Eintritt: 25.10.2009 | Peak: 10 | Wochen: 1
25.10.2009
10
1
Michael Jackson's Vision [DVD]
Eintritt: 05.12.2010 | Peak: 1 | Wochen: 21
05.12.2010
1
21
Live At Wembley July 16, 1988 [DVD]
Eintritt: 30.09.2012 | Peak: 2 | Wochen: 7
30.09.2012
2
7
Durchschnittliche
Bewertung
Bewertung
5.2
97 Bewertungen

Certifications Country Certification Brazil (ABPD)Golden Denmark (IFPI)Golden Hungary (Mahasz)Platinum Finland (IFPI)Platinum Mexico (AMPROFON)2×Platinum Japan (RIAJ)2×Platinum Netherlands (NVPI)3×Platinum Sweden (IFPI)3×Platinum Austria (IFPI)4×Platinum Germany (BVMI)4×Platinum Chile (IFPI)5×Platinum Switzerland (IFPI)5×Platinum UK (BPI)6×Platinum Spain (PROMUSICAE)6×Platinum Canada (Music Canada)6×Platinum New Zealand (NVPI)6×Platinum Sweden (IFPI)6×Platinum Austria (IFPI)4×Platinum Germany (IFPI)

Сертификации

СтранаСертификация

ABPD)Золотой

IFPI)Золотой

Mahasz)Платиновый

IFPI)Платиновый

Великобритания

Бриллиантовый

IFPI Danmark | Magstræde 10A, 2. sal | 1204 København | ifpi@ifpi.dk
10.08: Shakin’ Stevens – guld for “Collectable” – CD (Sony)
12.08: 3 Doors Down – guld for “Away From The Sun - CD (Universal)
13.08: Big Fat Snake - guld for ”More Fire” - CD – CMC/MBO
18.08: På Slaget 12 – guld for ”Spiller på slaget 12” - CD – RecArt/MBO
18.08: Anders Matthesen – platin for Anden Live I Cirkus - Hva’ Snakker Du Om – DVD/video (Sony)
24.08: Nik & Jay – platin for “2” – CD (EMI
24.08: The Loft - guld for “City Of Dreams” – CD-single (Universal)
24.08: B-Boys - guld for “Hey Yo” - CD (Universal)
25.08: Big Fat Snake - platin for “More Fire” - CD (CMC/MBO)
30.08: Drengene fra Angora - 4 x platin for “Team Easy On” – CD-single (Playground)
31.08: ”Langt fra Las Vegas Vol. 1” – Guld -DVD/video (CMC/MBO)
31.08: The Streets - guld for “A Grand Don’t Come For Free” - CD (Warner)
Det var ikke platin- og guldcertificering, der lagde størst beslag på IFPI sekretariatets ressourcer i august. Kun 6 stk. blev det til i alt. Men lidt har også ret, og her er listen:
02.08: D.A.D - platin for Scare Yourself - CD (EMI)
03.08: Tue West - guld for Meldingen Kommer - CD (Universal)
03.08: Div. kunstnere - guld for Danske Disney Hits - CD (Warner)
17.08: U2 - 2 X platin for How To Dismantle An Atomic Bomb - CD (Universal)
29.08: Mew - platin for Frengers - CD (Evil Office/Alarm/MBO)
31.08: James Blunt - guld for Back To Bedlam - CD (Warner)
Ddigitale downloads (DD) sælger. Og i august certificerede IFPI tre af dem med guld for mere end 4.000 downloads fra de mange danske online butikker. Det lovlige tilbud om digitale downloads har revitaliseret singlemarkedet, og at det ikke kun er etablerede mainstreamkunstnere, der har glæde af det nye marked, fremgår bl.a. af debuterende Nordström, der netop har fået guld for Berlin.
04.07: Rasmus Nøhr
Guld for Lykkelig Smutning - CD - MBO
10.07: Jamie Cullum
Guld for Twenty Something - CD - Universal
17.07: Tina Dickow
Platin for In The Red - CD - MBO
18.07: Bruce Springsteen
Guld for We Shall Overcome - CD - SonyBMG
07.08: Div. kunstnere
Guld for Så Længe Jeg Lever - CD - Universal
08.08: Katie Melua
3xPlatin for Piece By Piece - CD - Bonnier
08.08: Crazy Frog
Guld for More Crazy Hits - CD - Bonnier
08.08: Basshunter
Guld for Boten Anna - CD - Warner
08.08: Gavin DeGraw
Platin for Chariot - CD - SonyBMG
09.08: Klovn
Platin for Det Handler Om Sex - DVD - Universal
09.08: Infernal
Platin for Ten Miles - DD Border Breakers
16.08: Nik & Jay
Guld for Boing! - DD - EMI
16.08: Nordström
Guld for Berlin - DD - EMI
28.08: Div. kunstnere
Guld for Eurovision Song Contest 2006 - CD - MBO
30.08: Caroline
Guld for Caroline - CD - Universal
31.08: Thomas Koppel
Guld for Improvisationer - CD - ArtPeople
Certificeringerne i august bar præg af favorable TV-annonceringspriser hen over sommeren, som pustede nyt liv i en række opsamlingsudgivelser. Men også den sunde vækst i downloadmarkedet skinner igennem på listen og sikrer en række yngre og debuterende kunstnere guld og platin. Her er den samlede liste:
01.08: Soundtrack
Guld for Mamma Mia! The Movie Soundtrack – CD - Universal
04.08: Amy MacDonald
Platin for This Is The Life – CD – Universal
04.08: OneRepublic
Guld for Dreaming Out Loud – CD – Universal
05.08: Creedence Clearwater Revival
Guld for Best Of – CD – Universal
05.08: Div. kunstnere
Guld for Alle Tiders Danske Hits Vol. 1 – CD – Universal
05.08: Div. kunstnere
Guld for Alle Tiders Danske Hits Vol. 2 – CD – Universal
05.08: Natasja
2 X platin for Gi’ Mig Danmark Tilbage – DD – Playground
05.08: Hej Matematik
Guld for Walkman – DD – CPH/MBO
05.08: Madonna
Guld for Give It 2 Me – DD – Warner
05.08: Natasja
Guld for Fi Er Min – DD – Playground
11.08: Creedence Clearwater Revival
Platin for Best Of – CD – Universal
11.08: Lizzie
Guld for Ramt I Natten – CD – ArtPeople
13.08: Beyonce & Shakira
Platin for Beautiful Liar – DD – SonyBMG
13.08: Gabriella Cilmi
Guld for Sweet About You – DD – Universal
13.08: Katy Perry
Guld for I Kissed A Girl – DD – EMI
13.08: Duffy
Guld for Warwick Avenue – DD – Universal
13.08: Britney Spears
Guld for Break The Ice – DD – SonyBMG
13.08: Yoav
Guld for Club Thing – DD – Universal
18.08: Caroline Henderson
Guld for No. 8 – CD – Sundance
18.08: Div. kunstnere
Platin for Alle Tiders Danske Hits Vol. 1 – CD - Universal
19.08: Duffy
2 X platin for Mercy – DD – Universal
19.08: Estelle feat. Kanye West
Platin for American Boy – DD – Warner
19.08: September
Guld for Cry For You – DD – Bonnier
26.08: Leona Lewis
Platin for Better In Time – DD – SonyBMG
26.08: Martin
Platin for Show The World – DD - SonyBMG
Fra guld til platin på fem dage - Paul Potts er i denne måned med til at illustrere, at CD’en ikke har tænkt sig at dø lige foreløbig. På blot fem dage gik den tidligere mobiltelefonsælger fra guld- til platinstatus i Danmark.
Også M:G:P 2007 dokumenterer, at der fortsat er masser af potentiale i CD’en - selv blandt de helt unge. Dobbelt-platin certificeringen var i hus på udgivelsesdagen den 11. september, og CD’en mærmer sig nu 90.000 solgte på mindre end tre uger. Her er den samlede oversigt over certificeringer i august og september:
07.08: Heidi Hauge
Guld for Some Broken Hearts - CD - MYW/MBO
07.08: Alphabeat
Platin for Alphabeat - CD - CPH/MBO
08.08: Bon Jovi
Guld for Lost Highway - CD - Universal
10.08: James Morrison
Platin for Undiscovered - CD - Universal
15.08: Timbaland
Platin for The Way I Are - DD - Universal
15.08: Akon feat. Snoop Dogg
Guld for I Wanna Love You - DD - Universal
15.08: Beth Hart
Guld for 37 Days - CD - Universal
20.08: Mika
Guld for Life In Cartoon Motion - CD - Universal
20.08: Div. kunstnere
Guld for Best of Summer - CD - NSM/MBO
20.08: Øgendahl & Klan
Guld for Tak For I Aften - E DVD - NFI/MBO
20.08: Søs Fenger
Guld for Vuggeviser - CD - CMC/MBO
21.08: Mika
Guld for Relax, Take It Easy - DD - Universal
21.08: Fergie
Guld for Big Girls Don’t Cry - DD - Universal
22.08: Drengene Fra Angora
3 X platin for Drengene Fra Angora - CD - Playground
23.08: Beyoncé
Guld for B’Day - CD - SonyBMG
27.08: Per Nielsen
Guld for With Friends - CD - Rigel
27.08: Elton John
Platin for Rocket Man: The Definitive Collection - CD - Universal
28.08: Gwen Stefani
Guld for Sweet Escape - CD - Universal
28.08: Rihanna
Guld for Good Girl Gone Bad - CD - Universal
28.08: Outlandish
Platin for Closer Than Veins - CD - SonyBMG
29.08: Nik & Jay
3 X platin for 3:Fresh-Fri-Fly - CD - EMI
31.08: Johnny Logan
Platin for The Irish Collection - CD - MYW/MBO
03.09: Kaiser Chiefs
Guld for Employment - CD - Universal
04.09: Tina Dickow
Guld for Count To Ten - CD - A:L/MBO
05.09: Paul Potts
Guld for One Chance - CD - SonyBMG
06.09: Jack Johnson
Guld for On And On - CD - Universal
06.09: Johnny Cash
Guld for America V: A Hundred Highways
10.09: Paul Potts
Platin for One Chance - CD - SonyBMG
11.09: Linkin Park
Guld for Minutes To Midnight - CD - Warner
11.09: Timbaland
2 X platin for The Way I Are - DD - Universal
11.09: Trentemøller
Platin for Moan - DD - A:L/MBO
11.09: Nik & Jay
Platin for Et Sidste Kys - DD - EMI
11.09: Natasja
Guld for Ildebrand I Byen - DD - Playground
11.09: Katie Melua
3 X platin for Call Off the Search - CD - Bonnier
11.09: Katie Melua
4 X platin for Piece By Piece - CD - Bonnier
11:09: Div. kunstnere
2 x platin for M:G:P 2007 - CD - De Unges Melodi Grand Prix
17.09: James Blunt
Guld for All The Lost Souls - CD - Warner
18.09: Michael Buble
Guld for Call Me Irresponsible - CD - Warner
18.09: Torrpedorr
Platin for Lommen Fuld Af Guld - DD - ArtPeople
18.09: Sean Kingston
Guld for Beautiful Girls - DD - SonyBMG
18.09: Enrique Iglesias
Guld for Do You Know - DD - Universal
18.09: Burhan G
Guld for Who Is He? - DD - CPH/MBO
26.09: Big Fat Snake
Guld for NU - CD - CPH/MBO
26.09: Justin Timberlake
Guld for Lovestoned/I Think She Knows - DD - SonyBMG
28.09: Katie Melua
Guld for Pictures - CD - Bonnier
Efterdønningerne af den voldsomme efterspørgsel efter - stort set - alt med Michael Jackson giver sig ikke overraskende udslag i et betydeligt antal certificeringer for både opsamlingsalbums og de originale udgivelser. Måske nok så bemærkelsesværdigt afspejlede Jackson-interessen sig også i salget af enkettracks og resulterede fx i guld til Dirty Diana.
Album – guld:
02.09: Michael Jackson “The Essential” (SME)
02.09: Michael Jackson “Bad” (SME)
02.09: Michael Jackson “Dangerous” (SME)
08.09: Div. kunstnere “Paradise Hotel” (WMG)
28.09: Madonna ”Celebration” (WMG)
Album – platin:
03.08: Michael Jackson “The Collection” (SME)
07.08: Div. kunstnere “Eldorado med Jørgen de Mylius” (MYW/MBO)
28.08: Aqua ”Greatest Hits” (UMG)
28.09: Div. kunstnere “MGP 2009 – Det Er Bare Noget, Vi Leger!” (UMG)
Album – 2 X platin:
02.09: Michael Jackson “Blood On The Dancefloor” (SME)
Track – guld:
13.08: Remady P&R “No Superstar” (Zoo Production)
19.08: Rasmus Seebach “Engel” (ART)
19.08: Promoe “Svennebanan” (UMG)
25.08: Enrique Iglesias “Takin’ Back My Love”(UMG)
01.09: Beyonce “Halo” (SME)
17.09: Pitbull “I Know You Want Me (Calle Ocho)” (WMG)
22.09: Medina “Velkommen til Medina” (A:L/MBO)
30.09: David Guetta feat. Akon “Sexy Bitch” (EMI)
30.09: Michael Jackson “Dirty Diana” (SMG)
Track – platin:
11.08: Aqua “Back To The 80’s” (UMG)
09.09: Milow “Ayo Technology” (BAM)
07.09: Joey Moe “Yo-Yo” (CPH/MBO)
12.09: David Guetta feat. Kelly Rowland “When Love Takes Over” (EMI)
DVD – guld:
02.09: Michael Jackson “Number Ones” (SME)
DVD – 4 X platin:
29.09: Anders Matthesen “Anden Paa Coke?” (ART)
December er traditionelt årets travleste måned for guld- og platinplader. Og trods salgsnedgang var 2004 ingen undtagelse. 37 guld, platin, dobbelt- og sågar tripleplatinplader blev det til, inden julefreden sænkede sig.
01.12.: Div. kunstnere – 2 X platin for M.G.P. 2004 – CD (Universal)
01.12.: Shania Twain – guld for Greatest Hits – CD (Universal)
01.12.: Div. kunstnere – guld for Junior Euro Song Contest 2004 – CD (MBO)
01.12.: Robbie Williams – platin for Greatest Hits – CD (EMI)
01.12.: Guns’n’Roses – platin for Greatest Hits – CD (Universal)
03.12.: Scissor Sisters – guld for Scissor Sisters – CD (Universal)
03.12.: Wenche – guld for Country From My Heart - CD (MBO)
03.12.: Britney Spears – guld for Greatest Hits: My Prerogative - CD (BMG)
03.12.: Div. kunstnere – guld for M.G.P. 2004 – De Tre Vindere - CD (Universal)
03.12.: Eminem – platin for Encore – CD (Universal)
03.12.: Tina Turner – guld for All the Best – CD (EMI)
06.12.: Div. kunstnere – platin for X-mas (Pyrus Alletiders Jul) – CD (Sony)
06.12.: Lars Lilholt Band – platin for Den 7. Dag – CD – (MBO/RecArt)
06.12.: John Mogensen – platin for Samlede Værker – CD (Kick)
06.12.: Dirch Passer – guld for Hele Danmarks Dirch – DVD (Sony)
06.12.: Drengene Fra Angora – platin for 1. Sæson – DVD (Sony)
06.12.: Drengene Fra Angora – platin for Drengene Fra Angora – CD (Playground)
06.12.: Big Fat Snake – 2 X platin for More Fire – CD (MBO Group)
07.12.: Tim Christensen – platin for Live In Abbey Road – DVD (EMI)
07.12.: Div. kunstnere – guld for Live Aid – DVD (Warner)
09.12.: Leonard Cohen – guld for Dear Heather – CD (Sony)
09.12.: Lene Siel – guld for Gospel – CD (MBO/RecArt)
09.12.: Div. kunstnere – guld for Grinebidder 2 – CD (Sony)
09.12.: Victor Borge – guld for Victor Borge Collection – DVD (Sony)
09.12.: Div. kunstnere – guld for Remember The 90’s – CD (Sony)
14.12.: Anders “Anden” Matthesen – guld for Tal For Dig Selv – DVD (ArtPeople)
15.12.: Safri Duo – guld for 3,5 – CD (Universal)
15.12.: Stig Rossen – 2 X platin for Julelys – CD (Universal)
15.12.: Drengene Fra Angora – 2 X platin for Drengene Fra Angora – CD (Playground)
17.12.: Div. kunstnere – guld for På Danske Læber – CD (Playground)
17.12.: Div. kunstnere – platin for Junior Euro Song 2004 – CD (MBO Group)
17.12.: Kim Larsen & Kjukken – 3 X platin for Jul&Nytår – CD (EMI)
17.12.: Div. kunstnere – 2 X platin for M.G.P. 2004 – CD (Universal)
20.12.: Div. kunstnere – guld for I skovens Dybe Stille Ro – CD (MBO/RecArt)
22.12.: Rammstein – guld for Reise, Reise – CD (Universal)
22.12.: Lars H.U.G – guld for Greatest H.U.G – CD (EMI)
22.12.: Saybia – platin for These Are the Days – CD (EMI)
Ikke overraskende byder julemåneden på relativt flere guld- og platinplade certificeringer end normalt. Og ikke mindst compilations og store, etablerede navne nyder godt af julehandelen.
F.eks. fik årets to bedst sælgende albums, TV-2’s og Robbie Williams’ seneste udgivelser begge tildelt dobbelt-platin i løbet af december. For Williams var der endda en ekstra julegave i form af dobbelt-platin for Greatest Hits albummet, der for andet år i træk var blandt årets 30 bedst sælgende albums.
Den samlede oversigt følger her:
01.12.: Rammstein - guld for Live Aus Berlin - CD (Universal)
05.12 .: U2 - 2 X platin for Go Home, Live from Slane Castle - DVD (Universal)
05.12.: Robbie Williams - 2 X platin for Greatest Hits - CD (EMI)
06.12.: Dolph - guld for Alle Er 100% Assholes - DVD (SonyBMG)
07.12.: Gwen Stefani - guld for Love Angel Music… - CD (Universal)
07.12.: Div. kunstnere - guld for Bim Bam Busse - CD (Universal)
09.12.: Div. kunstnere - platin for Now Christmas 2005 - CD (Now)
09.12.: Div. kunstnere - platin for Now 14 (That’s What...) - CD (Now)
09.12.: Div. kunstnere - guld for Big Hits 2005 - CD (Now)
09.12.: Div. kunstnere - platin for Klovn (1. sæson) - DVD Universal)
09.12.: Sissel - guld for Nordisk Vinternat - CD (Universal)
09.12.: John Lennon - guld for Working Class Hero - CD (EMI)
12.12.: Div. kunstnere - guld for JESC 2005 - CD (MBO)
12.12.: Div. kunstnere - platin for Hits for Kids 14 - CD (SonyBMG)
13.12.: Robbie Williams - 2 X platin for Intensive Care - CD (EMI)
13.12.: Crazy Frog - platin for Crazy Hits - CD (Bonnier)
13.12.: Div. kunstnere - platin for Jul I Valhal - CD (EMI)
14.12.: TV2 - 2 X platin for De Første Kærester på Månen - CD (EMI)
14.12.: Uffe Holm - guld for The Uffe Holm Show - DVD (Universal)
14.12.: Anastacia - guld for Pieces Of A Dream - CD (SonyBMG)
14.12.: Eminem - platin for Curtain Fall - CD (Universal)
16.12.: Lene Siel - Guld for De Stille Timer - CD (RecArt)
16.12.: Anders Anden Matthesen – platin for Tal For Dig Selv – DVD (Art People)
16.12.: Dolph – platin for Alle Er 100% Assholes – DVD (SonyBMG)
16.12 .: NHØP (Niels Henning Ørsted Pedersen) – guld for Friends Forever – CD (SonyBMG)
16.12.: Il Divo – guld for Ancora – CD (SonyBMG)
19.12.: Dire Straits/Knopfler – platin for Best Of – CD (Universal)
19.12 .: Anne Linnet – guld for Her Hos Mig – CD (Universal)
20.12.: Kim Sjøgren – guld for Für Elise – CD (RecArt)
21.12.: Div. kunstnere – platin for Drengene fra Angora – 2. sæson – DVD (SonyBMG)
21.12.: Div. kunstnere – guld for Grib Mikrofonen – DVD (MBO)
21.12.: Gavin DeGraw – guld for Chariot – CD (SonyBMG)
04.12: Whitney Houston
Guld for The Ultimate Collection – CD - SonyBMG
04.12: Div. kunstnere
Platin for High School Musical 2 – CD – EMI
05.12: Nephew feat. L.O.C.
Platin for Hospital – DD – CPH/MBO
05.12: Fedde Le Grand
Guld for Put Your Hands Up For
05.12: Kim Larsen
2 X platin for En Lille Pose Støj – CD – EMI
07.12: Thomas Buttenschøn
Guld for Fantastiske Mandag – CD – Playground
07.12: Infernal
Platin for I Won’t Be Crying – DD – Border Breakers
07.12: Pavarotti
Guld for Pavarotti Forever – CD – Universal
10.12: Lis Sørensen
Platin for De Allerstørste Sange – CD- REC/MBO
11.12: Kleerup (with Robyn)
Guld for With Every Heart – DD – EMI
12.12: Birthe Kjær
Guld for Let It Snow – CD – CMC/MBO
13.12: De Nattergale
Platin for The Boks – CD – REC/MBO
14.12: Lene Siel
Guld for Great Moments – CD – REC/MBO
17.12: Drengene Fra
Guld for
17.12: Rune Klan
Platin for Rune Klan Går Large – DVD – CPH/MBO
17.12: Div. kunstnere
Platin for Flere Filmhits – CD – CPH/MBO
17.12: Nicolai
Guld for Stage 2 – CD – MYW/MBO
18.12: Nephew
Platin for Roskilde 07.07.07 – CD – CPH/MBO
18.12: Lizzie
Guld for Ramt I Natten – DD – ArtPeople
18.12: Alex Feat. Nik & Jay
Guld for Hvad Nu Hvis – DD – CPH/MBO
18.12: Rihanna
Guld for Don’t Stop The Music – DD – Universal
18.12: Led Zeppelin
Guld for Mothership – CD – Warner
18.12: Andrea Bocelli
Platin for Vivere – Greatest Hits – CD – Universal
21.12: Anne Linnet
Platin for Akvarium – CD – SonyBMG
21:12: Div. kunstnere
2 X platin for High School Musical – CD - EMI
Julemåneden var traditionen tro en af de store guld- og platinmåneder. Og karakteristisk nok er der da også flere gengangere mellem guld- og platinmodtagene og årets bedst sælgende kunstnere. Det gælder fx Duffy, Martin, Sys Bjerre, og Nik & Jay.
Men også entertainment-DVD'erne - fx Jonatan Spang og Øgendahl & Klan - og en række boxsæt - fx Abba - viser endnu engang deres styrke i julehandelen.
01.12: Martin
3 X platin for Show The World – CD – SonyBMG
01.12: Duffy
2 X platin for Rockferry – CD/DD – Universal
01.12: Jonatan Spang
Guld for Jonatan Spangs Familie – DVD – NSM/MBO
01.12: Øgendahl & Klan
Guld for Tak For I Aften 2 – DVD – NSM/MBO
02.12: Div. kunstnere
Guld for Now Big Hits 2008 – CD – EMI
04.12: Simone
Guld for Devoted To You – CD – CMC/MBO
04.12: Guns ‘N’ Roses
Guld for Chinese Democracy – CD – Universal
04.12: Div. kunstnere
Guld for Best Of 2008 – CD – Warner
04.12: Beyoncé
Guld for If I Were A Boy – DD – SonyBMG
04.12: The Loft
Guld for Kiss You Goodbye – DD – MER/SonyBMG
05.12: Div. kunstnere
Platin for High School Musical 1 – CD – EMI
05.12: Enya
Guld for And Winter Came – CD – Warner
08.12: Katie Melua
Guld for The Katie Melua Collection – CD – Bonnier
09.12: Sys Bjerre
3 X platin for Malene – DD – Universal
09.12: Sys Bjerre
Platin for Gør Det Selv – CD – Universal
10.12: Div. kunstnere
Guld for Cirkusrevyen 2008 – DVD – NTC/MBO
10.12: AC/DC
Platin for Black Ice – CD – SonyBMG
15.12: Sys Bjerre
2 X platin for Gør Det Selv – CD/DD – Universal
15.12: Anne Linnet
Guld for Anne Linnet – CD – SonyBMG
16.12: Vikingarna
Guld for Den Sista Dansen – CD – MYW/MBO
16.12: Katy Perry
3 X platin for I Kissed A Girl – DD – EMI
16.12: Lady Gaga
Platin for Just Dance – DD – Universal
16.12: Nik & Jay
Platin for Kommer Igen – DD – EMI
16.12: Guru Josh Project
Guld for Infinity 2008 – DD – Bonnier
16.12: Kayne West
Guld for Love Lockdown – DD – Universal
16.12. Killers
Guld for Human – DD – Universal
16.12: Amy MacDonald
Guld for This Is The Life – DD – Universal
17.12: De Nattergale
Platin for The Julekalender – DVD – REC/MBO
17.12: De Nattergale
2 X platin for The Boks – DVD – REC/MBO
18.12: Div. kunstnere
Platin for Woman – CD – Universal
18.12: Abba
Guld for The Albums – CD – Universal
18.12: Div. kunstnere
2 X platin for MGP 2008: Det Er Bare Noget Vi Leger! – CD – Universal
18.12: Div. kunstnere
Guld for Alle Tiders Danske Schlager Hits – CD - Universal
18.12: Øgendahl & Klan
Platin for Tak For I Aften 2 – DVD – NSM/MBO
18.12: Basim
Guld for Alt Det Jeg Ville Have Sagt – CD – Universal
19.12: Ørkenens Sønner
Platin for En Sang Fra De Varme Lande – DVD – Universal
30.12: Katy Perry
Platin for Hot ’N’ Cold – DD - EMI
30.12: Britney Spears
Platin for Womanizer – DD – SonyBMG
30.12: Polarkreis vs. Nephew
Platin for Allein, Alene – DD – Universal
30.12: Pink
Platin for So What – DD – SonyBMG
30.12: Natasja
Platin for Dig Og Mig – DD – Universal
30.12: Veronica Maggio
Guld for Måndagsbarn – DD – Universal
30.12: Burhan G
Guld for Kun Dig – DD - CPH/MBO
30.12: Div. kunstnere
Guld for Dansktop Gennem 40 År – CD – MYW/MBO
16.02.: Div. kunstnere
Guld for Kom Tilbage Nu - CD - Universal
16.02.: Div. kunstnere
Guld for Jeg Elsker Dig 2 - CD - Universal
27.02.: Div. kunstnere
Platin for Langt Fra Las Vegas Vol. 2 - DVD - MBO
27.02.: Div. kunstnere
Platin for Langt Fra Las Vegas Vol. 3 - DVD - MBO
27.02.: Div. kunstnere
Platin for Langt Fra Las Vegas Vol. 4 - DVD - MBO
27.02.: Div. kunstnere
Platin for Langt Fra Las Vegas Vol. 0 - DVD - MBO
27.02: James Blunt
2 X Platin for Back To Bedlam - CD - Warner
- Det er fuldkommen uvirkeligt, det der sker i øjeblikket, siger Fede Finn, alias Lennart Johannessen, i en kommentar til Fede Finn & Funny Boyz’ guldplade og aktuelle førsteplads på hitlisten. - Vi har knoklet i 42 år i musikkens tjeneste uden at slå igennem, og uge efter uge, år efter år har vi kørt landevejene tynde over hele landet med vores altid glade musik og festlige stemning i bagagen, tilføjer Finn, der mener, at bandets aktuelle succes er en fed historie, for med al den aktuelle snak om for gammelt kød, så er der altså stadigvæk ca. et halvt tons for gammelt kød på Holbæk-egnen, som alligevel viser sig at være langtidsholdbart.
Ud over Fede Finn & Funny Boyz certificerede IFPI 15 andre udgivelser guld- og platin i februar:
02.02: James Morrison
Guld for Undiscovered - CD - Universal
02.02: Take That
Guld for Beautiful World - CD - Universal
08.02: Fede Finn & Funny Boyz
Guld for Kærligheden Brænder - CD - Beach Record
09.02: Rammstein
Guld for Völkerball - CD - Universal
09.02: Scissor Sisters
Platin for Ta-Dah - CD - Universal
12.02: Nephew
2 X platin for Interkom Kom ind - MBO/CPH
13.02: Nelly Furtado
Guld for All Good Things - DD - Universal
14.02: Elton John
Guld for Peachtree Road - CD - Universal
14.02: Div. kunstneren
Guld for DMGP 2007 - CD - MBO/CMC
15.02: Christina Aguilera
Guld for Back To Basics - CD - SonyBMG
15.02: Pink
Guld for I’m Not Dead - CD - SonyBMG
20.02: Nicolai
Guld for Nicolai - CD - Universal
21.02: Alphabeat
Guld for Fascination - DD - MBO/CPH
21.02: Julie
Guld for Asasara - CD - EMI
26.02: Anna David
Guld for Anna David - CD - Playground
26.02: Norah Jones
Guld for Not Too Late - CD - EMI
Triple-platin (for mere end 90.000 solgte ex.) er ikke ligefrem hverdagskost - ikke engang blandt de mest populære danske kunstnere. Men allerede i starten af februar kunne Rasmus Seebach indkassere det imponerende bevis for solo-debut'ens suscces, og han nærmer sig nu hastigt 100.000 solgte ex.
Her er oversigten over samtlige certificeringer i februar:
ALBUM – guld:
02.02: Selvmord - “Selvmord” (CPH/MBO)
04.02: Rammstein - “Liebe Ist Für Alle Da” (UMG)
10.02: Magtens Korridorer - “Milan Allé” (UMG)
11.02: Kashmir - “Trespassers” (SME)
18.02: Mark Knopfler - “Get Lucky” (UMG)
ALBUM – platin:
08.02: Robbie Willams - “Reality Killed The Video Star” (EMI)
10.02: Div. kunstnere - “På Danske Læber” (A:L/MBO)
24.02: Nephew - “Danmark Denmark” (CPH/MBO)
ALBUM – 2 X platin:
04.02: Div. kunstnere - “Mamma Mia! The Movie Soundtrack” (UMG)
ALBUM – 3 X platin:
03.02: Rasmus Seebach - “Rasmus Seebach” (ART)
TRACK – guld:
04.02: Medina - “Ensom” (A:L/MBO)
04.02: Hej Matematik - “Party I Provinsen” (CPH/MBO)
11.02: Div. kunstnere - “Skrøbeligt Fundament” (UMG)
25.02: Rasmus Seebach - “Den Jeg Er” (ART)
25.02: Morten Hampenberg, Alexander Brown + Yepha - “Skub Til Taget” (D:W)
TRACK – platin:
25.02: Thomas Helmig feat. Medina - “100 Dage” (SME)
X Factor satte sit præg på de seneste par måneders guld- og platincertificeringer. Både i form af egentlige X Factor-relaterede udgivelser men også i skikkelse af de originale udgaver af sange, som er blevet fremført undervejs af showets deltagere. Der er dog også velfortjent guld og platin til en række andre udgivelser. Her er oversigten:
04.02: Szhirley
Platin for Gammel Kongevej – DD – OOMPA/MBO
04.02: Medina
Guld for Kun For Mig – DD – A:L/MBO
04.02: Lady Gaga
Guld for Poker Face – DD – Universal
04.02: Seal
Guld for Kiss From A Rose – DD – Warner
04.02: Birthe Kjær
Guld for Gennem 40 År – CD - MYW/MBO
04.02: Brødrene Olsen
Guld for Respect – CD – MYW/MBO
09.02: Tim Christensen
Guld for
10.02: Kings Of
Guld for Only By The Night – CD – Sony Music
11.02: Tina Dickow
2 X platin for In The Red – CD – A:L/MBO
11.02: Carpark North
Guld for Grateful – CD – CPH/MBO
17.02: Katy Perry
2 X platin for Hot ‘N’ Cold – DD – EMI
17.02: Medina
Platin for Kun For Mig – DD – A:L/MBO
17.02: Pussycat Dolls
Guld for I Hate This Part – DD – Universal
17.02: Akon
Guld for Right Now (Na Na Na) – DD – Universal
24.02: Guru Josh Project
2 X platin for Infinity 2008 – DD – Bonnier
24.02: Lady Gaga
Platin for Poker Face – DD – Universal
24.02: Britney Spears
Guld for Circus – DD – Sony Music
24.02: Brinck
Guld for Believe Again – DD – Mermaid/Sony Music
25.02: Div. kunstnere
Platin for High School Musical 3 – CD – EMI
27.02: Infernal
Guld for Electric Light – DD - Border Breakers
05.03: X-Factor Finalisterne 200905.03: X-Factor Finalisterne 2009
Guld for You’ve Got A Friend – DD – Sony Music
05.03: James Morrison
Guld for Broken Strings – DD – Universal
05.03: Nik & Jay
Guld for Endnu En – DD – EMI
05.03: Metallica
Guld for Nothing Else Matters – DD – Universal
05.03: L.O.C.
Guld for Dominologi - CD – EMI
10.03: Four Jacks
Guld for Åh, Den Vej Til Mandalay – DVD – Rigel
10.03: U2
Guld for No Line On The Horizon – CD – Universal
12.03: Hej Matematik
Platin for Vi Burde Ses Noget Mere – CD/DD -
CPH/MBO
12.03: Seal
Guld for Soul – CD – Warner
12.03: D-A-D
Platin for Monster Philosophy – CD – EMI
18.03: Sanne Salomonsen
Guld for Unico – CD – Mermaid/Sony Music
18.03: Lady Gaga
2 X platin for Just Dance – DD – Universal
18.03: Medina
2 X platin for Kun For Mig – DD – A:L/MBO
18.03: Hej Matematik
2 X platin for Walkmand – DD – CPH/MBO
18.03: Sanne Salomonsen
Platin for Taxa – DD – Mermaid/Sony Music
18.03: Kings Of
Guld for Use Somebody – DD – Sony Music
18.03: L.O.C.
Guld for Superbia – DD – EMI
18.03: The Killers
Guld for Day & Age – CD/DD – Universal
20.03: Div. kunstnere
Guld for X Factor Finalisterne Live 2009 – CD –
Sony music
23.03: Kandis
Guld for Kandis Live 2 – 20 Års Jubilæumsshow –
CD – MYM/MBO
24.03: Simply Red
Guld for The Greatest Hits – CD – NSM/MBO
26.03: Lady Gaga
2 X platin for Poker Face – DD – Universal
26.03: Sukkerchok
Guld for Hvor Som Helst – Når Som Helst – DD – Universal
26.03: Rihanna
Guld for Rehab – DD – Universal
26.03: Gavin DeGraw
Guld for In Love With A Girl – DD – Sony Music
31.03: Flo-rida feat. Kesha
Guld for Right Around – DD – Warner
31.03: Laurent Wolf ft. Eric Carter
Guld for No Stress – DD – Bonnier
31.03: Tim Christensen
Guld for
31.03: Heidi
Guld for Switch – DD – Universal
31.03: Brinck
Guld for Brinck – CD – Mermaid/Sony Music
31.03: IdaAida
Guld for En Klassiker – DD – Cocoon Music
Årets første måned er traditionelt ikke en stor periode for guld- platincertificeringer. Og 2006 er ikke nogen undtagelse. Men i kølvandet på julesalget er der dog alligevel basis for 10 certificeringer - heraf syv til danske udgivelser.
Månedens mest bemærkelsesværdige platin-certificering tilfalder TV-2, der 30. januar fik 3 X platin for gruppens seneste album De Første Kærester På Månen. Det skete netop som gruppen påbegyndte sin landsdækkende udsolgt-turné akkompagneret af femstjernede anmeldelser.
Naturligvis er TV-2 også med, når DMA06 løber af stabelen i KB-Hallen, lørdag den 11. marts. Gruppen er, når producerkategorien medregnes, nomineret til ikke mindre end syv DMA-priser.
Oversigten over januars certificeringer følger her:
02.01.: Katie Melua - 2 X platin for Piece By Piece - CD (Bonnier)
03.01.: Div. kunstnere - 2 X platin for Kom Tilbage Nu - CD (Universal)
03.01.: B-Boys - guld for De Største Hits - CD (Universal)
12.01.: Danser Med Drenge - guld for Popsamling - CD (Bonnier)
16.01.: John Lennon - platin for Working Class Hero - CD (EMI)
23.01.: Bamse - 2 X platin for Be my Guest - CD (MBO)
24.01.: Tina Dickow - guld for In The Red - CD (MBO)
25.01.: Green Day - guld for Bullet In A Bible - CD (Warner)
30.01.: TV-2 - 3 X platin for De Første Kærester…- CD (EMI)
31.01.: Big Fat Snake - guld for Between The Devil… - CD (MBO)
Årets første måned bød på en lang række certificeringer bl.a. som resultat af julesalget. Blandt de særligt bemærkelsesværdige præstationer er Duffy's triple-platin for Rockferry - årets mest sælgende internationale udgivelse - Nik & Jay's dobbelt-platin for De Største og Natasja's triple-platin for I Danmark Er Jeg Født.
De samlede certificeringer i januar tog sig således ud:
05.01: James Last
Guld for Live In Europe – CD - Rigel
06.01: Guru Josh Project
Platin for Infinity 2008 – DD – Bonnier
06.01: Coldplay
Platin for Viva La Vida – DD – EMI
06.01: The Script
Platin for The Man That Can’t Be Moved – DD –
Sony Music
06.01: Madonna
Platin for Give It 2 Me – DD – Warner
06.01: Kings Of Leon
Guld for Sex On Fire – DD – SonyBMG
07.01: Volbeat
Platin for Guitar Gangsters & Cadillac Blood – CD – Target
07.01: Josh Groban
Guld for A Collection – CD – Warner
07.01 Lars Lilholt
Guld for Jokerne – CD – RecArt
13.01: Beyoncé
Platin for If I Were A Boy – DD – Sony Music
13.01: Nik & Jay
Platin for I Love Ya – DD – EMI
13.01: Israel Kamakawiwo’ole
Guld for Somewhere Over The Rainbow – DD – Universal
19.01: Div. kunstnere
Guld for All 90’s Part 2 – CD – Warner
20.01: Duffy
3 X platin for Rockferry – CD/DD – Universal
20.01: Sanne Salomonsen
Guld for Taxa – DD – Mermaid/Sony Music
20.01: Nik & Jay
Guld for En Dag Tilbage – DD – EMI
21.01: Ørkenens Sønner
2 X platin for En Sang Fra De Varme Lande – DVD – Universal
21.01: Soundtrack
Guld for Hannah Montana – CD – EMI
21.01: Nik & Jay
Guld for De Største – CD – EMI
21.01: Kim Larsen
Guld for Glemmebogen For Børn – CD – EMI
22.01: Tina Dickow
Platin for A Beginning A Detour An Open Ending – CD – A:L/MBO
23.01: Ole Kibsgaard
Platin for Lær At Spille Guitar – DVD – ArtPeople
23.01: Katy Perry
Guld for One Of The Boys – CD/DD – EMI
26.01: Nik & Jay
2 X platin for De Største – CD/DD – EMI
27.01: Killers
Platin for Human – DD – Universal
27.01: Jason Mraz
Platin for I’m Yours – DD – Warner
27.01: Carpark North
Platin for Shall We Be Grateful – DD – CPH/MBO
27.01: Kanye West
Guld for Homecoming – DD – Universal
27.01: Usher
Guld for Love In This Club – DD – Sony Music
27.01: Maskinen
Guld for Alla Som Inte Dansar – DD – Playground
28.01: Eagles
2 X platin for Long Road Out Of Eden – CD – Universal
28.01: Fergie
Guld for Dutchess – CD – Universal
28.01: Bon Jovi
Platin for Lost Highway – CD – Universal
28.01: Jack Johnson
Guld for Curious George: Sing-A-long – CD – Universal
28.01: Jack Johnson
Platin for In Between Dreams – CD – Universal
28.01: Mikael Simpson
Guld for Stille Og Uroligt – CD/DD – A:L/MBO
28.01: Heidi
Guld for Audio Ballerina – CD – Universal
28.01: Sys Bjerre
Platin for Kegle – DD – Universal
28.01: September
Platin for Cry For You – DD – Bonnier
28.01: T.I.
Guld for Live Your Life – DD – Warner
28.01: Jack White & Alicia Keys
Guld for Another Way To Die – DD – Sony Music
29.01: Thomas Buttenschøn
Guld for Billeder Af Min Baggård – CD – Playground
29.01: Natasja
3 X platin for I Danmark Er Jeg Født – CD – Playground
29.01: Magtens Korridorer
Platin for Friværdi – CD – Universal
30.01: Bruce Springsteen
Guld for Working On A Dream – CD – Sony Music
30.01: Veto
Guld For Crushing Digits - CD/DD – Sony Music
Selv om salget i januar og februar ikke imponerede, sikrede efterdønningerne fra julesalget og ikke mindst væksten på det digitale marked en pæn strøm af guld-, platin- og dobbelt-platincertificeringer i årets første to måneder. Her er oversigten:
04.01: Timbaland
Platin for Apologize - DD - Universal
04.01: Britney Spears
Platin for Gimme More - DD - SonyBMG
04.01: Natasja
Platin for Gi’ Mig Danmark Tilbage - DD - Playground
04.01: Leona Lewis
Guld for Bleeding Love - DD - SonyBMG
04.01: TV-2
2 X platin for For Dig Ku’ Jeg Gøre Alting - CD - EMI
04.01: Per Nielsen
Guld for Amazing Grace - CD - Rigel
04.01: Søren Østergaard
Guld for Zirkus Nemo - DVD - Rigel
08.01: Lizzie
Platin for Ramt I Natten - DD - ArtPeople
08.01: Alex feat. Nik & Jay
Platin for Hvad Nu Hvis - DD - CPH/MBO
08.01: Justin Timberlake
Platin for What Goes Around Goes Around - DD - SonyBMG
08.01: Mariah Carey
Guld for All I Want For Christmas - DD - SonyBMG
08.01: Christina Aquilera
Guld for Candyman - DD - SonyBMG
09.01: Katie Melua
Platin for Pictures - CD - Bonnier
15.01: Natasja
Platin for Ildebrand I Byen - DD - Playground
15.01: Tina Dickow
Guld for On The Run - DD - A:larm/MBO
16.01: Rihanna
Platin for Good Girl Gone Bad - CD - Universal
16.01: Amy Winehouse
2 X platin for Back In Black - CD - Universal
17.01: Bruce Springsteen
Platin for Magic - CD - SonyBMG
23.01: Whitney Houston
Platin for The Ultimative Collection - CD - SonyBMG
24.01: Celine Dion
Guld for Taking Chances - CD - SonyBMG
29.01: Rihanna
Platin for Don’t Stop The Music - DD - Universal
29.01: Alicia Keys
Guld for No One - DD - SonyBMG
29.01: Paul Potts
Guld for Nessun Dorma - DD - SonyBMG
29.01: Nephew
Guld for Mexico Ligger I Spanien - DD - CPH/MBO
29.01: Timbaland
Guld for Shock Value - CD - Universal
30.01: Eros Ramazzotti
Guld for E2 - CD - SonyBMG
01.02: Lille Nørd
Platin for Lille Nørd - DD - SonyBMG
04.02: Kaya Brüel
Guld for Jeg Fandt En Sang På vejen - CD - ArtPeople
04.02: Natasja
2 X platin for I Danmark Er Jeg Født - CD - Playground
05.02: Leona Lewis
Platin for Bleeding Love - DD - SonyBMG
07.02: Div. kunstnere
Guld for Dansk Melodi Grand Prix 2008 - CD - MYW/MBO
07.02: Savage Rose
Guld for Universal Daughter - CD - SonyBMG
07.02: Lars Lilholt Band
Guld for Smukkere Med Tiden - CD - REC/MBO
08.02: Mick Øgendahl
2 x platin for Undskyld - DVD - ArtPeople
11.01: Kandis
Guld for Kandis 12 - CD - MYW/MBO
12.02: Lizzie
2 X platin for Ramt I Natten - DD- ArtPeople
12.02: Nephew feat. L.O.C.
2 X platin for Hospital - DD - CPH/MBO
12.02: Private
Guld for Crucify My Heart - DD - Universal
12.02: Plain White T´s
Guld for Hey There Delilah - DD - EMI
12.02: Trine Dyrholm
Guld for Avenuen (Mr. Nice Guy) - DD - CMC/MBO
12.02: Magtens Korridorer
Guld for Det Krøllede Håb - CD - Universal
18.02: R.E.M.
Guld for Live - CD - Warner
19.02: Britney Spears
Guld for Piece Of Me - DD - SonyBMG
21.02: Thomas Hartmann
Guld for Hartmann 3 - DVD - Artpeople
26.02: Sko/Torp
Guld for Glorious Days The Very Best Of Sko/Torp - CD - EMI
26.02: Alphabeat
Guld for Boyfriend - DD - CPH/MBO
27.02: Danser Med Drenge
Guld for Sådan Er Det Bare - CD - REC/MBO
29.02: Spleen United
Guld for Godspeed Into The Mainstream - CD - CPH/MBO
Ved en beklagelig fejl blev Infernal glemt i den seneste guld og platinoversigt her i Pladebranchen.NU. Vi iler med at rette den neden for. I mellemtiden har den danske popduo udviklet sig til at være årets foreløbigt største musik-exportsucces med hitlisteplaceringer i en lang række lande verden over.
Infernals danske succes er særlig bemærkelsesværdig derved, at guldpladen for sangen Ten Miles er opnået alene på baggrund af solgte downloads.
Derudover afspejles juli måneds svage salg kun alt for tydeligt i certificeringerne. Fire blev det til i alt. De gik alle til sangere og sangskrivere - to danske og to internationale:
19.05: Infernal - guld for Ten Miles - dig. downloads - Border Breakers
04.07: Rasmus Nøhr - guld for Lykkelig Smutning - CD - MBO
10.07: Jamie Cullum - guld for Twenty Something - CD - Universal
17.07: Tina Dickow - platin for In The Red - CD - MBO
18.07: Bruce Springsteen - Guld for We Shall Overcome - CD - SonyBMG
Mens medierne har travlt med at lægge CD'en i graven, viser juli måneds guld- og platincertificeringer, at forbrugerne i hvert fald ikke har mistet lysten til at købe musik. Men at forbruget i denne tid flytter sig fra fysisk til digitalt, er der ingen tvivl om.
Listen over certificeringer er domineret af digitale downloads inkl. Lizzies imponerende 4-dobbelte platin-certificering for Ramt i Natten (ArtPeople), der gør sangen til det mest solgte digitale download nogensinde i Danmark. Det forhold, at der er tale om en debut-single gør ikke sagen mindre bemærkelsesværdig. Og i det hele taget viser oversigten, at netop det dynamiske digitalmarked har åbnet helt nye muligheder for debutanter med et hit. Sys Bjerre's Malene (Universal) fik fx både guld og platin inden for blot 14 dage i slutningen af måneden.
At der imidlertid stadig kan sælges CD'er, hvis man gør noget ud af både indhold og indpakning er Lis Sørensens Allerbedste Sange (RecArt) et godt eksempel på. Albummet, der indeholder tre CD'er og en DVD, har nu solgt mere end 60,000 ex, hvilket udløser dobbelt-platin.
01.07: Lizzie
4 X platin for Ramt I Natten – DD – ArtPeople
01.07: Alphabeat
Platin for Boyfriend – DD – CPH/MBO
01.07: Katie Melua
Platin for Nine Million Bicycles – DD – Bonnier
01.07: Leona Lewis
Guld for Better In Time – DD – SonyBMG
01.07: One Republic
Guld for Stop And Stare – DD – Universal
01.07: Szhirley
Guld for Gammel Kongevej – DD – MBO
01.07: Familjen
Guld for Det Snurrar I Min Skalle – DD – MBO
01.07: Thomas Buttenschøn
Guld for Smukkere End Smuk – DD – Playground
01.07: Red Hot Chili Peppers
Guld for Snow (Hey Oh) – DD – Warner
01.07: Clemens
Guld for Regnskabets Time – CD – EMI
02.07: Veto
Guld for There’s A Beat In All Machines – CD – Playground
03.07: Div. kunstnere
Guld for All Woman 3 – CD – SonyBMG
08.07: Madonna (feat. Justin Timberlake)
2 X platin for 4 Minutes – DD – Warner
08.07: Paul Potts
Platin for Nessun Dorma – DD – SonyBMG
08.07: James Blunt
Guld for Carry You Home – DD – Warner
08.07: Anna David
Guld for Chill – DD – Bonnier
09.07: Infernal
Platin for Downtown Boys – DD – Border Breakers
11.07: Tina Dickow
2 X platin for Count To Ten – CD – A:l/MBO
15.07: Rasmus Nøhr
Platin for Sommer I Europa – DD – CPH/MBO
15.07: Sys Bjerre
Guld for Malene – DD – Universal
15.07: Rihanna
Guld for Take A Bow – DD – Universal
15.07: USO
Guld for Ingen Diskussion – DD – Universal
15.07: Akon
Guld for Sorry, Blame It On Me – DD - Universal
17.07: L.O.C.
Platin for Melankolia/XXXCouture – CD – EMI
17.07: Michael Jackson
6 X platin for Thriller – CD – SonyBMG
28.07: Duffy
Platin for Rockferry – CD – Universal
30.07: Sys Bjerre
Platin for Malene – DD – Universal
30.07: Sara Bareilles
Guld for Love Song – DD – SonyBMG
30.07: Thomas Buttenschøn
Guld for Fantastiske Mandag – DD – Playground
30.07: Coldplay
Guld for Speed Of Sound – DD – EMI
30.07: Amy Winehouse
Guld for You Know I’m No Good – DD – Universal
31.07: Lis Sørensen
2 X platin for De Allerstørste Sange – CD – REC/MBO
31.07: Runrig
Guld for Year Of The Flood – CD – REC/MBO
Junis guld- og platincerticiferinger domineres af de digitale downloads. Og udover compilationalbummet All 90's er det kun Coldplay, der i juni formår at hente guld hjem for gruppens seneste album Viva La Vida på CD.
Til gengæld kan både Private, Aura, Martin og Volbeat glæde sig over certificeringer for digitale downloads - en levende illustration af, at målgruppen for digital musik konstant udvikler sig. Her er oversigten over junis certificeringer:
04.06: Private
2 X platin for My Secret Lover – DD - Universal
04.06: Div. kunstnere
Guld for All 90’s – CD – Warner
16.06: Aura
Guld for Song For Sophie – DD – Music For Dreams
16.06: Jordin Sparks feat. Chris Brown
Guld for No Air – DD – SonyBMG
16.06: Gavin DeGraw
Guld for I Don’t Want To Be – DD – SonyBMG
16.06: Estelle feat. Kanye West
Guld for American Boy – DD – Warner
16.06: Martin
Guld for Show The World – DD – SonyBMG
17.06: Coldplay
Guld for Viva La Vida – CD – EMI
24.06: Volbeat
Platin for The Garden’s Tale – DD – Target
Til trods for at sommeren traditionelt er stille salgsmæssigt, har både juni og juli været travle måneder for uddelingen af guld- og platinplader. Og selv om det tidligere på året blev lidt lettere at opnå guld og platin for CD’er, er det fortsat imponerende, at både Bamse og Simone i den forgangne periode har høstet tredobbelt platin for deres seneste udgivelser, der begge nu har solgt ca. 100.000 CD’er i Danmark.
Det stigende marked for digitale downloads afspejles af i alt 16 guld- og platin-certificeringer i perioden. Samtidig med, at kriterierne for guld- og platin sænkedes for CD’er pr. 1. februar, blev uddelingskriterierne for digitale downloads næsten fordoblet. De udgør nu 7.500 for guld og 15.000 for platin. For CD’er (albums) er de tilsvarende tal 15.000 og 30.000 stk.
07.06: Div. Kunstnere
Guld for Dance Chart 17 - CD - Warner
08.06: Amy Winehouse
Guld for Back To Black - CD - Universal
08.06: Jack Johnson
Guld for In Between Dreams - CD - Universal
08.06: The Killers
Guld for Sam’s Town - CD - Universal
08.06.: Pussycat Dolls
Guld for PCD - CD - Universal
08.06: Nelly Furtado
Platin for Loose - CD - Universal
13.06: Timbaland feat. Nelly Furtado
Guld for Give It To Me - DD - Universal
13.06: Trentemøller
Guld for Moan - DD - MBO/A:Larm
13.06: Jakob Sveistrup
Guld for Tænder På Dig - DD - MBO/My Way Music
14:06: Simone
3 X platin for Vindens Farver - CD - MBO/CMC
14.06: Bamse
3 X platin for Be My Guest - CD - MBO/CMC
19.06: Beyonce & Shakira
Guld for Beautiful Liar - DD - SonyBMG
19.06: Thomas Helmig vs. KNA Connected
Guld for Det Du Kan (Remix) - DD - SonyBMG
20.06: Infernal
Platin for Self Control - DD - Border Breakers
20.06: Amy Winehouse
Platin for Back To Black - CD - Universal
21.06: Justin Timberlake
2 X platin for Futuresex/Lovesounds - CD - SonyBMG
26.06: Johnson
Guld for Det Passer - CD - Artpeople
26.06: Rihanna feat. Jay-Z
Guld for Umbrella - DD - Universal
26.06: Johnny Logan
Guld for The Irish Connection - CD - MBO/My Way Music
26.06: Infernal
Platin for From Paris To Berlin - CD - Border Breakers
02.07: Beth Hart
Platin for Leave The Light On - CD - SonyBMG
09.07: Artic Monkeys
Platin for Whatever People Say I Am, That’s What I’m Not - CD - Playground
11.07: Nik & Jay
Guld for Et Sidste Kys - DD - EMI
11.07: Runrig
Platin for Everything You See - CD - MBO/RecArt
13.07: Traveling Wilburys
Guld for Traveling Wilburys Collection - CD - Warner
13.07: Cæcilie Norby
Guld for London/Paris - CD - MBO/CPH
17.07: Rihanna feat. Jay-Z
Platin for Umbrella - DD - Universal
17.07: Nelly Furtado
Platin for Say It Right - DD - Universal
17.07: Torrpedorr
Guld for Lommen Er Fuld Af Guld - DD - ArtPeople
24.07: Basix
Platin for The Grass - CD - MBO/RecArt
24.07: Timbaland
Guld for The Way I Are - DD - Universal
24.07: The Fray
Guld for How To Save A Life - DD - SonyBMG
30.07: Kandis
Guld for Gold 2 - CD - MBO/My Way Music
31.07: Mika
Platin for Grace Kelly - DD - Universal
31.07: Maroon 5
Guld for Makes Me Wonder - DD - Universal
Album – guld:
04.06: Div. kunstnere “No Stress” (NFI/MBO)
Album – platin:
01.06: Kashmir “Trespassers” (SME)
25.06: Kashmir “Cruzential” (SME)
26.07: Hansi Hinterseer “The Danish Collection” (SME)
Album – 2 X platin:
10.06: Kim Larsen “Mine Damer Og Herrer” (EMI)
25.06: Kashmir “Travelogue” (SME)
25.06: Kashmir “Zitilites” (SME)
Album – 3 X platin:
25.06: Kashmir “The Good Life” (SME)
Track – guld:
02.06: Nabiha “Deep Sleep” (BBR/WMG)
02.06: Nephew “Police Bells & Church Sirens” (CPH/MBO)
09.06: Medina “Vi To” (A:L/MBO)
16.06: Nephew feat. Landsholdet “The Danish Way To Rock” (CPH/MBO)
16.06: Rasmus Seebach “Lidt I Fem” (ART)
16.06: Thomas Ring “My Dream” (SME)
23.06: Muse “Uprising” (WMG)
01.07: Yolanda Be Cool & DCup “We Speak No Americano” (SME)
13.03: Turboweekend “Trouble Is” (MRM/SME)
13.07: David Guetta feat. Kid Cudi “Memories” (EMI)
13.07: Adam Lambert “Whataya Want From Me” (SME)
13.07: Train “Hey, Soul Sister” (SME)
26.07: Shakira feat. Freshly Ground “Waka Waka (This Time For Africa)” (SME)
28.07: Erik Hassle “Don’t Bring Flowers” (UMG)
Track – platin:
09.06: Burhan G feat. Medina “Mest Ondt” (CHP/MBO)
16.06: Stromae “Alors On Dance” (UMG)
16.06: Hej Matematik “Party I Provinsen” (CPH/MBO)
23.06: Burhan G “Jeg Vil Have Dig For Mig Selv” (CPH/MBO)
01.07: Ke$ha “Tik Tok” (SME)
09.07: Edward Maya feat. Vika Jigulina “Stereo Love” (SME)
09.07: Kato feat. U$O & Johnson “Hey Shorty (Yeah Yeah Pt. 2)” (D:W)
09.07: Kings Of Leon “Sex On Fire” (SME)
26.07: Medina “Vi To” (A:L/MBO)
28.07: Yolanda Be Cool & DCup “We Speak No Americano” (SME)
28.07: Morten Hampenberg, Alexander Brown + Yepha “Skub Til Taget” (D:W)
2004-06-08 00:00:00|Guld og platin i maj|
Maj holdt med 10 stk. gennemsnittet fra årets fire første måneder for IFPI-certificeringer af guld og platinplader. I alt har IFPI i årets fem første måneder certificeret 51 guld og platinplader til CD- og DVD-udgivelser i Danmark.
03.05.: Div. kunstnere – 2 X platin for Now 7 (CD) - NOW
11.05.: Runrig – guld for The Best (CD) - CMC/MBO
13.05.: Abba - guld for Definitive Collection (CD) - Universal
18.05.: Lisa Ekdahl – platin for En Samling Sånger (CD) - BMG
25.05.: Nik&Jay - guld for 2 (CD) - EMI
26.05.: Swan Lee – platin for Swan Lee (CD) - GoGo/Playground
26.05.: Paul McCartney – guld for Back In The US (CD) - EMI
26.05.: TV-2 – platin for Hits (CD) - EMI
27.05.: Paul McCartney – guld for Back in the US (DVD) - EMI
27.05.: Div. Kunstnere – guld for Now 8 (CD) - NOW
10 CD’er modtog i løbet af maj måned IFPI-certificeringer for guld- og platinsalg - henholdsvis 20.000 og 40.000 ex. Bemærkelsesværdigt gik syv af dem til danske kunstnere, og alle tre internationale certificeringer til SonyBMG artister. Den samlede oversigt tager sig således ud:
09.05: Anne Gadegaard - guld for Chikie Chikie - CD (MY WAY/MBO)
09.05: Simone - platin for Vindens Farver - CD (CMC/MBO)
17.05: Bruce Springsteen - guld for Devils & Dust CD (SonyBMG)
17.05: Doky Brothers - guld for Doky Brothers 2 - CD (EMI)
17.05: Beth Hart - guld for Leave The Light On - CD (SonyBMG)
17.05: Brian McFadden - guld for Irish Son - CD (SonyBMG)
19.05: Lars Lilholt Band - platin for De lyse Nætters Orkester - (2CD) (RecArt/MBO)
23.05: B-Boys - guld for Vores Verden - CD (Universal)
27.05: Jacob Andersen - guld for Make It Better - CD (SonyBMG)
31.05: DAD - Guld for Scare Yourself - CD - (EMI)
Selv om maj måneds certicificeringer i vid udstrækning var domineret af digitale downloads, kan der stadig sælges CD’er. Udover guld for det digitale download af ”Back To Black” fik Amy Winehouse (Universal) således også 3 X platin for ”Back To Black” og guld for sit forrige album ”Frank”. Blandt andre bemærkelsesværdige CD-certificeringer er naturligvis også Martin, der opnåede dobbelt-platin i løbet af en mindre end en uge for debut’en ”Show The World”. Her følger hele oversigten over maj månes certificeringer:
09.05: Sanne Salomonsen
Guld for The Show – CD – CPH/MBO
09.05: Kira & The Kindred Spirits
Guld for This Is Not An Exit – CD – CPH/MBO
13.05: Nordstrøm
Guld for Dagdrømmer – CD – EMI
14.05: Celine Dion
Platin for Taking Chances – CD – SonyBMG
14.05: Anna David
Guld for Den Lille Pige – DD – Bonnier
14.05: Amy Winehouse
Guld for Back To Black – DD – Universal
15.05: Amy Winehouse
3 X platin for Back To Black – CD – Universal
16.05: Madonna
Platin for Hard Candy – CD – Warner
20.05: Martin
2 X platin for The 1 – DD – SonyBMG
20.05: Adele
Guld for Chasing Pavements – DD – Playground
20.05: Flo-Rida feat. T-Pain
Guld for Low – DD – Warner
26.05: Martin
Platin for Show The World – CD – SonyBMG
28.05: Uffe Holm
Guld for Uffe Holm’s Flashback – DVD – Universal
28.05: Uffe Holm
Platin for Uffe Holm’s Flashback – DVD – Universal
28.05: Amy Winehouse
Guld for Frank – CD – Universal
28.05: Timbaland pres. One Republic
2 X platin for Apologize – DD - Universal
28.05: L.O.C.
Platin for XXXCouture – DD – EMI
28.05: Szhirley
Platin for Glor På Vinduer – DD – A:L/MBO
29.05: Div. kunstnere
Guld for Hits For Kids Vol. 19 – CD - SonyBMG
30.05: Martin
2 X platin for Show The World – CD – SonyBMG
30.05: Infernal
Guld for Downtown Boys – DD – Border Breakers
Effekten af de nye, væsentligt skrappere krav til certificeringer har ikke ladet vente på sig, og antallet af certificeringer er - som ventet - faldet drastisk i løbet af foråret og sommeren. Nedenfor følger oversigten for maj, juni og juli:
Album – guld:
15.05: Green Day 21st Century Breakdown (WMG)
29.05: Aura Columbine (MFD)
08.06: Nephew Danmark/Denmark (CPH/MBO)
10.06: Div. kunstnere ”Dance Chart 23” (WMG)
10.06: Carpark North All Things To All People” (EMI)
11.06: Aqua Greatest Hits (UMG)
12.06: Poul Krebs Angeleno Road (REC/MBO)
17.06: Christer Sjögren Mitt Sköna Sextiotal (WMG)
07.07: Malk De Koijn Smashhit In Aberdeen (SME)
07.07: Malk De Koijn Sneglzilla (SME)
13.07: Div. kunstnere More Summer 2009 (NSM/MBO)
27.07: Div. kunstnere Eldorado med Jørgen De Mylius (MYW/MBO)
Album – platin:
05.05: Infernal Electric Cabaret (RGL)
07.05: Vikingarna Den Sista Dansen (MYM/MBO)
18.05: Michael Bublé Call Me Irresponsible (WMG)
20.05: Div. kunstnere All 90’s (WMG)
01.07: Nephew Danmark/Denmark (CPH/MBO)
07.07: Kings Of Leon Only By The Night (SME)
30.07: Lady Gaga The Fame (UMG)
Track – guld:
17.06: Jooks Hun Vil Ha’ En Rapper (ART)
30.06: Aqua Back To The 80’s (UMG)
30.06: Celina Ree Når Du Rør Ved Mig (CPH/MBO)
30.06: Nephew 007 Is Also Gonna Die (CPH/MBO)
08.07: Agnes Release Me CPH/MBO)
08.07: Joey Moe Yo-Yo (CPH/MBO)
16.07: Milow Aye Technology (BAM)
16.07: David Guetta feat. Kelly Rowland When Love Takes Over (EMI)
16.07: Jokeren feat. Joey Moe Sig Ja (UMG)
24.07: Black Eyed Peas Boom Boom Pow (UMG)
Track – platin:
30.06: Linda Andrews Det Bedste Til Sidst (SME)
DVD – guld:
18.05: Tiesto Copenhagen (Elements of Life Tour) (VME)

Question: which country has the initials 'ifpi'

ABPD)Золотой

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which south american country has the nickname 'the dangerous country'

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who has the highest platinum album in the world

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how many platinum countries are there in the world

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Certifications Country Certification Brazil ( ABPD)Golden Denmark ( IFPI)Golden Hungary ( Mahasz)Platinum Finland ( IFPI)Platinum Mexico ( AMPROFON)2×Platinum Japan ( RIAJ)2×Platinum Netherlands ( NVPI)3×Platinum Sweden ( IFPI)3×Platinum Austria ( IFPI)4×Platinum Germany ( BVMI)4×Platinum Chile ( IFPI)5×Platinum Switzerland ( IFPI)5×Platinum UK ( BPI)6×Platinum Spain ( PROMUSICAE)6×Platinum Canada ( Music Canada)6×Platinum New Zealand ( NVPI)6×Platinum Sweden ( IFPI)6×Platinum Austria ( IFPI)4×Platinum Germany ( IFPI )

Sara Bro vært ved Danish Music Awards 2022
Danish Music Awards afholdes i år den 3. november. Det sker ved en eksklusiv begivenhed i…
IFPI er musikselskabernes brancheorganisation. Vores fornemste opgave er at sikre de bedst mulige forretningsvilkår for danske musikselskaber. Derfor afsøger vi nye muligheder for kommerciel udnyttelse af musik.
IFPI arbejder for, at musikselskaberne fremadrettet har resurserne til at sikre udviklingen af spændende musiknavne, der kan bidrage til et levende kulturliv i morgendagens Danmark
Vi arbejder målrettet på at synliggøre musikselskabernes vigtige rolle i det danske samfund samt præge udviklingen inden for lovgivning på de områder, der vedrører branchen.
Vi indgår aftaler med musikselskabernes samarbejdspartnere for at sikre transparens, optimal effektivitet og overensstemmelse med den gældende lovgivning.
Vi arbejder aktivt for at sikre vores medlemmer de bedst mulige betalingsordninger for udnyttelsen af deres rettigheder.
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Se alle de nominerede til Danish Music Awards 2021

|ADELE
|
30
(Sony Music)
|2022|
|ALCOHOL
|
Remélem zavarok
(H-Music)
|2022|
|ALEE
|
EyEy
(Gold Record)
|2||2022|
|ALEE
|
Nincsen gond
(Gold Record)
|3||2022|
|ALEE x APU
|
Menned kell
(Gold Record)
|3||2022|
|ALEE x MANUEL
|
Deja Vu
(Gold Record)
|3||2022|
|BALÁZS FECÓ és a KORÁL
|
Legszebb dalaink
(Tom-Tom Records)
|2022|
|BERKES OLIVÉR
|
Jó vagy rossz legyek
(Magneoton)
|2022|
|BERKES OLIVÉR
|
Visszakér a múlt
(Magneoton)
|2022|
|BERKES OLIVÉR
|
Volt, ami volt
(Magneoton)
|2022|
|BERKES OLIVÉR x BSW
|
Nem volt szép
(Magneoton)
|2||2022|
|BKŁT
|
Kezeket fel!
(Strein és Mercy)
|2022|
|BYEALEX és a SLEPP
|
Ájkosz
(Gold Record)
|3||2022|
|BYEALEX és a SLEPP x GIAJJENNO
|
Anya
(Magneoton)
|6||2022|
|BYEALEX és a SLEPP x HIRO
|
Így hagysz el
(Magneoton)
|8||2022|
|BYEALEX és a SLEPP x MANUEL
|
Rossz esték
(Gold Record)
|3||2022|
|CARSON COMA
|
Digitális/Analóg
(Gold Record)
|2022|
|COMPACT DISCO feat. HŐSÖK
|
Minden rendben
(Magneoton)
|2022|
|CSÁSZÁR ELŐD x LOTFI BEGI feat. NIKA
|
Tiltott szerelem
(Magneoton)
|2022|
|CURTIS
|
Fáradt lélek
(Magneoton)
|2022|
|DR BRS x BERKES OLIVÉR
|
Évszakok
(Magneoton)
|6||2022|
|DR BRS x JAZZ+AZ
|
Ma jól vagyok
(Magneoton)
|2022|
|DR BRS x KIRÁLY VIKTOR
|
Tűzvarázsló
(Magneoton)
|3||2022|
|DR BRS x T. DANNY x KKEVIN x MONKEYNECK feat. KIRÁLY LINDA
|
Juanita
(Magneoton)
|2022|
|DR BRS x VARGA VIKTOR feat. BIGA
|
Koccintós
(Magneoton)
|7||2022|
|DUPLA KÁVÉ
|
Piros pohár (Dupla KáVé és Köteles Cindy duettek)
(Stefanus)
|2022|
|GEM-B x ERŐS & SPIGIBOY x HERCEG, BURAI, KOLLÁNYI ZSUZSI
|
Álomhajó
(Magneoton)
|2022|
|HONEYBEAST
|
Élet a Marson
(Gold Record)
|2022|
|JOLLY
|
Hajnalban megyek ma megint haza
(ko records)
|2022|
|KIRÁLY VIKTOR feat. MAJKA
|
Filter
(Magneoton/King Music)
|2022|
|KOLLÁNYI ZSUZSI x LOTFI BEGI feat. KOWA
|
Eszembe jutottál
(Magneoton)
|2||2022|
|LMEN PRALA
|
Polizei
(szerzői kiadás)
|2||2022|
|LMEN PRALA feat. CURTIS
|
Fantastic
(szerzői kiadás)
|2||2022|
|LOTFI BEGI x BURAI
|
Háborgó mélység 2
(Magneoton)
|9||2022|
|LOTFI BEGI x GÁSPÁR LACI feat. MAJKA
|
Hurrikán
(Magneoton)
|2022|
|LOTFI BEGI x KOLLÁNYI ZSUZSI feat. DR BRS
|
Régi nyár
(Magneoton)
|3||2022|
|LOTFI BEGI x ZOLTÁN ERIKA feat. DÉR HENI & CURTIS
|
Casanova
(Magneoton)
|3||2022|
|MAJKA & CURTIS & NIKA
|
A csúcson túl
(Magneoton)
|9||2022|
|MAJKA x ESSEMM
|
Hidegvérrel
(Magneoton)
|3||2022|
|MANUEL
|
Zombi
(Gold Record)
|3||2022|
|MARGARET ISLAND
|
Hol marad az én történetem
(Gold Record)
|2022|
|MATYI ÉS A HEGEDŰS
|
Best of 18
(ko records)
|2022|
|METZKER VIKTÓRIA x CURTIS
|
Szívemen szárny
(Magneoton)
|2022|
|METZKER VIKTÓRIA x MISS MOOD
|
21
(Magneoton)
|2022|
|NEW LEVEL EMPIRE feat. REPUBLIC
|
Valódi
(Gold Record)
|2022|
|NEW LEVEL EMPIRE x MAJKA
|
Újra úton
(Magneoton)
|2||2022|
|NIGEL STATELY & T.O.M
|
Just Can't Let You Go
(Elephant House)
|2022|
|OMEGA
|
Testamentum
(GrundRecords)
|5||2022|
|PAULINA
|
A te meséd
(Gold Record)
|2022|
|PAULINA
|
Ajándék
(Gold Record)
|3||2022|
|PAULINA
|
Aranyapám
(Gold Record)
|2022|
|PAULINA
|
Kik lehetnénk mi?
(Gold Record)
|2022|
|PURPLE DISCO MACHINE
|
Exotica
(Sony Music)
|2022|
|RÚZSA MAGDOLNA
|
Aduász
(Magneoton/Plagiguel)
|2||2022|
|RÚZSA MAGDOLNA
|
Karma
(Plagiguel)
|2022|
|RÚZSA MAGDOLNA
|
Légzés
(Magneoton)
|3||2022|
|SENKISE x HIRO
|
KorsKorsKors
(Elephant House)
|7||2022|
|SIHELL FERRY
|
A zene rám talált
(Sihell Music)
|2022|
|STEFANO CILIO
|
Breathless
(-)
|2022|
|SUPERSTEREO feat. DÉ
|
Vakvilag
(Magneoton)
|2022|
|SZABÓ ÁDÁM x CURTIS
|
Ez vagyok én
(Magneoton)
|2022|
|THE BIEBERS feat. CURTIS
|
Minden este
(Gold Record)
|2022|
|THE BIEBERS feat. FURA CSÉ
|
Dübörög a ház
(Gold Record)
|2022|
|VÁLOGATÁS
|
Feró 75 - Ahogy Ti zenéltek...
(H-Music)
|2022|
|VÁLOGATÁS
|
Kívánságpiac No. 1.
(ko records)
|2022|
|VÁLOGATÁS
|
Lokoléo party (Jollyval és barátaival)
(ko records)
|2022|
|VÁLOGATÁS
|
Szatmári Vigadó a Két Haverral válogatott dalai
(Strein és Mercy)
|2022|
|ZSÉDA & KÖKÉNY ATTILA
|
Hello
(Magneoton)
|2022|

|REGISTRO||No. POR AÑO||ARTISTA||TÍTULO||DISQUERA||LANZAMIENTO||TIPO||CERTIFICACIÓN||NIVEL DE CERTIFICACIÓN||ÚLTIMA CERTIFICACIÓN|
|638||48||MICHAEL JACKSON||NUMBERS ONES||SONY BMG||13/11/2003||ÁLBUM||ORO||1||21/04/2005|
|980||24||MICHAEL JACKSON||THRILLER (25TH ANNIVERSARY EDITION)||SONY BMG||11/02/2008||ÁLBUM||ORO||1||13/03/2008|
|1090||26||MICHAEL JACKSON||ESSENTIAL MICHAEL JACKSON||SONY MUSIC||20/07/2005||ÁLBUM||ORO||1||10/08/2009|
|1091||27||MICHAEL JACKSON||HISTORY PAST, PRESENT AND FUTURE BOOK 1||SONY MUSIC||14/06/1995||ÁLBUM||ORO||1||10/08/2009|
|1092||28||MICHAEL JACKSON||DANGEROUS||SONY MUSIC||20/11/1991||ÁLBUM||PLATINO & ORO||2 & 1||10/08/2009|
|1093||29||MICHAEL JACKSON||BAD||SONY MUSIC||24/08/1987||ÁLBUM||PLATINO & ORO||1 & 1||10/08/2009|
|1094||30||MICHAEL JACKSON||THRILLER||SONY MUSIC||03/02/1983||ÁLBUM||DIAMANTE & PLATINO & ORO||1 & 2 & 1||10/08/2009|
|1095||31||MICHAEL JACKSON||MICHAEL JACKSON GREATEST HITS HISTORY VOL. 1||SONY MUSIC||27/06/1988||ÁLBUM||ORO||1||10/08/2009|
|1096||32||MICHAEL JACKSON||THRILLER (25TH ANNIVERSARY EDITION)||SONY MUSIC||11/02/2008||ÁLBUM||PLATINO & ORO||1 & 1||10/08/2009|
|1097||33||MICHAEL JACKSON||KING OF POP (GREATEST HITS MEXICAN COLLECTION)||SONY MUSIC||21/11/2008||ÁLBUM||ORO||1||10/08/2009|
|1147||9||MICHAEL JACKSON||MICHAEL JACKSON'S THIS IT||SONY MUSIC||29/10/2009||ÁLBUM||ORO||1||15/01/2010|
|1333||9||MICHAEL JACKSON||THRILLER||SONY MUSIC||01/06/1983||SINGLE TRACK||ORO||1||18/01/2012|
|1438||114||MICHAEL JACKSON||BILLIE JEAN||SONY MUSIC||01/03/1983||SINGLE TRACK||ORO||1||31/12/2012|
|1445||3||MICHAEL JACKSON||BILLIE JEAN||SONY MUSIC||30/11/1982||SINGLE TRACK||ORO||1||03/01/2013|
|1743||101||MICHAEL JACKSON||XSCAPE||SONY MUSIC||09/05/2014||ÁLBUM||ORO||1||18/07/2014|
|1778||136||MICHAEL JACKSON||BEAT IT||SONY MUSIC||23/11/1999||SINGLE TRACK||ORO||1||23/09/2014|
|1826||184||MICHAEL JACKSON & JUSTIN TIMBERLAKE||LOVE NEVER FELT SO GOOD||SONY MUSIC||02/05/2014||SINGLE TRACK||PLATINO||1||05/12/2014|

Goud/Platina
De officiële status van Goud of Platina is door leden van NVPI te verkrijgen door een certificering aan te vragen. Bekijk het reglement goed en vul het aanvraagformulier in. NVPI verschaft naast de certificering penningen voor display doeleinden. Zonder de NVPI-penning heeft een gouden of platina product geen internationaal erkende status en geen waarde. De NVPI-penning, bestaande uit een gouden of platina munt, dient op de uit te reiken onderscheiding zichtbaar aangebracht te worden.
5618 resultaten gevonden
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|Jaar||Artiest||Titel||Status||Type||Aantal||Maatschappij|
Toon meer ()
van zichtbaar

Die Gold-/Platin-Datenbank enthält Informationen über alle Auszeichnungen mit GOLD/PLATIN Schallplatten seit 1975, alle JAZZ AWARDs seit 1992, MUSIC VIDEO AWARDs seit 2002, sowie KIDS-, COMEDY- und AUDIO BOOK AWARDs seit 2008. Sie beantwortet Fragen wie:
- Hat 'Satellite' von Lena bereits eine Platin-Auszeichnung erhalten?
- Wie oft wurde mein Lieblingskünstler ausgezeichnet?
- Wie viele Goldene Schallplatten wurden 1991 verliehen?
Sie können in unserer Gold-/Platin-Datenbank nach Interpreten oder Titel, nach Award-Sorte (also GOLD/PLATIN für Musikprodukte, JAZZ AWARD, KIDS AWARD, etc.), dem Format (Audioalben, Singles, Videos) oder auch nach dem Verleihungsjahr suchen.
Darüber hinaus erlaubt eine Recherche der Auszeichnung Aussagen zu den verkauften Einheiten des jeweiligen Werkes. Es kann jedoch nicht dafür garantiert werden, dass nicht bereits sogar mehr Einheiten als in der Verleihung berücksichtigt, verkauft worden sind. Mehrere Verleihungen zu einem Werk können nicht addiert werden, sondern es zählt die entsprechende Abverkaufsgrenze der jeweils höchsten Auszeichnung zu dem Werk. Weitere Details zu den Verleihungsgrenzen und Kriterien in den verschiedenen Kategorien finden Sie hier.
* Bei Aktivierung des Kästchens "Nur Höchstverleihungen" wird nur die zuletzt erzielte,
höchste Verleihung zu jedem Werk angezeigt, also zum Beispiel 5fach Gold. In diesem Fall
wird dann nicht die Reihe der vorhergehenden, niedrigeren Verleihungen, wie in diesem
Beispiel 1fach Gold, 1fach Platin, 3fach Gold, 2fach Platin, etc. zusätzlich angezeigt.
|
||Interpret
||Titel
||Jahr
||Format
||Preis
||Firma
||Label
||
|
|Gold/Platin|
|Michael Jackson||XSCAPE||2014||Alben||1x Gold||Sony Music Entertainment Germany GmbH||Epic|
|Michael Jackson||This Is It||2009||Alben||1x Gold||Sony Music Entertainment Germany GmbH||Epic|
|Michael Jackson||King Of Pop||2009||Alben||5x Gold||Sony Music Entertainment Germany GmbH||Epic|
|Michael Jackson||Number Ones||2004||Alben||1x Gold||Sony Music||Epic|
|Michael Jackson||Invincible||2001||Alben||1x Platin||Sony||Epic|
|Michael Jackson||HIStory - Past, Present And Future - Book||1997||Alben||3x Platin||Sony||Epic|
|Michael Jackson||Blood On The Dancefloor - HIStory In The Mix||1997||Alben||1x Gold||Sony||Epic|
|Michael Jackson||Blood On The Dancefloor||1997||Single||1x Gold||Sony||Epic|
|Michael Jackson||They Don't Care About Us||1996||Single||3x Gold||Sony||Epic|
|Michael Jackson||Earth Song||1996||Single||2x Platin||Sony||Epic|
|Michael Jackson||You Are Not Alone||1995||Single||1x Gold||Sony||Epic|
|Michael Jackson||Bad||1995||Alben||4x Platin||Sony||Epic|
|Michael Jackson||Thriller||1995||Alben||3x Platin||Sony||Epic|
|Michael Jackson||Dangerous||1993||Alben||4x Platin||Sony||Epic|
|Michael Jackson||Heal The World||1993||Single||1x Gold||Sony||Epic|
|Michael Jackson||Black Or White||1992||Single||1x Gold||Sony||Epic|
|Musikvideo-Award|
|Michael Jackson||Video Greatest Hits - HIStory||2004||Video||3x Gold||Sony Music Entertainment (Germany) GmbH||Epic|
|Michael Jackson||HIStory On Film Vol. 2||2002||Video||1x Platin||Sony|
|Michael Jackson||Dangerous - The Short Films||1997||Video||1x Platin||Sony|
|
||
|
Seite
|
|

La cantante mexicana Ana Gabriel logró en Chile trece discos de platino, por la venta de sus álbumes En vivo, Mi México y Silueta, y superó largamente a otros artistas como Chayanne, Michael Jackson y Julio Iglesias.
Ana Gabriel, que desde hace dos años no visitaba a Chile, vendió en 1993 un total de 400 mil copias, una cifra considerada todo un récord en este país de trece millones de habitantes.
La siguen en esta carrera de trofeos el puertorriqueño Chayanne, que consiguió siete discos de platino, por las ventas de Provócame, Tiempo de Vals y Chayanne.
El estadounidense Michael Jackson que en octubre estuvo en Chile, y el español Julio Iglesias lograron cinco discos de platino, el primero por las ventas de su último álbum Dangerous y el segundo por Calor, Raíces y Un solo hombre.
Ricky Martin y el grupo Garibaldi obtuvieron tres discos de platino. Tanto el puertorriqueño como los mexicanos participarán en el XXXV Festival Internacional de la Canción de Viña del Mar que se celebrará en la primera quincena de febrero.

Awards
The database includes all awards since 1989.
Search for: Michael Jackson
|Artist||Title||Type||Label||Award||Year|
|Michael Jackson||Blood On The Dancefloor||Album||Epic/Sony||Platin||1997|
|Michael Jackson||Blood On The Dancefloor||Album||Epic/Sony||Gold||1997|
|Michael Jackson||Dangerous||Album||Epic/Sony||4x-Platin||1995|
|Michael Jackson||Dangerous||Album||Sony Music||Platin||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||Platin||1991|
|Michael Jackson||Dangerous||Album||Sony Music||Gold||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||Gold||1991|
|Michael Jackson||Dangerous||Album||Epic/Sony||5x-Platin||1993|
|Michael Jackson||Dangerous||Album||Epic/Sony||5x-Platin||1995|
|Michael Jackson||Dangerous||Album||Sony Music||2x-Platin||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||2x-Platin||1991|
|Michael Jackson||Earth Song||Album||Epic/Sony||Gold||1995|
|Michael Jackson||Earth Song||Single||Epic/Sony||Platin||1996|
|Michael Jackson||History||Album||Epic/Sony||Platin||1995|
|Michael Jackson||History||Album||Epic/Sony||Gold||1995|
|Michael Jackson||History||Album||Epic||3x-Platin||1996|
|Michael Jackson||History||Album||Epic/Sony||2x-Platin||1995|
|Michael Jackson||Invincible||Album||Epic/Sony||Platin||2001|
|Michael Jackson||Number Ones||Album||Epic/Sony||Gold||2003|
|Michael Jackson||Thriller||Album||Epic/Sony||6x-Platin||1995|
|Michael Jackson||Thriller||Album||Epic/Sony||6x-Platin||1993|
|Michael Jackson||Thriller 25||Album||Sony BM||Gold||2008|
|Michael Jackson||Xscape||Album||Sony||Gold||2014|
|Michael Jackson||Your Are Not Alone||Album||Epic/Sony||Gold||1995|

Edelmetall
Die Datenbank enthält alle Edelmetallauszeichnungen seit 1989.
Suche nach: michael jackson
|Titel||Typ||Label||Edelmetall||Jahr|
|Michael Jackson||Blood On The Dancefloor||Album||Epic/Sony||Platin||1997|
|Michael Jackson||Blood On The Dancefloor||Album||Epic/Sony||Gold||1997|
|Michael Jackson||Dangerous||Album||Epic/Sony||Vierfach-Platin||1995|
|Michael Jackson||Dangerous||Album||Sony Music||Platin||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||Platin||1991|
|Michael Jackson||Dangerous||Album||Sony Music||Gold||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||Gold||1991|
|Michael Jackson||Dangerous||Album||Epic/Sony||Fünffach-Platin||1993|
|Michael Jackson||Dangerous||Album||Epic/Sony||Fünffach-Platin||1995|
|Michael Jackson||Dangerous||Album||Sony Music||Doppel-Platin||1992|
|Michael Jackson||Dangerous||Album||Epic/Sony Music||Doppel-Platin||1991|
|Michael Jackson||Earth Song||Album||Epic/Sony||Gold||1995|
|Michael Jackson||Earth Song||Single||Epic/Sony||Platin||1996|
|Michael Jackson||History||Album||Epic/Sony||Platin||1995|
|Michael Jackson||History||Album||Epic/Sony||Gold||1995|
|Michael Jackson||History||Album||Epic||Dreifach-Platin||1996|
|Michael Jackson||History||Album||Epic/Sony||Doppel-Platin||1995|
|Michael Jackson||Invincible||Album||Epic/Sony||Platin||2001|
|Michael Jackson||Number Ones||Album||Epic/Sony||Gold||2003|
|Michael Jackson||Thriller||Album||Epic/Sony||Sechsfach-Platin||1995|
|Michael Jackson||Thriller||Album||Epic/Sony||Sechsfach-Platin||1993|
|Michael Jackson||Thriller 25||Album||Sony BM||Gold||2008|
|Michael Jackson||Xscape||Album||Sony||Gold||2014|
|Michael Jackson||Your Are Not Alone||Album||Epic/Sony||Gold||1995|

|
|
Album Sales Certifications are based on wholesale figures (record company sales to retailers).
(Gold = 7500, Platinum = 15,000)
May 16 2010:
KORA - KORA - plat x2
Justin Bieber - My Worlds - plat x1
White Zombie - La Sexorcisto Devil Music - plat x1
Dragon - The Very Best Of - gold x1
Rihanna - Music Of The Sun - gold x1
April 18 2010:
Slash - Slash - gold x1
Justin Bieber - My Worlds - gold x1
AC/DC - Iron Man 2 OST - gold x1
April 11 2010:
Susan Boyle - I Dreamed A Dream - plat x10
Lady Gaga - The Fame - plat x4
Dane Rumble - The Experiment - gold x1
March 28 2010:
Glee Cast - Glee: The Music Vol. 2 - gold x1
March 21 2010:
J.Williams - Young Love - gold x1
March 14 2010:
Adam Lambert - For Your Entertainment - gold x1
February 28 2010:
Gin - Holy Smoke - plat x3
Wolfmother - Wolfmother - gold x1
February 21 2010:
Stan Walker - Introducing - plat x3
February 14 2010:
Melody Gardot - My One And Only Thrill - gold x1
Diana Krall - Quiet Nights - gold x1
February 7 2010:
Bob Marley - Chant Down Babylon - plat x3
Live - Awake: The Best Of - plat x2
Alvin And The Chipmunks - The Squeakuel OST - plat x1
Dusty Springfield - Blue For You - gold x1
January 10 2010:
Midnight Youth - The Brave Don't Run - plat x1
Shapeshifter - The System Is A Vampire - plat x1
Various - Stroke: Songs For Chris Knox - gold x1
December 27 2009:
Fleetwood Mac - The Very Best Of - plat x1
December 20 2009:
Susan Boyle - I Dreamed A Dream - plat x9
Michael Jackson - This Is It - plat x2
Gin - Holy Smoke - plat x2
Stan Walker - Introducing - plat x2
The Jackson Five - Christmas Album - plat x1
Rod Stewart - Soulbook - plat x1
Ladyhawke - Ladyhawke - plat x1
Michael Buble - Crazy Love - plat x1
Enya - The Very Best Of - plat x1
The Priests - Harmony - plat x1
Queen - Absolute Greatest - plat x1
Vera Lynn - We'll Meet Again: The Best Of - plat x1
Frankie Valli And The Four Seasons - Jersey's Best - gold x1
Alvin And The Chipmunks - The Squeakuel OST - gold x1
Westlife - Where We Are - gold x1
December 13 2009:
Susan Boyle - I Dreamed A Dream - plat x8
Lady Gaga - The Fame Monster - plat x3
Black Eyed Peas - The E.N.D. - plat x2
Taylor Swift - Fearless - plat x2
Dave Dobbyn - Beside You: 30 Years Of Hits - plat x1
Pearl Jam - Backspacer - plat x1
Stan Walker - Introducing - plat x1
Miley Cyrus - The Time Of Our Lives - gold x1
The Priests - Harmony - gold x1
Glee Cast - Glee: The Music Vol. 1 - gold x1
Fly My Pretties - A Story - gold x1
December 6 2009:
Susan Boyle - I Dreamed A Dream - plat x6
Fleetwood Mac - The Very Best Of - plat x1
Michael Buble - Crazy Love - gold x1
Queen - Absolute Greatest - gold x1
November 29 2009:
Susan Boyle - I Dreamed A Dream - plat x3
Foo Fighters - Greatest Hits - plat x1
Them Crooked Vultures - Them Crooked Vultures - gold x1
Rod Stewart - Soulbook - gold x1
November 22 2009:
Whitney Houston - The Ultimate Collection - plat x1
Shapeshifter - The System Is A Vampire - gold x1
Norah Jones - The Fall - gold x1
Enya - The Very Best Of - gold x1
Robbie Williams - Reality Killed The Video Star - gold x1
November 15 2009:
Pink - Funhouse - plat x3
Michael Jackson - This Is It - plat x1
November 8 2009:
Muse - The Resistance - plat x1
Fleetwood Mac - The Very Best Of - gold x1
November 1 2009:
Gin - Holy Smoke - plat x1
Michael Jackson - This Is It - gold x1
Dave Dobbyn - Beside You: 30 Years Of Hits - gold x1
Foo Fighters - Greatest Hits - gold x1
KISS - The Very Best Of - gold x1
October 25 2009:
The Eagles - Hell Freezes Over - plat x4
Eric Clapton - Cream Of Clapton - plat x3
Van Morrison - Still On Top: Greatest Hits - plat x1
Elton John - Rocket Man: The Definitive Hits - plat x1
Various - Twilight Saga: New Moon OST - plat x1
Gin - Holy Smoke - gold x1
The Jackson Five - Christmas Album - gold x1
October 18 2009:
Ladyhawke - Ladyhawke - gold x1
Paramore - Brand New Eyes - gold x1
Various - New Moon OST - gold x1
October 11 2009:
Nickelback - Dark Horse - plat x1
October 4 2009:
Fat Freddy's Drop - Dr Boondigga And The Big BW - plat x2
September 27 2009:
Lily Allen - It's Not Me, It's You - gold x1
Madonna - Celebration - gold x1
September 20 2009:
Muse - The Resistance - gold x1
Pearl Jam - Backspacer - gold x1
September 13 2009:
The Beatles - Sgt Pepper's Lonely Hearts Club Band - plat x6
The Beatles - Abbey Road - plat x5
The Beatles - Let It Be - plat x2
The Beatles - The Beatles (White Album) - plat x2
The Beatles - A Hard Day's Night - plat x1
The Beatles - Beatles For Sale - plat x1
The Beatles - Help! - plat x1
The Beatles - Rubber Soul - plat x1
The Beatles - Revolver - plat x1
The Beatles - Magical Mystery Tour - gold x1
The Beatles - Yellow Submarine - gold x1
The Beatles - Please Please Me - gold x1
The Beatles - With The Beatles - gold x1
The Beatles - Past Masters Vol. 1 - gold x1
The Beatles - Past Masters Vol. 2 - gold x1
August 30 2009:
Pearl Jam - Rearview Mirror: Greatest Hits - plat x3
August 23 2009:
Flight Of The Conchords - Flight Of The Conchords - plat x2
The Black Seeds - Solid Ground - plat x1
Ladi6 - Time Is Not Much - gold x1
August 9 2009:
Black Eyed Peas - The E.N.D. - plat x1
Hannah Montana Cast - Hannah Montana: The Movie OST - plat x1
July 19 2009:
Michael Jackson - Bad - plat x9
Michael Jackson - Number Ones - plat x4
Michael Jackson - The Essential - plat x2
Leonard Cohen - The Essential - plat x1
Sarah McLachlan - Closer: The Best Of - gold x1
Isla Grant - Special To Me - gold x1
July 12 2009:
Michael Jackson - King Of Pop: New Zealand Collection - gold x1
July 5 2009:
Taylor Swift - Fearless - plat x1
Hannah Montana Cast - Hannah Montana: The Movie OST - gold x1
June 28 2009:
Michael Jackson - Thriller - plat x12
Michael Jackson - HIStory - plat x9
Michael Jackson - Bad - plat x8
Michael Jackson - Dangerous - plat x6
Michael Jackson - Off The Wall - plat x6
Michael Jackson - Number Ones - plat x3
Michael Jackson - Blood On The Dance Floor - plat x1
Michael Jackson - Invincible - plat x1
Michael Jackson - The Essential - plat x1
Katy Perry - One Of The Boys - gold x1
June 21 2009:
Midnight Youth - The Brave Don't Run - gold x1
June 14 2009:
Eminem - Relapse - plat x1
May 31 2009:
Green Day - 21st Century Breakdown - plat x1
Fat Freddy's Drop - Dr Boondigga And The Big BW - plat x1
May 17 2009:
Pretenders - Greatest Hits - plat x2
Marianne Faithfull - Faithfull: The Best Of - plat x1
Various - The Boat That Rocked OST - gold x1
Green Day - 21st Century Breakdown - gold x1
Eminem - Relapse - gold x1
May 10 2009:
Lady Gaga - The Fame - plat x2
UB40 - Love Songs - gold x1
May 3 2009:
Ronan Keating - Songs For My Mother - plat x1
April 26 2009:
Britney Spears - Circus - plat x1
Beyonce - I Am Sasha Fierce - plat x1
April 19 2009:
The Beatles - 1 - plat x15
Annie Lennox - The Collection - gold x1
Paul Potts - Passione - gold x1
April 5 2009:
Pearl Jam - Ten - plat x6
Various - Twilight OST - plat x1
Taylor Swift - Fearless - gold x1
March 8 2009:
Geoff Sewell - Believe - plat x1
March 1 2009:
Madonna - The Immaculate Collection - plat x7
Madonna - True Blue - plat x5
Madonna - Like A Virgin - plat x5
Kings Of Leon - Only By The Night - plat x4
Tom Petty - Greatest Hits - plat x4
High School Musical Cast - High School Musical 3: Senior Year - plat x2
Basshunter - Now You're Gone - plat x1
U2 - No Line On The Horizon - plat x1
MGMT - Oracular Spectacular - gold x1
The Jonas Brothers - A Little Bit Longer - gold x1
Jason Mraz - We Sing, We Dance, We Steal Things - gold x1
Stevie Wonder - Number Ones - gold x1
February 15 2009:
Leonard Cohen - The Essential Leonard Cohen - gold x1
February 8 2009:
OpShop - Second Hand Planet - plat x3
ABBA - The Music Still Goes On - plat x1
February 1 2009:
The Killers - Day & Age - plat x1
Basshunter - Now You're Gone - gold x1
Paramore - Riot! - gold x1
January 18 2009:
Billy T James - The Comic Genius Of Billy T James - plat x4
Neil Young - Greatest Hits - plat x2
Beyonce - I Am Sasha Fierce - gold x1
Various - Twilight OST - gold x1
December 28 2008:
the feelers - The Best: 1998-2008 - plat x2
Enya - And Winter Came - plat x1
Josh Groban - A Collection - plat x1
TI - Paper Trail - gold x1
December 21 2008:
Kings Of Leon - Only By The Night - plat x3
Duffy - Rockferry - plat x3
Billy T James - The Comic Genius Of Billy T James - plat x3
Pink - Funhouse - plat x2
AC/DC - Black Ice - plat x2
The Priests - The Priests - plat x2
Lady Gaga - The Fame - plat x1
Herbs - Lights Of The Pacific: The Very Best Of - plat x1
Lionel Richie - The Definitive Collection - plat x1
Andre Rieu - Waltzing Matilda: New Zealand Edition - plat x1
Linkin Park - Road To Revolution: Live At Milton Keynes - gold x1
Britney Spears - Circus - gold x1
Ne-Yo - Year Of The Gentleman - gold x1
December 14 2008:
Coldplay - Viva La Vida Or Death And Hall His Friends - plat x2
Billy T James - The Comic Genius Of Billy T James - plat x2
High School Musical Cast - High School Musical 3: Senior Year - plat x1
The Priests - The Priests - plat x1
Rob Guest - Rob Guest: 1950-2008 - plat x1
Bic Runga - Try To Remember Everything - gold x1
Hannah Montana - Hannah Montana 1 OST - gold x1
Simply Red - 25: Greatest Hits - gold x1
December 7 2008:
Tiki Taane - Past, Present, Future - plat x2
Josh Groban - A Collection - gold x1
Billy T James - The Comic Genius Of Billy T James - gold x1
Dido - Safe Trip Home - gold x1
November 30 2008:
Metallica - Metallica - plat x10
Kings Of Leon - Only By The Night - plat x2
the feelers - The Best: 1998-2008 - plat x1
The Killers - Day & Age - gold x1
Nickelback - Dark Horse - gold x1
Enya - And Winter Came - gold x1
Camp Rock Cast - Camp Rock OST - gold x1
The Priests - The Priests - gold x1
Andre Rieu - Waltzing Matilda: New Zealand Edition - gold x1
November 23 2008:
ABBA - ABBA Gold - plat x16
Miley Cyrus - Breakout - plat x1
Guns N Roses - Chinese Democracy - plat x1
the feelers - The Best: 1998-2008 - gold x1
Hayley Westenra - River Of Dreams: The Best Of - gold x1
Herbs - Lights Of The Pacific: The Very Best Of - gold x1
Il Divo - The Promise - gold x1
Rob Guest - Rob Guest: 1950-2008 - gold x1
Celine Dion - My Love: Ultimate Essential - gold x1
Madeleine Peyroux - Half The Perfect World - gold x1
Lady Gaga - The Fame - gold x1
November 16 2008:
High School Musical Cast - High School Musical 3: Senior Year - gold x1
November 9 2008:
Nesian Mystik - Elevator Musiq - gold x1
Various - Outrageous Fortune: Repeat Offenders - gold x1
November 2 2008:
Pink - Funhouse - plat x1
AC/DC - Black Ice - plat x1
October 19 2008:
Slipknot - All Hope Is Gone - gold x1
October 5 2008:
Miley Cyrus - Breakout - gold x1
September 28 2008:
Kings Of Leon - Only By The Night - plat x1
The Veronicas - Hook Me Up - gold x1
September 21 2008:
Mamma Mia Cast - Mamma Mia: The Movie - plat x2
Dave Dobbyn - Anotherland - gold x1
September 14 2008:
Metallica - Death Magnetic - plat x1
September 7 2008:
Duffy - Rockferry - plat x2
August 31 2008:
The Black Seeds - Solid Ground - gold x1
August 17 2008:
No Doubt - Tragic Kingdom - plat x5
Chris Brown - Exclusive - plat x2
August 10 2008:
Eminem - Encore - plat x5
Mamma Mia Cast - Mamma Mia: The Movie - plat x1
Def Leppard - Rock Of Ages: Definitive Collection - gold x1
Supertramp - Retrospectacle: Anthology - gold x1
August 3 2008:
Neil Diamond - The Essential - plat x3
Billy Joel - The Essential - plat x1
July 27 2008:
U2 - The Best Of 1980 - 1990 - plat x9
Mamma Mia Cast - Mamma Mia: The Movie - gold x1
July 13 2008:
Disturbed - Indestructible - plat x1
July 6 2008:
ABBA - ABBA Gold - plat x15
Sublime - Sublime - plat x5
Creedence Clearwater Revival - Chronicle - gold x1
June 29 2008:
Hollie Smith - Long Player - plat x2
Tiki Taane - Past, Present, Future - plat x1
Flight Of The Conchords - Flight Of The Conchords - plat x1
June 15 2008:
Westlife - Unbreakable: 2008 NZ Tour Edition - plat x2
Coldplay - Viva La Vida Or Death And All His Friends - plat x1
Neil Diamond - Home Before Dark - gold x1
Seether - Finding Beauty In Negative Spaces - gold x1
June 8 2008:
Disturbed - Indestructible - gold x1
June 1 2008:
Robert Cray - Strong Persuader - plat x4
Hayley Westenra - My Gift To You - plat x3
Duffy - Rockferry - plat x1
The Who - Then And Now - gold x1
May 18 2008:
Leona Lewis - Spirit - plat x1
May 11 2008:
Frank Sinatra - Nothing But The Best - gold x1
May 4 2008:
Flight Of The Conchords - Flight Of The Conchords - gold x1
Willie Nelson - Legend: The Very Best Of - gold x1
April 27 2008:
Duffy - Rockferry - gold x1
OneRepublic - Dreaming Out Loud - gold x1
April 20 2008:
Geoff Sewell - Believe - gold x1
Shihad - Beautiful Machine - gold x1
April 13 2008:
Jimi Hendrix - Experience Hendrix: The Best - plat x3
Dave Dobbyn - Available Light - plat x2
Kanye West - The College Dropout - gold x1
The Cure - Greatest Hits - gold x1
April 6 2008:
Joe Cocker - Classic Cocker - gold x1
Lynyrd Skynyrd - All Time Greatest Hits - gold x1
March 30 2008:
Hannah Montana - Hannah Montana 2: Meet Miley Cyrus - gold x1
March 23 2008:
Amy Winehouse - Back To Black - plat x2
Ozzy Osbourne - The Essential Ozzy Osbourne - plat x1
Britney Spears - Blackout - gold x1
Concord Dawn - Chaos By Design - gold x1
March 2 2008:
Jack Johnson - Sleep Through The Static - plat x1
Chris Brown - Exclusive - plat x1
Tom Jones - Greatest Hits - plat x1
Jurassic 5 - Quality Control - gold x1
February 17 2008:
Rod Stewart - Story So Far: The Very Best Of - plat x4
OpShop - Second Hand Planet - plat x2
Anika Moa - In Swings The Tide - plat x1
Robert Plant And Alison Krauss - Raising Sand - plat x1
February 10 2008:
KORA - KORA - plat x1
The Phoenix Foundation - Happy Ending - gold x1
February 3 2008:
Rihanna - Good Girl Gone Bad - plat x1
Leona Lewis - Spirit - gold x1
Jack Johnson - Sleep Through The Static - gold x1
January 27 2008:
Tiki Taane - Past, Present, Future - gold x1
January 13 2008:
The Eagles - Long Road Out Of Eden - plat x3
Robert Plant And Alison Krauss - Raising Sand - gold x1
Bon Jovi - Lost Highway - gold x1
January 6 2008:
Foo Fighters - Echoes, Silence, Patience And Grace - plat x2
The Black Seeds - Into The Dojo - plat x2
High School Musical Cast - High School Musical 2 OST - plat x2
Chris Brown - Exclusive - gold x1
Jim Reeves - All Time Greatest Hits - gold x1
December 16 2007:
Led Zeppelin - Mothership - plat x3
Paul Potts - One Chance - plat x3
Various - Outrageous Fortune: West Side Rules - plat x2
Prince Tui Teka - The Man, The Legend - plat x1
Andrea Bocelli - Vivere: The Best Of - plat x1
Amy Winehouse - Back To Black - plat x1
Santana - Ultimate Santana - plat x1
Boney M - Christmast With Boney M - gold x1
Mark Knopfler And Emmyloy Harris - All The Roadrunning - gold x1
December 9 2007:
Led Zeppelin - Mothership - plat x2
The Eagles - Long Road Out Of Eden - plat x2
Timbaland - Shock Value - plat x2
Will Martin - A New World - plat x1
matchbox twenty - Exile On Mainstream - plat x1
Various - Andrew Lloyd Webber: Gold - plat x1
Luciano Pavarotti - Forever - plat x1
Anika Moa - In Swings The Tide - gold x1
Andrea Bocelli - Vivere: The Best Of - gold x1
Van Morrison - Still On Top: Greatest Hits - gold x1
Nelly Furtado - Folklore - gold x1
Westlife - Back Home - gold x1
December 2 2007:
Justin Timberlake - FutureSex / LoveSounds - plat x3
OpShop - Second Hand Planet - plat x1
Alicia Keys - As I Am - gold x1
Whitney Houston - The Ultimate Collection - gold x1
David Gray - Greatest Hits - gold x1
Spice Girls - Greatest Hits - gold x1
Elizabeth Marvelly - Elizabeth Marvelly - gold x1
November 25 2007:
Kings Of Leon - Because Of The Times - plat x1
Various - Outrageous Fortune: West Side Rules - plat x1
Atlas - Reasons For Voyaging - gold x1
Celine Dion - Taking Chances - gold x1
November 18 2007:
Led Zeppelin - Mothership - plat x1
November 11 2007:
Will Martin - A New World - gold x1
Various - Outrageous Fortune: West Side Rules - gold x1
Hairspray Cast - Hairspray OST - gold x1
November 4 2007:
John Fogerty - The Long Road Home - plat x2
The Eagles - Long Road Out Of Eden - plat x1
Luciano Pavarotti - Forever - gold x1
Eric Clapton - Complete Clapton - gold x1
Bruce Springsteen - Magic - gold x1
Santana - Ultimate Santana - gold x1
Bob Dylan - Dylan - gold x1
Limp Bizkit - Greatest Hitz - gold x1
Colbie Caillat - Coco - gold x1
October 28 2007:
KORA - KORA - gold x1
matchbox twenty - Exile On Mainstream - gold x1
The Mint Chicks - Crazy? Yes! Dumb? No! - gold x1
October 14 2007:
Linkin Park - Minutes To Midnight - plat x2
James Blunt - All The Lost Souls - plat x1
High School Musical Cast - High School Musical 2 OST - plat x1
Kanye West - Graduation - gold x1
October 7 2007:
50 Cent - Curtis - gold x1
Salmonella Dub - Heal Me - gold x1
Katchafire - Say What You're Thinking - gold x1
Andre Rieu - La Vie Est Belle - gold x1
September 30 2007:
Scribe - Rhyme Book - gold x1
September 23 2007:
Foo Fighters - Echoes, Silence, Patience And Grace - plat x1
The Game - Doctor's Advocate - gold x1
James Blunt - All The Lost Souls - gold x1
September 9 2007:
Timbaland - Shock Value - plat x1
September 2 2007:
Ryan Adams - Gold - gold x1
August 26 2007:
Paul Potts - One Chance - plat x2
Sean Kingston - Sean Kingston - gold x1
High School Musical Cast - High School Musical 2 OST - gold x1
Scissor Sisters - Scissor Sisters - gold x1
August 19 2007:
Smashing Pumpkins - Zeitgeist - gold x1
Rihanna - Good Girl Gone Bad - gold x1
Elvis Presley - The King - gold x1
The Clash - The Singles - gold x1
August 12 2007:
Paul Potts - One Chance - plat x1
The Police - The Police - gold x1
Bob Marley - Rastaman Vibration - gold x1
T-Pain - Epiphany - gold x1
August 5 2007:
Paul Potts - One Chance - gold x1
July 22 2007:
Pink - I'm Not Dead - plat x2
Fergie - The Dutchess - plat x1
Timbaland - Shock Value - gold x2
July 15 2007:
Crowded House - Time On Earth - gold x1
July 8 2007:
Fat Freddy's Drop - Based On A True Story - plat x8
Bon Jovi - Crossroads: The Best Of - plat x6
U2 - Zooropa - plat x4
The Traveling Wilburys - The Traveling Wilburys Collection - plat x1
Velvet Revolver - Libertad - gold x1
The White Stripes - Icky Thump - gold x1
Russell Watson - The Voice: The Ultimate Collection - gold x1
July 1 2007:
Akon - Konvicted - plat x2
June 24 2007:
Guns N Roses - Greatest Hits - plat x6
Brooke Fraser - Albertine - plat x4
Hollie Smith - Long Player - plat x1
Shapeshifter - Soulstice - plat x1
Disturbed - Ten Thousand Fists - plat x1
OpShop - Second Hand Planet - gold x1
June 17 2007:
Hayley Westenra - Pure - plat x12
The Killers - Sam's Town - plat x2
Gwen Stefani - The Sweet Escape - plat x1
Christina Aguilera - Back To Basics - plat x1
Fergie - The Dutchess - gold x1
June 10 2007:
The Traveling Wilburys - The Traveling Wilburys Collection - gold x1
May 27 2007:
Regina Spektor - Begin To Hope - gold x1
Hollie Smith - Long Player - gold x1
Michael Buble - Call Me Irresponsible - gold x1
Maroon 5 - It Won't Be Soon Before Long - gold x1
May 20 2007:
Bread - The Sound Of Bread - plat x5
Linkin Park - Minutes To Midnight - plat x1
Van Morrison - Van At The Movies - gold x1
Daughtry - Daughtry - gold x1
May 13 2007:
Hayley Westenra - Treasure - plat x2
Human Nature - Reach Out: The Motown Record - gold x1
Linkin Park - Minutes To Midnight - gold x1
May 06 2007:
Bush - Sixteen Stone - plat x2
Sam Cooke - Portrait Of A Legend: 1951-1964 - gold x1
Avril Lavigne - The Best Damn Thing - gold x1
Stevie Wonder - Love Songs - gold x1
Fall Out Boy - From Under The Cork Tree - gold x1
April 29 2007:
Nelly Furtado - Loose - plat x2
Pink - I'm Not Dead - plat x1
Beyonce - B'Day - plat x1
Hinder - Extreme Behaviour - plat x1
April 22 2007:
Kings Of Leon - Because Of The Times - gold x1

Gold & Platinum
Gold & Platinum Turns 60!
For the past 60 years, the RIAA has honored music’s best through its Gold & Platinum Awards Program. When an artist earns a Gold & Platinum certification, they join the ranks of an elite group of beloved musicians. Check out our interactive timeline to learn about the program’s storied history.
RIAA’s historic Gold® & Platinum® Program defines success in the recorded music industry.
Originally conceived to honor artists and track sound recording sales, Gold & Platinum Awards have come to stand as a benchmark of success for any artist—whether they’ve just released their first song or Greatest Hits album.
Popular Searches & Lists 2018's Best: Album & Single Certifications Released in 2018 | 2017's Top Alternative Awards | 2017's Top Country Awards | 2017's Top Dance/Electronic Awards | 2017's Top Pop Awards | 2017's Top R&B;/Hip Hop Awards | 2017's Top Rock Awards | Latin Certifications in 2017 | ALL 2016 Certifications | Best of the 90s | Best of the 80s | MORE TOP TALLIES

ARIA Accreditations are based on sales from ARIA Member Wholesalers to Retailers. The current ARIA Accreditation levels are as follows:
Singles
Gold: 35,000 units
Platinum: 70,000 units
Albums
Gold: 35,000 units
Platinum: 70,000 units
Diamond: 500,000 units
Music Videos (including Audio Visual DVDs)
Gold: 7,500 units
Platinum: 15,000 units
ARIA Gold and Platinum Awards
- Only issued in relation to product distributed by ARIA members.
- Issued based on a declaration received from the principal financial officer of the member, certifying the net Australian wholesale sales to date (across all formats) of a particular release.
- Variants of releases may be aggregated for the purpose of accreditation providing the variants meet the chart aggregation criteria (see ARIA’s Code of Practice for ARIA Charts).
- ARIA, on receipt of an appropriately completed declaration, logs the accreditation against the release information held in the ARIA database, issues a certification letter and forwards to the member company with the required number (up to a maximum of 5 per release) of ARIA accreditation seals.
- Accreditation seals may only be affixed to, or incorporated into the art work of, ARIA accredited product.
- The accreditation takes effect from the date the ARIA confirmation letter is issued.
- The accreditation level of a particular release will be displayed on any ARIA chart published that includes that release, after the effective accreditation date.
- ARIA will note in its database and publish on its charts details of multi platinum achievement. Member companies must submit an accreditation application form updating the net Australian wholesale sales level for this to occur. Additional seals will not be issued.
- The introduction or amendment of accreditation levels will be at the discretion of the ARIA Board, generally following recommendations from its Chart & Marketing Committee.
Resources
Latest accreditaions
Accreditation application form (PDF)
Pro forma ARIA confirmation letter (example: Gold Single) (PDF)

Awards and Nominations Year Award Nominated Work Category Result Source1992Billboard Music Awards "Black or White" Single No. 1 in the World Dangerous Album No. 1 in the World Billboard Music Video Awards "In the Closet" Best Men's Choreography in the Video Video Grammy Awards Dangerous Best Work of Sound Engineers MTV Video Music Awards "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet" Best Movies "In the Closet"

@ 2022 - Recording Academy. All rights reserved.
Some of the content on this site expresses viewpoints and opinions that are not those of the Recording Academy and its Affiliates. Responsibility for the accuracy of information provided in stories not written by or specifically prepared for the Academy and its Affiliates lies with the story's original source or writer. Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates.

Use
"quotes" for
more accurate findings
1992
MTV VIDEO MUSIC AWARDS
held September 10, 1992 at Pauley
Pavilion, Los Angeles, CA
hosted by Dana Carvey
MTV
Video Music Awards History of Winners
1992
MTV VIDEO MUSIC AWARDS
held September 10, 1992 at Pauley
Pavilion, Los Angeles, CA
hosted by Dana Carvey
MTV
Video Music Awards History of Winners
Van
Halen
"Right Now"
[from For Unlawful Carnal
Knowledge ]
Eric
Clapton
"Tears In Heaven"
[from Unplugged ]
Annie
Lennox
"Why"
[from Diva ]
U2
"Even Better Than The Real
Thing"
[from Achtung Baby ]
Arrested
Development
"Tennessee"
[from 3 Years 5 Months &
Days In The Life Of Arrested Development ]
Prince
& The N.P.G.
"Cream"
[from Diamonds And Pearls ]
Metallica
"Enter Sandman"
[from Metallica ]
Nirvana
"Smells Like Teen Spirit"
[from Nevermind ]
Nirvana
"Smells Like Teen
Spirit"
[from Nevermind ]
Red
Hot Chili Peppers
"Give It Away"
[from Blood Sugar Sex Magik ]
Queen
"Bohemian Rhapsody"
[from Wayne's World soundtrack ]
En
Vogue
"My Lovin' (You're Never
Gonna Get It)"
(Travis
Payne, Frank Gatson & Lavelle Smith)
[from Funky Divas ]
Van
Halen
"Right Now"
(Mark Fenske)
[from For Unlawful Carnal
Knowledge ]
Red
Hot Chili Peppers
"Give It Away"
(Nick Goodman)
[from Blood Sugar Sex Magik ]
U2
"Even Better Than The Real
Thing"
(Simon Taylor)
[from Achtung Baby ]
Guns
N' Roses
"November Rain"
(Mike Southon & Daniel Pearl)
[from Use Your Illusion I ]
Van
Halen
"Right Now"
(Mitchell Sinoway)
[from For Unlawful Carnal
Knowledge ]
Red
Hot Chili Peppers
"Under The Bridge"
[from Blood Sugar Sex Magik ]
Rock On The Net © 1997 - 2022
All rights reserved. Do not duplicate original material
without prior consent of Rock On The Net.

[ Artist ]
CHAGE & ASKA
[ Label ]
ポニーキャニオン
[ Total sales ]
10,109,892,756円
[ Artist ／ Label ]
松任谷由実／東芝EMI
[ Artist ／ Label ]
DREAMS COME TRUE／ソニー・ミュージックエンタテインメント
[ Artist ／ Label ]
CHAGE & ASKA／ポニーキャニオン
[ Artist ／ Label ]
小田和正／ファンハウス
[ Artist ／ Label ]
B'z／BMGビクター
[ Artist ]
Mi-ke
[ Label ]
BMGビクター
[ Total sales ]
1,499,984,437円
[ Artist ／ Label ]
観月ありさ／日本コロムビア
[ Artist ／ Label ]
SMAP／ビクター音楽産業
[ Artist ／ Label ]
Zard／ポリド－ル
[ Artist ／ Label ]
大事MANブラザーズバンド／ファンハウス
[ Artist ／ Label ]
Mi-ke／BMGビクター
[ Title ]
SAY YES
[ Artist ]
CHAGE & ASKA
[ Lyricist ]
飛鳥涼
[ Composer ]
飛鳥涼
[ Arranger ]
十川知司
[ Engineer ]
石塚良一
[ Label ]
ポニーキャニオン
[ Total sales ]
2,731,693枚
[ Title ]
はじまりはいつも雨
[ Artist ]
ASKA
[ Lyricist ]
飛鳥涼
[ Composer ]
飛鳥涼
[ Arranger ]
澤近泰輔
[ Label ]
ポニーキャニオン
[ Title ]
SAY YES
[ Artist ]
CHAGE & ASKA
[ Lyricist ]
飛鳥涼
[ Composer ]
飛鳥涼
[ Arranger ]
十川知司
[ Label ]
ポニーキャニオン
[ Title ]
Oh!Yeah!「ラブストーリーは突然に」
[ Artist ]
小田和正
[ Lyricist ]
小田和正
[ Composer ]
小田和正
[ Arranger ]
小田和正
[ Label ]
ファンハウス
[ Title ]
LADY NAVIGATION
[ Artist ]
B'z
[ Lyricist ]
稲葉浩志
[ Composer ]
松本孝弘
[ Arranger ]
松本孝弘／明石昌夫
[ Label ]
BMGビクター
[ Title ]
どんなときも
[ Artist ]
槇原敬之
[ Lyricist ]
槇原敬之
[ Composer ]
槇原敬之
[ Arranger ]
槇原敬之
[ Label ]
ウイア・ミュージック
[ Title ]
TREE
[ Artist ]
CHAGE & ASKA
[ Lyricist ]
飛鳥涼・CHAGE・青木せい子
[ Composer ]
飛鳥涼・CHAGE
[ Arranger ]
飛鳥涼・佐藤準・澤近泰輔・十川知司・村上啓介
[ Engineer ]
清水邦彦
[ Producer ]
CHAGE & ASKA・山里剛
[ Label ]
ポニーキャニオン
[ Total sales ]
2,164,541枚
[ Title ]
フックト・オン・モーツァルト
[ Artist ]
羽田健太郎指揮／アマデウス管弦楽団
[ Label ]
BMGビクター
[ Title ]
ミニーナ
[ Artist ]
小野リサ
[ Label ]
BMGビクター
[ Title ]
東京ラブストーリー
[ Artist ]
日向敏文
[ Label ]
アルファレコード
[ Title ]
Oh! Yeah!
[ Artist ]
小田和正
[ Label ]
ファンハウス
[ Title ]
DAWNPURPLE
[ Artist ]
松任谷由実
[ Label ]
東芝EMI
[ Title ]
(333) Thank you
[ Artist ]
光GENJI
[ Label ]
ポニーキャニオン
[ Title ]
MIHO'S SELECT
[ Artist ]
中山美穂
[ Label ]
キングレコード
[ Title ]
TREE
[ Artist ]
CHAGE & ASKA
[ Label ]
ポニーキャニオン
[ Title ]
DOLLS IN ACTION
[ Artist ]
プリンセス・プリンセス
[ Label ]
ソニー・ミュージックエンタテインメント
[ Title ]
天賦の才能
[ Artist ]
嘉門達夫
[ Label ]
ビクター音楽産業
[ Title ]
桂銀淑全曲集
[ Artist ]
桂銀淑
[ Label ]
東芝EMI
[ Title ]
ふしぎの海のナディア
[ Artist ]
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とどかぬ想い
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ポニーキャニオン
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490,750枚
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DANGEROUS
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マイケル・ジャクソン
[ Producer ]
Michael Jackson/Bill Bottrell/Bruce Swedien/Teddy Riley
[ Label ]
ソニー・ミュージックエンタテインメント
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[ Label ]
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[ Artist ]
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[ Label ]
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"The meaning of life is contained in every single expression of life."
Born Michael Joseph Jackson on Aug. 29, 1958, in Gary, Indiana. Died June 25, 2009
While Michael Jackson had a Top 5 album and No. 1 hit on his hands with his second solo album, 1972's Ben and its title track,it was 1979's chart-topper "Don't Stop 'Til You Get Enough" from his third album, Off The Wall, that cemented Jackson in the pop stratosphere. Released in 1982, Thriller marked his first No. 1 album, and it stayed there for an unprecedented 37 weeks.
Jackson earned his first career GRAMMY at the 22nd GRAMMY Awards when "Don't Stop 'Til You Get Enough" won for Best R&B Vocal Performance, Male. Jackson graced the GRAMMY stage once in 1988 at the 38th GRAMMYs, performing "The Way You Make Me Feel" and "Man In The Mirror."
At the 26th GRAMMY Awardsin 1984, Jackson became the first artist to win eight GRAMMYs in one night, a feat that has only been tied one other time when Santana won eight GRAMMYs for 2000.
Michael Jackson is best remembered for his 1985 African famine relief efforts through the song "We Are The World" and the charity USA For Africa. He also introduced millions to the missions of the Elizabeth Taylor AIDS Foundation and the Make-A-Wish Foundation.
"The meaning of life is contained in every single expression of life."
Born Michael Joseph Jackson on Aug. 29, 1958, in Gary, Indiana. Died June 25, 2009
While Michael Jackson had a Top 5 album and No. 1 hit on his hands with his second solo album, 1972's Ben and its title track,it was 1979's chart-topper "Don't Stop 'Til You Get Enough" from his third album, Off The Wall, that cemented Jackson in the pop stratosphere. Released in 1982, Thriller marked his first No. 1 album, and it stayed there for an unprecedented 37 weeks.
Jackson earned his first career GRAMMY at the 22nd GRAMMY Awards when "Don't Stop 'Til You Get Enough" won for Best R&B Vocal Performance, Male. Jackson graced the GRAMMY stage once in 1988 at the 38th GRAMMYs, performing "The Way You Make Me Feel" and "Man In The Mirror."
At the 26th GRAMMY Awardsin 1984, Jackson became the first artist to win eight GRAMMYs in one night, a feat that has only been tied one other time when Santana won eight GRAMMYs for 2000.
Michael Jackson is best remembered for his 1985 African famine relief efforts through the song "We Are The World" and the charity USA For Africa. He also introduced millions to the missions of the Elizabeth Taylor AIDS Foundation and the Make-A-Wish Foundation.

Use
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20th American Music Awards
held January 25, 1993
20th American Music Awards
held January 25, 1993
Michael
Bolton
Mariah
Carey
Genesis
Boyz
II Men
"End Of The Road"
Michael
Jackson
Dangerous
Pearl
Jam
Bobby
Brown
Patti
LaBelle
Boyz
II Men
Michael
Jackson
"Remember The Time"
En
Vogue
Funky Divas
Kris Kross
Garth
Brooks
Reba
McEntire
Alabama
Billy Ray
Cyrus
"Achy Breaky Heart"
Reba
McEntire
For My Broken Heart
Billy Ray
Cyrus
Mariah
Carey
Unplugged
k.d.
lang
Sir
Mix-A-Lott
Metallica
Michael
Jackson
Bill Graham
Rock On The Net © 1997 - 2022
All rights reserved. Do not duplicate original material
without prior consent of Rock On The Net.

BEVERLY HILLS, Calif. -- Pop singers Michael Bolton and Mariah Carey were honored Tuesday as songwriters of the year by Broadcast Music Inc., the world's largest licenser of songs.
The 42nd annual BMI Pop Awards were presented to the writers and publishers of the 67 most performed songs on radio and television from fall 1991 through summer 1992.
Carey and Bolton had three citations each: Carey for 'Can't Let Go,' 'Emotions' and 'Make It Happen,' and Bolton for 'Love Is A Wonderful Thing,' 'Missing You Now' and 'Steel Bars.'
'When A Man Loves A Woman,' a Motown classic rerecorded by Bolton, brought song of the year honors for its writers, Calvin Lewis and Andrew J. Wright. It was the most performed song during that period, between Bolton's rendition and earlier recordings by Percy Sledge and Bette Midler.
'Smells Like Teen Spirit,' written and performed by Nirvana, was the most performed song on college-oriented radio stations.
The most popular songs of the year included several standards played often in their original forms on oldies stations or rerecorded for pop charts or commercials.
Four songs being recognized for the first time by BMI had already topped 1 million performances: 'Save The Best For Last' by Wendy Waldman and Jon Lind, 'Can't Let Go' by Carey, 'Live For Loving You' by Gloria and Emilio Estefan and Grammy winner 'Tears In Heaven' by Eric Clapton and Will Jennings.
BMI represents 140,000 songwriters and publishers and more than 2 million titles, keeping track of radio station airplay and other uses.NEWLN: ------
BMI's most played songs of 1991-92, writers and recording artists, listed alphabetically by title:
'Achy Breaky Heart,' Don Von Tress (Billy Ray Cyrus)
'All 4 Love,' Steve Cropper, Isaac Hayes, Howard Thompson (Color Me Badd)
'Baby, I Need Your Loving,' Lamont Dozier, Brian Holland, Eddie Holland (standard recorded by various artists)
'Beauty And The Beast,' Alan Menken (Celine Dion and Peabo Bryson)
'Black Or White,' Michael Jackson (Michael Jackson)
'Can't Forget You,' Jorge Casas (Gloria Estefan)
'Can't Let Go,' Mariah Carey (Mariah Carey)
'Change,' Ian DeVaney, Andrew Morris, Lisa Stansfield (Lisa Stansfield)
'Conviction Of The Heart,' Guy Thomas (Kenny Loggins)
'Crazy,' Seal and Guy Sigsworth (Seal)
'Daniel,' Elton John and Bernie Taupin (Wilson Phillips)
'The Dream Is Still Alive,' Chynna Phillips, Carnie Wilson, Wendy Wilson (Wilson Phillips)
'Emotions,' Mariah Carey (Mariah Carey)
'Every Heartbeat,' Wayne Kirkpatrick and Charlie Peacock (Amy Grant)
'Everybody Plays The Fool Sometime,' Jim Bailey, Rudy Clark, Kenneth Williams (Aaron Neville)
'(Everything I Do) I Do It For You,' Michael Kamen (Bryan Adams)
'Finally,' Felipe Delgado, R.K. Jackson, E.L. Linnear (CeCe Peniston)
'Good For Me,' Wayne Kirkpatrick and Tom Snow (Amy Grant)
'I Heard It Through The Grapevine,' Barrett Strong and Norman Whitfield (standard)
'I Still Believe In You,' Vince Gill (Vince Gill)
'I Touch Myself,' Christina Amphlett (Divinyls)
'I'll Be Your Side,' Dadgel Keith Atabay and Stevie B. (Stevie B.)
'I'll Be There,' Johnnie Christo, John Holliday, Trevor Steel, Milan Zekavica (Escape Club)
'I'll GetBy,' Andy Hill and Eddie Money (Eddie Money)
'I've Got A Lot To Learn About Love,' Kevin Chalfant and Gregg Rolie (The Storm)
'Just Another Day,' Miguel Morejon and Gloria Estefan (Jon Secada)
'Just For Tonight,' Cynthia Weil (Vanessa Williams)
'Lily Was Here,' David A. Stewart (David A. Stewart with Candy Dulfer)
'Live For Loving You,' Emilio Estefan Jr. and Gloria Estefan (Gloria Estefan)
'Love Is A Wonderful Thing,' Michael Bolton (Michael Bolton)
'Make It Happen,' Mariah Carey (Mariah Carey)
'Missing You Now,' Michael Bolton (Michael Bolton)
'MotownPhilly,' Nathan Morris and Shawn Stockman (Boyz II Men)
'My Lovin' (You're Never Gonna Get It),' Denzil D. Foster and Thomas D. McElroy (En Vogue)
'No Son Of Mine,' Tony Banks and Phil Collins (Genesis)
'Oh Girl,' Eugene Record (standard)
'Oh Pretty Woman,' Roy Orbison (standard)
'The Promise Of A New Day,' V. Jeffrey Smith (Paula Abdul)
'The Real Thing,' David Foster (Kenny Loggins)
'Remember The Time,' Michael Jackson (Michael Jackson)
'Restless Heart,' Andy Hill (Peter Cetera)
'Rhythm Of The Rain,' John Gummoe (Dan Fogelberg)
'Romantic,' Karyn White (Karen Whyte)
'Save The Best For Last,' Jon Lind and Wendy Waldman (Vanessa Williams)
'Set Adrift On Memory Bliss,' Gary Kemp (P.M. Dawn)
'She Talks To Angels,' Chris Robinson and Rich Robinson (The Black Crowes)
'Silent Lucidity,' Chris DeGarmo (Queensryche)
'Something To Talk About,' Shirley Eikhard (Bonnie Raitt)
'Somewhere In My Broken Heart,' Billy Dean (Billy Dean)
'Spending My Time,' Per Gessle and Mats Persson (Roxette)
'Stand Me,' Ben E. King (standard)
'State Of The World,' Janet Jackson (Janet Jackson)
'Steel Bars,' Michael Bolton (Michael Bolton)
'Tears In Heaven,' Eric Clapton and Will Jennings (Eric Clapton)
'Then Again,' Rick Bowles (Alabama)
'Unbelievable,' James Atkins, Deran Brownson, Mark DeCloedt, Ian Dench, Zachary Foley (EMF)
'Under The Bridge,' Flea, John Frsuciante, Anthony Kiedis, Chad Smith (Red Hot Chili Peppers)
'Voices That Care,' David Foster, Linda Thompson (Voices That Care)
'The Way I Feel About You,' Bruce Sterling, Christopher Troy, Karyn White (Karyn White)
'What Becomes Of The Brokenhearted,' James Dean (Paul Young)
'What Kind Of Love,' Will Jennings and Roy Orbison (Rodney Crowell)
'When A Man Loves A Woman,' Calvin Lewis and Andrew J. Wright (Michael Bolton)
'Wind Beneath My Wings,' Larry Henley (standard)
'You Can't Hurry Love,' Lamont Dozier, Brian Holland, Eddie Holland (standard)
'You Won't See Me Cry,' Chynna Phillips, Carnie Wilson, Wendy Wilson (Wilson Phillips)
'You've Lost That Lovin' Feelin',' Barry Mann and Phil Spector (standard)
'Your Song,' Elton John and Bernie Taupin (Rod Stewart)

Use
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more accurate findings
1993
MTV VIDEO MUSIC AWARDS
held September 2, 1993 at Gibson
Amphitheatre, Los Angeles, CA
hosted by Christian Slater
MTV
Video Music Awards History of Winners
1993
MTV VIDEO MUSIC AWARDS
held September 2, 1993 at Gibson
Amphitheatre, Los Angeles, CA
hosted by Christian Slater
MTV
Video Music Awards History of Winners
Pearl
Jam
"Jeremy"
[ from Ten ]
Lenny
Kravitz
"Are You Gonna Go My
Way"
[ from Are You Gonna Go My Way ]
k.d.
lang
"Constant Craving"
[ from Ingenue ]
Arrested
Development
"People Everyday"
[ from 3 Years 5 Months &
Days In The Life Of Arrested Development ]
En
Vogue
"Free Your Mind"
[ from Funky Divas ]
Stone
Temple Pilots
"Plush"
[ from Core ]
Nirvana
"In Bloom"
[ from Nevermind ]
Alice In
Chains
"Would?"
[ from Singles soundtrack ]
Los Lobos
"Kiko & The Lavender
Moon"
[ from
Kiko ]
Pearl
Jam
"Jeremy"
(Mark
Pellingston)
[ from
Ten ]
En
Vogue
"Free Your Mind"
(Frank Gatson, Lavelle Smith & Travis
Payne)
[ from Funky Divas ]
Peter
Gabriel
"Steam"
(Real World Productions & Colossal
Pictures)
[ from Us ]
Madonna
"Rain"
(Jan Peter Flack)
[ from Erotica ]
Peter
Gabriel
"Steam"
(Douglas Jines)
[ from Us ]
Madonna
"Rain"
(Harris Savides)
[ from Erotica ]
Aerosmith
"Livin' On The Edge"
[ from Get A Grip ]
Rock On The Net © 1997 - 2022
All rights reserved. Do not duplicate original material
without prior consent of Rock On The Net.

1994 MTV Movie Awards
Host: Will Smith
Date: June 4, 1994
Best Movie: Menace II Society
1994 Movie Awards Summary
On hand to back up our insanely talented host was an equally dazzling list of performers. Bon Jovi played "Good Guys Don't Always Wear White,"Warren G. and Nate Dogg regulated as only they know how, Toni Braxton stunned on "You Mean The World To Me" and John Cougar Mellencamp delivered what should have been the show's theme song when he played "Wild Night." But let's not get carried away with music. The 1994 MTV Movie Awards may have rocked, but they were still MOVIE awards.
So who was burning up the box office in 1994? Alicia Silverstone, star of The Crush, took home two trophies, beating out everyone from Ralph Fiennes to Macaulay Culkin. Meanwhile, back in the veterans' corner, Robin Williams routed Jim Carrey, Johnny Depp, Whoopi Goldberg and Pauly Shore for Best Comedic Performance in Mrs. Doubtfire and Harrison Ford and Tommy Lee Jones beat out an equally impressive A-list (Tom Hanks, Meg Ryan, Denzel, Mike Myers, Dana Carvey and more!) as Best On-Screen Duo in The Fugitive . Hoo! Longest sentence ever. And we're not nearly done!
Clearly you sleazes will be interested in knowing that Billy Baldwin ( Sliver ) and Janet Jackson ( Poetic Justice ) took home awards for Most Desirable in their respective sexes and that Demi Moore and Woody Harrelson took home Best Kiss for their spit swap in Indecent Proposal . But nothing will interest you more than knowing that the illustrious honor of Best Song From A Movie went to Michael Jackson for "Will You Be There," as featured in Free Willy . Now THAT'S poetic justice.
Before this thing goes all the way off the deep end, let's close it with a touch of class. Tom Hanks, who won Best Male Performance for his stirring starring role in Philadelphia , stole the show with a moving speech about the importance of AIDS education. What a guy. Onward to '95!
1994 Movie Awards Winners
Best Movie
Best Male Performance
Best Female Performance
Most Desirable Male
Most Desirable Female
Best Breakthrough Performance
Best On-Screen Duo
Best Villain
Best Comedic Performance
Best Song From A Movie
Michael Jackson - "Will You Be There"Close
- UB40 - "I Can't Help Falling In Love" - Sliver
- Bryan Adams & Rod Stewart - "All For Love" - The Three Musketeers
- Celine Dion & Clive Griffin - "When I Fall In Love" - Sleepless In Seattle
- The Proclaimers - "I'm Gonna Walk (500 Miles)" - Benny & Joon
- Bruce Springsteen - "Streets Of Philadelphia" - Philadelphia
Best Kiss
Best Action Sequence
Best New Filmmaker Award
Lifetime Achievement Award
1994 Movie Awards Performances
Bon Jovi "Good Guys Don't Always Wear White"
John Mellencamp f/ Meshell Ndegeocello "Wild Night"
Toby Huss "Best Song From A Movie" Nominees (Medley)
Toni Braxton "You Mean The World To Me"
Warren G. & Nate Dogg "Regulate"
Backbeat f/ Mike Mills of R.E.M., Dave Grohl of Nirvana, Dave Pirner of Soul Asylum, Thurston Moore of Sonic Youth, Don Fleming of Gumball, & Greg Dulli of The Afghan Whigs "Money (That's What I Want) / Long Tall Sally" & "Helter Skelter"
1994 Movie Awards Photos
1994 Highlights Where else can you get Tom Hanks, Janet Jackson, Billy Baldwin and Bon Jovi all in one place? Easy. Nowhere else.