when items are to be retrieved in reverse order from which they were stored we use a stack.
when items are to be retrieved in reverse order from which they were stored we use a stack.
when items are to be retrieved in reverse order from which they were stored we use?
a stack
Na
Na
theosophy represents death as "a long process consisting of various changing phases." the first phase is connected with the experience of kâmaloka. besant explained it as follows: "kâmaloka, literally the place or habitat of desire, is... a part of the astral plane, not divided from it as a distinct locality, but separated off by the conditions of consciousness of the entities belonging to it." beckman wanted to show that the selection and objectification of ended life memories occurs in kâmaloka. according to ivanov, the monsters at the top of the composition are "nothing more than the objectification of the mental states of the deceased woman." besant wrote that the first experience after death will be the seeing of the "panorama" of the past life, which at the "death hour" unfolds before every dead in all the experienced details. she stated that "he sees his ambitions with their success or frustration... the predominant tendency of the whole comes clearly out, the ruling thought of the life asserts itself, and stamps itself deeply into the soul, marking the region in which the chief part of his post-mortem existence will be spent." the double structure of the composition "death" should be also explained from the theosophical point of view, because the viewing life after death is done in reverse order: from end to beginning. ivanov referred on steiner who has written: "during the time of purification man, as it were, lives his life in reverse order... he begins with the events that immediately preceded death and experiences everything in reverse order back to childhood." other facts, events, and beings in the astral world are also accepted in reverse order. leadbeater said that the clairvoyant will find it difficult to be aware of what he sees, and even more difficult of that—to put into words everything he observed. a vivid example of the misconceptions that an observer may undergo is the reverse placement of numbers reflected in the "astral light". for example, 931 instead of 139, and so on. therefore, the characters depicted upside down in the upper part of the composition testify to the painter knowledge of the laws of the astral plane.
theosophy and visual arts