fifteen - year - old sarah was the girl in the movie labyrinth.
fifteen - year - old sarah was the girl in the movie labyrinth.
who is the girl in the movie labyrinth?
fifteen - year - old sarah
since henson's death, "labyrinth" has been re-evaluated by several notable critics. a review from 2000 in "empire" magazine called the film "a fabulous fantasy" and wrote, "david bowie cuts a spooky enough figure in that fright wig to fit right in with this extraordinary menagerie of goth muppets. and jennifer connelly, still in the flush of youth, makes for an appealingly together kind of heroine." writing for the "chicago tribune" in 2007, michael wilmington described "labyrinth" as "dazzling", writing that it is "a real masterpiece of puppetry and special effects, an absolutely gorgeous children's fantasy movie". in 2010 "total film" ran a feature called 'why we love labyrinth' which described "labyrinth" as a "hyper-real, vibrant daydream, "labyrinth's" main strength lies in its fairytale roots, which give the fantastical story a platform from which to launch into some deliriously outlandish scenarios". in their february 2012 issue, "empire" featured a four-page spread on "labyrinth" as part of their muppet special.
labyrinth (1986 film)
"exotica" received positive reviews from critics. rotten tomatoes retrospectively collected 32 reviews and gave the film an approval rating of 97%, as well as an average rating of 8.3/10. the website's critical consensus reads, ""exotica" simmers with sex and obsession, while successfully doubling as an extreme character study." roger ebert gave the film four stars upon the film's initial release, calling it "a movie labyrinth, winding seductively into the darkest secrets of a group of people who should have no connection with one another, but do". he judged it egoyan's best film to date and said mia kirshner "combines sexual allure with a kindness that makes her all the more appealing". in 2009 ebert added the film to his great movies list, calling it a "deep, painful film about those closed worlds of stage-managed lust". jonathan rosenbaum called it "a must-see" and "lush and affecting", praising the score, the set and the camera movements. leonard klady, writing for "variety", called it "a haunting, chilling experience", albeit with an ending that was "anticlimactic, fuzzy and considerably less than a knockout emotional punch". "entertainment weekly" gave the film a b+, concluding "like christina's dance, the movie is a gorgeous tease, an artful promise of something that never quite arrives". desson howe, writing for "the washington post", said it "starts off promisingly, but eventually sinks into its own convoluted oblivion". peter travers of "rolling stone" wrote ""exotica" is egoyan's most accomplished and seductive film to date", and less flashy than the upcoming "showgirls" (1995) promised to be. b. ruby rich of "the advocate" wrote the film is "a jigsaw puzzle of the emotions in which sex spells out whole language of human behavior", and said the cast, including kirshner and don mckellar, "rivet our attention on these characters". critics complimented use of the song "everybody knows" by leonard cohen.
exotica (film)