orson welles was the ground-breaking cinematographer on citizen kane.
orson welles was the ground-breaking cinematographer on citizen kane.
who was the ground-breaking cinematographer on citizen kane?
orson welles
bullet::::- carringer, robert. "the making of citizen kane". berkeley: university of california press, 1985.









































bullet::::- gottesman, ronald (ed.). "focus on citizen kane". englewood cliffs, new jersey: prentice-hall, 1971.









































bullet::::- ______________________. "perspectives on citizen kane". new york: g.k. hall/macmillan, 1996.









































bullet::::- joxe, sandra, "citizen kane, orson welles". paris : hatier, 1990.









































bullet::::- kael, pauline (ed.). "the citizen kane book". new york: little, brown and company, 1971.









































bullet::::- lebo, harlan. "citizen kane: the fiftieth anniversary album". new york: doubleday, 1990.









































bullet::::- ____________. "citizen kane: a filmmaker’s journey". new york: wgi publishing, 2000.
orson welles bibliography
the films of paul thomas anderson have been compared to it. "variety" compared "there will be blood" to the film and called it "one that rivals "giant" and "citizen kane" in our popular lore as origin stories about how we came to be the people we are." "the master" has been called "movieland's only spiritual sequel to "citizen kane" that doesn't shrivel under the hefty comparison" and the film's loose depiction of l. ron hubbard has been compared to "citizen kane"s depiction of hearst. "the social network" has been compared to the film for its depiction of a media mogul and by the character erica albright being similar to "rosebud". the controversy of the sony hacking before the release of "the interview" brought comparisons of hearst's attempt to suppress the film. the film's plot structure and some specific shots influenced todd haynes's "velvet goldmine". abbas kiarostami's "the traveler" has been called "the "citizen kane" of the iranian children's cinema." the film's use of overlapping dialogue has influenced the films of robert altman and carol reed. reed's films "odd man out", "the third man" (in which welles and cotten appeared) and "outcast of the islands" were also influenced by the film's cinematography.
citizen kane