keynes was the founding father of keynesianism (last name).
keynes was the founding father of keynesianism (last name).
who is the founding father of keynesianism (last name)?
keynes
noam chomsky, a critic of military keynesianism, contends that "military" keynesianism offers the state advantages over "non-military" keynesianism. specifically, military keynesianism can be implemented with less public interest and participation. "social spending may well arouse public interest and participation, thus enhancing the threat of democracy; the public cares about hospitals, roads, neighborhoods, and so on, but has no opinion about the choice of missiles and high-tech fighter planes." essentially, when the public is less interested in the details of state spending, it affords the state increased discretion in how it spends money.









































section::::forms.
military keynesianism
the first act of the play is just of the founding father and his customers reenacting the assassination, but the second act of the play focuses on his wife and son. the wife, lucy, and son, brazil, are totally separated from the founding father; they do not see his performance but only hear it off stage. the wife and son are gravediggers as well, they took up the trade after the impersonator left and became the founding father. brazil makes a comment referring to his father’s career path, saying: "diggin was his livelihood but fakin was his callin" (179). lucy, is constantly telling brazil of the man his father was and what his favorite things were before he became the founding father. but brazil always responds with, "i was only 5." lucy is not necessarily quizzing brazil, but wants to reiterate that what his father did for work before as a gravedigger was nothing to be ashamed of, contrary to how his father feels about grave digging, and this impersonating work was not the best decision. the founding father was good at digging graves, he dug them fast and well, calling him a "natural" at it. the founding father is dead to them, because he left them to pursue this reenactment career and has not seen his family in thirty years. towards the end of the play, lucy and brazil go to see the founding father after he performs one last reenactment, he is preparing to go to the "great beyond". he is not physically going to the afterlife, but the "great beyond" is more a metaphor; because the founding father gets up and walks into a coffin where his son then parades his dead body around. the impersonations end with the founding father, brazil does not pick up where his father left off because his mother was constantly telling him that there was nothing wrong with being a gravedigger.
the america play