the new orleans cornetist credited with establishing the instrumentation of the era was nick larocca.
the new orleans cornetist credited with establishing the instrumentation of the era was nick larocca.
the new orleans cornetist credited with establishing the instrumentation of the era was?
nick larocca
bullet::::- 4 – alphonse picou, american clarinetist and composer (born 1878).









































bullet::::- 7 – noah lewis, american harmonica player (born 1891).









































bullet::::- 22 – nick larocca, new orleans cornetist and trumpeter (born 1889).









































bullet::::- march









































bullet::::- 6 – george formby, english actor, singer-songwriter, and comedian (born 1904).









































bullet::::- 9 – wilber sweatman, american clarinetist (born 1882).









































bullet::::- 24 – freddy johnson, american pianist and singer (born 1904).









































bullet::::- april









































bullet::::- 29 – miff mole, american trombonist and bandleader (born 1898).









































bullet::::- july









































bullet::::- 6 – scott lafaro, american upright bassist (born 1936).









































bullet::::- august
1961 in jazz
louis armstrong also provided a source of inspiration, though beiderbecke's style was very different from that of louis armstrong, according to the oxford companion to jazz:where armstrong's playing was bravura, regularly optimistic, and openly emotional, beiderbecke's conveyed a range of intellectual alternatives. where armstrong, at the head of an ensemble, played it hard, straight, and true, beiderbecke, like a shadowboxer, invented his own way of phrasing "around the lead." where armstrong's superior strength delighted in the sheer power of what a cornet could produce, beiderbecke's cool approach invited rather than commanded you to listen.armstrong tended to accentuate showmanship and virtuosity, whereas beiderbecke emphasized melody, even when improvising, and rarely strayed into the upper reaches of the register. paul mares of the new orleans rhythm kings insisted that beiderbecke's chief influence was the new orleans cornetist emmett hardy, who died in 1925 at the age of 23. indeed, beiderbecke had met hardy and the clarinetist leon roppolo in davenport in 1921 when the two joined a local band and played in town for three months. beiderbecke apparently spent time with them, but it is difficult to discern the degree to which hardy's style influenced beiderbecke's—especially since there is no publicly-known recording of a hardy performance.
bix beiderbecke