drag me to hell took place at pasadena in the present-day.
drag me to hell took place at pasadena in the present-day.
where does drag me to hell take place in the present-day?
pasadena
"drag me to hell" was edited by bob murawski, who has collaborated with raimi on several films including the "spider-man" series, "the gift", and "army of darkness". raimi has said of working with murawski on "drag me to hell", "he’d come (down to the set) to see how things were going and to let me know if he’d just cut something that wasn’t working the way he’d wanted it to, or to suggest a pick-up shot i should get for a piece he felt we needed in a sequence i hadn’t realized i needed. he’s very detail-oriented... so we’re very close collaborators." raimi finds editing with murawski to be "relaxing", adding, "i love it. for me, it's so relaxing, unlike pre-production, which is fraught with anxiety and fear about how we'e going to do things, and production, which is so rushed and a sleepless time and you're just racing to finish every shot and worrying about focus and so on. so post is soothing and i can watch the film come together, so it's a time of discovery for me as bob and i fit all the pieces together. i see new possibilities in post, as bob puts the film together, sometimes in a way i never imagined..." the film was edited by murawski on an avid computer system in a west los angeles facility. the color grading was completed at company 3 with colorist stephen nakamura. nakamura used davinci resolve. it was co3's first start-to-finish feature in 4k resolution. "for us, post is a very creative time where it's not just about this factory producing the blueprinted product. it's really a very creative, experimental time where we try and take everything that's been written and then shot to the next level," said raimi. the final sound mix was completed at the dub stage in burbank with mixers marti humphrey and chris jacobson.
drag me to hell
in classical islam, there was a consensus among the theological community regarding the finality of the gardens; faithful servants of allah would find themselves in this heaven for eternity. however, some practitioners in the early muslim community held a concept that stated that hell may not be eternal in and of itself. these views were based upon interpretations that viewed the upper levels of hell as only lasting for as long as allah deemed necessary. once muslims had their sins purged, these levels would be closed. these interpretations are centered on verses 11:106-107 in the qur'an, stating, "as for those who are wretched, they shall be in the fire, wherein there shall be for them groaning and wailing, abiding therein for so long as the heavens and the earth endure, save as thy lord wills. surely thy lord does whatsoever he wills". to this end, the qur'an itself gives a conflicting account of hell, stating that hell will endure as long as heaven will, which has been established as eternal, but also the qur'an maintains the possibility that allah may yet commute a sentence to hell. in a sense, these levels of hell were interpreted to have a similar function as purgatory in christianity, with the exception to this comparison being that hell in this context is for the punishment of the sinner's complete body, as opposed to the only the soul being punished in purgatory. arguments questioning the permanence of hell take the view that hell is not necessarily solely there to punish the evil, but to purify their souls. to clarify, the garden is the reward while the fire is for purification.
islamic eschatology