pierre bourdieu was a french critical theorist who was concerned with power of institutions.
pierre bourdieu was a french critical theorist who was concerned with power of institutions.
identify a french critical theorist who was concerned with power of institutions?
pierre bourdieu
in "the end of progress: decolonizing the normative foundations of critical theory" (2016), critical theorist amy allen develops a concept of epistemic humility rooted in postcolonial theory, frankfurt school critical theory, and french poststructuralism. in particular, she cites the concept in relation to the works of theodor w. adorno and michel foucault, and positions the concept as a critique of the work of jürgen habermas, rainer forst, and axel honneth. while she cites the concept of epistemic humility directly throughout the book, her own theoretization of the concept integrates it into what she calls "metanormative contextualism," defined as humility toward one's own second-order normative commitments (i.e. frameworks and procedures through which we "justify" our beliefs about what 'should be' the case, rather than the beliefs themselves). she argues that this second-order humility toward one's normative commitments can be combined with first-order universalism (i.e. a commitment to the universal applicability of our normative beliefs). in other words, metanormative contextualism presumes epistemic humility insofar as it prescribes that although we can have strong normative convictions, we must forego certainty that the those convictions have justifications that are universal in scope.
epistemic humility
for the artists, their work with the overpass light brigade is a "demonstration of citizen engagement... a situationist paradigm of performativity within the contested and liminal zones of public space" and a navigation of the tactics of visibility. they cite french critical theorist guy debord's "the society of the spectacle" as an inspiration. debord explored and explained how contemporary media creates spectacle that is essentially devoid of content. a founder of the artistic and political movement situationist international, he sought, through the construction of "situations," to create multiple strategies for reclaiming an individual's self-determination from the sedative effects of ubiquitous spectacle.
overpass light brigade