lieutenant kijé is an example of a musical work of prokofiev.
lieutenant kijé is an example of a musical work of prokofiev.
give an example of a musical work of prokofiev?
lieutenant kijé
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section::::suite.:composition.









































soon after the film's release, prokofiev received an invitation from the moscow radio symphony orchestra to create an orchestral suite from his "kijé" film music—probably the first instance of a film score being adapted into a significant musical work. the guiding light behind the invitation was boris gusman, the assistant director of the bolshoi theatre and a leading film critic. gusman was a strong supporter of prokofiev's ambition to rehabilitate himself in the soviet union, and had negotiated with the moscow orchestra for a series of concerts that would showcase the returned composer's talent.
lieutenant kijé (prokofiev)
a recorded song would typically have 3 copyrights. the ‘musical work’ is the musical melody, harmony and rhythm, and the ‘literary work’ is the accompanying lyrics. the composer of the musical work is deemed to be the ‘author’ of the musical work and the person penning the lyrics in deemed to be the ‘author’ of the literary work. the third ‘work’ is the ‘sound recording’ which is created when the musical work and the literary work are recorded onto a fixed medium. the producer responsible for the recording is deemed to be the ‘author’ of the sound recording. each of these works would be allowed their own separate set of rights (the right of public performance being one of them) under the copyright act, regardless of one work being created for another by virtue of an agreement. therefore, even when a producer has engaged an artist to write a song, the producer’s copyright only extends to the song itself (referred to as a ‘synchronisation right’), and not the underlying lyrics, harmony, melody and rhythm – the rights for which would still vest with the original authors.
performing rights