in the 19th century in france, photography gave impressionist painters so much new subject matter.
in the 19th century in france, photography gave impressionist painters so much new subject matter.
in the 19th century in france what gave impressionist painters so much new subject matter?
photography
"kinetic art" as a moniker developed from a number of sources. kinetic art has its origins in the late 19th century impressionist artists such as claude monet, edgar degas, and édouard manet who originally experimented with accentuating the movement of human figures on canvas. this triumvirate of impressionist painters all sought to create art that was more lifelike than their contemporaries. degas’ dancer and racehorse portraits are examples of what he believed to be "photographic realism";. during the late 19th century artists such as degas felt the need to challenge the movement toward photography with vivid, cadenced landscapes and portraits.
kinetic art
originating in france, the impressionist style was also adopted by belgian artists. anna boch, eugène boch (a close friend of vincent van gogh), georges lemmen and théo van rysselberghe were all influential belgian impressionist or neo-impressionist painters. other known impressionist painters were félicien rops, floris jespers, fritz de brouckère or even constant permeke. their style was close to symbolism.









































during the 19th and 20th centuries many original romantic, expressionist and surrealist wallon painters emerged, including félicien rops, paul delvaux, pierre paulus, fernand verhaegen, antoine wiertz, rené magritte, etc... the avant-garde cobra movement appeared in the 1950s.
art of belgium