it starts cooling down in minnesota in springtime.
it starts cooling down in minnesota in springtime.
when does it start cooling down in minnesota?
springtime
as the "cbs thursday (and friday) night movie" entered the 1967-68 season, media critics took increased notice of the mature topics and risque themes explored in network movies—subject matter heretofore considered taboo in tv-land. for example, jack gould of the "new york times", singled out the network's september 1967 broadcast of billy wilder's "the apartment" (1960), with its frank yet satirical treatment of office politics and adultery. gould noted "[t]he paradox...that in shows expressly produced for tv there continues to be the traditional concern over the preservation of blandness to suit all age groups. matters of sex, let alone hints of extramarital relationships, are skirted like the plague." but with the showing of "the apartment" (an academy award-winner for best picture) and other movies that tackled risky subjects, gould concluded that "as the networks buy even more recent films, the trend [to challenge previous taboos] will very likely increase." a week later, gould observed that "there appears to be no denying that films of feature length...have established themselves as the most stable form of tv program"—stable, at least, in the sense that all three major networks had, by then, each committed two nights per week of their prime-time schedules to old but recent films. and gould's colleague, george gent, writing on the same page and same issue of the "times", confirmed this sentiment after "national nielsen figures" revealed that cbs's two-part tv-premiere of the prisoner-of-war drama "the great escape" (1963) had been ranked #1 and #2 of that week's most-watched programs. "audience taste," concluded gent, "continues to run in the direction of feature-length movies."
cbs thursday night movie
koistinen seeks a loan to start his own business, but is harshly refused at the bank due to his insufficient education and lack of guarantors. later, mirja unexpectedly joins koistinen while he is taking his rounds. while koistinen explains the mall's security system, mirja memorizes the security code he uses. she gives the code to lindholm, who tells her to start cooling the fake relationship off.
lights in the dusk