grand finale is the form of mozart symphony no 40.
grand finale is the form of mozart symphony no 40.
what is the form of mozart symphony no 40?
grand finale
bullet::::3. "mozart symphony #40 in g minor, k550, 1st movement" (wolfgang amadeus mozart) - 4:06









































bullet::::4. "love on a two-way street" (bert keyes, sylvia robinson) - 4:43









































bullet::::5. "cantaloupe woman" (ben dixon) - 5:29









































bullet::::6. "we've only just begun" (roger nichols, paul williams) - 5:09









































bullet::::7. "never can say goodbye" (clifton davis) - 5:04









































bullet::::8. "blues for abraham" (eloise riggins) - 2:31









































section::::personnel.









































bullet::::- grant green - guitar









































bullet::::- billy wooten - vibes









































bullet::::- emmanuel riggins - electric piano









































bullet::::- chuck rainey - electric bass









































bullet::::- idris muhammad - drums









































bullet::::- ray armando - conga
visions (grant green album)
on a sketch leaf from about october 1790 beethoven wrote down a brief c-minor passage in 6/8 meter, in two-staff piano score, and then wrote down these words, between the staves, about the little phrase: 'this entire passage has been stolen from the mozart symphony in c, where the andante in six-eight from the ...' (he breaks off here). then beethoven writes the passage again just below and a little differently, on the same sketch page, and signs it 'beethoven himself'. the passage he thought he was quoting cannot be traced to any mozart symphony that we know.
beethoven and mozart