urge overkill sang you'll be a woman soon in pulp fiction.
urge overkill sang you'll be a woman soon in pulp fiction.
who sang you'll be a woman soon in pulp fiction?
urge overkill
girl, you'll be a woman soon









































"girl, you'll be a woman soon" is a song written by american musician neil diamond, whose recording of it on bang records reached number 10 on the us pop singles chart in 1967. the song enjoyed a second life when it appeared on the 1994 "pulp fiction" soundtrack, performed by rock band urge overkill. other versions have been recorded by cliff richard (1968), jackie edwards (1968), the biddu orchestra (1978), and 16 volt (1998).









































section::::neil diamond version.
girl, you'll be a woman soon
paula rabinowitz expresses the general film industry opinion that "pulp fiction" "simultaneously resurrected john travolta and film noir". in peter biskind's description, it created a "guys-with-guns frenzy". the film has also been labeled as a black comedy and a "neo-noir". critic geoffrey o'brien, however, argued against the classification of "pulp fiction" into the neo-noir genre: "the old-time noir passions, the brooding melancholy and operatic death scenes, would be altogether out of place in the crisp and brightly lit wonderland that tarantino conjures up. [it is] neither neo-noir nor a parody of noir." similarly, nicholas christopher calls it "more gangland camp than neo-noir", and foster hirsch suggests that its "trippy fantasy landscape" characterizes it more definitively than any genre label. regardless, the stylistic influence of "pulp fiction" soon became apparent. less than a year after the picture's release, british critic jon ronson attended the national film school's end-of-semester screenings and assessed the impact: "out of the five student movies i watched, four incorporated violent shoot-outs over a soundtrack of iconoclastic 70s pop hits, two climaxed with all the main characters shooting each other at once, and one had two hitmen discussing the idiosyncrasies of "the brady bunch" before offing their victim. not since "citizen kane" has one man appeared from relative obscurity to redefine the art of moviemaking." among the first hollywood films cited as its imitators were "destiny turns on the radio" (1995), in which tarantino acted, "things to do in denver when you're dead" (1995), and "2 days in the valley" (1996). it "triggered a myriad of clones", writes fiona villella. internationally, according to david desser, it "not only influenced a british brand of noir, but extended the noir vision virtually around the world". "pulp fiction"s effect on film form was still reverberating in 2007, when david denby of "the new yorker" credited it with initiating the ongoing cycle of disordered cinematic narratives.
pulp fiction