konstantin stanislavski is the man credited with founding the method and thus the father of modern acting.
konstantin stanislavski is the man credited with founding the method and thus the father of modern acting.
the man credited with founding the method and thus the father of modern acting is?
konstantin stanislavski
bullet::::- gordon, robert. 2006. "the purpose of playing: modern acting theories in perspective." ann arbor: u of michigan p. .









































bullet::::- hodge, alison, ed. 2000. "twentieth-century actor training". london and new york: routledge. .









































bullet::::- houghton, norris. 1973. "russian theatre in the 20th century". "the drama review" 17.1 (t-57, march): 5–13.









































bullet::::- innes, christopher, ed. 2000. "a sourcebook on naturalist theatre". london and new york: routledge. .









































bullet::::- krasner, david, ed. 2000. "method acting reconsidered: theory, practice, future." new york: st. martin's p. .









































bullet::::- leach, robert. 1989. "vsevolod meyerhold". directors in perspective ser. cambridge: cambridge up. .
konstantin stanislavski
as an actor, eriksson was described as a follower of the by then newly introduced realistic way of acting: because she lacked the ability to perform with the old fashioned melodramatic way in which such roles were still depicted, she was not considered to be of use within tragedy, but her natural way of acting was seen as perfect for the modern acting method, which was then very much appreciated within comic drama. she made several trips to study drama in france and italy, where she reportedly regarded mademoiselle mars as a role model, and she is alongside sara torsslow, ulrik torsslow and nils almlöf credited with being one of the role models of the realistic acting method which replaced the old 18th-century stylistic acting method in 19th-century sweden.
charlotta eriksson