 In concert he appears as an interpreter of most of the great roles in his field, among them, starting from the works of Bach ("St Matthew Passion" under Reinhard Goebel and with the Tölzer Knabenchor, "St John Passion" under Helmuth Rilling in Chile, "Christmas Oratorio" under Hans-Christoph Rademann, Mass in B minor, "Ich will den Kreuzstab gerne tragen, BWV 56," various reconstructions of the "St Mark Passion, BWV 247," solo cantatas), Handel's "Messiah", "Jephta" and "Alexander's Feast," Haydn's "The Creation" and "The Seasons" as well as Mozart's "Requiem" increasingly larger works, such as Beethoven's Symphony No.9, Mendelssohn's "St. Paul" and "Elijah," Brahms’ "Ein deutsches Requiem," César Franck's "Les Béatitudes," Williams "A Sea Symphony," Orff's Carmina Burana (under Howard Arman), Wagner's "Das Liebesmahl der Apostel," Verdi's "Messa da Requiem" and Britten's "War Requiem.