 Each installation included a confrontational artist's note, “The frequent and undeniable horror of sexual assault dictates that the sculpture be exhibited boldly, forthrightly and without apology.… Few people outside law enforcement officers ever see the immediate aftermath of a sexual assault.” The Los Angeles Times captioned "Morality/Mortality", “A Public Forum for a Private Horror.” Los Angeles Times' Suzanne Muchnic editorialized, "Artist Ed Massey and feminist activist Peg Yorkin have joined forces to provoke a coast-to-coast discussion," and "Massey is a veteran of socially critical art.