 In a series of successive works, a glass jar is filled with more and more water so that the image changes all the time; in another sub-series we see the can falling one meter; or flowers that wither, or, simply the can during different parts of the day.The further the Canto project progresses, the more complex the concept of time becomes.A penultimate sub-series (Canto 116-121, The Labyrinth, 1993) paints an excursion into the studio.