 She returns frequently to her "Stammfrauen" (loosely, "archetypal women") sculptures of women, generally naked and carved in wood, and has also produced figures for fountains and competition pieces.A striking if slightly unconventional outdoor exhibition area for many of her pieces is provided by the small vineyard on the edge of Dresden where she lives with her husband, (who in 2019 insisted to a reporter that his sculptress wife "brings more income home" than is delivered by the couple's 11 acre winery).Her public profile was raised by her figure of "Trauerndes Mädchen am Tränenmeer" ("Grieving Girl at the Sea of Tears") which commemorates the bombing of the city in February 1945, and which was completed and installed at the city's Heidefriedhof cemetery () in 2010.