 Many of the periodicals of the day contained her compositions, both in prose and verse, including the "Mirror", the "Minerva".There were many of her tales, which purported to be translations, that were known to be originally from her study, never having seen the light before they appeared in English.She changed the signature affixed to her poetical effusions, as well as to her prose works, for concealment, not wishing it to be known that she wrote so much.