"At the Palais de Tokyo, the poem inspired a show of the same name in 2017, curated by Yoann Gourmel.It began with a poster for the poem, and included works which "Art in America"s Federico Florian said superficially fulfill Brautigan's dreams, "[evoking] a present tense where technology has imbued every aspect of human life, and therefore reshaped the mechanisms of our affections."