 Tony Inglis of "The Skinny" was somewhat critical of the lyrical content, but complimented JPEGMafia's "ability to tap into the "zeitgeist"" and his skills as a producer.Alexander Robertson (robertsona) of Sputnikmusic thought that the album is a "monumental display of musical talent" and has the "signs of a true classic", commending its "daring attitude and commitment to odd sonic luxuries".Thomas Hobbs of "NME" characterized the record as his most accomplished, unexpected, and "meticulously sequenced", "where anger frequently gives way to tranquillity".