 In the seventies, Đuro Seder proclaimed a dogmatic view on painting as a self-limiting medium in his text ""Impossibility of Painting“" (1971).He gradually progressed from monochromatic paintings, which had problematized the relationship towards painting and denied the sense of narrative artistic content whereas in the eighties, he began to see the possibility of non-referential art, that by reproducing the artist's experience creates a new autonomic reality within the work.His works from the nineties are characterized by an expressive stroke and a thick paint application, with an emphasis on building the image, while figuration and content remain side elements.