 The result is a combination of primary and analytical action painting, further elaborated with verbal components and outdoor work in the form of land-art, which he documents with photos and videos.Željko Kipke became interested in the transavantgarde spirit in the early 1980s, and since the 1990s, in the spirit of postmodernism, he has been redefining the limits of figuration and abstraction and integrating the verbal component into his work.He creates multimedia exhibitions (a combination of literature, painting and video works) supported by theoretical works, where he defines his own notion of the "Painting of the New Aeon", which marks the complex process of opposing various meanings and symbols linking the paintings with the field of philosophy, mathematics, computer science, etc.