 In 1952, Agnete returned to London to be with her husband Harry Bohrer where she took a job with the Royal Doulton Lambeth Studio.The Lambeth Studio had been in existence for over 80 years, though output had been minimal since the advent of WW2.In the aftermath of the 1951 Festival of Britain, managers at Doulton's had decided to revive the production of decorative wares, and under Hoy's direction, the studio would be run along similar lines to Bullers, although little of the work was ever mass-produced, except for the Coronation pieces outlined below.