 Winckelmann cited the "Hestia Giustiniani" as an example of the austere early stage of Classical Greek sculpture.For female figures, early fifth-century sculptors mostly gave up the crinkly sleeved "chiton", which had been popular in the later sixth century BCE, and returned to the sleeveless "peplos" with heavy, dominantly vertical folds not unlike the fluting of a column.With the body so shrouded the relaxation of pose has been limited to turning the head.