a country from various scattered princely states, with royal courts and the zamindari system abolished, and with modern communications and recording technology, stylistic borders have become blurred and many singers today have studied with teachers from more than one gharana. This used to be uncommon, and a few decades ago teachers used to forbid students to even hear other gharana singers perform, not allowing them to buy records or listen to the radio[තහවුරු කර නොමැත]. Today, as always, a singer is expected to develop an individual style, albeit one that is demonstrably linked to tradition.මූලාශ්‍ර[සංස්කරණය]↑ Menon, Raghava R. (1995). The Penguin Dictionary of Indian Classical Music. Penguin Books (India) Ltd. p. 95. ISBN 0-14-051324-8. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)↑ 2.0 2.1 2.2 2.3 2.4 Bagchee, Sandeep (1998). Nād: Understanding Rāga Music. BPI (India) PVT Ltd. pp. 121–125. ISBN 81-86982-07-8. {{cite book}}: Cite has empty unknown paramet