 
 <prompt> ```Which of the following was the most extreme Cubist: Picasso, Duchamp or Braque? Given the previous question, write a context that contains the answer. It can be 1 - 20 sentences. Context:```
Translate the text above to Nigerian pidgin. If there is programming code in it, leave as is. Do not add any extra statement in your response: <response>: The most extreme forms of Cubism nor be the ones wey Picasso and Braque dey do, wey dem no gree make e total abstract. Other Cubists, on the other hand, especially František Kupka, and those wey Apollinaire call Orphists (Delaunay, Léger, Picabia and Duchamp), gree make e abstract by comot visible subject matter completely. Kupka two paintings for the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, dey highly abstract and metaphysical. Both Duchamp for 1912 and Picabia from 1912 to 1914 develop expressive and allusive abstraction wey dey focus on complex emotional and sexual themes. From 1912 Delaunay dey paint series of paintings wey e call Simultaneous Windows, followed by another series wey e call Formes Circulaires, wey e combine planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors e departure from reality for the depiction of imagery complete. For 1913–14 Léger produce series wey e call Contrasts of Forms, wey give similar stress to color, line and form. E Cubism, despite e abstract qualities, dey associated with themes of mechanization and modern life. Apollinaire support these early developments of abstract Cubism for Les Peintres cubistes (1913), writing about new "pure" painting wey no get subject. But in spite of e use of the term Orphism these works dey so different say dem no fit put dem for one category. 