 
 <prompt> "The creators of In Transit mixed in elements of a cappella music, beatboxing, and traditional musical theater to create a unique and innovative sound for the show. This blending of different musical styles helped to bring a fresh and dynamic energy to the production, captivating audiences with its originality and creativity. By incorporating these diverse influences, the creators were able to push the boundaries of traditional musical theater and create a truly immersive and engaging experience for viewers. The seamless integration of these various musical elements added depth and complexity to the overall sound of the show, enhancing the storytelling and emotional impact of the performances. Overall, the creators' decision to mix in these different musical styles was a key factor in the success and popularity of In Transit." <response>: ```The fourth a cappella musical wey show for Off-Broadway, In Transit, first show on 5 October 2010 and dem produce am by Primary Stages with book, music, and lyrics by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan, and Sara Wordsworth. E dey happen mostly for inside New York City subway system and the music get different different genres (like jazz, hip hop, Latin, rock, and country). In Transit dey use vocal beat boxing for the contemporary a cappella arrangements through the use of one subway beat boxer character. Beat boxer and actor Chesney Snow perform this role for the 2010 Primary Stages production. According to the show's website, dem plan to reopen am for one open-ended commercial run for the Fall of 2011. For 2011 the production get four Lucille Lortel Award nominations wey include Outstanding Musical, Outer Critics Circle and Drama League nominations, as well as five Drama Desk nominations wey include Outstanding Musical and dem win for Outstanding Ensemble Performance.``` 