 
 <prompt> "Which one dem paint later, Amorpha-Fugue a deux couleurs or Contrasts of Forms? Based on di last question, write one context wey get di answer. E fit be 1 - 20 sentences. Context:" <response>: The most extreme forms of Cubism nor be the ones wey Picasso and Braque dey do, dem dey resist total abstraction. Other Cubists, on the other hand, especially František Kupka, and those wey Apollinaire call Orphists (Delaunay, Léger, Picabia and Duchamp), accept abstraction by comot visible subject matter completely. Kupka two paintings for the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, dey highly abstract and metaphysical. Duchamp for 1912 and Picabia from 1912 to 1914 dey do expressive and allusive abstraction wey dey focus on complex emotional and sexual themes. Delaunay start to paint series of paintings wey e call Simultaneous Windows for 1912, followed by another series wey e call Formes Circulaires, wey e combine planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors e departure from reality in the depiction of imagery almost complete. For 1913–14 Léger produce series wey e call Contrasts of Forms, wey give similar stress to color, line and form. E Cubism, despite e abstract qualities, dey associated with themes of mechanization and modern life. Apollinaire support these early developments of abstract Cubism for Les Peintres cubistes (1913), e write about new "pure" painting wey no get subject. But even though e use the term Orphism these works dey so different say dem no fit into one category. 