 
<translate> Cinematographer Lee Garmes ya fara samarwa, amma a ranar 11 ga Maris, 1939 - bayan wata daya na yin fim ɗin da Selznick da abokansa suka ɗauka a matsayin "duhu" - an maye gurbinsa da Ernest Haller, yana aiki tare da mai daukar hoto na Technicolor Ray Rennahan. Garmes ya kammala kashi ɗaya bisa uku na fim ɗin - galibi duk abin da ya faru kafin Melanie ta haihu - amma ba ta sami daraja ba. An yi mafi yawan fim din a "baya arba'in" na Selznick International tare da duk wuraren da aka yi hotunan a California, galibi a cikin Los Angeles County ko makwabciyar Ventura County. Tara, gidan gonar Kudancin da aka kirkira, ya wanzu ne kawai a matsayin facade na plywood da papier-mâché da aka gina a filin Selznick. Don ƙone Atlanta, an gina sabbin bangarori na ƙarya a gaban tsoffin tsoffin wuraren da aka watsar da Selznick, kuma Selznick da kansa ya sarrafa abubuwan fashewar da suka ƙone su. Tushen a wancan lokacin ya kiyasta farashin samarwa a dala miliyan 3.85, wanda ya sanya shi fim na biyu mafi tsada da aka yi har zuwa wannan lokacin, tare da Ben-Hur (1925) kawai ya fi tsada.  Amsa wannan tambaya bisa ga nassi: inda aka yi fim ɗin gidan da iska ta tafi da shi? Bari mu sami wasu rafi na sani na farko. <eng> Cinematographer Lee Garmes began the production, but on March 11, 1939 -- after a month of shooting footage that Selznick and his associates regarded as "too dark" -- was replaced with Ernest Haller, working with Technicolor cinematographer Ray Rennahan. Garmes completed the first third of the film -- mostly everything prior to Melanie having the baby -- but did not receive a credit. Most of the filming was done on "the back forty" of Selznick International with all the location scenes being photographed in California, mostly in Los Angeles County or neighboring Ventura County. Tara, the fictional Southern plantation house, existed only as a plywood and papier-mâché facade built on the Selznick studio lot. For the burning of Atlanta, new false facades were built in front of the Selznick backlot's many old abandoned sets, and Selznick himself operated the controls for the explosives that burned them down. Sources at the time put the estimated production costs at $3.85 million, making it the second most expensive film made up to that point, with only Ben-Hur (1925) having cost more.

Answer this question based on the passage: where is the house that gone with the wind was filmed? Let's have some stream of consciousness first. 