Tughra-like signature of Ștefan IX Tomșa, Prince of Moldavia in 1611–1615. Based on facsimile in Michał Wasiucionek, "Conceptualizing Moldavian Ottomanness: Elite Culture and Ottomanization of the Seventeenth-Century Moldavian Boyars", Medieval and Early Modern Studies for Central and Eastern Europe, 8 (2016), p. 78. This style, Wasiucionek notes (pp. 73–74), was unique in the Moldavian chancellery, combining Ottoman and Cyrillic calligraphy, and conveying Tomșa's unusually strong Turkification.
Own work
Dahn