Bronze statuettes were also made in every period of antiquity for votive use, and at least in Hellenistic and Roman times for domestic ornaments and furniture of household shrines. But the art of bronze statuary hardly existed before the introduction of hollow casting, about the middle of the 6th century BC. The most primitive votive statuettes are oxen and other animals, which evidently represent victims offered to the gods. They have been found abundantly on many temple sites. But classical art preferred the human subject, votaries holding gifts or in their ordinary guise, or gods themselves in human form. Such figures are frequently inscribed with formulas of dedication. Gods and goddesses posed conformably with their traditional characters and bearing their distinctive attributes are the most numerously represented class of later statuettes. They are a religious genre, appearing first in 4th-century sculpture and particularly favoured by Hellenistic sentiment and Roman pedantry. Many of them were doubtless votive figures, others were images in domestic shrines, and some were certainly ornaments. Among the cult-idols are the dancing Lares, who carry cornucopias and libation-bowls. The little Heracles that Lysippus made for Alexander was a table-ornament (epitrapezios): he was reclining on the lion's skin, his club in one hand, a wine-cup in the other.