There is great variability in the use of the lost-wax method in East Asia. The casting method to make bronzes till the early phase of Eastern Zhou (770-256 ) was almost invariably section-mold process. Starting from around 600 , there was an unmistakable rise of lost-wax casting in the central plains of China, first witnessed in the Chu cultural sphere.
Further investigations have revealed this not to be the case as it is clear that the piece-mould casting method was the principal technique used to manufacture bronze vessels in China. The lost-wax technique did not appear in northern China until the 6th century BC. Lost-wax casting is known as rōgata in Japanese, and dates back to the Yayoi period, . The most famous piece made by cire perdue is the bronze image of Buddha in the temple of the Todaiji monastery at Nara. It was made in sections between 743 and 749, allegedly using seven tons of wax.