Purely decorative work is rare among Minoan bronzes, and is comparatively poor in quality. There are several statuettes, very completely modelled but roughly cast; they are solid and unchased, with blurred details. Well known are a figure of a praying or dancing woman from the Troad, now at Berlin, and another from Hagia Triada; praying men from Tylissos and Psychro, another in the British Museum, a flute-player at Leyden, and an ambitious group of a man turning a somersault over a charging bull, known as the Minoan Bull-leaper. This last was perhaps a weight; there are smaller Mycenaean weights in the forms of animals, filled with lead, from Rhodes and Cyprus. Among the latest Mycenaean bronzes found in Cyprus are several tripod-stands of simple openwork construction, a type that has also been found with transitional material in Crete and in Early Iron Age (Geometric) contexts on the Greek mainland. Some more elaborate pieces, cast in designs of ships and men and animals, belong to a group of bronzes found in the Idaean cave in Crete, most of which are Asiatic works of the 9th or 8th centuries BC. The openwork tripods may have had the same origin. They are probably not Greek.