[ CW ] Write a short story with compelling dialogue without telling us who is saying what .

`` Sheryl? Unbelievable! Did n't she just get... uhh... ``, distracted by the squeak of a marker on the whiteboard as it spells out her name. 
 `` Hepatitis C.'' 
 `` She gets hired in May, gets Hepatitis B in June, and now she's up on the board.'' 
 `` It's Hepatitis C'', the marker writes on. Numbers like hieroglyphs. 
 `` C, D, Q, who gives a fuck?'' 
 `` Look'', the squeaking stops. `` I know you feel slighted and for that, I am sorry''. 
 `` Slighted does n't begin to describe it! ``, papers take flight from the desk, propelled by angry hands. `` This is a betrayal. BE. TRAY. UHL'', each syllable punctuated by the pointed finger jabbing the mahogany. 
 `` Last month, you were up on the board yourself. And you were up on the board the month before that and the month before that. You know who did n't come harass me or Mr. Davis about it?'' 
 `` Okay, Miss Hep C is a great sport. Now we put people on the board for being great sports'', smug and sounding dangerous. 
 `` Mr. Davis puts winners on the board. Sometimes they're great sports, sometimes they're sore losers who happened to be on a winning streak,''. 
 The implication hangs in the air and changes it. 
 `` I'm going to ask you something. And before you answer, I need you to drop your HR-approved, top-button-buttoned, zen monk attitude,''. 
 `` No promises'', replying through a tolerant smile. 
 `` How will this effect my access?'' 
 `` Your access to what?'' 
 `` To what, you pinhead? To the products. To the clients. To Mr. Davis. To a fucking source of income. What do you think I mean by access?'' 
 `` It's possible,''. 
 `` I ca n't make a plan on'possible',''. 
 An upbeat knock on the other side of the door. 
 `` Then I guess you'll have to wing it,''. 

