This director created 21 grams and Amores Perros which came out quite a while ago. Crash and Traffic copied the storytelling style of interweaved stories, so quit calling this a bad imitation or whatever...This film was created as a piece of art: the director had something he wanted to say, so he made a film to say it. Complaining about incoherent storylines and lack of momentum is therefore not as important as some reviewers would have you believe. I wonder what the people calling this "the worst movie ever" based on those criteria would say about a Jean-Luc Godard or Federico Fellini movie?I was puzzled by the Moroccan sex story, but far from revolted. And I think the nudity in the Japanese story was crucial to the story.