Kaplan and Kuerti play the Intermezzo of the third sonata more slowly than in my other two recordings (Faust and Beikircher). The tempo marking is Bewegt, doch nicht zu schnell. They are "barely Bewegt" but I think they draw depths out of this music at their tempo that are missed in quicker performances. In the Finale, said to be extremely difficult, Kaplan manages everything with apparent ease and even brings out certain details more clearly than Faust.