As the previous reviewer points out, the choice of music is fantastic, and would be a lovely program. Ms. Pryde, though, ought not sing until she works out her vocal problems, of which there are many. The straight tone, often landing south of the pitch, is absolutely frightful. It smacks of serious vocal pathology. I also question the genre-style of attempting chest voice to such high registers wherein the voice cannot sustain it properly. Proper coaching and editing could have elminated the poor pitch issues (the ascending tones of the Schwartz comes to mind), but the vocal problems overshadow it all. Ms. Leon's piano is lovely, and very sensitive, but alas, poorly matched in Ms. Pryde.