ORLAC is a gem from the early days of German expressionist filmmaking, with the underrated Conrad Veidt playing a concert pianist who loses his hands in a train accident and has the hands of a murderer implanted in their place. But the story takes second place to the cinematography, with wonderful set-pieces such as the mansion of Orlac's father, the train wreck, and Orlac's piano room. Fans of NOSFERATU will definitely want to take a look here.