I wonder if it's ever occurred to Roger Waters that for all of his carping about how the concert milieu has diminished the performer's ability to communicate directly with the audience, he plays right into that stereotype of "big, bigger, biggest" and has since THE WALL. What is so freaking "direct" about all of this stage puffery on display in this video? What, Rog, too scared to find out that if you stripped all of it away, people would find out you had nothing to say?On it's own terms, IN THE FLESH LIVE makes for a decent enough rock concert spectacle, but, please Roger, spare me the sanctimonious garbonzo about audiences being "amused to death." Want to communicate directly? How about showing up with just a guitar and see what happens? Until that time, welcome to the machine!