The Prokoviev 3rd is played in Argerich' usual performance style:she practically trips over the notes in order to get to the next one. Nuance, emotional interpretation are nearly non-existent (except for those who equate musical interpretation and emotingas the production of speed on the keyboard). Prokoviev obviouslyexpected speed where it is called for in this piece, but I hardlythink that he would have enjoyed his music being trampled upon. Even the expert downhill racer appreciates the style of his craftand wouldnt consider himself a better skier if took the mountainon a ski jump.