Bereft of the SALOesque resonances of SHE WOLF OF THE SS, HAREM KEEPER is far more reminiscent of pre-porn nudies like director Don Edmonds was generating for the Pussycat chain at the end of the sixties - some features he shot in a single day. Not written by Jonah Royston this time, it's a Langston Stafford script - likely a nudie associate of Edmonds. It has that porno idiocy with a less edgy violence that winds up just being dreary. Softcore that makes you forget you're seeing an overground picture and leaves you waiting for the money shot. And there just isn't one. How weirdly appropriate that Edmonds' later legacy involves producer credits for Tarantino's TRUE ROMANCE script and his PULP FICTION writing partner's project, Roger Avery's KILLING ZOE.