Robert Woolley presents a fine rendition of these Op. 17 sonatas on a fortepiano built at around the time of J.C. Bach's death. He endows them with feeling and humanity without a lot of overindulgence in rubatos or other mannerisms. The "prestissimo" movements of sonatas 2 and 6 are especially good, played with breathtaking virtuosity. And as Woolley demonstrates, there is an excellent case to be made for J.C. Bach as a worthy composer in his own right, and not just "another son of J.S. Bach" or "a precursor of Mozart." Highly recommended.