One reviewer has bemoaned the lack of different material, complaining that Lester should have respected his audience by waiting until he had enough material to make an album. This reviewer seems not to know that Lester is long departed, and that it is the record company that has combined his original work with alternate takes and live versions for the benefit of fans of Young.This is some wonderful music, as virtually all Lester is, and as to the same reviewer's complaint that the tenor does not sound like a tenor, I would only comment that no two jazz tenors sound the same, not should they, I might suggest starting with the Alladin and Kansas City sessions, but this is certainly quite worthwhile.