The Chicago Symphony has always had a great brass section, but this is the proof. Who cares if it's not musical? When the trombone section completely obliterates the rest of the orchestra during the 1812it is just glorious! And in Marche Slave when the low brass gets theCzarist National Anthem, CharlieVernon takes the Bass Trombonepart down the octave and blasts overthe tuba deep in the pedal range!Like I said, it may not be completelymusical, but it's a testament to what can be done.