I first heard this album in the summer of '78. I thought it was unusual to hear, of all things, a jazz flute? Anyway, this album is one of many which proves the talent and versatility of Dan Fogelberg. It's a shame that when we see "Best Of" and "Greatest Hits" albums that they only contain the old, worn out top 40 hits of the past- not that they aren't and weren't good, but if you have never heard some of the lesser known compositions of Dan Fogelberg, i dare say you have no idea of how fluently poetic and lovely some of those works are. Anyway, back to this album- Tim Weisberg and Dan Fogelberg blend together so well that it sounds like two old friends having a good time. It works because of the versatility and talent of Dan Fogelberg.