Update README.md
Browse files
README.md
CHANGED
@@ -37,13 +37,9 @@ emoji: 🔜
|
|
37 |
instance_prompt: Mukhina style photo
|
38 |
widget:
|
39 |
- text: >-
|
40 |
-
|
41 |
-
title: "SEREBRYAKOVA FLUX" a Serebryakova style oil painting by the Soviet
|
42 |
-
artist Zinaida Serebryakova, detailed Soviet revolutionary illustration
|
43 |
-
of a beautiful Soviet woman poet in the 1920s, avant garde modernist oil
|
44 |
-
painting, Large font prominent centered text title: "SEREBRYAKOVA FLUX"
|
45 |
output:
|
46 |
-
url:
|
47 |
|
48 |
---
|
49 |
# |\ Vera Mukhina's ART of STONE MONUMENTS /|
|
@@ -51,10 +47,18 @@ widget:
|
|
51 |
|
52 |
For generating stylized images reminiscent of sculptures & stone monuments by **Vera Mukhina**. <br>
|
53 |
|
|
|
|
|
|
|
|
|
54 |
Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed art scans... <br>
|
55 |
Representing a broad selection (about 40 images) of photographs taken across many decades (earliest c. 1910s thru c.2010s) capturing a wide range of sculptures (ranging in scale from miniatures to enormous monuments) designed by ... <br>
|
56 |
The epochal Latvian-Russian-Soviet or, in short, World artist, sculptor, and monumentalist: <br>
|
57 |
**Vera Mukhina** *(1889 — 1953)*, <br>
|
|
|
|
|
|
|
|
|
58 |
One of the 20th century's most accomplished, versatile, celebrated, and era-defining sculptors... <br>
|
59 |
Who is best known, both across the Soviet regions and internationally, for her enormously iconic & sized figurative monument *"The Worker Man & the Kolkhoz Woman"*. <br>
|
60 |
Initially designed & created by Mukhika for the 1937 *Exposition Internationale* in Paris, *"The Worker Man & the Kolkhoz Woman"* arose at the side of the Eiffel Tower like two commensurably-sized sentries about to climb atop the metallic lattice, and perched atop, to proudly flaunt their hammer & sickle unto the whole wide world. <br>
|
@@ -68,6 +72,9 @@ Back in the USSR that year, triumphant and tensely, desperately, tragically narr
|
|
68 |
...targeting for elimination a single demographic (with others mainly swept up by proxy/inertia): anyone who had been in any way politically active in the late 1910s and early 1920s, mainly lifelong Bolsheviks. <br>
|
69 |
In effect, in 1937 & 1938 there took place in the USSR a veiled (and to this day, mis-categorized) anti-Communist genocide orchestrated by Communists, and which resulted in the violent elimination of 90% of surviving communists & socialists active before and during the Revolution, and/or were influential in the 1920s. <br>
|
70 |
Alongside them were eliminated most Civil War-era Red Army veteran officers. Why? One theory is horrifyingly simple: to make way for the young. And if by 1940 there were still a few mentors around for these youths to turn to, it just so happened that very few of those mentors had ever lay eyes on Marx's Das Kapital. <br>
|
|
|
|
|
|
|
71 |
Remarkably, the purges were very effectively hidden or obscured from the young, many of whom remained oblivious until the 1950s. But then again, were they not so oblivious, they might have lost the War. <br>
|
72 |
As it was, the War against invading fascists was won; yet, from among those youths, the first young Soviet generation for the sake of whose futurous integrity the Bolsheviks self-annihilated, more than half would perish in it. <br>
|
73 |
Future is never built through or from wars. Sometimes it can be very narrowly safeguarded, given low enough casualties. But mostly, it is massacred, no matter who wins. <br>
|
@@ -78,6 +85,9 @@ And though the USSR as such survived for approximately span of their median life
|
|
78 |
|
79 |
<Gallery />
|
80 |
|
|
|
|
|
|
|
81 |
## Trigger words
|
82 |
You should use `Mukhina style photo of a sculpture` or `Vera Mukhina style photo of a stone monument` to summon the artist's latent chisel. <br>
|
83 |
|
@@ -124,6 +134,10 @@ It is an art form of timeless stone: <br>
|
|
124 |
Art of stone monuments.<br>
|
125 |
|
126 |
|
|
|
|
|
|
|
|
|
127 |
## Use it with the [🧨 diffusers library](https://github.com/huggingface/diffusers)
|
128 |
|
129 |
```py
|
|
|
37 |
instance_prompt: Mukhina style photo
|
38 |
widget:
|
39 |
- text: >-
|
40 |
+
Mukhina style photo of Once this lone wolf, transformed to stone, forever stands, sculpture by Vera Mukhina
|
|
|
|
|
|
|
|
|
41 |
output:
|
42 |
+
url: StoneMonumentWolf.png
|
43 |
|
44 |
---
|
45 |
# |\ Vera Mukhina's ART of STONE MONUMENTS /|
|
|
|
47 |
|
48 |
For generating stylized images reminiscent of sculptures & stone monuments by **Vera Mukhina**. <br>
|
49 |
|
50 |
+
***Sculpture of a peasant woman, designed & sculpted by Mukhina during the 1920s:*** <br>
|
51 |
+

|
52 |
+
|
53 |
+
|
54 |
Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed art scans... <br>
|
55 |
Representing a broad selection (about 40 images) of photographs taken across many decades (earliest c. 1910s thru c.2010s) capturing a wide range of sculptures (ranging in scale from miniatures to enormous monuments) designed by ... <br>
|
56 |
The epochal Latvian-Russian-Soviet or, in short, World artist, sculptor, and monumentalist: <br>
|
57 |
**Vera Mukhina** *(1889 — 1953)*, <br>
|
58 |
+
|
59 |
+
***Vera Mukhina, the sculptor, holds her head in contemplation:*** <br>
|
60 |
+

|
61 |
+
|
62 |
One of the 20th century's most accomplished, versatile, celebrated, and era-defining sculptors... <br>
|
63 |
Who is best known, both across the Soviet regions and internationally, for her enormously iconic & sized figurative monument *"The Worker Man & the Kolkhoz Woman"*. <br>
|
64 |
Initially designed & created by Mukhika for the 1937 *Exposition Internationale* in Paris, *"The Worker Man & the Kolkhoz Woman"* arose at the side of the Eiffel Tower like two commensurably-sized sentries about to climb atop the metallic lattice, and perched atop, to proudly flaunt their hammer & sickle unto the whole wide world. <br>
|
|
|
72 |
...targeting for elimination a single demographic (with others mainly swept up by proxy/inertia): anyone who had been in any way politically active in the late 1910s and early 1920s, mainly lifelong Bolsheviks. <br>
|
73 |
In effect, in 1937 & 1938 there took place in the USSR a veiled (and to this day, mis-categorized) anti-Communist genocide orchestrated by Communists, and which resulted in the violent elimination of 90% of surviving communists & socialists active before and during the Revolution, and/or were influential in the 1920s. <br>
|
74 |
Alongside them were eliminated most Civil War-era Red Army veteran officers. Why? One theory is horrifyingly simple: to make way for the young. And if by 1940 there were still a few mentors around for these youths to turn to, it just so happened that very few of those mentors had ever lay eyes on Marx's Das Kapital. <br>
|
75 |
+
***Soviet youth, via another sculpture by Mukhina:*** <br>
|
76 |
+

|
77 |
+
|
78 |
Remarkably, the purges were very effectively hidden or obscured from the young, many of whom remained oblivious until the 1950s. But then again, were they not so oblivious, they might have lost the War. <br>
|
79 |
As it was, the War against invading fascists was won; yet, from among those youths, the first young Soviet generation for the sake of whose futurous integrity the Bolsheviks self-annihilated, more than half would perish in it. <br>
|
80 |
Future is never built through or from wars. Sometimes it can be very narrowly safeguarded, given low enough casualties. But mostly, it is massacred, no matter who wins. <br>
|
|
|
85 |
|
86 |
<Gallery />
|
87 |
|
88 |
+
***Mukhina's *"The Worker Man & the Kolkhoz Woman"* today:*** <br>
|
89 |
+

|
90 |
+
|
91 |
## Trigger words
|
92 |
You should use `Mukhina style photo of a sculpture` or `Vera Mukhina style photo of a stone monument` to summon the artist's latent chisel. <br>
|
93 |
|
|
|
134 |
Art of stone monuments.<br>
|
135 |
|
136 |
|
137 |
+
***Various sculptures & designs at the Mukhina museum in Theodosia:*** <br>
|
138 |
+

|
139 |
+
|
140 |
+
|
141 |
## Use it with the [🧨 diffusers library](https://github.com/huggingface/diffusers)
|
142 |
|
143 |
```py
|